Thank you. It is so refreshing to see somebody who is all about the creative process and technique rather than gear and preset oriented. I really appreciate all the work you put into this.
I like the way you transform a corner of your studio into a disco or night spot based on light ... extraordinary! I liked that in the end you cut enough so that you don't see a small part of the other leg because that caused distraction ...
Thank you, Lindsay! You are a great teacher! I've been admiring your photographic skills and your highly vibrant personality for a long time. (And that absolutely gorgeous mane of hair, I must add :) )
Another great deconstruction great shot , I love playing with gel's can make a photo look so different. Keep these video's coming Lindsay 👍👍👍 . Two deconstruction's in one week fantastic 💗.
@@lindsayadlerphoto Can't wait, i'm working nights this week so i get them a day late haha will give me something to look forward to . Thank you Lindsay x .
Recent subscriber and I gotta say I love how you explain in detail everything . And I also love how you mentioned to challenge yourself with taking something ordinary and seeing it in a different perspective 🙌
Really cool!! I often look for space behind the subject but this way you really used the "tight" area with a wall right behind the model and it turned out so well. Good lighting made it possible for such a set up I think. Really nice! You got a sub!
Just love your work Miss. Adler.. keep doing such video's for us this keep us engaged to your channel and at the same time enthusiast us to do such work... Lots of love and Support
Wow! Thanks a lot Lindsay! You're like Santa for giving us such beautiful presents! But... you're real, so basically you're better than Santa! :D BTW I've always wondered how to attach gels to bare bulb strobes. I feel you're doing this a lot so you must have a super hiding technique (aka DIY maybe!) but I find this quite tricky since I'm afraid they kinda melt on the bulb... Thanks again for all those wonderful videos Regards from France!
Ah ! I thought it was this kind of mastermind trick! :D I'll try that as soon as I can! I love gel photography, so your "Gel photography week" is like a chief meal to me! I can't say thanks enough time. I'm on my way to watch your latest video! :D
What if you had placed a main light aimed at her face? (perhaps using a grid or barn doors) I also would have tried with a silver umbrella, instead of the white soft that you used, and used it as a hair and separation light. Not that I don't like your image, it is just imagining what the result would have been doing these changes. i am going to try it myself. Thanks again, Lidsay, you inspire me to experiment!
As an elementary school educator and dance/music instructor, I love your teaching/communication style. I just ordered your posing book too 🤗! Do you do photography workshops too Lindsay?
Great content and tips as always. Love the colors, lighting and feeling. I´m just curious only about one thing: what if you had swaped the C-stand and regular tripod positions? That way you could avoid the image left side cloning.
Makes no difference. probably just speed.. I only have so much space on either side and it was probably just what was easiest to maneuver. You could do as you suggest for sure!
@@lindsayadlerphoto Right, very much like this has happened to me once, that´s why I only suggested it as an option. Love your work, and your tutorials are great!
This is really well explained. Thank you! I have a theoretical question... if I’d shoot this with the same set up, but I’d use a beauty dish instead of the key light and an Octabox instead of the deep umbrella. How would that change the look? Do you think it would be significantly different?
I think if you position the light carefully you could get a similar look... the spread of light and quality would change slightly but not significantly.
I enjoy your work and your work flows quite a bit. Just to nitpick and I’m sure you know this: the opposite of red isn't green. It's cyan. The one thing that bothered me about your final image was the line of the back of the couch. It was close to horizontal, but not quite horizontal. Making it horizontal might have given the feel of stiffness, but left the way you did it feels like I want to nudge it level.
So there are actually a couple of color wheels! Which I always thought to be strange-- but they will actually have different colors match up from one another on the color wheel. So in some that is true. And sure, I totally see the horizontal part.:D
They have the frosted glass in front (so I don't have to worry about them hitting the flash tube itself). All I do is use gaffers tape and slightly bow out the gel to not touch the front. That's it!
![3 Foolproof Beauty Lighting Setups [That use my favorite modifier!]](http://i.ytimg.com/vi/ziFLl6LAcB8/mqdefault.jpg)
wow!!! amazing job!
