Super helpful. People say this is an easy sonata but especially when it comes to the trills you will always be able to tell the difference between a master and a hobby player.
I am not surprised to find a lesson for these trills on the Mozart sonata. I have been learning this for many months now and It has been pretty hard to combine the trills with the left hand notes
Thank you for sharing! You play it so very nicely in full. I do notice tho that some argue that the first trill is played with the top note (G) first, and that the preceding G does not change that tradition.
I want to thank you for your very helpful video. I had difficulties with the second trill, but now I manage to play it. And last not least I like your way of teaching. So I hope to find more of you :-)
I deeply appreciate your tutorial. Now I understand the principle(?) or the precise length of the note on the second trill from your performance and explanation. Although it is another matter whether I will be able to handle it or not;;
As far as the trill in m. 15, I would disagree with your suggestion to start on the upper auxiliary because the trill is placed on an appoggiatura note (the G is an appoggiatura to the following F#), so beginning on the upper auxiliary would thus create an appoggiatura of an appagiatura, which is not recommended.
I've been stuck on that second trill part for weeks. I had to slow down the speed and hear that you play that little A right when you play the C in the left hand
Thanks a lot for this trill tutorial for the Mozart's Sonata in C Major. I'd be most interested to know which edition of this sonata you are using in this video. Thanks a lot!
it seems like when I play the trill on page 15?...at a tempo of like 120 bpm, that damn thing is like the speed of light!! it almost seems there is an adjustment of tempo in the left hand to make the two notes after the trill fit ....I mean that thing is warp speed!...lol.....32nd notes at 120....tough
how do you developed a such a clean and precise right hand (and left). It sounds robust, clean, accurate and very Mozart. Apart form scales, and arpeggios, what else (tip) do your recommend to play Mozart and sound Mozart?
Thanks for trying to explain the trills. It would help a lot if you would also show, besides playing them rather fast, which makes it difficult to follow what you do exactly,,especially for the second trill, a written example of them all. Fortunately I saw a written example of the first two trills below the picture of the sonata.
I really dislike the sound of the trills starting on the higher note! I'm never going to change to that way of starting the trills. While I'm at it I fail to see why so many people try to play this piece at a tempo that makes you think the devil himself is after them. I prefer to hear and savor all the notes, phrases, etc. A piano teacher I know has said something to the effect of "YOU are the one playing here. YOUR interpretation of Mozart's suggestions on the page is the one that counts.
Super helpful. People say this is an easy sonata but especially when it comes to the trills you will always be able to tell the difference between a master and a hobby player.
I am not surprised to find a lesson for these trills on the Mozart sonata. I have been learning this for many months now and It has been pretty hard to combine the trills with the left hand notes
I ´m actually dying trying to learn them
@@elianaclaire2566 how's it going?
I'm learning this now and was not sure about the trills. This tutorial is just what I was looking for. Thanks!
Thank you for playing the trills slowly so I can hear how they are supposed to be played, & then playing them at full tempo.
Love how you play, it's so light and airy.
This is right what I needed this morning as I am trying to figure out this very first trill. thank you so much!
Great, clear instruction on the trills and your playing is for me a perfect model of what this piece should sound like.🌟🎼
Thanks! Definitely helped me with the second trill. Many videos show the trill starting on the G note.
Thank you for sharing! You play it so very nicely in full. I do notice tho that some argue that the first trill is played with the top note (G) first, and that the preceding G does not change that tradition.
This is exactly what I needed. Thank you so much for your help.☺
Exactly what I was looking for! Thank you!
This is exactly what I was looking for, thank you!
Thank you! This is precisely what I was looking for.
Thank you for such a clear explanation of these trills.
Eric
I described that big trill to my piano teacher as trying to walk and chew gum at the same time, while riding a unicycle backwards...blindfolded
Thank you so much - very clearly explained!
Very helpful demonstration
thank you. exactly what I needed.
Sr. that performance right there at the end is exactly how I think it should sound. That sounds like Mozart to me. Thanks!
Thank you so much for the lesson❤❤
Nice clear lesson many thanks
I want to thank you for your very helpful video. I had difficulties with the second trill, but now I manage to play it. And last not least I like your way of teaching. So I hope to find more of you :-)
I deeply appreciate your tutorial.
Now I understand the principle(?) or the precise length of the note on the second trill from your performance and explanation. Although it is another matter whether I will be able to handle it or not;;
Thank you for showing me how to play those trills
So glad to find this. Thank you, sir, very helpful! Hope you do more! 🌹🌹🌹 Merry Christmas! 🎄🎅
Recommended this to a student - good tutorial.
Thank you very much for this video!
I was stuck on this. Many thanks!
10 years later and it still applies
Que hermosaaaaaa pieza que locura Mozart qué genio...
As far as the trill in m. 15, I would disagree with your suggestion to start on the upper auxiliary because the trill is placed on an appoggiatura note (the G is an appoggiatura to the following F#), so beginning on the upper auxiliary would thus create an appoggiatura of an appagiatura, which is not recommended.
@@KevinR3i Well, I guess the editors didn't understand what an appoggiatura is.
Thanks dood really needed help with these
please, make a tutorial of the mozart's turkish march trills please!
❤❤❤❤❤😊
I've been stuck on that second trill part for weeks. I had to slow down the speed and hear that you play that little A right when you play the C in the left hand
thank you
Thanks a lot for this trill tutorial for the Mozart's Sonata in C Major. I'd be most interested to know which edition of this sonata you are using in this video.
Thanks a lot!
It should be the Sonata Album volume 1 edited by Maurice Hinson, an Alfred Masterwork Edition
@@QuattroQuartiTeramo Many thanks and blessings, Max T.
It's so hard to multitask right & left hand with the trills. Been struggling on this for days.
4:32
it seems like when I play the trill on page 15?...at a tempo of like 120 bpm, that damn thing is like the speed of light!!
it almost seems there is an adjustment of tempo in the left hand to make the two notes after the trill fit ....I mean that thing is warp speed!...lol.....32nd notes at 120....tough
Good stuff
how do you developed a such a clean and precise right hand (and left). It sounds robust, clean, accurate and very Mozart. Apart form scales, and arpeggios, what else (tip) do your recommend to play Mozart and sound Mozart?
bravo
Thanks for trying to explain the trills. It would help a lot if you would also show, besides playing them rather fast, which makes it difficult to follow what you do exactly,,especially for the second trill, a written example of them all. Fortunately I saw a written example of the first two trills below the picture of the sonata.
❤️🙏
Los trinos son semicorches o fusas?
This is a trilling lesson.
What book are you using?
So the trill in measure 4 must be three 16th notes? Is that correct?
1:03 ？？？
T
I really dislike the sound of the trills starting on the higher note! I'm never going to change to that way of starting the trills. While I'm at it I fail to see why so many people try to play this piece at a tempo that makes you think the devil himself is after them. I prefer to hear and savor all the notes, phrases, etc. A piano teacher I know has said something to the effect of "YOU are the one playing here. YOUR interpretation of Mozart's suggestions on the page is the one that counts.
2:30 too damn hard