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Nice clean, and upfront recording. I saw this band, in May of the next year, after this. Dave Liebman, replaced Carlos Garnett on Saxophones. Ms. Nina Simone, The Last Poets, & Reggie Andrew's Ujima Ensemble, opened for Miles.
Went to Paul's Mall in 1974 to see Miles for the second time. We picked the wrong night to drive from CT. Miles showed up an hour after his band came on stage, played one 10 minute tune, and split!
Wish there was a way for Columbia to remix/remaster the "In Concert" release...or better yet do a box set with any/all recordings they may have made from the Philharmonic Hall engagements!
I grew up across the alley from Cedric Lawson's Mother! She was eccentric artist and 2nd grade school teacher. I met Cedric after my first year college and he was found an album with Isaac Hayes!
This mix reminds me of the live mix of the band at the Shrine Auditorium in Los Angeles, in May of 1973, where they played later. This mix is more accurate. Thanks.
Nice, thanks fro sharing, the opener 'Black Satin' sounds pleasantly faithful to the original, now classic studio version from 'On The Corner'. I feel Miles should have kept a keyboards in his 1970s live, working bands, keys add a layer of texture much desirable, but he went in the opposite direction and by 1974 had 3 guitarists instead.
"The Coral had a special bridge that approximated the buzzing sound of a sitar" 2023 Perspective: I keep thinking someone is trying to call me on my smartphone in the other room, it sounds just like elements of my ringtone.
Part of the reason that the recording (On The Corner) and consequently the concerts/club dates promoting it were as much a desire on Miles (and Columbia Records?)’s part to actually have people buy it and come see his band in action rather than “get the music for free” (wasn’t a lot he could do about that in Europe, but in America the bootleg sitch was already out of control). That undoubtedly (along with trying to connect with the younger generation) influenced Miles’ directions in music then.
So, of course this is just before Peter Cosey came into the band, via James Mtume's introduction. I think Mr. Cosey met Miles at the Ann Arbor Festival later, in that year of 1972. I also remember one of Pete's stories, was that of a fish dinner, that, it was hard to determine, because of the Pete's preparation, some had issues of whether the plate was fish or chicken 😂
Awesome! You wouldn't happen to have the tapes for Rated X from Get Up with It, would you? I love what Teo did with it but it's hard to tell what's going on. It'd be really enlightening to hear the original tapes.
Ultimately, this and the Philharmonic double-album are really little more than quirky 1972 curiosities - far too noodly and twangy and without the sense of shamanistic possession that was to come in 1973-75. Some great moments nonetheless and thank God Keith Jarrett has gone!!!
In reality the is Controlled Chaos. Miles was a very stern task master, nothing escaped his prodigious ears, he directed the ensemble live on stage in real time.
If you enjoy what we do here, please consider helping raise our profile in the following ways:
Subscribe to the channel
Click the bell to be notified every time we post
Click the thumbs-up on the posts you like
Share our posts with like minded people
and don't forget to click 'Show more' above to read the liner notes on this post
You can also thank us by buying us a coffee:
ko-fi.com/milestonesarchive
Thank you!
Nice clean, and upfront recording. I saw this band, in May of the next year, after this. Dave Liebman, replaced Carlos Garnett on Saxophones. Ms. Nina Simone, The Last Poets, & Reggie Andrew's Ujima Ensemble, opened for Miles.
Went to Paul's Mall in 1974 to see Miles for the second time. We picked the wrong night to drive from CT. Miles showed up an hour after his band came on stage, played one 10 minute tune, and split!
Wish there was a way for Columbia to remix/remaster the "In Concert" release...or better yet do a box set with any/all recordings they may have made from the Philharmonic Hall engagements!
That rhythm section just won't quit.
Listening to the new generation of London based, hipe musicl scene is so depresing after listening Miles.....
would be great for an official release on cd and streaming services
i like the miles 1969-1979 so called jazz rock era
69-75 you prob mean? he didnt do any shows for years after the 75 tour I don't think
Possibly the greatest live show of all time! (no, I wasn't there...)
I saw Joe Pass and Pat Martino at the Jazz Workshop and many acts at Paul's Mall. Great clubs.
I grew up across the alley from Cedric Lawson's Mother! She was eccentric artist and 2nd grade school teacher. I met Cedric after my first year college and he was found an album with Isaac Hayes!
Miles always lives on!!
Timeless
Futuristic
They were fearless flyers.
I saw Jessie Colin Young there in 1973. It was a great show!
👏🏾👏🏾
This mix reminds me of the live mix of the band at the Shrine Auditorium in Los Angeles, in May of 1973, where they played later. This mix is more accurate. Thanks.
