Joseph Haydn: Symphony No. 82 in C major
Вставка
- Опубліковано 29 вер 2024
- 1. Vivace assai
2. Allegretto
3. Menuet e Trio
4. Finale: Vivace
Francois Leleux, conductor
Norwegian Chamber Orchestra
Stay connected with us!
► Subscribe to our UA-cam channel: bit.ly/2r9tVde
► Follow us on Facebook: / detnorskekammerorkester
► Follow us on Instagram: / detnorskekammerorkester
► Follow us on Twitter: / kammerorkester
He was a happy man by nature. Musical joker genius.
Are you depressed? Do you feel bad? Haydn put you OK in an instant because his music is not only beautiful but so glad and happy, so plenty of divine detachment and humor.
Wonderful. This is the way to play Haydn! I shall be looking out for more youtube videos from this brilliant orchestra and conductor. Thanks to all those involved in bringing this beautifully engineered video to youtube for us all to enjoy
Bears would dance to this, anyone would dance to this! What a joyous, rollicking piece of music, and given a tight, first-rate performance by a splendid ensemble.
what joyous music making and...what joyous music! The finale IS the dancing bear. The ensemble looked like they were totally having fun and dancing in their heads.
Wow, Bravo! I've never heard of this group. The crispness of playing and ensemble is like Academy of St. Martin in the Fields in its prime. It is so great to see modern instruments with virtuoso players used to play Haydn with baroque informed interpretation. It's like the best of both worlds!
It is superbly played AND it's a CHAMBER orchestra..the only sort that's right for Haydn. Bravo!
@@saksma22
It’s a debatable point; all the available evidence points to the fact that all six of the symphonies 82 to 87 written for the French capital were going to be performed with an orchestra of about 60 in Paris - hardly a chamber orchestra.
@@elaineblackhurst1509 Nice to correspond with someone who knows their Haydn. Did you know that the original orchestra were supposed to carry their swords when they played. No swords on view here.
19:18
My fv part
That’s how to do this Symphony!!
Bravissimo! Amazing display of Haydnesque joie de vivre.
University of Oslo, Aula, 4 April 2017. François Leleux, conductor.
outstanding orchestra, performance and recording
hermosa y brillante sinfonia y magnifca interpretacion de Norwegian Chamber Orchestra con su conductor Francois Leleux.Esta es laprimera de las sinfonias de Paris (nos. 82-87) donde el gran maestro Haydn comienza a mostrarse luminoso y radiante.........
Oh my God! This makes me so happy!!
Typical that in age when life was very uncertain and uncomfortable the music was so positive and activating. Now we live in luxury and wealth and the music conveys anguish and chaos.
The pace, tempo, and timing to this performance is very good. The conductor is energetic and places emphasis where it needs to be to bring out the most of his players. Just love the timpani at the initial melody. His music encompasses the good-humored nature of the human spirit.
High school in Chicago early 70's we had a teacher Mr Pollack, best teacher I ever had period. His class was called '' General Music''. He would play parts of albums on a nice record player and we the class, were tested on what we learned from the pieces he was playing. What if Rock/Metal was put to this? Woofrigginhoo!!!
No hay duda de que Haydn estaba de muy buen humor cuando compuso este concierto,-humor que por supuesto contagió al director
y los músicos que lo interpretaron,así como a los auditores como yo.Excelente.¿quien dijo que la música selecta era demasiado seria?
Sí, me gusta mucho que Haydn puso mucha alegría y humor en sus composiciones.
Originally scored for 80 players, the size of the Paris orchestra with 10 double basses, this is the " economy version " so it could be played back in Austria. the original is wonderful but this works as well, joy unbounded.
Peter Crosland
According to all the evidence of the sources, the orchestra of the Concert spiritual in Paris that first performed these works was 60 players.
If Haydn performed this symphony at Eszterhaza, there would have been probably 24 players.
just be clear the scoring isn`t changed , just fewer players used
Not bad ;in Third part stylistic tempo not good;an conductor with ideas but overconducting if plagers are stupid this results in constant tension in sound
Très bel orchestre et le bassoniste a un son magnifique.
Thanks for publishing! Jesus loves you guys, We so need him
Bravoo Beleza de música! A definição de Aristóteles para beleza ( aquilo que contemplando agrada) encontra aqui sua materialização.
Excellent BRAVO BRAVO
Jeg elsker måten spillerne ser på hverandre. Musikkskapingen er fantastisk!
Merveilleuse symphonie... et merveilleux orchestre!!! Bravo et merci!
Fabuleuse exécution ! Fraîcheur, clarté, précision des attaques et des timbres, voici bien la musique de l'Auklärung !
Félicitations à vous.
Francois Leleux
Rewelacja! - myślę, że i Haydna cieszy takie wykonanie... boskiej muzyki nikdy dość!
Kudos to Norwegian 😊😊
This is a great symphonie!!!
A flood of originality and inspiration and an outstanding rendition
Absolutely. The second movement sounds so different to so much other Haydn - its poise and cheeky swagger sound almost balletic at the climax at 14:23.
The conductor is also a great oboeist..
Electrifying! Great !
Magnificent!!!!
