Waiting for my Tokina 11-20 T2.9. Next week i can tell you! When compared to my Tokina 11-20 ATX-I f2.8, my Sigma 18-35 (on Komodo) is clearly superior in overall quality. For the price is ok, but dont expect too much from ATX-i 450$ lens.
Just made my investment on this lens last week through the Komodo users page. received an amazing discount on this glass. truly looking forward to adding this tool to my kit. great review!
Nice one Jake. Looks to be a solid lens for compact super 35 cameras. Would love to see some new lenses that have a lot more character but with modern mechanics. Seems everything now is super clinical.
I know this is an old video, but would you recommend this lens over the Dzofilm 12-25mm? I am looking for a wide lens and thinking it will be between these two.
In answer to: @rodrigodeantonibrito The wider a lens, the more expensive and difficult it is design and build. You can't expect the 11-20mm to be better than the Sigma 18-35mm due to the Tokina's relatively low price. The Tokina is a specialist lens for people that need ultra wide angle where as the Sigma is more of a wide to a standard zoom lens. They serve two different purposes and can't be compared as equals in that respect. There is nothing really as wide, as cheap, and of better image quality than the Tokina zooms.
Strange artifact at 4:20…. Looks like the light is catching the inside of the lens barrel and lighting up the corners of the frame. Lovely lens but worth keeping in mind/testing at the wider focal lengths.
So hard trying to decide on a lightweight cinema zoom for the red komodo X for gimbal work... any suggestions on what to get that isn't too expensive but high quality? less than 3gs (used)?
How does it compare to the Laowa Zero-D 15mm and 12mm cine version lenses in terms of image quality? I believe the Tokina 11-20 is just a rehouse of the still version, so it should perform the same as the $900 still lens. Is that correct? Thanks
I think the orange focal length markings from 16mm and upwards are supposed to indicate the quite significant falloff in brightness. After some testing, zooming all the way in gives you more of a t/4 instead of a t/2.9. Anyway, it is a great lens, but i wish this was mentioned in this video.
It's been stated by Tokina that the change in the marking colours is to indicate FF / 135 coverage. Also the lens has a constant aperture, there is no ramping across the range.
@@flyingfox2005 okay it was just a guess. At our Studio we own both the 11-20 and the 25-75 the wide one does indeed darken noticeably when zooming in. honestly i was shocked to notice, since their advertised as constant aperture..
@@lukasvolkwein6220 I've never seen these lenses drop exposure over their focal range they're designed to have a constant aperture... it might be a defective copy?
You said that the 300° focus is a bit too much for a solo operator. Does it mean you don't recommend it for that usage ? Or is it still praticable ? Thanks !
@@CVPTV As we know Sigma cine zoom lenses are made from the same glass as Sigma's 18-35 and 50-100mm still lenses have. So question is this, does Tokina Cinema 11-20mm T2.9 ATX and Tokina 50-135mm T2.9 Mark II Cinema ATX lenses are made from same glass as their still versions? If yes can you tell me the full name of that still version? Because there are ton of tokina still lenses and i couldn't figure out or you can share a b&h,amazon link. I am just doing some research, thanks.
