One Man's Opinion Season 3 Ep. 86: The Who's Tommy on Broadway

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  • Опубліковано 27 сер 2024
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    THE WHO'S TOMMY
    PRODUCTION
    Music & Lyrics by Pete Townshend
    Book by Pete Townshend & Des McAnuff
    Additional Music by John Entwistle & Sonny Boy Williamson II
    Directed by Des McAnuff
    Choreographed by Lorin Latarro
    Music Supervision & Additional Arrangements: Ron Melrose
    Scenic Design: David Korins
    Projection Design: Peter Nigrini
    Costume Design: Sarafina Bush
    Lighting Design: Amanda Zieve
    Sound Design: Gareth Owen
    Music Direction & Additional Orchestrations: Rick Fox
    Orchestrations: Steve Margoshes
    Wig & Hair Design: Charles G. Lapointe
    Casting: Tara Rubin Casting, Merri Sugarman, CSA
    Production Stage Manager: Tripp Phillips
    Associate Director: Michael Bello
    Associate Choreographer: Dee Tomasetta
    Fight Director: Steve Rankin
    Press Representative: Boneau/Bryan-Brown
    Advertising & Marketing: Serino Coyne
    Digital Marketing: Marathon
    Music Coordinator: John Miller
    Production Manager: Rhys Williams
    General Management: Bespoke Theatricals
    Company Manager: Claire Manning
    CAST (in order of appearance)
    Ali Louis Bourzgui as Tommy
    Alison Luff as Mrs. Walker
    Adam Jacobs as Captain Walker
    Tyler James Eisenreich as Commanding Officer/News Vendor/DJ
    Mark Mitrano as First Officer/1st Pinball Lad
    John Ambrosino as Uncle Ernie
    Mike Cannon as Minister
    Alexandra Matteo as Head Nurse/Managing Director
    Aliah James, Lily Kren, Jenna Nicole Schoen as Nurses
    Jeremiah Alsop, Daniel Quadrino, Andrew Tufano as Allied Soldiers
    Nathan Lucrezio as Lover/Psychiatrist's Assistant/Reporter/Mr. Simpson
    Cecilia Ann Popp and Olive Ross-Kline as Tommy, Age 4
    Sheldon Henry as Judge/Hawker/Specialist
    Tassy Kirbas as Chief Resident
    Quinten Kusheba and Reese Levine as Tommy, Age 10
    Bobby Conte as Cousin Kevin
    Aliah James as Minister's Wife
    Jeremiah Alsop as Kevin's Father/2nd Pinball Lad
    Lily Kren as Kevin's Mother/Psychiatrist
    Reagan Pender as Bartender
    Daniel Quadrino as Harmonica Player
    Christina Sajous as Acid Queen/Data Analyst
    Haley Gustafson as Sally Simpson
    Jenna Nicole Schoen as Mrs. Simpson

КОМЕНТАРІ • 8

  • @stevenwilson4324
    @stevenwilson4324 4 місяці тому +5

    Saw Tommy in late previews. Agree that "the future" concept was a bit confusing since the show is set initially during the WWII era, but the staging was inventive. Shout out to the terrific orchestra and Ali Louis Bourzgui whose voice was strong and rich. The audience (including me) was standing and cheering midway through the finale. This is one of the few Broadway productions which I would have loved to go back to the box office and get in line to experience it all over again! Alas, I could not.

  • @thegator5000
    @thegator5000 4 місяці тому +4

    Dancing and music was fantastic , if you want to be entertained , show s a must .!!!

  • @cherbibler3265
    @cherbibler3265 4 місяці тому +4

    Oh man, I loved this album when it came out. Wish I could see the show, even though I'd be one of the people who would nitpick every detail that got changed....

  • @ricksagan5890
    @ricksagan5890 3 місяці тому +2

    I saw it a couple times, pre-broadway in Chicago. Really loved it!

  • @Stereolab2000
    @Stereolab2000 2 місяці тому +1

    Just saw it. Having seen the ‘93 version as well, I’d have to say the new revival even surpasses the original. Great show. I think the “in the future” message is a metaphor for a cult of personality with its fascistic overtones (which Tommy rightfully rejects) as a circumstance never too far away. (Witness our current times).

  • @arribaficationwineho32
    @arribaficationwineho32 3 місяці тому +1

    I know the album well and saw the first Broadway production which was fabulous

  • @Ninjaman1994
    @Ninjaman1994 3 місяці тому +2

    I saw this production not too long ago and I really loved this production. It's not perfect, but I feel it gets across the messages it's trying to tell without it being too confusing. Here's my interpretation of what the futurist aspect is supposed to represent. Modern mirrors these days are our phones and screens. We like to project and REFLECT what we want people to see without actually truly looking at our real selves. The future headset is like the Oculus VR headsets we use to project our Avatars in VR Chat rooms. Hence why during the second act of the show all the blank heads we see are Avatars, the mirrors we create for ourselves to hide our true reflection. Call me pretentious, but that's what I got out of it