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Jonas Kaufmann singing "La vita è inferno all'infelice" from LA FORZA DEL DESTINO
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- Опубліковано 1 бер 2016
- "La vita è inferno all'infelice" from Giuseppe Verdi's LA FORZA DEL DESTINO
Jonas Kaufmann (Don Alvaro)
Ludovic Tézier (Don Carlo di Vargas)
Asher Fisch (musical direction)
Martin Kusej (stage direction)
Live recorded at the Bayerische Staatsoper in July 2014.
The whole production of LA FORZA DEL DESTINO from Bayerische Staatsoper with Jonas Kaufmann and Anja Harteros will be released on DVD and Blu-ray on March 4!
Dit is echt te mooi om waar te zijn...en toch is/ was het echt waar....zooooo prachtig gezongen...ich liebe dich für immer,mein lieber Jonas!❤❤❤❤❤❤❤❤❤❤❤❤❤❤
Tendido, sentado y de pie. Magnífico dominio de la voz. Gracias por su regalo.
After listening to Jonas Kaufmann nobody measures up to him.
@@morisilweindal2848and Richard Tucker, too...
Ach lieve lieve Jonas,wat verschrikkelijk hartverscheurend prachtig!!!!!🥰😍🤩
BRAVISSIMO Jonas Kaufmann❣️Vous êtes celui qui remplace tous grands avant vous ❤
je n'ai pas de mots qui ne soient déjà usés alors que chaque soir se renouvelle un miracle d'intelligence musicale, un miracle de grâce dans l'expression de sentiments humains si délicats. Admiration et émotion totales.
Musicality like this is very rare. Jonas combines strength of voice with quiet passages. He builds up an aria and it's like he carries you along with the melody. So very expressive. Just listen to that crescendo at the end. ❤ Not many tenors can sing this melodically. Most just sing out the aria with very little colour in it.
Expressive, he lives intensely, deep feelings!!..Grace and Destiny are with Him!🎼👏👏🌹🌾
Ma che palle tutti 'sti commenti su Corelli, ma chi se ne frega di Corelli, aveva una voce magnifica ma grazie a dio ognuno ha la sua propria voce, altrimenti sai che bellezza tutti con la voce del magnifico Corelli! Francamente mi sono solamente rotta di leggere in ogni commento paragoni con Corelli, Caruso, Del Monaco, e chissà quanti ce ne sono stati centomila volte meglio di tutti loro prima di loro, che nessuno ha mai registrato! Allora a questo punto chiudiamo tutti i teatri, tanto che ci stanno a fare senza Corelli?! Ma smettetela per favore. Sembra che tutti invece di godere della musica non facciano altro che soffrire in nome di non si sa bene cosa... ma godetevi la vita e questa voce straordinaria che a vedere il bello solo in una direzione francamente vi perdete un sacco di cose belle nella vita!
Pienamente d'accordo col fatto dei paragoni ognuno ha il suo tempo .
Ma questa è una voce ingolata non si apre non esplode non ha appoggio, non sale , che palle tutte queste pseudo mezze voci che fa in questa romanza si sentono perché il palco è pieno di microfoni , i si bemolle che fa tra l'altro sono anche calanti come il la bemolle finale poi.
Se lo osserva così a Kaufman forse capirà meglio i paragoni che la gente fa con i grandi tenori .😉
E che palle sentire certe persone che non riconoscono la differenza tra la voce di tenore vero e un mezzo baritono affogato per strangolamento e osannato perché ormai il pubblico non ha cultura musicale:esattamente come te, carissima!
E che palle sentire certe persone che non conoscono la differenza tra la voce di tenore e un mezzo baritono affogato per strangolamento...osannato però,perchè ormai il pubblico non ha cultura musicale:esattamente come te, carissima!🙄
Prachtig ,zo super mooi ,bravo. Jonas!!!
We are so lucky to enjoy this great artist today. He is the best.
Bravo
The greatest tenor of our time. Jonas Kaufmann can sing anything. Fantastic voice! Excellent interpretation!
No he's not
Bravissimo,Jonas!
Bravo!
wonderful Jonas ♥
No comment,it is just so magnificent,nobody could ever surpass this voice and beauty of this tenor,so genius and perfect 6:51
Another wonderful performance. I love his voice the dark tone and fullness of the sound.
