To me the Maple sounds a lot better, fuller. I wish I was joking. Could I pick it out in a mix? No, but in a naked comparison like this, I highly prefer it.
When I was a teen just starting to play electric guitar, someone told me that Eddie Van Halen boiled his guitar strings in hot water on the stove before stringing his guitar ( to allow them to stretch ). I did that, and when I removed the string from the boiling pot, they were nothing but pure rust! Lol, I'll never forget that, so don't believe that myth! R.I.P. Eddie.
its actually a cheap trick to make bass strings sound new and bright again, it removes all the natural oils, sweat and gunk that have been collecting on your strings, only problen. they dont last half as long as new strings does and sound even worse after they die.
I heard recently that Eddie deliberately told mistruths about what he did to achieve his sound. The specific item cited was whether he used a variac to provide more or less supply voltage to the amp. Apparently he told interviewers both at different times. To support that, apparently also Alex told Eddie early on to turn his back to he audience when he was using special playing techniques, so they wouldn't be learned by the other locals.
0:28 Nitro finish vs Poly finish 1:34 Vintage pickups vs Modern pickups 2:32 Gauge & Tone 3:26 Thin lines vs Solid bodies 4:03 Maple fretboard vs Rosewood fretboard 6:06 Power supply pedals vs 9V batteries pedals 6:42 "Vintage tone" 7:18 Strat bridge vs Tele bridge 8:40 Guitar versatility 10:00 Small Strat headstock vs Big Strat headstock 10:54 Boiling your guitar strings 11:32 True bypass vs Buffered bypass 12:31 Noiseless pickups 13:12 Country of manufacture 14:06 Tonewood
@@brunnoteixeira9400 Agreed. Anything on the amp, (preamp, speaker, cab...) Is more important than anythig on the guitar. Important meAns AUDIBLE. Most of the time, only the guitar player can hear a difference on a pickup change. Especially in a mix. And 99,9 % of the audience don't give a F*** about the whole debate 🤣
If you enjoy these debates you don't have to think anyone's right. People like Phillip McKnight have tons of gear experience and he says a good inexpensive set of pickups isn't necessarily inferior to some expensive custom set, because the same basic correct materials are widely used.
@@j_freed Regardless of whether he is correct on that particular point, I don't consider Phillip McKnight an authority on guitar tone regardless of how much gear he owns. He did a video on attenuators and didn't even realise that the model of RockCrusher he owns has no cabinet emulation.
Dude, I’m so glad you brought all those things to the table, I expect a lot of the tonewood freaks bitching but that only works for acoustic guitar, if anything. I am a physicist and I’m tired of explaining that a bad capacitor will affect the tone muuuuch more than a rosewood slab on the neck
Ryuu MV what we should really be talking about is how much the color fo the guitar affects the tone. As you know the biggest difference in the world exists between a light red and dark red finish.
He said the tone is affected, just not enough to go crazy about it. Playability is #1 + decent pickups #2 should be the main focus. That plus a good amp. That's ALL we need to focus on..
@@Ryuu87 I doubt it's about having better ears, I think it's more been playing loads with both types of fretboards, hence why it's easy to hear the difference at once when the guitar is all on it's own, still not enough to pick one over the other just for the little difference in sound. Almost inclined to say no one will ever be able to point it out in a full mix, but there are probably some trained ears that can.
.. thank you, Darrell! I do feel that you deserved some kind of award for all the work/effort that you've put into the making of your excellent videos and all the knowledge/info that you've shared through all the years!
You just changed my perspective in a huge way. I've been stuck in a lot of these myths for a very long time. So much that I have avoided buying a new guitar because I couldn't figure out which direction to go and what exactly I wanted to spend my money on. Your videos are awesome and greatly appreciated! Big thanks to you sir!
This video should be a link in every guitar buyers guide. All of the concerns of someone who is about to buy an electric guitar for the first time are here! The man said it all and he said it right!!!! Nice video! Again..!!!
Tark, there's a LOT of us who also want that! Let us know if you're successful! Would be so much easier. Like trying to lose weight by watching the exercise videos.
nah nah man, to try and make it more marketable, youve got to say that the gold flakes add to the magnetic pull of the pickups on your strings and kills your sustain!
CABLES CABLES CABLES! Do a comparison between cheap and expensive cables. I spend nearly a 1/4 century in the high end audio sales world, where crazy has been refined to a degree that makes the guitar world look completely and utterly rational. As a newly minted student of stringed things (Yay! Another obsession!)' Y'all aren't crazy. I'd like to see a cable comparison since $10,000 speaker cables exist, and sell, in high end audio.
Without a doubt; the mythology of the guitar world is bush league when compared to the absurdities of the audiophile realm. Ever heard of Shakti Stones? Egad...
An electric guitar signal needs a quality cable that is shielded to eliminate noise. It is called Hi-Z because there is a lot of resistance to the small signal your pickups make. Your guitar will sound better thru your amp if your signal chain is designed to eliminate noise and interference. It's just a fact. Learning this changed my guitar playing world. It allowed me to find my tone and made people take notice. Yes better (shielded cable) makes a difference in your tone. Now try a matched triode tube (12ax7 with matched triodes) in the phase inverter socket of your amp. You will hear that loud speaker hiss go away and the feel of compression and attack and even order harmonics take it's place. Try it. For $20 its worth a shot. I know many players that live by it. I know I do.
I did notice a difference some years ago from upgrading my guitar leads and patch cables but that was a fair length of cable and it was going from super budget to decent cables. Once you get over a certain point you can spend all your money on oxygen free copper and gold plated connectors and it isn’t going to make a difference. I’d have said that it could be placebo but the big thing was less noise (shielding helps) and the fact that the good cables have lasted 10 years and the connectors have since broken on the cheap ones even with minimal use.
Myth #14 - You have to buy American guitars only. THANK YOU! I get so tired of the gear/guitar snobs who look down their noses at you if you don't own THE most expensive guitar. It's like playing an Epiphone instead of a Gibson makes you less of a player in their minds. Screw that noise!!
You want to pay the prices for me? I worked for decades in this 'American Economy'. I was forced to retire early from the business I owned due to a stroke. In a few years, I had used up the retirement money I saved up and am now on Social Security. I worked for decades of my life helping to build this 'American Economy' and now, I have to live on table scraps through no fault of my own. You want to pay $3000+ for a guitar, you go right ahead. I am not wealthy like YOU apparently are, lady. I was not born with a silver spoon in my mouth. Or is that a FORKED TONGUE in yours?
@@adriannasanchez468 if Axess2084 bought his budget priced import guitar and gear from a local pawns hop, or music store, he STILL supporting the American Economy. The store owner still gets the profits.
@@Axess-sv8nq Hi, "Axe". I fully understand your anger, because - like you, and many others who like to play the guitar - I had to save quite a long time to afford an instrument that is worth the money (it has to fill my needs, crap won't do that!). And my patience was worth it when I came across a beautiful Paul Reed Smith Custom 24 SE Dark Ebony showroom model that costed me just over 700 euros (800 USD) in stead of over 1200 at the time. Just saying: being short on money does not have to take away your dreams. I love this instrument and it could sound better with Seymour Duncans, but it will not look any better than this! Besides: who cares if I get home from a nasty day's work and play the hell out of it? Even more: a skilled guitarist - the one who realizes practising is important - can get good sound out of any (good) guitar. Videos like these teach us how to improve a good instrument and to separate junk from good stuff. I got this - American - instrument from a store in England. So, tell me: where does the money go to? Can we ever really tell?
Actually yes. It depends. Boiling PLAIN guitar strings is really kind of moot and futile. But the wound strings were gunk residue resides in the wound cavities as all strings on bass are wound plays a role. And if you use Fender bass tuners you just put the strings back again without distorting or weaking the turns they have shaped form in. My take instead of boiling, is soaking them in isoprpopyl alcohol. For a while. The de-gunking of finger dirt and residue inside the wraps starts creeping out. But guitar strings are so cheap these days so it's a no brainer buying new strings.
I agree. Boiling crusty wound strings makes them sound lively again. Not so for dead-sounding plain strings (sorry Eddie). For years as a cheap-ass, I'd just replace the three high strings and boil the wounds for 20 minutes. Now I can afford to buy full sets whenever I want.
Another wonderful myth to add: The brand of your potentiometers and capacitors changes everything! You'll need CTS pots, Switchcraft switch and input jack, and an Orange Drop capacitor to sound good!
I want to say about the nitro vs poly finish, on top of that, the only reason they really went to a poly finish over a nitro back in the 60's was simply because guitars with nitro finishes that were shipped to stores often arrived with finish damage or marks. Poly made that problem disappear and far fewer guitars were shipped back to the factory.
If you sneer and hop around on one foot like Angus Young, while grasping the guitars neck like you're attempting to strangle an ostrich one handed ,it'll give you that warm vintage sound.🤣
That “warm vintage tone” slogan always confused me as well...almost everything “vintage” was way brighter and trebly than anything today...I never knew what they were talking about with the “warm” aspect.
Maybe because now the magnets lost their charge (or whatever it's called I don't remember) and treble goes down with it. So they can make pickups matching the old ones, but with the sound they have now instead of 60 years ago
I think the 'woodiness' of the sound output too as most electric guitars of that era, were all hollow, and as early pick ups were not potted they were quite microphonic so picked UP body resonance along with the string resonance.
I think people associate old music with warm tones in part because of vinyl too. People hear that old music was more "warm" and apply that to the tones of the instruments when that wasnt necessarily the case.
Yes, that too is a good point. ALL prev recording media imparted their own colour to the sound, acetate, wire, & tape all had their own slant and natural compression to the sound it accepted and played back! The reason digital recording sounds clearer but more harsh is it is completely NEUTRAL, and records and plays back EXACTLY what was put on to it! All the wave forms are turned into NUMBERS, the numbers play back exactly the same, on any player. Records and tapes being PHYSICAL media do not, as they have physical shapes of wave forms on them, and are physically played! THAT is they key difference!
well said on all of it. And as somebody who builds their own pedals I can tell you this.. True bypass is EASIER to build than buffered bypass. I'll tell you, you'll need some buffering.. maybe not all of the pedals but like you said at least one!
Boiling strings is typically a bass thing, the one thing it does is helping stretch them and pulling dead skin cells out. One is for new strings one is for reusing
Every time I swap strings (4 string epi t-bird pro bass) I boil my oldies and dry them. If I break a string (has happened this year) and can’t afford new ones/store is closed I pick up an oldie and bam, solid temporary fix
You forgot a big one, Darrell: All ceramic pickups suck and all AlNiCo pickups sound great! There are plenty of great sounding ceramics out there and also poor sounding AlNiCo pups out there too. It's all about the overall design! There is a lot of brand and cost bias going on in these subjective evaluations. I would love to see a video comparing the sound of a $1500 American Fender Strat to a $250 Squier Standard Strat with the pickups secretly swapped. I think the vast majority of people would still bias their opinions toward the sound of the Fender just because their brain tells them it is supposed to sound better. The comparison has been done between these two guitars plenty of times and people tend to say things like, "The Fender just has the fullness of tone that you need and the Squier sounds too bright and harsh to me." If the pickups were swapped, I'm sure a few very experienced players would know simply because they know what the pickups sound like on their own merit, but I would bet my bottom dollar a majority would be saying things like, "The Squier sounds okay but it's slightly dull and it doesn't have the brightness and bite of the Fender."
