Great lesson Charlie. Modes have been mysterious to many players. Your approach is both refreshing and clear. Thank you for this insightful information.
Thanks for doing what you do man.. I’m finally getting into the modes after learning the major/minor scale, triads, pentatonic scales, blues scale caged, circle of 4ths we both have the same guitar poster by the way! Haha I took lessons when I was 13 for a total of 2 visits before my dad got injured at work and then I was on my own due to our financial situation. I wish so bad that this was available to me as a kid, I had the determination and drive just ended up learning covers and simple tabs that’s it.stuck in a rut for 10 years! I honestly thought that there was only one pentatonic scale, Not major or minor separately just one! Ha and I remember being a kid asking how these bands I knew could know where to go while writing or how’d they make the transition into solos that gave me goosebumps and had every hair on my body standing up which wasn’t a lot back then lol. Keep it up I’m truly grateful.l! 🤘
Intervals and there placement equal flavor. The beginning of the vid is perfect. You show exactly how can be done with one C “power chord” and where you can go from there. And later on you camp very very to close to giving everyone the secret to Edvard’s “Franken Scale”. Presto Chango go anywhere you want-O. You have to learn these modes. Or you always be just a schlock guitar player. Well done 👍🏻
I've always done the mental gymnastics thing when I've tried to play modally - "D Mixo is the notes of G major....etc", but even in the one day I've been experimenting with the way you describe it here, it definitely feels more useful to get a feel for the intervals in small single 0ctave chunks and forget about the parent major scale. I would say though, that for me at least, I can only cope with concentrating a single mode at a time like this, otherwise it's too overwhelming. So I plan to spend a week getting comfortable with the Mixolydian, only then move onto Lydian and the minor modes. Great lesson - look forward to the minor one!
It is quite helpful in learning modes. One note: could you name the mode as you show it on the screen. When posting mode charts PLS post the name of each mode as used for us beginners. thks for your work on this much appreciated.
excellent Charlie - could you think of the raised 4th in lydian as the flat 5/blue note? I use that note a lot in blues but never thought of it as a use of the lydian mode. The blues scale includes both that note and the flat 7. Sorry rambling on a bit - hard to verbalize some of these thought on a computer!
Great question! The answer is no - because the notes have a different function. The b5 in blues serves to darken the sound of the scale. The #4 in Lydian brightens the scale. Even though it’s the same note the 2 scales have a very different sound. Does that make any sense???
I wish you could start teaching for guitarist that are not as advanced as the ones that can comprehend what you teach because i believe you are an excellent teacher for guitarist that are very advanced. What about ME I NEED WAY MORE HELP and some place to start .is there a way to chat with you privately?
what's the objective of this practice strategy 😊 .each mode simply changes the key and harmony against the C chord. I practice this until the cows come home in all Keys but would it tell me where l am? .😂 Thanks. Best regards.
Pitty You started those tutorials too late for me :( I learned some of those stuff hard way... Anyone interested in this topis should carefully learn what you have here, also Gambale has nice lessons
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Yeah, the modes really come alive when you practice them this way...thanks!
Charlie, I really appreciate your way of teaching and abundance of knowledge. Your videos are helping tremendously. Thank you fren 💪
Wow great comment and so glad it’s helping!!!
It's like modes never really mattered. You have broken it down so well that I don't even need to learn it now.
bravo.. kind of see the modes, now to keep digging
You got this! 🎸🎶🔥🎶🎸
Best explanation of what the modes are and how to practice them. Just had one of the ‘click’ moments! Thanks Charlie
Whoa!! That’s awesome and thanks for letting me know!!!
I consider this the best method to teach modes. You have underscored the major modes succinctly. I love it.
What a great comment! Thank you!!!
Great lesson Charlie.
Modes have been mysterious to many players. Your approach is both refreshing and clear. Thank you for this insightful information.
Thanks for sharing what we can do with modes playing over power chord ideas something useful to explore the moods of music changes
Great video, glad to have stumbled upon it!