This artist of many parts is pure freedom !
Bravo et Bravooooo
So amazing !
EVERY TIME I LISTEN TO THIS ARIA , PERFORMERED BY JK, JUST CAN SAY: HOW MUCH I LOVE YOU , JONAS KAUFMANN!!!
FANTASTICA ESTA VERSION DE DON ALVARO CON UNA GRAN PERSONIFICACION DEL PERSONAJE .BELLISIMA LA VOZ DE KAUFMANN......
I'm not familiar with 'La Forza', but anything by Verdi, particularly sung by Kaufman, draws my attention every time!
HONESTIDAD Y MUSICALIDAD.FANTÁSTICO.
You are, was, "GRANDE". 💞🌹
A young Jonas Kaufmann,
EXQUISITO
I hate this stupid opinions; he sings as Mr C or he isn't sings as MR B.
We do not take the glory of other singers, they already had their days of glory but each artistis the only and unique for their time.
For me, Jonas Kaufmann is the greatest in this age and his dark velvety voice singing so incrediblyand true transmitting feelings penetrates deep into my soul every time you hear it!
Barbara Gaweł i agree totally!!!
absolutely
Yes Mannail888 is clearly a disgruntled soul. I'm preparing a talk for our music appreciation society comparing singers of different ages. As I've been doing some research you begin to read about the dearth of great singers in every generation. I suspect that a 100 years from now singers like JK will be seen as the golden era. I've not heard JK live but his singing on film and record is very good. The present era is one where every performance is scrutinised, filmed (on phones) so any off nights are viewed as the beginning of the end!
I totally agree and I am tired of all these comparisons with tenors, who passed away a long time ago! I live now and I am deeply impressed by JKs voice!
And... I have to add to your comment, that there are others that are entitled to their opinion whether they prefer this or that singer better, from this time or before. And... yes, he's a good singer with a beautiful voice but I don't feel the same way you do about him. Btw... taking time to heal means bad technique or too much too soon. Salute!
What on earth was that? The production, I mean. Sometimes I really do fantasise about taking these 'conceptual' directors outside and shooting them far into the galaxy on a one-way trip - perhaps, say, when Richard bloody Branson finally gets his commercial spaceship up (pun intended) and running! I'm happy to start a collection.
This isn't even That Wild by Regie standards XD I've seen productions where I wondered how high the director was. What really made this Forza for me was the truly excellent cast and the whole Carlo/Alvaro Foe Yay in its full glory.
So true!!
🎼🎶🌷😍❤
I'm ashamaed by the lines some of you dared to put on ... Who are you? Best critics or musicians in the world? And even that, how dare you to say it is "crap"? You may like it or not ... but keep it for yourself! The crap you say (some of you, not everybody!) is disgusting.
I love this voice and him
Pilar Paco, Miguel Angel de Miguel Martín, mariajo, carmen Villegas, Teresa Tomás Serrano, la difunta, gloria izquierdo mir, la, que, se, ha, ido y, no, aparece, soy Margot, mi íntima amiga maríe Terese kaufmann, me, ha, cedido su, nombre, son bombillas, apagadas, es, infernal, todo, su, mundo, jonas kaufmann, es, mi tío, directo, y, que, pase, con, el, en, ese pueblo???
ESPLENDIDO
che urla belluine
enica Civelli
Est-ce qu'un fois dans votre vie vous etes montée sur un scène?
Mais Di Sefano, Bergonzi, Corelli, Del Monaco, Tucker sont montés sur un scène, donc vous pouvez voir comment il doit être chantée cette aria.
.
Urla
Febbrai Silvia Silva
er ist ein vielseitiger toller sänger-aber tristan/radames und solche ähnliche partien?
Papà ha capito sì
Look at that tension on the neck! So painful to see and hear
DELICIOSA INTERPRETACIÓN
Il destino la forza del destino
Please,listen Corelli's version of this aria
JONAS KAUFMANN`S VERSION IS THE BEST. FULL OF EMOTIONS AND WITH A CONTRAST OF COLOR IN HIS DARK AND SWEET VOICE...WHAT ELSE SHOULD I ASK FOR?