I think there are a few things in this video people would disagree with. It has been my experience that the guitar sounds fatter with heavy gauge strings. I thought there was more output from the strings and sustain, though this could be due to the mass of the string. The guitar pickup works by a string passing through a magnets lines of flux and inducing a voltage on a coil. Thus the string has a direct relationship with the output. I agree people do sound good with thin gauge strings too, but there are other factors which come into play such as their amp and speakers.
I think the trick is.. it's the ear of the musician and how he adjusts his gear/electronics. Ive heard STRATS of all things playing metal with megacrunch. And teles. And ive seen some very twangy music played on lp's and rg's...
Agreed this is often glossed over, however Darrell often mentions in his videos that a good amp is the great leveller. A good amp will make a reasonable guitar sound good. A crap amp will make a great guitar sound...well like crap 😉. His advice about more practice, less agonising over detailed mechanics/astaetics is great advice.
about that boiling thing. yes, it's definetelly smarter to just buy a new set of strings. But I don't think getting out the mechanical defects in the strings was really the goal of the boiling, but rather to get rid of dirt build up on the string. Glenn Fricker from SMG actually just recently did a test where he compared new strings vs old strings vs boiled old strings, both in the context of a full mix and soloed. The result: it makes no difference, even the new strings didn't sound too much different from the old ones. Of course, it may be worth noting, that he was comparing the strings on a heavy rythm tone, so minor differences may not have been that audible
Teles sound so beautiful, honestly after watching his comparisons I've realised I'm not much of a strat fan. Teles will always be superior in my opinion :)
@@luigivonbootheven2854 Since when any legend player must be a reference for his tone ? Hendrix used mostly what he had available at the time. They hadn't have much options to choose from. I am pretty sure they aren't as picky as modern players are
This is a video I've been wanting to make for a LONG time! Make sure you stick around for Myth 15, because an old friend makes a glorious return! Enjoy :)
hey Darrell, I was just looking at your Teespring page. I think you should market the guitar pick design that you have on the coffee cup. a 20 pack of picks? also, the system defaults to Aussie dollars when I'm looking at it... can't convince it that my currency is NZD.
Don't forget that, according to Billy Corgan, the color of the guitar also affects the tone! lol Great video by the way. Just subbed the channel. Are you Canadian, I'm hearing an Ontario accent, heh?!
Arksolva Studio it is for sure ! A red guitar excites you, then you play rocky, a sonic blue calms you and you play pop balads, a black one gets you in blues ,and a green one makes you quiting guitars , haha 😂
The funniest thing about this discussion is: who does really hear subtle differences when all the audio you got is a youtube- compressed file made out of an mp3 😀
Hell, my ears hear differently from day to day. A quality guitar, fresh enough strings and a good day playing and happiness abounds. Great vid, Darrell. You real players can make a shovel with strings sound good; us duffers, however.........
Most of these I agreed with, some I didn’t. The biggest one I disagreed with was the “myth” about string gauge. I don’t think heavier string gauges necessarily makes your tone “heavier,” but to say it doesn’t change your tone at all is really out there. Without even talking about the differences I personally hear, you have to consider the fact you are using strings that are physically larger or smaller than others. That changes not only how the string will vibrate, but also how much mass is moving over your pole pieces. You said it yourself, pickups are 90% of your tone, so how is it that changing what you put over that pickup to use it has little to no affect on tone?
"how is it that changing what you put over that pickup to use it has little to no affect on tone?" - well, the thing is, it just doesn't. forget all the talk, just listen, it's really hard to notice any difference, so much so that you start thinking you're making it up in your head. which you are, most likely :)
Totally agree. Anyone can perform that test themselves- bend a note on the G string then bend the same note on the high E string. The note on the G string sustains longer as well as has a slightly bigger tone. The only difference there is the string gauge. There is also something else at play- strings vibrate in an elliptical pattern- the lower the gauge, the wider the pattern, hence lesser sustain. The cure for the age-old 'How do I get lower action AND less buzzing?' question is "move up a gauge'. This all can be a good thing or a bad thing depending on what you are going for. An old band I played in had songs in drop C. I dropped C on 11's and didn't like the way it felt, so I went to 13's. The 13's, while all the notes were the same, lost the 'guttural' sound the 11's had. This is part of the reason, if you're listening to a song, you can tell on what string someone is playing a lick.
@@tommyibanez3958 It's not the only difference. The difference that matters there is not string gauge.....it is the length of the string between the nut/fret and bridge. Use an oscilloscope and exact same string length with different gauges and strike a note.....NO difference.
I mean if 90% of your tone is pedals amps and pickups, and you use plywood for the guitar, you're missing out on 10% of your tone. Is that important to you?
I hope this comment doesn't fall of deaf ears...with regard to Myth #6 and Batteries vs. Power Supply in an effect pedal (and batteries in general): Well, I can tell you with absolute certainty that I own a pedal that sounds vastly different when using a 9V battery as opposed to a Power Supply. Believe it or not, my Boss CE-5 Chorus Ensemble pedal suffers from massive 60-cycle hum when connected to a power supply and completely quiet when powered by a 9V battery. Perhaps a manufacturing defect, but all of my Boss pedals are from the same era and no other suffers to this extent. I would be happy to send you the pedal for your own evaluation. As far as "brands" of batteries are concerned, I don't get it. HOWEVER, there is absolutely an argument to be made between Alkaline vs. Zinc Chloride/Carbon batteries. The former rules the day with regard to sales and dependability (Duracell & Energizer) but the latter (Eveready) seem to lag in terms of power output length and linear output. While I have heard maestro Eric Johnson state that he was able to discern b/w the batteries used, it wasn't the brand but (most probably) the type of cell used to power his pedals...a very, VERY possible observation on his part. Again, I hope to read some feedback. Nice video! Brent
Electricity running through copper creates magnetic fields.. magnetic fields affect the electrical characteristics of metals they pass through.. and reversing (ac) or switching off (cheap/normal rectifiers) those fields can have an effect on the TINY currents your amp by design amplifies the living hell out of. So a bad connection.. a tiny magnetic field in the wrong place because you have wires coiled all over each other etc can have an effect. 9v batteries really serve two purposes.. you isolate your pedals from the AC power supply and get rid of hum.. and the magnetic signals put out by that ac power supply. And to eliminate cables .. And brands DO MATTER. The chemicals in those batteries arent identical. A cheap generic walmart battery is produced by using the cheapest things they can buy.. such as impure chemicals etc. And there have been a Lot of tests of battery brands especially vs generics.
A fuzz face has 11 components. Thinking the power supply DOESN’T make a difference sounds crazy. If the voltage going to the transistor doesn’t matter, why bother biasing them? The internal resistance of the battery makes a difference. It’s akin to the difference between a solid state and a tube rectifier.
And what? He is an epic guitar player but only a human. When you are Malmsteen and order a guitar, they will do everything that this guitar is the the best they can get you. No big surprise it's better then the old one and the only real visible difference is that bigger stock. He heared a professional musican seriously explain, get the white one because they sound so much better.
more mass = more sustain. when you vibrate a heavier mass it takes longer to return to rest. yay physics. maybe the difference is too small for most to notice but yngwei is not wrong.
sqlb3rn segfavlt yeah I agree with you. I have an old guild acoustic electric that I put brass string pins in solely to gain mass and thicken the sound, and it worked. I also have a Fender Starcaster semi hollow body (not to be confused with their horrible acoustic of the same name) that has a GIANT headstock on it, and it produces much fuller tones than any of my other guitars including other semi hollow bodies.
Regarding power supplies: A transformer/rectifier power supply will give you a noise-free power source given sufficient capacitance to minimize ripple at a given load. This is pretty similar to a battery that will give you a "perfectly" clean voltage. Battery brands won't make any difference apart from capacity and discharge rate at varying currents. There is another power supply however that can introduce noise to your signal and that's a switch-mode power supply - similar to what's in your computer or laptop power supply. Instead of a heavy transformer and a large amount of capacitance, it uses MOSFETS to do high-frequency PWM switching to step down the voltage and provide a stable current. Like a class-D amplifier, this method doesn't lend itself to low total harmonic distortion, save for some specialized and patented circuit designs. So are you likely to hear noise from a switch-mode power supply designed for guitar pedals? No, probably not. Are all power supplies the same? Definitely not.
I am the kind of guy who believes everything matters, but when the impact is lesser than 3%, you shouldn't bother and leave that to optimization, that is focus on it when and only when everything else that do matter is sorted and already up there. This includes most other myths here mentioned. Besides, food for thought: why invest in a noise-free power generation when half you pedals are dedicated to induce noise into your sound? I think the ear should be the ultimate judge, not the brain. Fun fact: I changed the pick guard on my cheap Ibanez, removed the cheap plastic one and put one made of mahogany plywood. That did make a huge difference and was totally worth it; it got rid of a cheap plastic-like resonance it had when playing unplugged. The amplified improvement, still, might be lesser than 10%; that is unnoticeable to untrained ear, which is the most of my public. This said, music is a matter of feeling above anything. Whatever makes you feel better and improve your "playmanship" is totally worth it, even if the net gain is objectively negligible. I know to me what makes me feel the "most better" when playing my instrument: it is practice. When I get to practice a lot, I become more and more akin to my instrument, and whatever I do - be it playing music or just setting up my tone - is drastically improved.
@@EddieOtool for me it was hum. And theres something youre all forgetting. Every electronic device you own transmits random radio waves.. energy.. which your other electronics pick up. Thus why EVERY electronic device you own has a sticker saying it complies with the maximum that device is allowed to put ou
Power supplies don't feed your circuitry. Power supplies feed capacitors that feed your circuitry. If designed properly they function as low pass filter so that no high frequency pass into the audio pathway. If not designed properly result is static coloured noise.
Guitarists swear they can hear a dog whistle being blown from the other side of the moon when they should be focused on practicing instead of these silly myths.
Sorry to say that on a good speaker,there is a bit of a difference in the maple vs rosewood. Maybe not enough to make much of a difference in tone, but it is there.
@@kalypso4133 I'll bet though you've never done a blind test. It would be interesting to try, but it's difficult unless you have what are basically two guitars the same but made from different woods. However, you might find it interesting to look up some of the blind guitar tests.
@@kalypso4133 Let's talk science. Electric guitars work by magnets in the pick ups detecting and then voicing the vibration of the string above it. The material of the neck or fretboard has absolutely zero influence on the way the strings vibrate.
