As usual, Mulgrew Miller makes this beautiful composition even more beautiful. I have followed his entire career and can't believe that he is no longer with us: he was born in 1955! Miller+Colemean+Williams=A winning combination!
I have to say that I find the more relaxed, but still technically gifted pianists, such as Joe Sample, Red Garland, or [here] Mulgrew Miller, much more satisfying to listen to than the flamboyancy and almost musical indigestion of pianists such as Oscar Peterson......
+tunefultony...I find myself in the same boat. I love this guy's playing. In a more scaled back way, I also love Bill Evans' approach, though not as technical as the guys you mentioned, he was hugely influential. To me, Keith Jarrett has the technical facility of the guys you mentioned and yet he seems very lyrical too, like Evans. Keith is my favorite pianist. I'm a drummer, but I didn't come here to watch Tony Williams, although I can't deny how important he was to modern Jazz drumming. Like someone mentioned above, Tony Williams was much like Art Blakey and Elvin Jones...those cats were bangers. I'll take Connie Kaye's playing any day! Drums are like piano. Relax man. Play the tune.
come take lessons with me...I learned play piano in a few years studied first Guitar classical then Jazz guitar now I have to play Bach on :piano but my classical guitar helped me a lot jazz is of course more complexity possible that's why taking it simple is the Art....Never think that something is impossible....Meditation, breathing techniques can help to do the impossible on an instrument....so let me know where you live...i had great teachers one of them was EefAlbers I did perform with him Once other teacher is Pavel Steidl and Hubert kappel 6th Clavier Ubung is nice to listen to...So let me know...You could stay at my place for one or two weeks...and we could look to a reasonable price I will have opportunity to meet My teacher who was the student of Mike Ferrel...so Also you could play with our band so let me know...Th eImpossibe is possible what ever level you are...even beginner is fine by me....I did teach before people from abroad each year they come back so let me know....cleospam@gmail.com Iam on the Earth to fulfill whatever wish somebody has in music or spiritual subjects....and I was drilled to participate on competitions.......
gee whiz, I've never heard Tony Williams as restrained on this track and yet he's there but he never dominates the trio. And I sure miss Mulgrew Miller who to end of his short life never compromised on his artistic principles like some many musicians__I won't name but you know who they were. And if I'm not mistaken, that's Ira Coleman on bass. Anyway I'll miss Tony and Mulgrew--they must be jamming in heaven!!
Some critics claim that Tony Williams makes too much loud noise with sticks on snare drum, but listen to him on this track tastefully content with his brush technique, which is as good as any drummer's...OK, at 2:40 he does transfer to sticks and ride cymbal !!
My sincere apologies!! --- I got horribly tangled-up and confused with Michael Jackson, the late singer, whereas you obviously meant the greatest basketball player of all time, the ex-Chicago Bulls player, Mr. Michael Jordan..... Rumours surfaced in the social media that he had been found dead, so do you think that he is dead, or is he alive?
I've always been conflicted about the key. I first heard it in live sessions in C, and then the beautifully chorded version by Bill with Miles in Eb. Lately, I had found the switch from Eb to C more satisfying than the reverse direction. I'm no Mulgrew, but it's nice to be vindicated by talent of this magnitude. Tony is, of course, an overpowering drummer, capable of making the cymbals do things never heard before. Nevertheless I miss the sure and rock-steady "chic" of an unfailing high hat cutting directly into the rhythm section. Frank Butler may be the most under-appreciated talent of them all--best heard when the engineer is Roy DuNann, who is there to capture meticulously placed hit on perfectly tuned snares while maintaining a dedicated mic on the hi-hat. (So few engineers know "swing" and, as a result, ignore the miking of the hi-hat.)
Nothing is ever really lost, or can be lost, No birth, identity, form - no object of the world. Nor life, nor force, nor any visible thing; Appearance must not foil, nor shifted sphere confuse thy brain. Ample are time and space - ample the fields of Nature. The body, sluggish, aged, cold - the embers left from earlier fires, The light in the eye grown dim, shall duly flame again; "Walt Whitman"
This is an excellent version of Green Dolphin St.,so fluently played by all.
As usual, Mulgrew Miller makes this beautiful composition even more beautiful. I have followed his entire career and can't believe that he is no longer with us: he was born in 1955! Miller+Colemean+Williams=A winning combination!
I have to say that I find the more relaxed, but still technically gifted pianists, such as Joe Sample, Red Garland, or [here] Mulgrew Miller, much more satisfying to listen to than the flamboyancy and almost musical indigestion of pianists such as Oscar Peterson......
+tunefultony...I find myself in the same boat. I love this guy's playing. In a more scaled back way, I also love Bill Evans' approach, though not as technical as the guys you mentioned, he was hugely influential. To me, Keith Jarrett has the technical facility of the guys you mentioned and yet he seems very lyrical too, like Evans. Keith is my favorite pianist. I'm a drummer, but I didn't come here to watch Tony Williams, although I can't deny how important he was to modern Jazz drumming. Like someone mentioned above, Tony Williams was much like Art Blakey and Elvin Jones...those cats were bangers. I'll take Connie Kaye's playing any day! Drums are like piano. Relax man. Play the tune.
BANGERS ?? YOU ARE A MORON !!!@@jeffreyalexander7504
Mulgrew Miller’s piano playing is so listenable,you can hear the melody throughout the ad-lib playing.
RIP Mulgrew Miller, Thank you for sharing your gift; you will be missed.
another example of greats taken from us too soon.i loved mulgrew millers playing,r.i.p many thanks.
amen on that 1
Absolutely rhapsodic in the gifted hands of true music craftsmen!!!!