I have and it's glorious but who cares!! That was then and this is now JK is a god and sings gloriously. If you prefer Corelli than listen to his recordings and don't listen to Jonas who needs this negativity
There is no point to compare. Both are great.
Enig wat een belevenis prachtig geacteerd
THE BEST PERFORMANCE OF THIS ARIA EVER!!!
Вы, наверное, никогда не слышали эту арию в других исполнениях.
Ma che?Davvero davvero???Come disse il grande Totò in un film"Si convinca; lei é un cretino!"
The vocal production is as throaty as it's guttural, with distinctive
register breaks. Notes off the stave are squeezed out without any
build-up and in many sequence smudged. Legato is as abundant as rainfall
in Sahara. Stylistically, he's all over the place in addition to the
fact that he is channeling his inner Renee Fleming in that every word,
every sentence is fussed and tweaked to the extent that any sense of
spontaneity is lost. Those comparison to the legendary Jon Vickers by
certain so-called critics is simply preposterous. The Canadian's voice
is naturally produced and is employed with the greatest artistry,
whereas the voice of "the most gorgeous thing on the lyric stage today"
(so claimed by thousands and thousands of queens around the globe) is
weirdly produced, sounding synthetic and grating.
god, shut the fuck up, would you?
Kaufmann's ascent to the top is indicative of a dearth of satisfactory
tenors on the international classical music circuit. Voice alone, he
would be assigned comprimario roles were he active in the fifties.
Seeing that Mexican clown is throwing in the towel after repeated throat
surgeries, the establishment tries to do it all over again by
manufacturing another superstar tenor, one who's only capable of singing
extremely awfully but is marketable with the bearing of a matinee idol.
One who's ruthlessly ambitious and willing to place utmost priority on
reaching the top over everything, including the attainment of art, one
who's well versed in the art of prostituting art but cares little, and
probably knows nothing, about art. Of course, the establishment includes
big time impresarios, opera house directors, international recording
companies and critics affiliated with mass media conglomerate. He also
needs to have a personality that's as affable as it's weird. Weird
because he has to understand the fine art of boot-licking and abusing
the hand (the fans) that feeds him in the same time. Then, a star or,
more accurately, a pseudo opera singer is born.
Kaufmann's groupie and that Mexican clown's are probably the most
wretched people in the world because they choose a fate that's more
abhorrent than reveling in drenching themselves in a tub composed of
toxins and human secretion (the unsavory kind): they choose to steep
themselves in self-abasement and hideousness.
no one cares.
While the works of Verdi is a genre unto itself and is generally not
included in the bel canto bracket, it is still of vital significance
that the main protagonists of his operas be taken by singers with an
Italian approach, and who are steeped in the bel canto tradition as if
to the manor born. Not that the role of Aida and her lover, Radames are
exclusively the domain of Italians. Bjorling, a Swede, is a great
Captain of the Egyptian army. He is also great as Manrico, Duke of
Mantua and Riccardo (Bello). Leontyne price, an African-American, is
sublime as the Ethiopian princess/slave. She is also tremendous as the
two Leonoras (Trovatore and Forza). These two non-Italian
singers succeeded not because of birthright, but because they trod the
Italian repertoire with an deep-seated Italian approach and profound
understanding of bel canto. And how about "La Divina", a Greek, who
turns Italian opera into a greater art form than it probably is. How? By
being the greatest exponent of bel canto.
What's so detrimental is that not only is this faux Don Alvaro hailing
from Germany deadly unidiomatic but also didn't have a clue as to what
constitute bel canto.
Brilliant singing - but a terrible staging.
Jonas kaufmann, cariño, como nos podemos, sentir, con in fermem land digital, como nos podemos sentir con el sueño de una noche de verano, pasó, lo mismo, que, aquí, por, eso elegí al elenco, que, elegí, por eso, el padre mirko, me encargó, que hiciese algo con, esta familia,, los sopranitos. El mayor culpable, el ex alcalde en su primera legislatura!!!
Si Champollion resucitara tendría con su comentario para algún tiempo.
The way he sang actually hurt his throat considerably. Haven't anyone found that he always tends to crack at the transition between mid range and high range? The tone sounds a little bit weird like screaming. His adam apple and tongue are typically, I would not say incorrect, but... anyway I've heard him singing other arias, the 'crack' is a common issue.