Good videos you make, crisp voice, crisp narrative! String gage: I think you're right that it matters not on electric guitars. But on acoustics - which you probably weren't talking about in the first place - I find a fairly distinct improvement with thicker gage strings: low strings seem to flap less and the high strings are definitely less harsh, especially on spruce tops.
For real. And let’s be clear, you can get great tone on 8’s or 9’s, but you CAN NOT sound like SRV on them. It’s not a matter of good tone. It’s more a matter of specific tone.
@@stevenpippin6079 i dunno man. Not with stevie's exact rig, but if you switched some stuff i'd bet you'd get 60% of his tone. The rest was the player himself.
Spent a weekend switching through several string gauges - everything from 8s to 11s. Guess what, recorded on GarageBand, it still sounded like me playing, though I did have to work to control bends with 8s. No difference in tone at all. I stuck with 10s because that’s what was most comfortable to me. If you don’t sound like SRV, it has nothing to do with the fact that you’re not playing 13s.
@@dochort21 yeah, I definitely believe that string gauges don't actually change the tone, but I know that bigger strings are better for lower tunings, I play 10s in D Standard and it works just fine, sounds great and feels perfect!
Snoopdave2000 I think we were discussing just the guitar signal. But if we discuss the entire delivered tone, I would agree that the amp could easily be 40%, and considerably more if it’s a modeling amp. But then we’d also have to consider pedals, which can completely transform the guitar even more than amps. I think it all comes down to the fingers though. I have a thousand dollar pedal board (just received a Headrush Eleven HD multieffects processor/pedalboard in my Premier Guitar Mystery Stocking), a top rated $250 modeling amp and several $400 - $500 guitars and there is zero chance of me producing any sound that anyone wants to hear. I can change them in a thousand combinations but none of them don’t suck. Yet someone like Darrell could take a $25 Salvation Army Hello Kitty guitar played through a $5 10W practice amp and make it sound great. It’s in the hands, heart and head, not the equipment.
Myth #14: I was going to mention Ibanez guitars made in Indonesia, versus Japan. I have been using a JS1000 for about the last 10 years, or one of their prestige models. I recently just purchased a JS24P. I cannot see or feel any quality differences between the prestige and premium model. While I do not have one of the more recent JS prestige models, the JS24P appears to be made of all the exact same materials, pick ups, bridge, etc. I am not disappointed with my guitar that was made in Indonesia at all.
Right on Darrell! I'm 76 and have been playing for over 65 years. Couldn't agree more. I own a $95 Dollar Lag Dreadnought that Blows away Martins and Gibsons at Parlor Jams. I have also own Imports that I was totally happy with and they played Both Rock and Country wonderfully. Love your Videos!
to all the good folks out there posting about they can hear the difference between this and that. string gauges types of wood etc. good on you! However remember if you put a guitar of any quality in the hands of Steve Morse or the like it's going to sound incredible. Ones playing is more important than any word any gauge of strings etc.
sounding good has nothing to do with sounding different. you can put 10 different guitars in his hands all with the same pickups, and they will all play and sound different. If these differences are so minimal like you and the OP claim, then just get a ucanplay guitar from best buy and drop in seymore duncan pups and you'll sound just like the pros.
@@sqlb3rnSir, I don't think that we have any disagreement as far as your first sentence. Of course they're going to sound different. As to your second point a guitar must be of some quality to be playable. I didn't take it to be the posters intention to say that you could buy a $50 guitar and that's all you need. I apologize if my post was misleading or not articulated well. Thanks for your reply.
the final conclusion that we all can think of after we see this video: " guys.. shut up and play, seriously..." Fantastic video Darrell, thank you very much!
Myth #6...depends on the pedal. Most modern circuits (guitar pedals) don't care too much about the quality of the power source. However that changes when you're dealing with a germanium transistor because they are so unstable that anything from the power source to the temperature will alter their performance. Which is why they were dropped from most applications once the vastly more stable silicon transistors were developed. Also add to that the cheaper non-alkaline batteries are not as consistent in their performance, stability and durability as the better batteries and power sources, and your pedal circuit may or may not be getting the proper voltage or current.
I think the voltage is fine. I'm thinking it has more to do with the current. ...maybe both! Germaniums are so sensitive I wouldn't raise my voice around one.
Pick fingerboard material that looks good with your body? So Guitar Center should have full length mirrors & we should ask "Does this fingerboard make me look fat?"
Rick Lewis Anyone that can say that is judging quite honestly in my opinion. ;) I like nice things, we all do, but the difference between a thousand dollar guitar and a $5000 guitar is not $4000 in quality upgrades, like some claim. However, the difference between a $200 guitar and a $1,500 guitar is quite dramatic. After a certain price point (no idea what it is to be precise) we are paying for name brands which do nothing for the sound, elaborate decoration which does nothing for the sound, and also buying into the special little club of owners of such instruments. My most expensive guitar (a 1966 mustang) isn’t my favourite guitar. I like LP and SG juniors the best. SGJr a bit more than the LPJr.
Wolf H I can’t tell if you’re agreeing with me or disagreeing. My point was the inexpensive guitar looked and sounded as good as the expensive one. Perhaps Paul Reed Smith is a good Luther and a better marketer or ppl just expect a more expensive item to be better to somehow justify their lavish purchase. Good point you made about at some price point the difference drops off but Darrell demonstrated a $200 Indio that had really good sound. I’ve enjoyed every DBG video I’ve watched, they’re all interesting and educational.
Does the guitar that cost ten time as much look and sound ten times better, of course not. It isn’t even twice as nice. The difference is negligible yet ppl that can afford to prefer to buy the expensive stuff all the time. It’s an image they want to project. My Subaru is just as good as a car that cost twice as much, there’s plenty of examples of expensive stuff not being worth the extra cost ppl just think it’s better. However the flip side holds true too in some cases. A cheap pickup selector switch may fail or get scratchy while a good quality one can work properly for years. So, yeah, you get what you pay for is true ... sometimes but not always.
That's way to much for just one of them. Apart from that, I only use orange capacitors when I change all the electric components in a guitar, cause of consistency and durability.
That nonsense would be myth #16. A capacitor is a capacitor. As long as they have the same value they do not treat electricity any different, thus do not shape the tone any different.
"That nonsense would be myth #16. A capacitor is a capacitor. As long as they have the same value they do not treat electricity any different, thus do not shape the tone any different." Not quite true; what you're describing is essentially an idealized capacitor. Realistic capacitors you can actually stick in your guitar/effects/amps can deviate from the ideal in various ways. For example, they typically behave as if they have a resistor in series with it; the value of this resistor is called the "equivalent series resistance" of the capacitor. The ESR depends on the type of capacitor (electrolytic, ceramic, mica, etc) and even sometimes on the manufacturer. This can contribute to a difference in sound when you place said caps in sensitive parts of the circuit. Furthermore, the capacitance and the ESR are not constant. They both depend on frequency, temperature, and applied voltage. So your 0.022 uF capacitor might be a 0.022 uF capacitor only at 20 degrees C, at 100 Hz, subjected to 1 V (typical values for standardized measurement conditions, which depend on the type of capacitor). Electrolytics, for example, are notoriously bad at this (the capacitance can change by like 10% to 20% between your measurements on the bench and it reaching proper temperature). Ceramic capacitors also often tend to be a little microphonic, so depending on where they are in the circuit they might give you some positive or negative feedback. Does this affect sound? You bet: an important function of capacitors in audio circuits is to shape the frequency response of various stages. If you have, say, a high-pass filter somewhere, these departures from ideality will change the cutoff frequency and change the overall response in a more or less unpredictable way. Orange Drop capacitors are valued for this reason: they have a low ESR and are extremely stable under changes in frequency, temperature, etc. This means that a circuit with orange drops will likely behave closer to what the designer intended than a circuit with, say, ceramic capacitors. There are applications where this doesn't matter (e.g. guitar tone control), but they're also rugged and durable, so why not?
I watched the whole video and totally agree with everything you've said, Darrell. Especially the tone wood debate, which drives me absolutely nuts! Then, you read the comments and just despair. Any experienced guitarist knows all these myths which you've explained succinctly, are complete rubbish. The type of pickups and the scale length are the two most important factors which gives a guitar its sound. It's why a Les Paul type guitar sounds different from a Strat type guitar. Even though they both use single coils and have the same scale length, a Tele will always sound different from a Strat, because of the type of pickups used and the configuration. If a guitar is semi-hollow, hollow or chambered, then there's an acoustic effect, and the guitar will sound different from a solid guitar. Brian May's home made guitar is a case in point; it's semi-hollow and originally it was supposed to have an 'f' hole. If he had chosen to make it solid, then it would've sounded completely different. Great videos, keep up all the good work. "Let's dial back the crazy" - I'm going for a lie down!
Just for the record, to clear up the battery myth concerning Eric Johnson. There is a video, here on UA-cam, where Eric clears up the myth that he can tell a difference in tone from whatever battery is in his pedal(s). He stated, paraphrase on my part, that the battery was dying, he changed the battery with what was available, and said that it sounded better, meaning dying battery compared to new battery. A reporter was there and wrote that he could tell a tonal difference by battery brand. Thus was born the myth. EJ does prefer battery over power supply for his FuzzFace, but the reason is already discussed in other comments here. This isn't uncommon, as Voodoo Lab and some pedal manufacturers have Sag features built into their products to mimic a dying battery. Pedals have a wider range of controlling the sag, whereas VL power supplies just have an on/off switch.
some batteries sound like they're going dead almost immediately after putting them in tho.. and it's just cheap batteries.. I've never heard this myth before today I'm just a street performer and rely on battery power and have learned to save money and just buy the name brand batteries..
I know Eric's amp tech, he's a personal friend. He can back this up. Me personally, I like Duracells because they last longer. They start at 9.65 volts, not 9.4 like most others. I use them in my wireless. I don't use effects otherwise, just a homemade guitar and a Music Man 100 RD.
@@larrydrozd2740 Have you tried the Energizer lithium 9v batteries in your pedals? I know you guys were talking about lower voltage effects on the electronics and sound outputs, but I've been curious about them for a while now. 9v batteries have pathetic capacities and it got old changing them in my wah when left or kicked back on b/c you can't tell without plugging in.
@@timmarrier Honestly, I don't use pedals....I just plug straight in. I use batteries in my wireless though. I'm more of an Angus Young school of guitar tone :)
About tonewood: I replaced a cheap plastic pick guard on my entry-level Ibanez for a mahogany plywood one. It did make a noticeable difference unplugged, but a marginal amplified difference if any. If your guitar has a huge plastic guard and you find it has a plastic-like, unenjoyable resonnance, especially unplugged, I strongly recommand this fix. Anyhow between bandmates and crowd I'm probably the only one noticing, which is still good since I'm the one playing the thing. Since it did positively affect my feeling while playing, I dub it was worth it. Doesn't it all come to that in the end?
NamelessHere Forevermore Never heard any space buff argue that space tech used to be better, every generation of rocket engine, rover, probe, telescope, and satellite is more capable and efficient than the last. What's lacking is the scale and ambition of NASA's projects, but that's a matter of funding, not tech.