It's been forever since I've listened to this symphony. There are 105 others and I've been otherwise occupied. But today I listened to "Bear" with new ears. I'm not sure if this symphony was intended as the first for the set, but it does set a new standard on many levels. I was laughing with delight at the conclusion. Just astonishing. And a first-rate orchestra with precision and involvement and a superb conductor.
It reminds me of both 88 and 104, but it also reminds me that I need to listen to all of them. Plug in a random number and see what you get. I’ve tried this trick with the quartets, the piano sonatas and now the symphonies… who knew symphony #50 was such a masterpiece? Or 67. They all need a listen.
@@journeymancellist9247 In the 3 years since I posted the comment you replied to 9 minutes ago! I've had a chance to become acquainted with all of the Haydn symphonies. Looking early, very early, I'm in with No.2, No. 14, No. 28, and No. 29. Give those a look! Agree about No. 50, but still prefer No. 48. Enough music for a lifetime, for sure.
@@steve.schatz Ha! Some things are worth waiting for, haha.
The amazing thing about Haydn’s output is that even if we cut it in HALF, randomly eliminating half his production, there would still be enough all time masterpieces that his place in history would be assured.
I’m not terribly keen on solo piano music but I love Haydn’s sonatas, though I’ve fallen for the piano sonatas of CPE Bach, too. You should look those up.
@@journeymancellist9247 Much agreed! Check out the Andras Schiff lectures on Haydn, focusing on the smaller piano works, of which I know next to nothing. ua-cam.com/users/results?search_query=andras+schiff+haydn
Lovely performance.
A sensational performance clearly enjoyed by performers, the audience, and those of us able to watch on UA-cam.
Fantastic conducting by Francois Leleux, he has - not inappropriately - virtually danced his way through this symphony, shaping the phrasing, and controlling the orchestra beautifully whilst allowing the wonderful musicians to play.
Very well judged tempi, the slightly slower minuet movement is important to balance the quicker allegretto ‘slow’ movement.
One polite suggestion, in this repertoire - Haydn and Mozart, plus Beethoven too - it’s a good idea to adopt 18th century practice and split the violins (ie seat them opposite each other on either side of the conductor), rather than adopt the later 19th century practice as seen here.
The split violins was as the composers intended, and helps to bring out some of the antiphonal effects better.
Thanks for posting this brilliant, gripping performance - it was much appreciated.
The musicians are enjoying themselves. No one comes away from a Haydn symphony unhappy.
What a joyful symphony this is! And I just heard it for the first time yesterday! So many masterpieces in the works of Haydn! And such a wonderful performance! And for once(God be praised) good camerawork!
These symphonies show Haydn growing to incorporate more mozart woodwind techniques, but still keep his unique power and ireegular notes and dissonance. Beethoven certainly learned his symphony style by studying both mozart and Haydn
Tickles me, particularly the finale.
Wow...
Perfect!
Los saltos de gimnasia acrecientan el aliento por la música...!
❤❤ a perfect way to get my second shot of peppermint
tea.😊
Oh how marvelous! Thank you!
Kudos to Norwegian 😊😊
They probably enjoyed this alot XD
Great perfoprmance
I discovered a weird coincidence with the key signatures of mozart and haydn symphones. Haydn wrote #82, #83,#84 in 1786. #82 is is c major, #83 is G minor, #84 is E flat. Mozart wrote his last 3 symphonies in 1788. #39 is in E flat, #40 is in G minor, and #41 is in C major! Same keys yet reverse ordering. Just not a coincidence. Mozart had these Haydn symphonies on his mind becauae he rarely wrote in G minor or E flat.
sorry to partly spoil your theory but Haydn` 82 was the last of the Paris symphonies to be written, it was made the first of the set only because it is the grandest
@@nigelmorley5414 interesting but was Mozart aware it was the last one written? It seems he was aware of them obviously.
@@beethovenlovedmozart
I’ve written about this matter extensively elsewhere, but in short, Haydn wrote to his publisher Artaria in an extant letter and stated clearly that the running order was to be:
*87 85 83 84 86 82.*
Artaria ignored this, and the familiar 82-87* was his unauthorised and unmusical ordering which was adopted by Mandyczewski in 1907 in the first complete Haydn symphonies, and then taken over unchanged in the now universal Hoboken catalogue, along with three additions tagged on the end (Hob. I:1-104, 106, 107, and 108).
Like the set of six by Michael Haydn (Symphonies 34-39 but confusingly P26-31) and Mozart’s last three (K543, K550, and K551), both sets written in 1788, Haydn *ended* his ‘Paris’ set (1785/86) with a big-sounding trumpets and drums C major work, as did his brother and great friend later.
* Artaria’s sequence 82-87 makes zero musical sense and is not chronological.
Who is the conductor?
It is the oboist and conductor Francois Leleux. Enjoy!
@@norwchamberorch no its my autistic cousin
I like it though I don't like violins
Schon szep hallhatatlan Haydn
22:15 ❤
19:18
Love everything.
Woo hoo!
Bravissimo! Amazing display of Haydnesque joie de vivre.
Bot
Bravissimo! Amazing display of Haydnesque joie de vivre.
Bot
Help my teacher forces me to listen to this, but i dont want to 🤮
What don't you like about it?