He makes me think of Giuseppe di Stefano, using too much throaty voice.
I guarantee Jonas Kaufmann would easily get trouble in his throat.
Zhiyong Mao You must be an expert living in his throat!
Actually, Di Stefano sounded quite natural, but the cost was that he sometimes (especially later) did not cover his voice. Kaufmann has different vocal issues, the artificial darkening being the most obvious one. So I am not sure about this comparison in general. Regarding this particular aria, I feel the need to say Di Stefano's version is one of the most beautiful 8 minutes of singing I have ever had the pleasure of hearing.
I think he does it intentionally to add drama to his voice. It’s one of the best features of his voice 😍
Así que, esta escena trágica, teizier, te da golpes y tú nada, después, en, la ovación, os tocáis en el hombro y, el otro demonio adefesio, virago de Harteros repartiendo rosas, tú coges y la coges de la mano, y gloria izquierdo mir, también subió, para recibir y dar flores, como Jesús Pastor.!!!
I've listend to Kaufmann sing Verdi and other Italian repertoire, and I simply can't get into it. I don't want to take anything away from his artistry, but I always find that "Italian thing" lacking.
UN. JOURS. Peut-être. ON VA. VOUS
PROPOSEZ DE CHANTER. DANS
INE. PUBELE ??!!??
UNE. TÉL. VOIX DANS. LES DÉCORS
SOMBRE
?????
???
a great artist but without squillo in the voice. When i hear Corelli i forgot who is Kaufmann.
It's easy to understand why it's wrong.
Look at his neck and then listen again...
Imbarazzante.
@UC5UOU9DsTYyo2_QEVxY2HUQ Ascolti Corelli (dal vivo, c'è il video) e Pertile. Capirà perché Kaufmann è imbarazzante. E poi si sente proprio il suono dei microfoni che escono da ogni pertugio nel palco. Dal vivo l'ho ascoltato Kaufmann, non si sente senza supporto audio.
pare sia cosi...vittime e carnefici
Corelli? Come on guys. It's like comparing Hercules to Zeus... Just enjoy it..
Ma che merda. Povero Verdi.
¿ PORQUE ESA HORRENDA PALABRA ? Debemos cuidar el lenguaje ..
@@liliacristinapohl4905 Descrivendo la vocalita' terribile e orrenda di Kaufmann si puo usare solo le parole brutte. :(
@@michelez3710..Cuidado con el lenguage . Recuerde la buena educacion en esta red . Con todo mi respeto SEÑOR ..
Not as shit as your life, Michele.
Orribile!!!
What makes you say that? Please explain..
Mi chiedo chi consenta la messa in scena di queste scenografie e regie ridicole !!!....
allora non e'un robot...quello invisibile
Meglio sarebbe stato se si fosse... AHAHAH è una battuta naturalmente...ma non si canta così...l'ultimo grande interprete di Forza del destino è stato GIACOMINI...questo cantante sta anche peggiorando vocalmente...saluti
i geuss this theatre pays well cause no singer would ever sing in these productions...what the hell is the guy doing in the back? warming up for situps??
Very nice and well sung. The only sing I don't like is those straight notes at the end. That's a bad German habit. This is Italian and straight notes in belcanto takes the legato away. Finally... What the fuck with this ugly crazy production?... What js it with German stage directors?... It seems they been running out of ideas for a long time. It is like a competition on who does the shittiest ugliest production!
What do you mean by straight notes? And since it is a German habit, as you say, can you give some other examples, please?
vocalità poco adatta à questo capolavoro.
non mi piace affatto.
Definitely not the Greatest tenor of our time
Kaufmann's ascent to the top is indicative of a dearth of satisfactory
tenors on the international classical music circuit. Voice alone, he
would be assigned comprimario roles were he active in the fifties.
Seeing that Mexican clown is throwing in the towel after repeated throat
surgeries, the establishment tries to do it all over again by
manufacturing another superstar tenor, one who's only capable of singing
extremely awfully but is marketable with the bearing of a matinee idol.
