Heitor Villa-Lobos: Sinfonia n.12 (1957)
Вставка
- Опубліковано 28 сер 2024
- Heitor Villa-Lobos (1887-1959): Sinfonia n.12 (1957) -- SWR Radio-Sinfonieorchester Stuttgart diretta da Carl St. Clair --
I. Allegro non troppo
II. Adagio [5:55]
III. scherzo [14:18]
IV. Molto allegro [15:58]
- cover image by Henri Rousseau --
The music published in this channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study learned music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to UA-cam, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
Es geht hier um sagenhafte unbeschreibliche Erlebnisse im Dasein, als der Ort überhaupt den wir glauben zu erfahren, mit unendlichen Räumen und Wohnungen voller Wunder.
El sinfonismo del siglo XX le debe a Villalobos su genial aportación de como dominaba todos los instrumentos, ya acompañados unos de otros, ya en solitario, como instrumentos solistas. Su música es profundamente vital, sugerente descriptiva y evocadora y en los tempos álgidos y resolutivos, todo alcanza tal grado de éxtasis y paroxismo para luego volver a los tiempos acompasados y lentos, que después abandona para introducir unos movimientos más rápidos, tensos, llenos de vitalidad, dramatismo y esplendor. Todo el conjunto y la plantilla orquestal es utilizado con un gran logro, en un trabajo de conjunto digno de alabanza y encomio. Los timbales, los tambores, el metal, las cuerdas que suenan combinados y al unísono para construir la obra sinfónica llena de matices y relieve, armonía y bellas cadencias.
Villa Lobos, supra sumo do Brasil, sensibilidade à flor da pele. Impossível ouvir e não pensar brasileiro. Arauto musical do que existe de melhor em nossa cara pátria. Orgulho artístico.
This symphony is absolutely noticeable. There are no originl technical features in it which could propose Villa Lobobs as "inventor of ....'. But there is a generosity and a franckness of melodies, harmonies, orchestral combinations ....... which make it a masterpiece in itself. The most wonderful movement is probably the slow one.
The symplony is rather concise. Its duration is about half an hour, whilst the 'Amerindia' (N°10) lasted about one hour (twice more).
Vibrante, intensa, emocionante, bella...así es la maravillosa música de Villa-Lobos.
Bela peça brasileiríssima!
00:00 - Allegro non troppo
5:55 - Adagio
14:18 - Scherzo
15:58 - Molto allegro
A typically fine work by Villa-Lobos, with an original 'adagio' and an engaging 'scherzo'
Wunderschöne und brillante Interpretation dieses Schwanengesangs von Villa-Lobos mit farbenreichen und perfekt vereinigten Töne aller Instrumente. Der zweite Satz klingt besonders schön und cool. Die Virtuosität aller Solospieler ist echt hoch. Der geniale Maestro dirigiert das ausgezeichnete Orchester im inspirierenden Tempo mit völlig effektiver Dynamik. Einfach wunderbar!
So much fun out of this world.
Maravilha a obra desse mestre...
Wonderful slow movement.
Música brasileira leve e naturalíssima direto de Stuttgard.Há uma forte influência de Rachmaninoff e Stravinski, principalmente, um toque circense
Intense with enthusiasm and with relaxed themes.
bom demais.
Deus da música
Heitor Villa-Lobos pushes us into the forests and jungles, through day and night, through rain, heat and cold. That's why his music kills me: the Amazon forest is dying and so his soul, and so mine.
The Amazon is not dying! Villa-Lobos spirit is very much alive!
One health promoter
great
great, thanks
muito bom
Nice job!
I made a pilgrimage to villa lobos house in bottafogo in rio de j
A composição de Villa-Lobos, escrita em 1917, ainda no início de sua carreira, carrega diversos elementos da música europeia, fazendo notar influências de Stravinsky e de Debussy (especialmente de Prelúdio para a Tarde de um Fauno nos lânguidos e misteriosos solos das madeiras e cordas).3 de abr. de 2017
Crítica | "Heitor Villa-Lobos: Sinfonia Nº12, Uirapuru, Mandu ...
www.planocritico.com
Sometimes (if possible) Copland shows up.
"Besides"....? Sorry I don´t follow you. If you want to compare Villa Kobos with Copland, there is no such non sense in my mind. But each composer one way or the other is/was inspired by a theme or music idea of a fellow member, composer or musical trend. And sometimes the same style "blows up" within the same time frame. Ex. Brahms was clearly influenced by Schumann, as much as Schubert by Beethoven. And so what ? Brahms, Schumann, Beethoven and Schubert are masters. Identifying here an there a slight tendency or "label mark" of a composer as a direct or indirect influence of other artist is the source of art inspiration. And sorry, let´s leave "nationalisms" aside (not beside). Greetings from Portugal.
I don't hear Copland but I do hear some progressions that are very similar to the kind you hear in Howard Hanson's symphonies. Either way, this is a splendid piece.
pq categoria animais??? kkkk
As imagens, talvez
Matheus Ng sim. Mas nã deveria kkkk
una manera de representar a Brasil ....dueña de l selva mas grande ....tan grande como el compositor ¡
Representar o Brasil com um tigre é muita licença poética.