I generally would agree, but not due to tone -- I just think that instruments ought to be made to stand the test of time, and that includes your amplifier, pedals, tuners, etc.Moreover, the simpler the technology is, the more likely it is to function properly over time, and the easier it is to work on. It's not the age that I appreciate, but the theory behind it's design and manufacturing. I totally love the evertune bridge, which qualifies as new technology, but it functions simply and mechanically, which is consistent with what I like about old technology.
Boiling bass strings works. It really does. 20+ years of experience on this. I still like to buy new ones when I can, as I like to try different strings, but for bass, boiling works.
For me this is true but that is because Bass strings are way more Expensive than guitar strings. This might be due to the store I used to go to though. I remember five string sets are crazy expensive depending on brand.
Excellent assessment of some of the nonsense we all get fed as guitarists. The Fender book claims that the larger headstock was to address warping problems! Wouldn’t a larger headstock be more likely to warp? Another piece of nonsense. Of course, if you want your Les Paul to sound true vintage it’s essential that the poker chip and the knobs are made of butyrate...! I have 20 guitars and have owned many more over many years and everything you have said has been borne out by my own experience. I use 009 -046 strings because they’re easier to play, prefer Rosewood to maple because it’s less sticky under the fingers (especially with nitro finished necks) and have found no discernible difference between ash and alder other than weight (sometimes) and that ash looks better for clear finishes. Great mythbusing piece. Well done....
the fretboard thing is hillarious because the only reason we even HAVE fretboards is that Leo fender didnt like the way his guitar necks started to look ugly and dirty once musicians had been playing them a lot..
Strat single coil bridge pups usually sound a bit thin. If so, I think a great substitution to achieve more of a Tele bridge tone is the Seymour Duncan Twang Banger, designed for Strats. That really sounds good from videos I have listened to, even better than some stock Teles. Most of my Strats are already compensated by a humbucker or hotter single coil, so I have not had to do the substitution yet. However, I could see that substitution with a 7 way pup switch (push pull pot or other switch in addition to the 5 way Strat pup selector) as a great way to turn a Strat into an all around tone machine giving you all the good Strat and Tele tones in one guitar.
Most of the guitar players you said used thin strings do not actually use standard string sets. For example BB king used thicker bottom strings to make his sound thicker.
Man, you are an awesome honest respectful person who I really admire. I just found your channel like 2 or 3 days ago and since then I am watching all your other videos to try fixing the mess some other reviewers and forums did to me. Everything started to make sense now. Thank you.
Disagree with myth 3. I received my PRS with 46-10s. On my boss Katana, sounded lovely with all the knobs at noon. But I wanted more bass/sustain/thickness in the tone. I have switched to Ernie ball custom beefy 54-11s. Big big difference.
Darrell, awesome video! Can you please explain the difference between pickup output levels? Isn’t lower output preferable because you can always boost it vs. a high-output pickup can’t be attenuated? Or can one simply ride the volume lower on higher output pickups? Or, is there some other interaction between the pickups with differing outputs and the pre-amp because of DC resistance? So confused! EDITED TWICE: Stupid auto-correct on your name.
My understanding is that lower wind pickups have broader "coverage" because more windings means more midrange and less low and high frequencies (we're talking about overtones here). Some people believe that the reason "vintage" pickups sound so good is that the magnets get weaker over time and that affects the level of signal that the pickups have. G&L (Leo Fender) developed Magnetic Field Design (MFD) pickups. These utilize a high-strength ceramic magnet with *fewer* windings of wire. This results in more output with less noise and fantastic clarity and string-to-string articulation.
Electrically speaking, DC resistance is an indication of nothing more than how many feet of wire there is for the signal from your multimeter to go through. A longer distance of winding wire for the voltage to go through = more resistance. More windings = more output.
Glad to hear that, thanks! Yeah, they don't tell us WHY higher resistance equals more output or less treble. I was duped for 15 years by Duncan's website telling me that Alnico magnets were warm and ceramic was bright. Then Darrell's recent video straightened me out!
Just love your videos Darrell. I can't get enough of your "contagious" enthusiasm. It is honestly a shot in the arm of true guitar wisdom. Wishing you all the best through this crazy time! Long may you run brother. (From Calgary, Alberta).
This video has that warm, vintage tone.
999manman must be the vintage pickups and the nitrocellulose.
@@timg7942 Hahahah! No doubt!!!
It's because it was probably filmed with an Android rather than an iPhone.
Must have used matched Groove Tubes
and now after three years it sounds even better, as the video has nicely aged, we can undoubtedly call it "vintage"
To my ears the rosewood fretboard had a warmer vintage tone than the maple, but that just might have been the poly finish.
Lol.
No... it’s the spaghetti logo what really matters
you're correct, rosewood is a warmer tone and maple is a bright tone
To me the Maple sounds a lot better, fuller. I wish I was joking. Could I pick it out in a mix? No, but in a naked comparison like this, I highly prefer it.
What is more amazing is the tone was so similar coming from 2 completely different guitars .
A lot of myths have one thing in common: Trying to separate you from your hard earned money.
Easy to separate me from my money...wasn't hard-earned at all!
Exactly
When I was a teen just starting to play electric guitar, someone told me that Eddie Van Halen boiled his guitar strings in hot water on the stove before stringing his guitar ( to allow them to stretch ). I did that, and when I removed the string from the boiling pot, they were nothing but pure rust! Lol, I'll never forget that, so don't believe that myth! R.I.P. Eddie.
Thats why you do that to old strings
its actually a cheap trick to make bass strings sound new and bright again, it removes all the natural oils, sweat and gunk that have been collecting on your strings, only problen. they dont last half as long as new strings does and sound even worse after they die.
I did that too! Such crap!
I heard recently that Eddie deliberately told mistruths about what he did to achieve his sound. The specific item cited was whether he used a variac to provide more or less supply voltage to the amp. Apparently he told interviewers both at different times.
To support that, apparently also Alex told Eddie early on to turn his back to he audience when he was using special playing techniques, so they wouldn't be learned by the other locals.
@@GrungeyMr I did it once and it did nothing more than waste electricity.
"Play jazz on an SG . . . play bluegrass on an Ibanez" . . .
Yep. Just PLAY!!!
Me trying to djent on my acoustic
@@cardprophecy97 Y? Same
Eddie said he loved his 335. Didn't look cool
0:28 Nitro finish vs Poly finish
1:34 Vintage pickups vs Modern pickups
2:32 Gauge & Tone
3:26 Thin lines vs Solid bodies
4:03 Maple fretboard vs Rosewood fretboard
6:06 Power supply pedals vs 9V batteries pedals
6:42 "Vintage tone"
7:18 Strat bridge vs Tele bridge
8:40 Guitar versatility
10:00 Small Strat headstock vs Big Strat headstock
10:54 Boiling your guitar strings
11:32 True bypass vs Buffered bypass
12:31 Noiseless pickups
13:12 Country of manufacture
14:06 Tonewood
That was really cool man 😁
José Palomino thank youuuuuuuuuuuu
Hero of the day
"Warm vintage tone" probably has more to do with the recording gear of the time being all analog tube gear, than it does with the guitar pickups.
Yep, and not to mention the vintage amps they were using.
@@pyroman6000 technically, wouldn't the "vintage" amps back then be new?
And everything was recorded to tape!!
@@bgm9517 there still is a big market for analog gear, so they didn't even get old yet.
The more important part of the guitar for tone ?
THE AMP
I'd go even futher and say the speaker cabinet. Makes a huge difference.
Scale length too. The "fender sound" is as much the increased string tension from its 25 1/2" scale length as it is the single-coil pups
The speakers!
@@brunnoteixeira9400
Agreed. Anything on the amp, (preamp, speaker, cab...) Is more important than anythig on the guitar. Important meAns AUDIBLE.
Most of the time, only the guitar player can hear a difference on a pickup change. Especially in a mix.
And 99,9 % of the audience don't give a F*** about the whole debate 🤣
You need to boil the guitar picks to get that vintage warm tone, then you freeze them and then deep fry, to get that crunch 😂😂
shokid Thank you so much dude! Only know I realized that I always mixed up the order. That‘s why it never worked...
If you stir fry the picks, too, they will sound warmer.
Don't forget the Sriracha if you want a hotter pickup.
Remember to always grease your fretboard for those fat neck tones!
I usually like to add a little honey to the fretboard just before playing a really fast song. I think it helps with the bending, too.
Ok can confirm was triggered multiple times in this video hahahahaha
Robert Baker You and me both.
Hahahaha
Myth #16
Long silky hair enhances guitar skills and brings out the rebel in you
Hahahahahahahahaha
If you enjoy these debates you don't have to think anyone's right.
People like Phillip McKnight have tons of gear experience and he says a good inexpensive set of pickups isn't necessarily inferior to some expensive custom set, because the same basic correct materials are widely used.
@@j_freed Regardless of whether he is correct on that particular point, I don't consider Phillip McKnight an authority on guitar tone regardless of how much gear he owns. He did a video on attenuators and didn't even realise that the model of RockCrusher he owns has no cabinet emulation.
no. flames. flames make it faster. just like cars.
Damn near spit my coffee out when I seen that chopped up strat... Awesome!
looks fretless too
Yeah I love it too.
@@michaelmonopoli1004 bcs it is
“Wood is unpredictable.”
Yes, I deal with that problem every morning! Lol
Get rock hard to play hard rock!
Outta control 😂
That's outstanding, sir.
Damn straight! Use it or lose it! Haha
😂😂😂😂
Dude, I’m so glad you brought all those things to the table, I expect a lot of the tonewood freaks bitching but that only works for acoustic guitar, if anything. I am a physicist and I’m tired of explaining that a bad capacitor will affect the tone muuuuch more than a rosewood slab on the neck
Ryuu MV what we should really be talking about is how much the color fo the guitar affects the tone. As you know the biggest difference in the world exists between a light red and dark red finish.
@@eriklundstrum4656 Yeah white ones sound better, and red ones are faster.
He said the tone is affected, just not enough to go crazy about it.
Playability is #1 + decent pickups #2 should be the main focus. That plus a good amp. That's ALL we need to focus on..
@@BoltRM Let me put it this way: If you can hear the difference, you have an ear way better than the average human.
@@Ryuu87 I doubt it's about having better ears, I think it's more been playing loads with both types of fretboards, hence why it's easy to hear the difference at once when the guitar is all on it's own, still not enough to pick one over the other just for the little difference in sound.
Almost inclined to say no one will ever be able to point it out in a full mix, but there are probably some trained ears that can.
This was perfectly entertaining! I laughed as you poked each sacred cow - well done Darrell, I always enjoy your videos.
I always start the day with a big bowl of guitar string soup
Soup is practical too because afterwards, you dont need a.. tooth-pick!!😂😂😂
.. thank you, Darrell!