No, lenses focal lengths do not change. What is changing is your fov. If you are wanting to know what the crop factor equivalent of this lens on a S35 vs a FF sensor, you're looking between 1.3-1.5x depending on the S35 sensor size. Jake
Hi, Can you please do a comparison on best Wide Zoom for Video. Thanks 🙏🏼 -Sigma 18-35mm f1.8 -Sony FE 16-35mm F2.8 GM -Canon RF 15-35mm F2.8L IS USM Lens
@@CVPTV Hey Jake, Merry Christmas btw! :3 Well... I just wanted to see how 20mm look on a m43 sensor. Just curious if it has the potential to frame a decent portrait with fair bokeh ( coz its roughly around 40mm? )
@@FivosVas a 20mm lens on MFT will give the same AOV and perspective distortion as a 40mm on FF / 135. The faster the 20mm lens on MFT, the better the bokeh (compared to the equivalent focal length on FF / 135). A 20mm T2 lens will match the blur of a 40mm T4 lens on FF / 135
![DJI RS2 + RED KOMODO | The Perfect Combo!? [Review]](/img/n.gif)
Can’t believe you got a shot of that Bugatti that was wrapped only last week! Very cool lens, shame I can’t afford it 🤣
Would love to see a comparison between both the Tokina 11-20 T2.9 and the 11-20 ATX-I f2.8
Waiting for my Tokina 11-20 T2.9. Next week i can tell you! When compared to my Tokina 11-20 ATX-I f2.8, my Sigma 18-35 (on Komodo) is clearly superior in overall quality. For the price is ok, but dont expect too much from ATX-i 450$ lens.
@@rodrigodeantonibrito what's the verdict? Are they the same optically?
Very interesting lens for sure, wouldn't mind having one for my BMPCC6K :).
saaaaame
How might this look on a eosm Canon with a metabones speedbooster?🤔
I got it for bmpcc6kpro and loooooove it, recommend !
Just made my investment on this lens last week through the Komodo users page. received an amazing discount on this glass. truly looking forward to adding this tool to my kit. great review!
Where the deals at ?
Where is the Komodo users page ?
You can get the same lens in a photo housing for $400!!! Might be better for solo focusing, and lighter for small gimbals...FYI
More lens videos for the komodo please!!! Great video, best channel.
Nice one Jake. Looks to be a solid lens for compact super 35 cameras. Would love to see some new lenses that have a lot more character but with modern mechanics. Seems everything now is super clinical.
I know this is an old video, but would you recommend this lens over the Dzofilm 12-25mm? I am looking for a wide lens and thinking it will be between these two.
Great review! Wonder how it would match with a set of Vespids.
In answer to: @rodrigodeantonibrito The wider a lens, the more expensive and difficult it is design and build. You can't expect the 11-20mm to be better than the Sigma 18-35mm due to the Tokina's relatively low price. The Tokina is a specialist lens for people that need ultra wide angle where as the Sigma is more of a wide to a standard zoom lens. They serve two different purposes and can't be compared as equals in that respect. There is nothing really as wide, as cheap, and of better image quality than the Tokina zooms.
I wish you noted the focal length for each shot.. where they all at 11?
Strange artifact at 4:20…. Looks like the light is catching the inside of the lens barrel and lighting up the corners of the frame. Lovely lens but worth keeping in mind/testing at the wider focal lengths.
Would love to see you guys do an in-depth video on the Tokina Vista primes since you do such thorough reviews of gear.
Can't wait for the C300 III, FX6, FX9 and Komodo comparison. Love the content that you put out.
Should be out Monday 9am! Jake
@@CVPTV Could you also make a comparison between Zcam s6 and Komodo, please? =) Thank you for your videos!
Is it compatible with speedboosters? Or does it have the same issue as the DZO Pictors?
"The Komodo and C70" - like the Z Cam E2-S6 doesn't exist ;)
There’s a reason why you don’t see z cams in rental houses.
So hard trying to decide on a lightweight cinema zoom for the red komodo X for gimbal work... any suggestions on what to get that isn't too expensive but high quality? less than 3gs (used)?
How does it compare to the Laowa Zero-D 15mm and 12mm cine version lenses in terms of image quality? I believe the Tokina 11-20 is just a rehouse of the still version, so it should perform the same as the $900 still lens. Is that correct? Thanks
would love to see a comparaison
I think the orange focal length markings from 16mm and upwards are supposed to indicate the quite significant falloff in brightness.
After some testing, zooming all the way in gives you more of a t/4 instead of a t/2.9.
Anyway, it is a great lens, but i wish this was mentioned in this video.
Based off what you're saying Does zooming in make you have to change your settings in cam like iso per say ?