Thanks for sharing! You rock Lindsay!
Thank you.
It is so refreshing to see somebody who is all about the creative process and technique rather than gear and preset oriented.
I really appreciate all the work you put into this.
Excellent video and deconstruction as always!!
I like the way you transform a corner of your studio into a disco or night spot based on light ... extraordinary! I liked that in the end you cut enough so that you don't see a small part of the other leg because that caused distraction ...
Glad you enjoyed!
Your page is mastery. I appreciate your work.
Thank you!
Lindsay you're something special 😊. Love your work! and the way you carry your self is 👌
I love seeing how you work with gels, thank you!!!
I don't know how you don't have more views. Your videos really help and thank you for taking the time to explain your set up!
lol me neither? though honestly I just started doing these.
I really appreciate how you walked us through your thought process for choosing the color and photo concept here. Thank you very much
super video, love the lighting
Excellent as always Lindsay. It also makes me want to get a drink later at a night club. Shaken, not stirred!....well done.................
Philip
Thanks Lindsay you are a great inspiration ..
Realy nice video , Lady Adler. Hi. From CapeTown, South Africa.
These photo deconstructions are both fascinating and instructive Lindsay. Thank you for taking the time and effort to share them. ❤️
Thank so you much Stephen!
Thank you, Lindsay! You are a great teacher!
I've been admiring your photographic skills and your highly vibrant personality for a long time.
(And that absolutely gorgeous mane of hair, I must add :) )
hahaha. :D
Very inspiring to try some new techniques! Fantastic!
Another great deconstruction great shot , I love playing with gel's can make a photo look so different. Keep these video's coming Lindsay 👍👍👍 . Two deconstruction's in one week fantastic 💗.
There are three more! Since this is gel week!
@@lindsayadlerphoto Can't wait, i'm working nights this week so i get them a day late haha will give me something to look forward to . Thank you Lindsay x .
Great breakdown. I always throughly enjoy you videos.
Always clear and concise instructions, very creative. wish I had all the lighting equipment to work with! thanks.
I love you Lindsay
Thanks for sharing. Really like the lighting, the mood, colors, clothing etc, very inspiring!
Another great deconstruct video Lindsay, thanks for sharing your thought process and how it all comes together. Keep em coming pls :-)
Great video and demonstration.
Thank you!
@@lindsayadlerphoto 🙏🏾☺️
Recent subscriber and I gotta say I love how you explain in detail everything . And I also love how you mentioned to challenge yourself with taking something ordinary and seeing it in a different perspective 🙌
Welcome aboard! Thank you for the kind words! :)
Thx Linsay :)
Really enjoy this series.
Thanks for another great deconstruction.
Thanks for the walk-through, Lindsay!
Really cool!! I often look for space behind the subject but this way you really used the "tight" area with a wall right behind the model and it turned out so well. Good lighting made it possible for such a set up I think. Really nice! You got a sub!
Thank you Lindsay; the deconstructions are very interestings
Brilliant ! Thank you for sharing - yes, the teal reflected on her dress does unify the picture.
You’re awesome! Very inspiring
Just love your work Miss. Adler.. keep doing such video's for us this keep us engaged to your channel and at the same time enthusiast us to do such work... Lots of love and Support
Amazing as always!
Thanks so much! Your videos are amazing!!
loved the walkthrough thank you!
Thank you so much for sharing valuable tips .
Enjoy hearing your thought process!
Never normally use the transform tool in that way - Ill give it a try though now! thanks Lindsay!!!
Love it!!!
Great work as always. Can you show us any full length shots that use gels?
Thanks! Just visit my website lindsayadlerphotography.com -- I have many!
Wow! Thanks a lot Lindsay!
You're like Santa for giving us such beautiful presents! But... you're real, so basically you're better than Santa! :D
BTW I've always wondered how to attach gels to bare bulb strobes. I feel you're doing this a lot so you must have a super hiding technique (aka DIY maybe!) but I find this quite tricky since I'm afraid they kinda melt on the bulb...