I do feel that you deserved some kind of award for all the work/effort that you've put into the making of your excellent videos and all the knowledge/info that you've shared through all the years!
You just changed my perspective in a huge way. I've been stuck in a lot of these myths for a very long time. So much that I have avoided buying a new guitar because I couldn't figure out which direction to go and what exactly I wanted to spend my money on. Your videos are awesome and greatly appreciated! Big thanks to you sir!
Thanks Rolland!
Glad to help :)
i like your shirt
i like your hummus
I like your memes
I like that you are everywhere
I like Ayourb content
This video should be a link in every guitar buyers guide. All of the concerns of someone who is about to buy an electric guitar for the first time are here!
The man said it all and he said it right!!!!
Nice video! Again..!!!
Darrell proves that “made in Canada” can sound as good as anywhere. Love his comment about CNC machines hahahahaha - well said Darrell!
Practice...why does it ALWAYS come down to practice...can't I just PAY to sound like Hendrix???
:)
Of course you can, mime to a Hendrix recording!
Of course you can. If you want to sound like him for a single note length that is. But for a whole solo... You gotta do some Voodoo, Child.
I have a 7 string fanned fret thats awesome. therefore ..technically.. im better than Carlos .. who only plays a silly six string :D :D :D
I once played a C chord on a 12 string. Tommy Emmanuel said he's already busy with 6.
Tark, there's a LOT of us who also want that! Let us know if you're successful! Would be so much easier. Like trying to lose weight by watching the exercise videos.
Was hoping the metallic flakes in my gold top were adding sustain and bite. Thinking of starting that rumor anyway
nah nah man, to try and make it more marketable, youve got to say that the gold flakes add to the magnetic pull of the pickups on your strings and kills your sustain!
Combine it with active pickups with 18volt mod and see the flakes turn while you turn the volume knob!
Metallic flakes affect pickup tone..🎸😎😳
duh they add crunch! :P
CABLES CABLES CABLES! Do a comparison between cheap and expensive cables. I spend nearly a 1/4 century in the high end audio sales world, where crazy has been refined to a degree that makes the guitar world look completely and utterly rational. As a newly minted student of stringed things (Yay! Another obsession!)' Y'all aren't crazy. I'd like to see a cable comparison since $10,000 speaker cables exist, and sell, in high end audio.
Yikes!!
Welcome to the club! 😁
Without a doubt; the mythology of the guitar world is bush league when compared to the absurdities of the audiophile realm. Ever heard of Shakti Stones? Egad...
Don't forget to get ceramic supports under your $10,000 cable, so that the signal flows better.
An electric guitar signal needs a quality cable that is shielded to eliminate noise. It is called Hi-Z because there is a lot of resistance to the small signal your pickups make. Your guitar will sound better thru your amp if your signal chain is designed to eliminate noise and interference. It's just a fact. Learning this changed my guitar playing world. It allowed me to find my tone and made people take notice. Yes better (shielded cable) makes a difference in your tone.
Now try a matched triode tube (12ax7 with matched triodes) in the phase inverter socket of your amp. You will hear that loud speaker hiss go away and the feel of compression and attack and even order harmonics take it's place. Try it. For $20 its worth a shot. I know many players that live by it. I know I do.
I did notice a difference some years ago from upgrading my guitar leads and patch cables but that was a fair length of cable and it was going from super budget to decent cables. Once you get over a certain point you can spend all your money on oxygen free copper and gold plated connectors and it isn’t going to make a difference. I’d have said that it could be placebo but the big thing was less noise (shielding helps) and the fact that the good cables have lasted 10 years and the connectors have since broken on the cheap ones even with minimal use.
Somebody call Rob Chapman to do these hearing tests
Robs clean tone sounds like an angry bee though :(
Rob Chapman believes the tonewood myth, so i wouldnt really trust him on the matter, accomplished guitarist as he may be.
matthias umagat kind of scary how accurate he can be 😭
@@jacebeleren1703 cause he own a guitar company so that's obvious
*gets drink* Let's do dis thang!
Robert Baker you 2 need to do something together on a video! Love to see that
@@paramediccpo Yes!
Myth #14 - You have to buy American guitars only. THANK YOU! I get so tired of the gear/guitar snobs who look down their noses at you if you don't own THE most expensive guitar. It's like playing an Epiphone instead of a Gibson makes you less of a player in their minds. Screw that noise!!
Axess2084 you should want to support American companies and help the American economy...
You want to pay the prices for me? I worked for decades in this 'American Economy'. I was forced to retire early from the business I owned due to a stroke. In a few years, I had used up the retirement money I saved up and am now on Social Security. I worked for decades of my life helping to build this 'American Economy' and now, I have to live on table scraps through no fault of my own. You want to pay $3000+ for a guitar, you go right ahead. I am not wealthy like YOU apparently are, lady. I was not born with a silver spoon in my mouth. Or is that a FORKED TONGUE in yours?
@@adriannasanchez468 if Axess2084 bought his budget priced import guitar and gear from a local pawns hop, or music store, he STILL supporting the American Economy. The store owner still gets the profits.
@@Axess-sv8nq Hi, "Axe". I fully understand your anger, because - like you, and many others who like to play the guitar - I had to save quite a long time to afford an instrument that is worth the money (it has to fill my needs, crap won't do that!). And my patience was worth it when I came across a beautiful Paul Reed Smith Custom 24 SE Dark Ebony showroom model that costed me just over 700 euros (800 USD) in stead of over 1200 at the time. Just saying: being short on money does not have to take away your dreams. I love this instrument and it could sound better with Seymour Duncans, but it will not look any better than this! Besides: who cares if I get home from a nasty day's work and play the hell out of it? Even more: a skilled guitarist - the one who realizes practising is important - can get good sound out of any (good) guitar. Videos like these teach us how to improve a good instrument and to separate junk from good stuff.
I got this - American - instrument from a store in England. So, tell me: where does the money go to? Can we ever really tell?
Jeff Peccato - Well said, sir!
Bass strings actually can be revived somewhat from boiling. Not a myth at all. But buying new ones is still preferable.
Actually yes. It depends. Boiling PLAIN guitar strings is really kind of moot and futile. But the wound strings were gunk residue resides in the wound cavities as all strings on bass are wound plays a role. And if you use Fender bass tuners you just put the strings back again without distorting or weaking the turns they have shaped form in.
My take instead of boiling, is soaking them in isoprpopyl alcohol. For a while. The de-gunking of finger dirt and residue inside the wraps starts creeping out. But guitar strings are so cheap these days so it's a no brainer buying new strings.
Yeah I can go from really crappy tone to a completely new better tone just by boiling them
I agree. Boiling crusty wound strings makes them sound lively again. Not so for dead-sounding plain strings (sorry Eddie). For years as a cheap-ass, I'd just replace the three high strings and boil the wounds for 20 minutes. Now I can afford to buy full sets whenever I want.
totally agree! i did that several times on the E, A, and D strings from a set of peavey stainless. worked every time!
...dont boil strings. Please, for the love of all that is holy, just get new ones.
Another wonderful myth to add: The brand of your potentiometers and capacitors changes everything! You'll need CTS pots, Switchcraft switch and input jack, and an Orange Drop capacitor to sound good!
I want to say about the nitro vs poly finish, on top of that, the only reason they really went to a poly finish over a nitro back in the 60's was simply because guitars with nitro finishes that were shipped to stores often arrived with finish damage or marks. Poly made that problem disappear and far fewer guitars were shipped back to the factory.
@@BlazonStone because some manufactures tend to put so much on it makes the guitar feel like plastic.
Poly is also a lot easyer to work with, plus it's not as unhealthy as nitro since it doesn't take years to fully cure.
@@BlazonStone It feels hard and plasticky. I like Nitro because it clouds up, flakes off, cracks and crazes.
If you sneer and hop around on one foot like Angus Young, while grasping the guitars neck like you're attempting to strangle an ostrich one handed ,it'll give you that warm vintage sound.🤣
That “warm vintage tone” slogan always confused me as well...almost everything “vintage” was way brighter and trebly than anything today...I never knew what they were talking about with the “warm” aspect.
Maybe because now the magnets lost their charge (or whatever it's called I don't remember) and treble goes down with it. So they can make pickups matching the old ones, but with the sound they have now instead of 60 years ago
I think the 'woodiness' of the sound output too as most electric guitars of that era, were all hollow, and as early pick ups were not potted they were quite microphonic so picked UP body resonance along with the string resonance.
I think people associate old music with warm tones in part because of vinyl too. People hear that old music was more "warm" and apply that to the tones of the instruments when that wasnt necessarily the case.
Yes, that too is a good point. ALL prev recording media imparted their own colour to the sound, acetate, wire, & tape all had their own slant and natural compression to the sound it accepted and played back!
The reason digital recording sounds clearer but more harsh is it is completely NEUTRAL, and records and plays back EXACTLY what was put on to it! All the wave forms are turned into NUMBERS, the numbers play back exactly the same, on any player. Records and tapes being PHYSICAL media do not, as they have physical shapes of wave forms on them, and are physically played!
THAT is they key difference!
EQ is tricky. Sometimes, more treble registers as fuller to the ears or brain. It's not straightforward.
You're forgetting one very important thing with the f-hole, that makes the Thinline the better guitar. It just looks cool. :D
It looks ugly
Also louder acousticly
well said on all of it. And as somebody who builds their own pedals I can tell you this.. True bypass is EASIER to build than buffered bypass.
I'll tell you, you'll need some buffering.. maybe not all of the pedals but like you said at least one!
Boiling strings is typically a bass thing, the one thing it does is helping stretch them and pulling dead skin cells out. One is for new strings one is for reusing
Yup. Especially when you play a 5 or 6 string. They're a little more than $7!
Or it helps them to rust!! Metal + water + heat + salt from sweaty hands = disaster.
If you really want them clean use isopropanol.
@@pica6sedg Nickel and stainless steel don't rust.
Every time I swap strings (4 string epi t-bird pro bass) I boil my oldies and dry them. If I break a string (has happened this year) and can’t afford new ones/store is closed I pick up an oldie and bam, solid temporary fix
Well you left out a couple of most important tonal factors the Color and Time of day Ahahahahaah!
I boil my guitar for revived tone.
A warm tone it will be!
You forgot a big one, Darrell: All ceramic pickups suck and all AlNiCo pickups sound great! There are plenty of great sounding ceramics out there and also poor sounding AlNiCo pups out there too. It's all about the overall design!
There is a lot of brand and cost bias going on in these subjective evaluations. I would love to see a video comparing the sound of a $1500 American Fender Strat to a $250 Squier Standard Strat with the pickups secretly swapped. I think the vast majority of people would still bias their opinions toward the sound of the Fender just because their brain tells them it is supposed to sound better.
The comparison has been done between these two guitars plenty of times and people tend to say things like, "The Fender just has the fullness of tone that you need and the Squier sounds too bright and harsh to me."