It's been stated by Tokina that the change in the marking colours is to indicate FF / 135 coverage. Also the lens has a constant aperture, there is no ramping across the range.
@@creativegreats6924 the fstop is constant across the range. The change in markings colour is to indicate FF / 135 coverage.
@@flyingfox2005 okay it was just a guess. At our Studio we own both the 11-20 and the 25-75 the wide one does indeed darken noticeably when zooming in. honestly i was shocked to notice, since their advertised as constant aperture..
@@lukasvolkwein6220 I've never seen these lenses drop exposure over their focal range they're designed to have a constant aperture... it might be a defective copy?
Review the IRIX Cine 15mm T2.6 Lens with Canon EF-Mount next please
Thank you! Do you think this is a rehoused ATX-I 11-20 photo lens or an original?
It will be a rehoused stills lens yes! Jake
can you share purchasing link of the still version?
@@cineformat6298 Come on... :))
You said that the 300° focus is a bit too much for a solo operator. Does it mean you don't recommend it for that usage ? Or is it still praticable ? Thanks !
I think it's usable just not optimal for some! Jake
Looks very interesting! How well does it match to the sigma cine zooms?
From using both quite a bit I think pretty well! Jake
@@CVPTV As we know Sigma cine zoom lenses are made from the same glass as Sigma's 18-35 and 50-100mm still lenses have.
So question is this, does Tokina Cinema 11-20mm T2.9 ATX and Tokina 50-135mm T2.9 Mark II Cinema ATX lenses are made from same glass as their still versions?
If yes can you tell me the full name of that still version? Because there are ton of tokina still lenses and i couldn't figure out or you can share a b&h,amazon link.
I am just doing some research, thanks.
definitely good lens for video
Would ef version of this work with the canon speed booster on komodo ?
Parfocal?
Sorry forgot to mention that, yes it is!! Jake
great review , what's the software being used to see the lens coverage ? cheers
Thanks! You can see our tool here - cvp.com/tools/cameralens Jake
great video!! one question. can i put a sony E mount on it? and if yes, is autofocus still working? thanks a lot! 🙏
Yes you can get it in E mount but it does not have AF. Jake
@@CVPTV thanks a lot!!!
Dear CVP, is this actually 15-30mm lens when used on a 35mm sensor?
No, lenses focal lengths do not change. What is changing is your fov. If you are wanting to know what the crop factor equivalent of this lens on a S35 vs a FF sensor, you're looking between 1.3-1.5x depending on the S35 sensor size. Jake
For some reason the distortion seems awkward to me. Cant quite put my finger on it.
Hi,
Can you please do a comparison on best Wide Zoom for Video. Thanks 🙏🏼
-Sigma 18-35mm f1.8
-Sony FE 16-35mm F2.8 GM
-Canon RF 15-35mm F2.8L IS USM Lens
What is the ff equivalent of the lens and the crop factor?
16-35mm I believe
This seems to be same optics as the old photo lens . Which had bad optics
There is not a single video on youtube that shows this lens on a BMPCC 4K.. I want to see the frame on an MFT :(
What do you want to see with this lens and camera combo that you can’t gain from this review sorry? Jake
@@CVPTV Hey Jake, Merry Christmas btw! :3 Well... I just wanted to see how 20mm look on a m43 sensor. Just curious if it has the potential to frame a decent portrait with fair bokeh ( coz its roughly around 40mm? )
@@FivosVas a 20mm lens on MFT will give the same AOV and perspective distortion as a 40mm on FF / 135. The faster the 20mm lens on MFT, the better the bokeh (compared to the equivalent focal length on FF / 135). A 20mm T2 lens will match the blur of a 40mm T4 lens on FF / 135
Parfocal???
Which PL adapter did you use?
Metabones RF to PL. Jake
Has anyone tried this on a full-frame?
Which view calculator is this? :)
You can see our tool here - cvp.com/tools/cameralens
@@CVPTV thanks!