Thanks for doing what you do man.. I’m finally getting into the modes after learning the major/minor scale, triads, pentatonic scales, blues scale caged, circle of 4ths we both have the same guitar poster by the way! Haha I took lessons when I was 13 for a total of 2 visits before my dad got injured at work and then I was on my own due to our financial situation. I wish so bad that this was available to me as a kid, I had the determination and drive just ended up learning covers and simple tabs that’s it.stuck in a rut for 10 years! I honestly thought that there was only one pentatonic scale, Not major or minor separately just one! Ha and I remember being a kid asking how these bands I knew could know where to go while writing or how’d they make the transition into solos that gave me goosebumps and had every hair on my body standing up which wasn’t a lot back then lol. Keep it up I’m truly grateful.l! 🤘
Love this and so happy the videos are helping!! Keep moving forward!!
great lesson I really like your style of teaching!
I really needed this. Thanks so much!🙏🎸
Wow - glad it helped!!! Thanks 🙏
Very well explained !!! Great
Thanks so much!!! Appreciate you watching and commenting!!!🎸🔥🎶
Nice lesson, for me, the best and the only way to near, understand and then master modes. THx
Thank you for watching and commenting!!!
Intervals and there placement equal flavor.
The beginning of the vid is perfect. You show exactly how can be done with one C “power chord” and where you can go from there.
And later on you camp very very to close to giving everyone the secret to Edvard’s “Franken Scale”.
Presto Chango go anywhere you want-O.
You have to learn these modes. Or you always be just a schlock guitar player.
Well done 👍🏻
Thanks so much for the great comment!
Very helpful 👍🏻
I've always done the mental gymnastics thing when I've tried to play modally - "D Mixo is the notes of G major....etc", but even in the one day I've been experimenting with the way you describe it here, it definitely feels more useful to get a feel for the intervals in small single 0ctave chunks and forget about the parent major scale. I would say though, that for me at least, I can only cope with concentrating a single mode at a time like this, otherwise it's too overwhelming. So I plan to spend a week getting comfortable with the Mixolydian, only then move onto Lydian and the minor modes. Great lesson - look forward to the minor one!
Great comment. Thanks for taking the time!
Aweome Charlie !!
Thanks 🙏
Best explanation of modes I've ever seen!
Wow! Thanks so much!! Really appreciate you taking the time to comment!
THIS LESSON JUST CLICKED 4 ME . THANKS WOW!
Awesome! Thanks for letting me know!!!
Charlie do you offer online one on one lessons?
"the progression has left the building" :D
😝
It is quite helpful in learning modes.
One note: could you name the mode as you show it on the screen.
When posting mode charts PLS post the name of each mode as used for us beginners. thks for your work on this much appreciated.
Thanks for the comment and the suggestion!! Rock on!! 🎸🎶🔥
excellent Charlie - could you think of the raised 4th in lydian as the flat 5/blue note? I use that note a lot in blues but never thought of it as a use of the lydian mode. The blues scale includes both that note and the flat 7. Sorry rambling on a bit - hard to verbalize some of these thought on a computer!
Great question! The answer is no - because the notes have a different function. The b5 in blues serves to darken the sound of the scale. The #4 in Lydian brightens the scale. Even though it’s the same note the 2 scales have a very different sound. Does that make any sense???
@@CharlieLongGuitar makes perfect sense Charlie - context is important! thanks again
Sir, where did you buy the SRV poster???
I wish I was able to tell you - my kids gave it to me as a gift
I wish you could start teaching for guitarist that are not as advanced as the ones that can comprehend what you teach because i believe you are an excellent teacher for guitarist that are very advanced. What about ME I NEED WAY MORE HELP and some place to start .is there a way to chat with you privately?
god can u plz make more videos on this
Use the circle of 5ths. Think of every key that has a C natural in.
👍🏻
what's the objective of this practice strategy 😊 .each mode simply changes the key and harmony against the C chord. I practice this until the cows come home in all Keys but would it tell me where l am? .😂 Thanks. Best regards.
Edvard had to buy Lindsay Wagner’s
Because of that horse.
Believe it or not.
Careful 🤣😂🤣😂🤣😂
the only problem i have is shapes are all different
Charlie .....I can tell you play piano.....please teach in keys that Rock players can understand...E or A......the keys of Rock
Thanks for watching! Point taken… actually I DONT play piano but my first teacher was a jazz guys so I’m “key agnostic” 🤣
Pitty You started those tutorials too late for me :( I learned some of those stuff hard way... Anyone interested in this topis should carefully learn what you have here, also Gambale has nice lessons
I learned it what I think was the hard way also. Trying to present a better way and make it easier for people. Thanks for commenting!