One who's ruthlessly ambitious and willing to place utmost priority on
reaching the top over everything, including the attainment of art, one
who's well versed in the art of prostituting art but cares little, and
probably knows nothing, about art. Of course, the establishment includes
big time impresarios, opera house directors, international recording
companies and critics affiliated with mass media conglomerate. He also
needs to have a personality that's as affable as it's weird. Weird
because he has to understand the fine art of boot-licking and abusing
the hand (the fans) that feeds him in the same time. Then, a star or,
more accurately, a pseudo opera singer is born.
Kaufmann's groupie and that Mexican clown's are probably the most
wretched people in the world because they choose a fate that's more
abhorrent than reveling in drenching themselves in a tub composed of
toxins and human secretion (the unsavory kind): they choose to steep
themselves in self-abasement and hideousness.
"Bitter", party of one, your table is ready...........Obviously your not capable of seeing a little good in everyone. I doubt you would recognize a good opera singer if you fell over one, let alone heard one.........You come across as a very unhappy individual. Spew your venom somewhere else!!!!!
The vocal production is as throaty as it's guttural, with distinctive
register breaks. Notes off the stave are squeezed out without any
build-up and in many sequence smudged. Legato is as abundant as rainfall in Sahara. Stylistically, he's all over the place in addition to the
fact that he is channeling his inner Renee Fleming in that every word,
every sentence is fussed and tweaked to the extent that any sense of
spontaneity is lost. Those comparison to the legendary Jon Vickers by
certain so-called critics is simply preposterous. The Canadian's voice
is naturally produced and is employed with the greatest artistry,
whereas the voice of "the most gorgeous thing on the lyric stage today"
(so claimed by thousands and thousands of queens around the globe) is weirdly produced, sounding synthetic and grating.
Who died and made you God? I happen to believe Franco Corelli was one of the greatest tenors ever - and he had the good sense to retire when he was still at the top of his game. But your cruel, puerile name calling shows me that the only person steeped in toxins is you. Utterly vile.
My God, you're not only enormously unpleasant you are homophobic as well. There's no polite way of putting it to someone like you, so I shall just say it: fuck off you nasty old fart. You are the very worst example of the kind of world-class twattery that exists amongst the so-called opera cognoscenti.
causabon79's defense of this faux Alvaro is emblematic of those people who, when made aware of such revelation as that which they had held dear amounted to nothing in actuality, would snap, usually in the form of calling every name in the books, acting erratically and throwing violent tantrum at every possible opportunity. Completely unable to tear themselves from such self-abasement and hideousness they continue to revel in their gruesome situation and even try to drag other gullible and unsuspecting people into their sunken pit. It's so sad that "causabon79" has chosen such grotesquely horrendous life.
I SIMPLY HATE THIS “ MUSIKTHEATER” SHIT ---YMO!
bad singer. so much throat. it destroys all the music.
Turns me completely off opera. What crap.
Singing OK, but the production is soooo bad. Why on earth do those directors have to spoil masterpieces with such silly settings? Shame.
Slow, boring, throaty, too often out of tune and absolutely out of Verdi's line of singing style... and with the usual (full of crap) acting that portrays the same emotions of a cheap telefilm. At least he is lasting longer than Villa-bufón and doesn't look like Mr. Bean. Of course I am joking, I loved the whole thing and I felt completely overwhelmed by the dramatic effect of that long wig...
I think that was a cruel crack at Rolando Villazon. You should be ashamed of yourself.
causabon99 The only thing to be ashamed of is how impresarios, theaters and discographic companies keep on shitting on Verdi's, Puccini's, etc... masterpieces every week. To understand the rich tradition of opera and belcanto one needs a certain level of culture. Nowadays prefabricated "div@s" are for uneducated audiences. My advice for you is to search for the truth if you love this art form and think twice before clapping like a chimp, buddy.
Urk Urk
Frank Furter Since when do cultured people call others ugly names when they can use their smarts and expertise toward constructive criticism done with an air of good-will?Is it more fun being cranky
and ill-mannered?🤷♀️
Guess where this guy comes from? Trumpland.
Unfortunately, he does not know how to sing properly. He needs a good teacher that would re-train him.
Bravo
I thought he sang better in this Forza than in the Trovatore but I find vocal comparisons to others beyond my expertise and even if it wasn't I probably would not indulge in it. However, those who think everything JK does is great might not recognize something special.