Thanks again for all those wonderful videos
Regards from France!
I just use gaffers tape and bend them out so the gel isn't directly against the head. :D
And thank you. You are the cutest and sweetest. :D
Ah ! I thought it was this kind of mastermind trick! :D I'll try that as soon as I can!
I love gel photography, so your "Gel photography week" is like a chief meal to me! I can't say thanks enough time.
I'm on my way to watch your latest video! :D
What if you had placed a main light aimed at her face? (perhaps using a grid or barn doors) I also would have tried with a silver umbrella, instead of the white soft that you used, and used it as a hair and separation light. Not that I don't like your image, it is just imagining what the result would have been doing these changes. i am going to try it myself. Thanks again, Lidsay, you inspire me to experiment!
I actually shot this scene 4 different ways... each one gave me a cool and different result!
love your videos cant stop looking at your red lips !!!!
As an elementary school educator and dance/music instructor, I love your teaching/communication style. I just ordered your posing book too 🤗! Do you do photography workshops too Lindsay?
Thank you! And I do! You can see them up on learnwithlindsay.com under events. I travel often and teaching intensives at my studio in NYC
Thank you very much. Can you share with us how did you add the neon-like text on the wall?
Thank you so much
Great content and tips as always. Love the colors, lighting and feeling. I´m just curious only about one thing: what if you had swaped the C-stand and regular tripod positions? That way you could avoid the image left side cloning.
Makes no difference. probably just speed.. I only have so much space on either side and it was probably just what was easiest to maneuver. You could do as you suggest for sure!
@@lindsayadlerphoto Right, very much like this has happened to me once, that´s why I only suggested it as an option. Love your work, and your tutorials are great!
Love you mam!
Excellent video as usual. What were then ratios between the three lights?
Don't really recall, sorry.
Awesome, I'm about to do a shoot of a spider on a model :)
omg!
Thank you for this video
gracias por la informacion.....boom dia
CREATIVE THANK YOU,IM GOING TO TRY THIS
Great work, thank you for sharing your thoughts with us, love this format, please please more!
More coming! :D
Damn it Lindsay, you’re making want a 3rd light?! LOL
This is really well explained. Thank you! I have a theoretical question... if I’d shoot this with the same set up, but I’d use a beauty dish instead of the key light and an Octabox instead of the deep umbrella. How would that change the look? Do you think it would be significantly different?
I think if you position the light carefully you could get a similar look... the spread of light and quality would change slightly but not significantly.
I enjoy your work and your work flows quite a bit. Just to nitpick and I’m sure you know this: the opposite of red isn't green. It's cyan. The one thing that bothered me about your final image was the line of the back of the couch. It was close to horizontal, but not quite horizontal. Making it horizontal might have given the feel of stiffness, but left the way you did it feels like I want to nudge it level.
So there are actually a couple of color wheels! Which I always thought to be strange-- but they will actually have different colors match up from one another on the color wheel. So in some that is true. And sure, I totally see the horizontal part.:D
How can anyone NOT LIKE these videos. Once again...Thank you Lindsey! You're really Dope!!!! Great Instructor! Bowtie
Very kind of you!
I liked how you elongated her in the frame, rather than crop the image.
How are you attaching gels to barebulb profoto lights ?
They have the frosted glass in front (so I don't have to worry about them hitting the flash tube itself). All I do is use gaffers tape and slightly bow out the gel to not touch the front. That's it!
Thanks a ton! That’s what I am doing but the frosted glass quickly gets really hot and I’m always scared that the gel may catch on fire.
top!
💙🧡❤
Nice job and wonderful results. Could you not have just moved the couch along the wall about 2 feet?
No, lots of other furniture in the way
facebook page is not found
Thanks. Looks like the URL got cut off.
@@lindsayadlerphoto
beautiful work as always thanks for sharing
i am wondering about her eyes the whites are teal ? i think i would change them, thank you
Not sure, probably from the gel
Thanks for the video and the clear explanations. But now I cry, I need a 3rd flash xD (Santa Claus if you read me...)
i love......miss linda
great job, thank you!