If the pickups were swapped, I'm sure a few very experienced players would know simply because they know what the pickups sound like on their own merit, but I would bet my bottom dollar a majority would be saying things like, "The Squier sounds okay but it's slightly dull and it doesn't have the brightness and bite of the Fender."
"now the question: maple or rosewood?"
Me: looks at my Ibanez with ebony fretboard...
How about no wood at all?
@@shapeshifter7676 check out a gittler guitar ;)
LordOfTheStrings
Yeah those are crazy!
*me*:looks at my vintage Musima from plywood...
I think there are a few things in this video people would disagree with. It has been my experience that the guitar sounds fatter with heavy gauge strings. I thought there was more output from the strings and sustain, though this could be due to the mass of the string.
The guitar pickup works by a string passing through a magnets lines of flux and inducing a voltage on a coil. Thus the string has a direct relationship with the output.
I agree people do sound good with thin gauge strings too, but there are other factors which come into play such as their amp and speakers.
I think the trick is.. it's the ear of the musician and how he adjusts his gear/electronics. Ive heard STRATS of all things playing metal with megacrunch. And teles. And ive seen some very twangy music played on lp's and rg's...
myth9: finally! i can play deathmetal on a hollowbody guitar!
I wanna hear that tbh
Checkout King Parrot. Grindcore on a hollowbody.
I will take a tele bridge pickup over a strat any day. So much more balls
I agree man.
What's that other pickup even for?
Led Zeppelin I. Mic drop!
@@arnolddealiii4259 i used to think he used an lp on that record, when i found out it was a tele I was blown away, bought a tele the next day
I concur...I've personally changed my strat bridge 3times searching for perfection.
The funny thing is that your amp matters way way more than your guitar and no one talks about it
SPEAKERS matter most
#truth
@@ayylmao5121 I agree it's speakers, amp, pickups and lastly the guitar itself for the tone
Agreed this is often glossed over, however Darrell often mentions in his videos that a good amp is the great leveller. A good amp will make a reasonable guitar sound good. A crap amp will make a great guitar sound...well like crap 😉. His advice about more practice, less agonising over detailed mechanics/astaetics is great advice.
@@ayylmao5121 I'd say the cabinet is just as important as the speakers
about that boiling thing.
yes, it's definetelly smarter to just buy a new set of strings.
But I don't think getting out the mechanical defects in the strings was really the goal of the boiling,
but rather to get rid of dirt build up on the string.
Glenn Fricker from SMG actually just recently did a test
where he compared new strings vs old strings vs boiled old strings,
both in the context of a full mix and soloed.
The result: it makes no difference, even the new strings didn't sound too much different from the old ones.
Of course, it may be worth noting, that he was comparing the strings on a heavy rythm tone, so minor differences may not have been that audible
Try again on a clean tone
Is it just me or do Teles always sound better than strats
Teles sound so beautiful, honestly after watching his comparisons I've realised I'm not much of a strat fan. Teles will always be superior in my opinion :)
Ask Hendrix...
Well, it depends on your preference 😊
@@luigivonbootheven2854 Since when any legend player must be a reference for his tone ? Hendrix used mostly what he had available at the time. They hadn't have much options to choose from. I am pretty sure they aren't as picky as modern players are
A strat can't do tele but a tele can do strat so tele is always my go to
This is a video I've been wanting to make for a LONG time!
Make sure you stick around for Myth 15, because an old friend makes a glorious return!
Enjoy :)
Amazing return!!
You “rescued” that guitar like a serial killer picks up a hitchhiker - LMAO!
That guitar looks like a transformer lol
One of the best video of the year!!! All because of the Super Red Strat!!! :) Like they say: It's all in the wood!!!
hey Darrell, I was just looking at your Teespring page. I think you should market the guitar pick design that you have on the coffee cup. a 20 pack of picks? also, the system defaults to Aussie dollars when I'm looking at it... can't convince it that my currency is NZD.
Don't forget that, according to Billy Corgan, the color of the guitar also affects the tone! lol Great video by the way. Just subbed the channel. Are you Canadian, I'm hearing an Ontario accent, heh?!
DEM RED GEETARZ GO FASTA! WAAAGH!
__
Basic fact of 40k.
Arksolva Studio it is for sure ! A red guitar excites you, then you play rocky, a sonic blue calms you and you play pop balads, a black one gets you in blues ,and a green one makes you quiting guitars , haha 😂
Gilles Genete it’s all about perspectives lol
@@gillesgenete9598 Totally agree. Green guitars just sound terrible. Can't stand green.
Billy sounds like a bad RNG system.
People from the 60's were already searching for that "Warm, vintage tone" 😂
I've watched this educational session and each time I come away with more info, it's gr8. Thanks Darrell!
TL;DR Just play.
Somehow I knew that's what your tonewood experiment would end up looking like.
"This is what my life has devolved into." I feel that homie.
The funniest thing about this discussion is: who does really hear subtle differences when all the audio you got is a youtube- compressed file made out of an mp3 😀
Hell, my ears hear differently from day to day. A quality guitar, fresh enough strings and a good day playing and happiness abounds. Great vid, Darrell. You real players can make a shovel with strings sound good; us duffers, however.........
Most of these I agreed with, some I didn’t. The biggest one I disagreed with was the “myth” about string gauge.
I don’t think heavier string gauges necessarily makes your tone “heavier,” but to say it doesn’t change your tone at all is really out there. Without even talking about the differences I personally hear, you have to consider the fact you are using strings that are physically larger or smaller than others. That changes not only how the string will vibrate, but also how much mass is moving over your pole pieces. You said it yourself, pickups are 90% of your tone, so how is it that changing what you put over that pickup to use it has little to no affect on tone?
"how is it that changing what you put over that pickup to use it has little to no affect on tone?" - well, the thing is, it just doesn't. forget all the talk, just listen, it's really hard to notice any difference, so much so that you start thinking you're making it up in your head. which you are, most likely :)
So then I suppose you would make the argument that new shiny strings and old grimey ones sound the same too, huh?
Totally agree. Anyone can perform that test themselves- bend a note on the G string then bend the same note on the high E string. The note on the G string sustains longer as well as has a slightly bigger tone. The only difference there is the string gauge. There is also something else at play- strings vibrate in an elliptical pattern- the lower the gauge, the wider the pattern, hence lesser sustain. The cure for the age-old 'How do I get lower action AND less buzzing?' question is "move up a gauge'. This all can be a good thing or a bad thing depending on what you are going for. An old band I played in had songs in drop C. I dropped C on 11's and didn't like the way it felt, so I went to 13's. The 13's, while all the notes were the same, lost the 'guttural' sound the 11's had. This is part of the reason, if you're listening to a song, you can tell on what string someone is playing a lick.
@@tommyibanez3958 It's not the only difference. The difference that matters there is not string gauge.....it is the length of the string between the nut/fret and bridge. Use an oscilloscope and exact same string length with different gauges and strike a note.....NO difference.
Of course string gauge would affect the tone. Although the effect is probably minimal when you’re comparing 10 to 11, etc
THANK YOU! Finally a UA-camr cuts through the B.S. that is guitarist superstitions. Thank you thank you thank you.
I mean if 90% of your tone is pedals amps and pickups, and you use plywood for the guitar, you're missing out on 10% of your tone. Is that important to you?
Yep, practice practice practice!!
In a corner
Crying
My f holes aren't haunting or organic
effhole haha
Definitely organic…
@@malcolmwindust3888 Hopefully, at least
I hope this comment doesn't fall of deaf ears...with regard to Myth #6 and Batteries vs. Power Supply in an effect pedal (and batteries in general):
Well, I can tell you with absolute certainty that I own a pedal that sounds vastly different when using a 9V battery as opposed to a Power Supply. Believe it or not, my Boss CE-5 Chorus Ensemble pedal suffers from massive 60-cycle hum when connected to a power supply and completely quiet when powered by a 9V battery. Perhaps a manufacturing defect, but all of my Boss pedals are from the same era and no other suffers to this extent. I would be happy to send you the pedal for your own evaluation.
As far as "brands" of batteries are concerned, I don't get it. HOWEVER, there is absolutely an argument to be made between Alkaline vs. Zinc Chloride/Carbon batteries. The former rules the day with regard to sales and dependability (Duracell & Energizer) but the latter (Eveready) seem to lag in terms of power output length and linear output. While I have heard maestro Eric Johnson state that he was able to discern b/w the batteries used, it wasn't the brand but (most probably) the type of cell used to power his pedals...a very, VERY possible observation on his part.
Again, I hope to read some feedback.
Nice video!
Brent
Much more likely a solder issue than the actual power source. Or a bad connecter,
Electricity running through copper creates magnetic fields.. magnetic fields affect the electrical characteristics of metals they pass through.. and reversing (ac) or switching off (cheap/normal rectifiers) those fields can have an effect on the TINY currents your amp by design amplifies the living hell out of. So a bad connection.. a tiny magnetic field in the wrong place because you have wires coiled all over each other etc can have an effect. 9v batteries really serve two purposes.. you isolate your pedals from the AC power supply and get rid of hum.. and the magnetic signals put out by that ac power supply. And to eliminate cables .. And brands DO MATTER. The chemicals in those batteries arent identical. A cheap generic walmart battery is produced by using the cheapest things they can buy.. such as impure chemicals etc. And there have been a Lot of tests of battery brands especially vs generics.
A fuzz face has 11 components. Thinking the power supply DOESN’T make a difference sounds crazy.
If the voltage going to the transistor doesn’t matter, why bother biasing them?
The internal resistance of the battery makes a difference. It’s akin to the difference between a solid state and a tube rectifier.
Malmsteen claims the bigger headstock helps with sustain. Pro musicians just contribute to these myths!
Are we surprised?😵
And what? He is an epic guitar player but only a human. When you are Malmsteen and order a guitar, they will do everything that this guitar is the the best they can get you. No big surprise it's better then the old one and the only real visible difference is that bigger stock. He heared a professional musican seriously explain, get the white one because they sound so much better.
more mass = more sustain. when you vibrate a heavier mass it takes longer to return to rest. yay physics. maybe the difference is too small for most to notice but yngwei is not wrong.
sqlb3rn segfavlt yeah I agree with you.
I have an old guild acoustic electric that I put brass string pins in solely to gain mass and thicken the sound, and it worked.
I also have a Fender Starcaster semi hollow body (not to be confused with their horrible acoustic of the same name) that has a GIANT headstock on it, and it produces much fuller tones than any of my other guitars including other semi hollow bodies.
Like he would know? He doesn't sustain anything.
Regarding power supplies: A transformer/rectifier power supply will give you a noise-free power source given sufficient capacitance to minimize ripple at a given load. This is pretty similar to a battery that will give you a "perfectly" clean voltage. Battery brands won't make any difference apart from capacity and discharge rate at varying currents. There is another power supply however that can introduce noise to your signal and that's a switch-mode power supply - similar to what's in your computer or laptop power supply. Instead of a heavy transformer and a large amount of capacitance, it uses MOSFETS to do high-frequency PWM switching to step down the voltage and provide a stable current. Like a class-D amplifier, this method doesn't lend itself to low total harmonic distortion, save for some specialized and patented circuit designs.
