Відео

I’m following everything here and it’s not working

I just got it, but how do I install it?

Hi , so how would one track the bg if fg has a pan motion ? I tried tracking but bg seems to be not in line with fg motion . Am i doing anything wrong on tracking part ?

why dont you just watch through the shot?

How do i use the "legal to full range" "full to legal range" with red raw footage?

I need to see a tutorial on how to use the Patch replacer to remove stray hairs sticking up on top of someone's head asap!!!

this film graded in assilimate scratch..

the problem is, i go to next clip, see i need edit i did on previous clip, i go back, but at that point ripple changes doesnt work any more

Nice tip

Omg man! It's gold! I think we'd know that if read the official manual 🤓

That is an interesting idea - I have jumped like that using active playhead markers, but that takes a liitle more effort but - you are able to park each on any frame - so if you want to have something comparable - placing the active playheads is more accurate. But I like this as well for use as described.

very good video

Thank you so much for this documents!

great video, very useful

I ran scene cut detection and it made a million little cuts that I don't want. I don't want to manually delete points. How do I RESET the Scene Cut Detection for a video file??

Very well done video. Thank you very much

Do you colour grade animated works? Because from what I understand animated shows/films are colour graded to match the gamut of the projector being used and less for style.

Unless something has changed in Premiere you’d need to force DNxHR444 to Full Levels for Premiere to interpret them correctly.

why did you choose resolve over baselight? (i don't like resolve color science)

Wild🔥🔥🔥🔥

Sir any idea I have done short film in rec 709 color space now I want to trim pass in dci p3 in projection room..so I have to change odt rec to p3 dci ...any method u have ...easy

More of these “how to use this useful feature (in new and improved ways) videos please 👍🏿

This is fantastic! Thanks for sharing this information Luke.. Subscribed.

Great video. However, you forgot to go into the advanced settings to select rec709-a or rec709 gamma 2.2 for web.

Mouse pads 👍

Good job! 👍

You got a new sub 🙌🏻

bro in which platform you get client

Hello Luke, i love your channel and the way you share your knowledge. I would like to share a tip with you, maybe you already know it. If you scene cut detect in mediapool it creates a lot of sub clip, but if you remove them and instead drag and drop the native clip, it will relink all the offline cuts on this only media.

Looks great! Great tutorial delivery too, as always. I like to ask for a EDL to cut up the file so that I can Extract reel names from the EDL comments.

Awesome...

Golden video! Showing the process and the real world scenario.

As a beginner colorist, who has never used any Stream Deck, which model would you recommend? I understand they both have their pros and cons but which do you feel is the strongest for all around purposes?

Your series in Baselight are exceptional. Would love in some day to see a workflow in Baselight, kind like in DAVINCI. How to create a look, day to night etc. Would also hear your opinions about the Baselight and DaVinci as you are one that have work with both.

Very well thought out, Luke! Your tutorials on this are very well done and clear. Bravo! I was able to put it all together today with your well thought out profile configurations and it is a great companion to my panel and other Stream Decks. Scott

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Nice. If you were to do an image noise reduction via resolve studio or something like neat image where do you think you'd put it? beginning of all nodes even prior to the qualifier parralel node?

I love the stream deck usage, I've been wanting to really upgrade my use of it. I've always found it easier to overlay the reference at 50% opacity though, especially for transform matching. You notice immediately when something is off, and can quickly tell how your source shot needs to change.

nice tutorial, thank you sir!

Well done, Luke. Thank you. This is a very nice tutorial ... and , the Stream Deck + looks like another piece of gear that I need. It looks like you have a tutorial on setting it up, too. Bravo.

You can pull the audio from the reference in the media page. Right click on it and select Extract audio.

Hi! Nice trick on getting to the middle frame of each clip 🔥 On the edit page, you can right-click the viewer and compare the timeline and the offline in Difference mode. I think that’s the best way to confirm a dead match! this also let’s you stay in that mode while you fly through the timeline without having to toggle the reference on & off 👍🏾

What if reference clip has wrong start time code ?

😮 🔥

I've tried countless times to install it, and every time it says "Global Formats Database Host Your preference for the formats database host is set to localhost which could not be contacted. This application cannot continue until this is resolved. Press Quit and retry later if the database machine is temporarily offline. Alternatively enter a new database host,or delele the text entirely to use the default setting of the local system“ What should I do? I'm crashing.

Wow, this was great, I've always wanted to match a shot from this film, it's one of my all time favorites. Great work and awesome tutorial!

Excellent stuff Luke.

Easily one the top "explanations" of the parallel node that I've found so far... Great little tutorial, but oh so valuable! I thank you, Sir, for your time and effort on this!

Thank, save my time.