Exquisite stuff. Oh my God, this is Heavenly. Thank You for sharing.
I like that cat.lol They are missed and will never be forgotten.
I like them all: the Bill Evanses and the Art Tatums. My great unfulfilled wish was to have become a jazz pianist. Maybe in the next life!
come take lessons with me...I learned play piano in a few years studied first Guitar classical then Jazz guitar now I have to play Bach on :piano but my classical guitar helped me a lot jazz is of course more complexity possible that's why taking it simple is the Art....Never think that something is impossible....Meditation, breathing techniques can help to do the impossible on an instrument....so let me know where you live...i had great teachers one of them was EefAlbers I did perform with him Once other teacher is Pavel Steidl and Hubert kappel 6th Clavier Ubung is nice to listen to...So let me know...You could stay at my place for one or two weeks...and we could look to a reasonable price I will have opportunity to meet My teacher who was the student of Mike Ferrel...so Also you could play with our band so let me know...Th eImpossibe is possible what ever level you are...even beginner is fine by me....I did teach before people from abroad each year they come back so let me know....cleospam@gmail.com Iam on the Earth to fulfill whatever wish somebody has in music or spiritual subjects....and I was drilled to participate on competitions.......
if you want my what's app? 00416-49113425...if not for you...then sorry for bothering you...anyway have a great Life!!!
Miss Tony!
Great music! Thanks for posting. RIP Mulgrew Miller and Tony Williams.
amen on that
gee whiz, I've never heard Tony Williams as restrained on this track and yet he's there but he never dominates the trio. And I sure miss Mulgrew Miller who to end of his short life never compromised on his artistic principles like some many musicians__I won't name but you know who they were. And if I'm not mistaken, that's Ira Coleman on bass. Anyway I'll miss Tony and Mulgrew--they must be jamming in heaven!!
Yes, Ira Coleman on bass... a trio after all is only 3 musicians, so for an 8 minute number you need to have some creative playing...
Wonderful player for sure, a great loss.
Thats cool how they alternate from C and Eb every chorus
Very good version: tight, controlled - and really swings.
Wow. This is so fantastic! Thank you..
A DAY, Alan Dawson his teacher said : magnifical ,Tony is magnifical .
If you hear it with the aid of a magnifying glass, the word is actually magnificent...... Alan Dawson needs lessons in grammar :)
Oh,Mulgrew killing again!!!! GREAT STUFF!!!!
splendid.
Some critics claim that Tony Williams makes too much loud noise with sticks on snare drum, but listen to him on this track tastefully content with his brush technique, which is as good as any drummer's...OK, at 2:40 he does transfer to sticks and ride cymbal !!
Who is Micheal Jordan please?
Did you mean Michael Jackass?
My sincere apologies!! --- I got horribly tangled-up and confused with Michael Jackson, the late singer, whereas you obviously meant the greatest basketball player of all time, the ex-Chicago Bulls player, Mr. Michael Jordan..... Rumours surfaced in the social media that he had been found dead, so do you think that he is dead, or is he alive?
Any which way you look at it, this is one of the greatest versions of On Green Dolphin Street which has ever been recorded, beyond any doubt.....
6:40 Mulgrew missed one beet, but he fixed right away. Tony switched back to brushes beside playing triplets on hi-hat!!!
Was it one sugar beet, or one beetroot? -- Ever heard of the group The Beetles?
Amazing how he comes back a beat earlier, but fixed it right in the next beat.
Yes. Thank you for the beautiful post.
Brilliant version of GDS.
AWESOME!
I've always been conflicted about the key. I first heard it in live sessions in C, and then the beautifully chorded version by Bill with Miles in Eb. Lately, I had found the switch from Eb to C more satisfying than the reverse direction. I'm no Mulgrew, but it's nice to be vindicated by talent of this magnitude. Tony is, of course, an overpowering drummer, capable of making the cymbals do things never heard before. Nevertheless I miss the sure and rock-steady "chic" of an unfailing high hat cutting directly into the rhythm section. Frank Butler may be the most under-appreciated talent of them all--best heard when the engineer is Roy DuNann, who is there to capture meticulously placed hit on perfectly tuned snares while maintaining a dedicated mic on the hi-hat. (So few engineers know "swing" and, as a result, ignore the miking of the hi-hat.)
Apart from Ahmad Jamal's version, most versions seem to be in Eb. Miles, Wynton, OP, Bill Evans, are all in Eb. Kinda more fun to play in Eb too
Appréciable !!!!
I just noticed that they play the theme in Eb but they improvise in C
Cool you recognised that! Do you know if many other groups do that? Thanks for the idea anyway
Obrigada
Thumbs Up!!!
Wunderschön
Bien plus qu'appréciable. Merci.
beau & intéressant.
Thank you. Enjoy the drum performance!
Nothing is ever really lost, or can be lost,
No birth, identity, form - no object of the world.
Nor life, nor force, nor any visible thing;
Appearance must not foil, nor shifted sphere confuse thy brain.
Ample are time and space - ample the fields of Nature.
The body, sluggish, aged, cold - the embers left from earlier fires,
The light in the eye grown dim, shall duly flame again;
"Walt Whitman"
THANK YOU!!!!!!
RIP
❤️
Real deal... 🤫
cd 欲しいね！😂
3.22 Bill Evans
Really nice
21
giant shhh
Who is the pianist?
Mulgrew Miller. :-)
Thanks, Mr Simpson
No problem, Mr. Chagas. Glad I could help. :-)
Regards!
George Scott henderson
Sweet! dig my version on you tube Mort Weiss
Grew