So are you likely to hear noise from a switch-mode power supply designed for guitar pedals? No, probably not. Are all power supplies the same? Definitely not.
I am the kind of guy who believes everything matters, but when the impact is lesser than 3%, you shouldn't bother and leave that to optimization, that is focus on it when and only when everything else that do matter is sorted and already up there. This includes most other myths here mentioned.
Besides, food for thought: why invest in a noise-free power generation when half you pedals are dedicated to induce noise into your sound? I think the ear should be the ultimate judge, not the brain.
Fun fact: I changed the pick guard on my cheap Ibanez, removed the cheap plastic one and put one made of mahogany plywood. That did make a huge difference and was totally worth it; it got rid of a cheap plastic-like resonance it had when playing unplugged. The amplified improvement, still, might be lesser than 10%; that is unnoticeable to untrained ear, which is the most of my public.
This said, music is a matter of feeling above anything. Whatever makes you feel better and improve your "playmanship" is totally worth it, even if the net gain is objectively negligible. I know to me what makes me feel the "most better" when playing my instrument: it is practice. When I get to practice a lot, I become more and more akin to my instrument, and whatever I do - be it playing music or just setting up my tone - is drastically improved.
@@EddieOtool for me it was hum. And theres something youre all forgetting. Every electronic device you own transmits random radio waves.. energy.. which your other electronics pick up. Thus why EVERY electronic device you own has a sticker saying it complies with the maximum that device is allowed to put ou
Power supplies don't feed your circuitry. Power supplies feed capacitors that feed your circuitry. If designed properly they function as low pass filter so that no high frequency pass into the audio pathway. If not designed properly result is static coloured noise.
Guitarists swear they can hear a dog whistle being blown from the other side of the moon when they should be focused on practicing instead of these silly myths.
Sorry to say that on a good speaker,there is a bit of a difference in the maple vs rosewood. Maybe not enough to make much of a difference in tone, but it is there.
@@kalypso4133 I'll bet though you've never done a blind test. It would be interesting to try, but it's difficult unless you have what are basically two guitars the same but made from different woods. However, you might find it interesting to look up some of the blind guitar tests.
Where is UA-cam's laugh button? hahahaha
@@aliennomad3532 I have done a huge amount of blind tests xDD maybe you are just deaf?
@@kalypso4133
Let's talk science. Electric guitars work by magnets in the pick ups detecting and then voicing the vibration of the string above it. The material of the neck or fretboard has absolutely zero influence on the way the strings vibrate.
Good videos you make, crisp voice, crisp narrative!
String gage: I think you're right that it matters not on electric guitars.
But on acoustics - which you probably weren't talking about in the first place - I find a fairly distinct improvement with thicker gage strings:
low strings seem to flap less and the high strings are definitely less harsh, especially on spruce tops.
. I love the way you put back together the strat of the tonewood myth! Looks sick and it is still and amazing functional guitar... 👌🤙🤙🤙🤙
The Fender head stock is the craziest one, it is all about the look.
I honestly never heard anyone say such nonsense in person.
I haven't even noticed.
String gauge test.
String gauge test.
String gauge test.
String gauge test.
For real. And let’s be clear, you can get great tone on 8’s or 9’s, but you CAN NOT sound like SRV on them.
It’s not a matter of good tone. It’s more a matter of specific tone.
@@stevenpippin6079 i dunno man. Not with stevie's exact rig, but if you switched some stuff i'd bet you'd get 60% of his tone. The rest was the player himself.
Strong gauge makes a difference on acoustic BUT the acoustic guitar has a bunch of different factors.
Body wood does makes a difference too.
Spent a weekend switching through several string gauges - everything from 8s to 11s. Guess what, recorded on GarageBand, it still sounded like me playing, though I did have to work to control bends with 8s. No difference in tone at all. I stuck with 10s because that’s what was most comfortable to me. If you don’t sound like SRV, it has nothing to do with the fact that you’re not playing 13s.
@@dochort21 yeah, I definitely believe that string gauges don't actually change the tone, but I know that bigger strings are better for lower tunings, I play 10s in D Standard and it works just fine, sounds great and feels perfect!
The way you start your video's always put a smile on my face
I think your comment that 90% of tone is pickups and the other 10% is split among a hundred things is spot-on. Love to see a string gauge test too.
And string material... 8)
Yup, assuming he has the time to test another variable.
and 9% is the person playing it.
40% amp and speakers 40% pickups 20% a hundred other things I would say !!!
Snoopdave2000 I think we were discussing just the guitar signal. But if we discuss the entire delivered tone, I would agree that the amp could easily be 40%, and considerably more if it’s a modeling amp. But then we’d also have to consider pedals, which can completely transform the guitar even more than amps.
I think it all comes down to the fingers though. I have a thousand dollar pedal board (just received a Headrush Eleven HD multieffects processor/pedalboard in my Premier Guitar Mystery Stocking), a top rated $250 modeling amp and several $400 - $500 guitars and there is zero chance of me producing any sound that anyone wants to hear. I can change them in a thousand combinations but none of them don’t suck. Yet someone like Darrell could take a $25 Salvation Army Hello Kitty guitar played through a $5 10W practice amp and make it sound great. It’s in the hands, heart and head, not the equipment.
I dig the way you put that Strat back together once it was cut up it kind of looks like an exploded technical diagram, cool👍
Myth #14:
I was going to mention Ibanez guitars made in Indonesia, versus Japan. I have been using a JS1000 for about the last 10 years, or one of their prestige models. I recently just purchased a JS24P. I cannot see or feel any quality differences between the prestige and premium model. While I do not have one of the more recent JS prestige models, the JS24P appears to be made of all the exact same materials, pick ups, bridge, etc. I am not disappointed with my guitar that was made in Indonesia at all.
Right on Darrell! I'm 76 and have been playing for over 65 years. Couldn't agree more. I own a $95 Dollar Lag Dreadnought that Blows away Martins and Gibsons at Parlor Jams. I have also own Imports that I was totally happy with and they played Both Rock and Country wonderfully. Love your Videos!
to all the good folks out there posting about they can hear the difference between this and that. string gauges types of wood etc. good on you! However remember if you put a guitar of any quality in the hands of Steve Morse or the like it's going to sound incredible. Ones playing is more important than any word any gauge of strings etc.
sounding good has nothing to do with sounding different. you can put 10 different guitars in his hands all with the same pickups, and they will all play and sound different.
If these differences are so minimal like you and the OP claim, then just get a ucanplay guitar from best buy and drop in seymore duncan pups and you'll sound just like the pros.
@@sqlb3rnSir, I don't think that we have any disagreement as far as your first sentence. Of course they're going to sound different. As to your second point a guitar must be of some quality to be playable. I didn't take it to be the posters intention to say that you could buy a $50 guitar and that's all you need. I apologize if my post was misleading or not articulated well. Thanks for your reply.
More Stickers ,
More sustain!
This was a fantastic. Thanks for the common sense.
A strat sings while a tele growls
I started watching this thinking, "I don't need to know this nerd stuff" and then watched it all the way through and enjoyed it
Would definitely love a string-gauge test.
the final conclusion that we all can think of after we see this video: " guys.. shut up and play, seriously..." Fantastic video Darrell, thank you very much!
damn these are the videos that internet guitar forums needed since decades, love em darrel thank u so so much
Pickups and microphones makes all the difference- other than the single most important factor, the tone knobs-as we all know.
Andrew Denis thx
Myth #6...depends on the pedal.
Most modern circuits (guitar pedals) don't care too much about the quality of the power source. However that changes when you're dealing with a germanium transistor because they are so unstable that anything from the power source to the temperature will alter their performance.
Which is why they were dropped from most applications once the vastly more stable silicon transistors were developed.
Also add to that the cheaper non-alkaline batteries are not as consistent in their performance, stability and durability as the better batteries and power sources, and your pedal circuit may or may not be getting the proper voltage or current.
Exactly, so it isn't really the battery. It is the voltage (power really).
In an old fuzzface with germanium 9v is to much.
I think the voltage is fine. I'm thinking it has more to do with the current.
...maybe both!
Germaniums are so sensitive I wouldn't raise my voice around one.
Pick fingerboard material that looks good with your body? So Guitar Center should have full length mirrors & we should ask "Does this fingerboard make me look fat?"
Lmao he meant the body of the guitar
It's not the fingerboard...
I don't know if it's just the fingerboard or that spare tire you're carrying around, but yes - SOMETHING's making you look fat.
@@charlie6588 woosh lol
Hahaha The winner of the Best Comment Award :)
I thought most levels of hyper sensitive human audio perception had a direct relationship to wealth. The more you have, the more you have!
The wealthy must justify their Custom shop purchases with claims of “superior” this and that, that only they can hear.
Wolf H
Gotta say it. My $679 Epiphone sounds just as good to me as my $6,790 PRS and honestly looks as good too.
Rick Lewis
Anyone that can say that is judging quite honestly in my opinion. ;)
I like nice things, we all do, but the difference between a thousand dollar guitar and a $5000 guitar is not $4000 in quality upgrades, like some claim. However, the difference between a $200 guitar and a $1,500 guitar is quite dramatic.
After a certain price point (no idea what it is to be precise) we are paying for name brands which do nothing for the sound, elaborate decoration which does nothing for the sound, and also buying into the special little club of owners of such instruments.
My most expensive guitar (a 1966 mustang) isn’t my favourite guitar. I like LP and SG juniors the best. SGJr a bit more than the LPJr.
Wolf H
I can’t tell if you’re agreeing with me or disagreeing. My point was the inexpensive guitar looked and sounded as good as the expensive one. Perhaps Paul Reed Smith is a good Luther and a better marketer or ppl just expect a more expensive item to be better to somehow justify their lavish purchase. Good point you made about at some price point the difference drops off but Darrell demonstrated a $200 Indio that had really good sound. I’ve enjoyed every DBG video I’ve watched, they’re all interesting and educational.
Does the guitar that cost ten time as much look and sound ten times better, of course not. It isn’t even twice as nice. The difference is negligible yet ppl that can afford to prefer to buy the expensive stuff all the time. It’s an image they want to project. My Subaru is just as good as a car that cost twice as much, there’s plenty of examples of expensive stuff not being worth the extra cost ppl just think it’s better. However the flip side holds true too in some cases. A cheap pickup selector switch may fail or get scratchy while a good quality one can work properly for years. So, yeah, you get what you pay for is true ... sometimes but not always.
You forgot tone caps. Of course the orange ones sound better! I paid $7 for one.
That's way to much for just one of them.
Apart from that, I only use orange capacitors when I change all the electric components in a guitar, cause of consistency and durability.
That nonsense would be myth #16. A capacitor is a capacitor. As long as they have the same value they do not treat electricity any different, thus do not shape the tone any different.
