I cant believe I've never heard of the Carcova museum after 15 years of Buenos Aires. Thank you Andras for this great tip and to all for an excellent insightful conversation.
Great panel but unfortunately the title was a little misleading considering the purpose of the series was about Factum's wonderful work. No-fault no harm but was left wanting more about the role of objects and exhibitions within the COVID-19 context.
Interesting listening to the opening statement about the Velazquez copy. I try regularly to apply for a licence at the National Gallery to copy, but unfortunately they are very poor at organising and now they are using covid as an excuse...
I cant believe I've never heard of the Carcova museum after 15 years of Buenos Aires. Thank you Andras for this great tip and to all for an excellent insightful conversation.
Great panel but unfortunately the title was a little misleading considering the purpose of the series was about Factum's wonderful work. No-fault no harm but was left wanting more about the role of objects and exhibitions within the COVID-19 context.
Interesting listening to the opening statement about the Velazquez copy. I try regularly to apply for a licence at the National Gallery to copy, but unfortunately they are very poor at organising and now they are using covid as an excuse...
😮 ☆☆☆☆
very good. Hopefully the future of museums will be less about crowding thousands in..look at how great The Borghese is and how dreadful The Vatican is
what happen to the newspapers museum? click on ...michael tesoriero newspapers.he"s has a t.v. show too and 11 here on youtube.