Anja Harteros and Jonas Kaufmann in act one of LA FORZA DEL DESTINO
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- Опубліковано 1 бер 2016
- Third scene of act one from Giuseppe Verdi's LA FORZA DEL DESTINO
Anja Harteros (Donna Leonora)
Jonas Kaufmann (Don Alvaro)
Vitalij Kowaljow (Il marchese di Calatrava)
Curra (Heike Grötzinger)
Asher Fisch (musical direction)
Martin Kusej (stage direction)
Live recorded at the Bayerische Staatsoper in July 2014.
The whole production of LA FORZA DEL DESTINO from Bayerische Staatsoper with Jonas Kaufmann and Anja Harteros is now available on DVD and Blu-ray!
Beautiful memories! A great production with a great cast! I was in the audience and I enthousiasticaly loved it.
Anja e Jonas due bravissimi interpreti. Non a tutti possono piacere, ma non si discute su voce ed interpretazione. Una " FORZA DEL DESTINO " con bravissimi interpreti. Scenografia discutibile.
beautiful.
Ils sont formidables tous les deux !!!!! Bravo et Merci
I have this dvd and love it a lot, such an excellent cast and such an intense production.
Absolutely fantastic performance! thank you for sharing!
One of my favorite operas!
Mais, depuis le temps que je regarde mon blu ray, on s'habitue à cette mise en scène tellement les voix sont belles !
La combinación de tenor/barítono le da a la voz de Jonas Kaufmann un matiz muy especial que sabe manejar de maravilla. Además de tener presencia, posee el don de la actuación y domina cuatro idiomas. Y, siendo alemán, quién más podría cantar a Wagner como él ¡Es un verdadero fenómeno de esta era!
enfin le DVD de cet opéra dramatique et bravo à l'interprétation des acteurs
poignant
Great music in a great scenery...!!
MARAVILLOSO DUO
Браво! Какой мачо!!! Супер,завидую партнершам,иметь такого тенора! Мечта любой певицы!😃
Fabulous!!!
Wonderful !!!'
Fenomenal!
Kaufmann ist hier fantastisch!!!
aNJA hARTEROS UN NUEVO DESCUBRIMIENTO. fANTASTICA
ok il dvd ma io ho visto l'integrale circa un mese fa con sottotitoli in tedesco: che fine ha fatto che non riesco più a trovarla?
Julio 2014, programas de medievales de belmonte de san jose, en, Múnich, el sueño de una noche de verano, agosto del 2014,, pasó lo mismo, que en Múnich, esta es la razón de, lo, que pasa con la parte chunga de la comarca del bajo aragon y la parte chunga del matarraña la harteros, como siempre, en medio!!!
Esto, e incluyo dirección de escena, canto y calidad artística, es lo que se conoce de toda la vida como una puta mierda.
No! I don't know what this is but it's not Forza!
I can assure you that it IS. It is a production by Bayrische Staatsoper.
@@operacat1 It most certainly IS! in the next moment, which we don"'t see here, he throws his gun on the ground but it accidentally shoots her father dead. First stroke of destiny. Brilliant characterisations.
preciosa voz de Kaufmanny su expresion fantástica. Espantosa la puesta. como todas las que se hacen hoy.No coicide nada de los que se vé, ni con la música ni menoas el libreto
....Слушать -одно наслаждение!!! Спасибо прекрасным певцам....,но реж.решение - не воспринимается, и с музыкой Дж.Верди не "звучит" - заставляют слушать, а не видео смотреть...Это жаль!
forse ho conosciuto eleonora
Mire mesie, hermanucho, usted, estuvo, en, esta, forzá del destino, y, después, en, agosto, en El sueño de una noche de verano, qué, pasó, con Jesús Pastor y gloria izquierdo mir???
dramatico!
Bien si, el nuevo ayuntamiento de Belmonte de san jose, que, es falso, si, su, chulería, llega, a, que maría aurora alfaro Santamaria, la dejen, preparar, las fiestas, y hacer alguna, de las suyas, se, exponen, a, que, nuestra cuadrilla, pida explicaciones, sobre las generales, autónomicas, etc y Las cuentas de la asociación incultural,!!!
Riveting performances!!! I don't mind the clothes or the drapes. But the slowly appearance of the dad from behind is anti climatic.
Miren ustedes, no, hay, que olvidar, al ubeda, paquitin velazquez, íntimos de, ramón mur gimeno y la asociación incultural de belmonte de san jose, todo, el submundo, se encuentra, allí, mi, nivel, es mi nivel y lo adapto, un trabajo es trabajo, y, no firmo bazofias, ni anacrónismos, sin olvidar las, angosto, y marí pili y floritin!!!