@ EC, they saw YOU coming! LOL!
Correct, a cap IS a cap!
"That nonsense would be myth #16. A capacitor is a capacitor. As long as they have the same value they do not treat electricity any different, thus do not shape the tone any different."
Not quite true; what you're describing is essentially an idealized capacitor. Realistic capacitors you can actually stick in your guitar/effects/amps can deviate from the ideal in various ways. For example, they typically behave as if they have a resistor in series with it; the value of this resistor is called the "equivalent series resistance" of the capacitor. The ESR depends on the type of capacitor (electrolytic, ceramic, mica, etc) and even sometimes on the manufacturer. This can contribute to a difference in sound when you place said caps in sensitive parts of the circuit.
Furthermore, the capacitance and the ESR are not constant. They both depend on frequency, temperature, and applied voltage. So your 0.022 uF capacitor might be a 0.022 uF capacitor only at 20 degrees C, at 100 Hz, subjected to 1 V (typical values for standardized measurement conditions, which depend on the type of capacitor). Electrolytics, for example, are notoriously bad at this (the capacitance can change by like 10% to 20% between your measurements on the bench and it reaching proper temperature). Ceramic capacitors also often tend to be a little microphonic, so depending on where they are in the circuit they might give you some positive or negative feedback.
Does this affect sound? You bet: an important function of capacitors in audio circuits is to shape the frequency response of various stages. If you have, say, a high-pass filter somewhere, these departures from ideality will change the cutoff frequency and change the overall response in a more or less unpredictable way. Orange Drop capacitors are valued for this reason: they have a low ESR and are extremely stable under changes in frequency, temperature, etc. This means that a circuit with orange drops will likely behave closer to what the designer intended than a circuit with, say, ceramic capacitors. There are applications where this doesn't matter (e.g. guitar tone control), but they're also rugged and durable, so why not?
Agreed 100% for electric guitars. However, tone wood makes a huge difference for acoustic guitars.
not on my baby Taylors it didn't. One had a spruce top and the other had mahogany. They sound exactly the same
I always imagined this to be true Darrell really needs to test that out if he hasn’t already
Missed one out, road worn (and expensive) has the best tone 😂. But only if it has a mint green pickguard 😎.
I watched the whole video and totally agree with everything you've said, Darrell. Especially the tone wood debate, which drives me absolutely nuts! Then, you read the comments and just despair. Any experienced guitarist knows all these myths which you've explained succinctly, are complete rubbish. The type of pickups and the scale length are the two most important factors which gives a guitar its sound. It's why a Les Paul type guitar sounds different from a Strat type guitar. Even though they both use single coils and have the same scale length, a Tele will always sound different from a Strat, because of the type of pickups used and the configuration. If a guitar is semi-hollow, hollow or chambered, then there's an acoustic effect, and the guitar will sound different from a solid guitar. Brian May's home made guitar is a case in point; it's semi-hollow and originally it was supposed to have an 'f' hole. If he had chosen to make it solid, then it would've sounded completely different. Great videos, keep up all the good work. "Let's dial back the crazy" - I'm going for a lie down!
Thanks for the video man this was a wake up call I spent a lot of time and money on things like this. Time to practice more
I am having an excellent day, thank you.
Just for the record, to clear up the battery myth concerning Eric Johnson. There is a video, here on UA-cam, where Eric clears up the myth that he can tell a difference in tone from whatever battery is in his pedal(s). He stated, paraphrase on my part, that the battery was dying, he changed the battery with what was available, and said that it sounded better, meaning dying battery compared to new battery. A reporter was there and wrote that he could tell a tonal difference by battery brand. Thus was born the myth.
EJ does prefer battery over power supply for his FuzzFace, but the reason is already discussed in other comments here. This isn't uncommon, as Voodoo Lab and some pedal manufacturers have Sag features built into their products to mimic a dying battery. Pedals have a wider range of controlling the sag, whereas VL power supplies just have an on/off switch.
some batteries sound like they're going dead almost immediately after putting them in tho.. and it's just cheap batteries.. I've never heard this myth before today I'm just a street performer and rely on battery power and have learned to save money and just buy the name brand batteries..
I know Eric's amp tech, he's a personal friend. He can back this up. Me personally, I like Duracells because they last longer. They start at 9.65 volts, not 9.4 like most others. I use them in my wireless. I don't use effects otherwise, just a homemade guitar and a Music Man 100 RD.
Supposedly Eric also has a guy on his crew that drains all his 9 volts to exactly 8.4 volts.
@@larrydrozd2740 Have you tried the Energizer lithium 9v batteries in your pedals? I know you guys were talking about lower voltage effects on the electronics and sound outputs, but I've been curious about them for a while now. 9v batteries have pathetic capacities and it got old changing them in my wah when left or kicked back on b/c you can't tell without plugging in.
@@timmarrier Honestly, I don't use pedals....I just plug straight in. I use batteries in my wireless though. I'm more of an Angus Young school of guitar tone :)
About tonewood: I replaced a cheap plastic pick guard on my entry-level Ibanez for a mahogany plywood one. It did make a noticeable difference unplugged, but a marginal amplified difference if any. If your guitar has a huge plastic guard and you find it has a plastic-like, unenjoyable resonnance, especially unplugged, I strongly recommand this fix. Anyhow between bandmates and crowd I'm probably the only one noticing, which is still good since I'm the one playing the thing. Since it did positively affect my feeling while playing, I dub it was worth it. Doesn't it all come to that in the end?
Music is one of the only places where people will argue that technology from 50 years ago is better than technology today, that is pretty crazy :P
It's not necessarily crazy. In the end, it's about which sounds you prefer.
Be open-minded and base your choice on sensible criteria.
Yeah, guitars, and NASA.
the blue penguin that's a matter of craftsmanship and quality, not technology.
NamelessHere Forevermore Never heard any space buff argue that space tech used to be better, every generation of rocket engine, rover, probe, telescope, and satellite is more capable and efficient than the last. What's lacking is the scale and ambition of NASA's projects, but that's a matter of funding, not tech.
I generally would agree, but not due to tone -- I just think that instruments ought to be made to stand the test of time, and that includes your amplifier, pedals, tuners, etc.Moreover, the simpler the technology is, the more likely it is to function properly over time, and the easier it is to work on. It's not the age that I appreciate, but the theory behind it's design and manufacturing. I totally love the evertune bridge, which qualifies as new technology, but it functions simply and mechanically, which is consistent with what I like about old technology.
Boiling bass strings works. It really does. 20+ years of experience on this. I still like to buy new ones when I can, as I like to try different strings, but for bass, boiling works.
yes bass strings works, But pretty dumb to boil tiny PLAIN guitar strings. All grime you can wipe off with isopropy alcohol, pretty easily.
For me this is true but that is because Bass strings are way more
Expensive than guitar strings. This might be due to the store I used to go to though. I remember five string sets are crazy expensive depending on brand.
Excellent assessment of some of the nonsense we all get fed as guitarists. The Fender book claims that the larger headstock was to address warping problems! Wouldn’t a larger headstock be more likely to warp? Another piece of nonsense.
Of course, if you want your Les Paul to sound true vintage it’s essential that the poker chip and the knobs are made of butyrate...!
I have 20 guitars and have owned many more over many years and everything you have said has been borne out by my own experience. I use 009 -046 strings because they’re easier to play, prefer Rosewood to maple because it’s less sticky under the fingers (especially with nitro finished necks) and have found no discernible difference between ash and alder other than weight (sometimes) and that ash looks better for clear finishes.
Great mythbusing piece. Well done....
the fretboard thing is hillarious because the only reason we even HAVE fretboards is that Leo fender didnt like the way his guitar necks started to look ugly and dirty once musicians had been playing them a lot..
Strat single coil bridge pups usually sound a bit thin. If so, I think a great substitution to achieve more of a Tele bridge tone is the Seymour Duncan Twang Banger, designed for Strats. That really sounds good from videos I have listened to, even better than some stock Teles. Most of my Strats are already compensated by a humbucker or hotter single coil, so I have not had to do the substitution yet. However, I could see that substitution with a 7 way pup switch (push pull pot or other switch in addition to the 5 way Strat pup selector) as a great way to turn a Strat into an all around tone machine giving you all the good Strat and Tele tones in one guitar.
Most of the guitar players you said used thin strings do not actually use standard string sets. For example BB king used thicker bottom strings to make his sound thicker.
what do you mean? BB King Played 95% of the time on the 3 top strings and almost never played a chord.
Myth8: strat and tele has sthing in common: both slightly out of tune 😅
Billy Gibbons plays 7s..
Hetfield plays 11's 😂
Lmao....SRV 56-12
Oh and try the billy gibbons chalenge.
It is amazingly hard to break a 7
I think he plays .000000000000000000000000000000000000000000000000000000001
so does bb king or he did while he was alive..
@@georgemueh3273 I thought SRV played 13s?
Man, you are an awesome honest respectful person who I really admire. I just found your channel like 2 or 3 days ago and since then I am watching all your other videos to try fixing the mess some other reviewers and forums did to me. Everything started to make sense now. Thank you.
Disagree with myth 3. I received my PRS with 46-10s. On my boss Katana, sounded lovely with all the knobs at noon. But I wanted more bass/sustain/thickness in the tone. I have switched to Ernie ball custom beefy 54-11s. Big big difference.
Darrell, awesome video! Can you please explain the difference between pickup output levels? Isn’t lower output preferable because you can always boost it vs. a high-output pickup can’t be attenuated? Or can one simply ride the volume lower on higher output pickups? Or, is there some other interaction between the pickups with differing outputs and the pre-amp because of DC resistance? So confused! EDITED TWICE: Stupid auto-correct on your name.
My understanding is that lower wind pickups have broader "coverage" because more windings means more midrange and less low and high frequencies (we're talking about overtones here). Some people believe that the reason "vintage" pickups sound so good is that the magnets get weaker over time and that affects the level of signal that the pickups have.
G&L (Leo Fender) developed Magnetic Field Design (MFD) pickups. These utilize a high-strength ceramic magnet with *fewer* windings of wire. This results in more output with less noise and fantastic clarity and string-to-string articulation.
themikeaustin Very interesting stuff. I really need to learn more about this.
Electrically speaking, DC resistance is an indication of nothing more than how many feet of wire there is for the signal from your multimeter to go through.
A longer distance of winding wire for the voltage to go through = more resistance. More windings = more output.
StratMatt777 thanks that makes sense
Glad to hear that, thanks! Yeah, they don't tell us WHY higher resistance equals more output or less treble.
I was duped for 15 years by Duncan's website telling me that Alnico magnets were warm and ceramic was bright. Then Darrell's recent video straightened me out!
About myth #15 - how about Gittler Guitars? There is no wood. They are all titanium and sound really good.
Just love your videos Darrell. I can't get enough of your "contagious" enthusiasm. It is honestly a shot in the arm of true guitar wisdom. Wishing you all the best through this crazy time! Long may you run brother. (From Calgary, Alberta).