WOWEE. These are awesome sounds. Rarest of bands to boot. Thanks again.
I love the On The Corner jams, something still so fresh about it to this day
@@Akira-5 indeed 👌
It's great to hear this cleaned up a bit and at the right pitch! THANK YOU!!!!!!!!!
Thank you for this beauty Milestones: A Miles Davis Archive. You have done a great job.
Nice, thanks fro sharing, the opener 'Black Satin' sounds pleasantly faithful to the original, now classic studio version from 'On The Corner'. I feel Miles should have kept a keyboards in his 1970s live, working bands, keys add a layer of texture much desirable, but he went in the opposite direction and by 1974 had 3 guitarists instead.
yay michael henderson
Brilliant stuff. Well done Sir… great job, much appreciated by Miles fans everywhere.
Thanks a lot for posting this incredible music. Miles will never die ! Thanks again !
Amazing Song congratulations BobHipJazzHopTrumpet
Goddam this show smokes
AMAZING Jack Johnson!!! 😗
Honky Tonk⭐️⭐️⭐️!!Wow🔥🔥
Even the drums were put through a wah wah pedal apparently.
"The Coral had a special bridge that approximated the buzzing sound of a sitar"
2023 Perspective: I keep thinking someone is trying to call me on my smartphone in the other room, it sounds just like elements of my ringtone.
Part of the reason that the recording (On The Corner) and consequently the concerts/club dates promoting it were as much a desire on Miles (and Columbia Records?)’s part to actually have people buy it and come see his band in action rather than “get the music for free” (wasn’t a lot he could do about that in Europe, but in America the bootleg sitch was already out of control). That undoubtedly (along with trying to connect with the younger generation) influenced Miles’ directions in music then.
amazing photo spread too. please copy this and save it.
Awesome. Thanks for uploading.
Good Lord!
So, of course this is just before Peter Cosey came into the band, via James Mtume's introduction. I think Mr. Cosey met Miles at the Ann Arbor Festival later, in that year of 1972. I also remember one of Pete's stories, was that of a fish dinner, that, it was hard to determine, because of the Pete's preparation, some had issues of whether the plate was fish or chicken 😂
My first Miles show was that ‘72 Ann Arbor Festival. Absolutely new directions in music. My ears were rewarded by Miles time and again, then as now.
The original mix on the first vinyl pressings was just… something else.
This is what it really sounded like. Gracias!
@@albertmiller3082 👍
Good job. Cheers! J
Thanks foruploading!
Nice, as I had in on cassette. The trees. Bandwidth has changed.
I'll buy you a coffee if I get there.
🌱🌺❤️😃
Awesome! You wouldn't happen to have the tapes for Rated X from Get Up with It, would you? I love what Teo did with it but it's hard to tell what's going on. It'd be really enlightening to hear the original tapes.
Sadly not- it would be interesting to hear how it was put together, although it being hard to tell what's going on may be part of its mystique.
I wonder...why no Ife? I was disappointed with In Concert at the time, but Ife was a stand-out (in an early incarnation).
Miles was always so forward-thinking; this is basically punk jazz
Nah, that's a critic's term. Miles was just doing his music.
@@ericperson56 Punk funk.
@@georgestevens1502 Ha! 😂
@@ericperson56 Actually closer to Charles Lloyd with a bigger band.
@@georgestevens1502 hmm...what Charles Lloyd music/band/years are you referring to?
👂 🌎
First shirtless Miles experience
Good news. The original had poor quality sound.
I love it!
Was Cedric Lawson actually Lonny Liston Smith?
No, Lonnie joined the working band around February 1973
@@MilestonesArchive Thanks.
Never heard of Miles Davis. Does he play play bass in Taylor Swift band?
'play play'
"Taylor Swift's"
@@hazelwray4184 'never heard' "does he"?
Ultimately, this and the Philharmonic double-album are really little more than quirky 1972 curiosities - far too noodly and twangy and without the sense of shamanistic possession that was to come in 1973-75. Some great moments nonetheless and thank God Keith Jarrett has gone!!!
what a mess
Ha! Yes and no. But it's intriguing...
Kinda...😬 probably not a popular opinion 'round here though
In reality the is Controlled Chaos. Miles was a very stern task master, nothing escaped his prodigious ears, he directed the ensemble live on stage in real time.
This version of his band frankly sucked, and he’d have probably told you that, too. (Lmao I’m sure he told them)
Loved Jazz Workshop and Paul's Mall. Saw the electric Miles twice, liked the early stuff a lot better.
Agreed!