La vi completa y me pareció que tanto los cantantes como el director estuvieron muy bien, lo mismo que la orquesta. Lástima que la regie y el vestuario me descolocaban permanentemente. El regiseur es un delirante que no tiene idea del teatro de Verdi; hay escenas donde pone figurantes en poses acrobáticas pero inmóviles que atraen la atención del espectador permanentemente por el riesgo de que se caigan o les suceda algo desagradable. El vestuario es igualmente desquiciado, sobre todo en el final: Leonor cantando el "pace mio dio" vestida como para una cena y con tacones es directamente aberrante. Otro tanto ocurre con "la vergine degli angeli", donde la sumergen en una suerte de bautismo evangelista en una pileta seis o siete veces. Horrible! Inaudito! Intolerable! No puede ser que los regisseurs hagan desastres y que nadie los detenga, y encima les pagan. No puede ser!!!!
De, momento esto, no, es la forzá del destino lo que interpretan programas de medievales belmonte de san jose, y lo que pasó, en como en un espejo, patrocinio privado Bodegas Enate, Bodegas Bordeje amavis somos postfeministaw de verdad, el arrufat, tuvo que dimitir de presidente de la DPT, por las denominaciones de origen, 😭😭😭😰😰😰😰😭😭😭🤣🤣🤣🤣🤣😭👀🙂🤐🤐
J'aime les voix bien sur mais la mise en scène est minable et ne correspond en rien au livret et à la musique de Verdi !
Che produzione! Una schifezza totale.
Aparte es un insulto, para nosotras, las, post feministas de los labios 💋 rojos verdad violette cabesos, Yoli, mariam oros???
The vocal production is as throaty as it's guttural, with distinctive
register breaks. Notes off the stave are squeezed out without any
build-up and in many sequence smudged. Legato is as abundant as rainfall
in Sahara. Stylistically, he's all over the place in addition to the
fact that he is channeling his inner Renee Fleming in that every word,
every sentence is fussed and tweaked to the extent that any sense of
spontaneity is lost. Those comparison to the legendary Jon Vickers by
certain so-called critics is simply preposterous. The Canadian's voice
is naturally produced and is employed with the greatest artistry,
whereas the voice of "the most gorgeous thing on the lyric stage today"
(so claimed by thousands and thousands of queens around the globe) is
weirdly produced, sounding synthetic and grating.
Yaddiblabla… nonsensical ravings.
Who decided that they should be dressed like that? It breaks the sense of the environment. Please, opera directors, we want operas as they were written , feel the atmosphere ,not just your vision of it
cantanti di oggi sono pagliacci
je suis sidérée de ce commentaire
Moi aussi!! Les chanteurs d'aujourd'hui sont des genies!!!
@Federico Couldn't agree more!
Kaufmann non canta,urla.
è stonato.
auguro à questo bravo ragazzo di avere una salute d'acciaio,ci vuole...
I love this opera in spite of myself even with some of its modern quirks. At our house we call it "La forza del machismo."Lots of action and derringer-do from Jonas Kaufmann as well as fine singing from the entire cast.
I am sorry to say but Verdi is not Kaufmann's cup of tea. I like him in german or even french roles, but not in Verdi or Puccini. This production of Forza is one of the worst things I've seen is recent times. Why do they have to spoil the story with such silly and completely inadequate scenaries is something beyond my understanding.
Stupid staging but fine singing. Poor singers having to keep farting about with the bloody net curtains. Typical usual stage business we've grown used to with Euro-trash productions!
I agree! I just can't agree with high heels + Incas etc etc. I lost the music for a few seconds watching the singer trying to stay in character while dealing with the curtains...
What an absolutely dreadful production.
Kaufmann's ascent to the top is indicative of a dearth of satisfactory
tenors on the international classical music circuit. Voice alone, he
would be assigned comprimario roles were he active in the fifties.
Seeing that Mexican clown is throwing in the towel after repeated throat
surgeries, the establishment tries to do it all over again by
manufacturing another superstar tenor, one who's only capable of singing
extremely awfully but is marketable with the bearing of a matinee idol.
One who's ruthlessly ambitious and willing to place utmost priority on
reaching the top over everything, including the attainment of art, one
who's well versed in the art of prostituting art but cares little, and
probably knows nothing, about art. Of course, the establishment includes
big time impresarios, opera house directors, international recording
companies and critics affiliated with mass media conglomerate. He also
needs to have a personality that's as affable as it's weird. Weird
because he has to understand the fine art of boot-licking and abusing
the hand (the fans) that feeds him in the same time. Then, a star or,
more accurately, a pseudo opera singer is born.
Kaufmann's groupie and that Mexican clown's are probably the most
wretched people in the world because they choose a fate that's more
abhorrent than reveling in drenching themselves in a tub composed of
toxins and human secretion (the unsavory kind): they choose to steep
themselves in self-abasement and hideousness.
mannail888 |
mannail888 Amen
I'll second that!
Placido Domingo thinks he is a very good tenor...., but maybe you also think that Domingo is a joke???...lol
How did you know that, sweetie?