All is said so good in the previous comments that I only have one small thing to say - SRV really loved Jimi Hendrix and you can tell it from listening to this. It´s not just a cover, it´s a tribute to an icon.
You gave me a new perspective. SRV was a great guitar player, but why he tried to imitate Hendrix is beyond me. His own music with Double Trouble is great, but he could not match the technique or sound of Hendrix.
Stevie Ray Vaughan was a master of the Texas Blues. He could play his guitar behind his back without missing a note. From my home state of Texas! R.I P. Stevie.
SRV is the reason I first picked up a guitar as a child. I've loved Texas blues all my life. It's in my bones and never gets old. Boy, I miss Texas but still happy to be blessed to still live in the South. There's nothing like the South and its blues. I left once but never will again!
I don't think you exaggerated to call it THE cover. Very few people interpret a song this complex and get it right. Here's one that KISS got right, kind of amazing ua-cam.com/video/PC9xjboGmsk/v-deo.html
Chris Layton was a nice guy. But was a lack luster Drummer. Got to see SRV six times and loved him. I always wished if he had lived. That he could have found a Better Drum that would have push him...
I saw Stevie Ray Vaughan and Double Trouble perform in Santa Barbara in 1984. Forty years ago. Can you believe that? I have watched every possible live version of Stevie's rendition of this song. I have my favorites, and each version has enough differences to make each unique in some small way. It's what makes live music so fun. This version is not in my top three favorites. I enjoy it, but every music listener brings their own tastes to a performance and my three favorites are: El Macombo (1983), Austin City Limits (1983), and Tokyo (1985). I won't say one version is better than another. They're just the ones that tickle my ears.
I saw him at Universal Amphitheatre, same year. I spent quite a bit of time that next week just staring at my guitar. That show changed how I hear the instrument forever.
Stevie Ray never played the songs exactly the same live because he said it felt like he would be copying himself. I guess if you had to play the same material over and over being on the road 200 days a year it could get a little repetitive and start to become more like a job if you didn't change things up. I saw him play at the Shoreline Amphitheatre in 1990. He was one of the best. Cheers!
SRV is experiencing a resurgence in popularity because of UA-cam. It is one thing to hear his guitar but to have the ability to watch the mastery is a whole different aspect and through this his music is a controversy. Yes, SRV's performances are sultry, theatrical and dramatic (although off stage he is the same man), because of what he does and various musical tactics he keeps you on the edge of your seat...but listening closely, or in a more peaceful setting or going back from video to audio only, he and his guitar play are very musical, one has to experience enough to get past the "easy excitement" to enjoy him on a purely musical level. What he is most credited for is that he and his instrument are not 2 different objects or beings, it becomes just one entity. It is hard for a UA-camr, reactioner to do SRV and not interrupt the guitar solo with comments as his whole performance or whole 90 minute concert is just one grand solo. What I like about this song is that SRV completely owns it, makes it his own but at the same time homages and gives respect to the original Hendrix piece. Amy, while absolutely we can enjoy guitar performance by other musicians more than SRV for personal taste reasons, I have no doubt that you just watched the best blues guitarist that ever lived, BB King said that of all people whom he played together with he enjoyed playing with SRV the most because he got so up close to him and got to interact with him, Eric Clapton said that the first time he heard SRV it frightened him because he had not believed that what he heard could possibly be played on a guitar. May SRV rest his soul in peace and may his guitar finally get the cigarette break that it needed.
I was a huge Hendrix fan growing up (and still am). This was my first introduction to SRV. This clip you watched today. I was totally blown away and was a huge fan from that point on. He’s the only one that could really pull off a Hendrix cover. He also did a mind blowing rendition of another Hendrix song, little wing. Both versions are amazing. On a side not you should check out some live versions of Jimi Hendrix playing voodoo child.
Big SRV fan here. This rendition of Voodoo Child might just be my favorite of his many spectacular performances. Technical brilliance combined with powerful guitar play and deeply soulful voicing. This rendition is higher-tempo than the original (and most other renditions) and most satisfyingly urgent. Overwhelmingly charismatic; like a got dam volcano erupting . Love it more each & every time I view/hear it.
Two famous covers are Jimi Hendrix's cover of Bob Dylan's "All Along the Watchtower" and Johnny Cash's cover of Nine Inch Nail's "Hurt". Both are definitive.
Mr. Tambourine Man by the Byrds, La Bamba by Los Lobos, Respect by Aretha, Without You by Harry Nilsson, I Will Always Love You - Whitney, A Little Help From My Friends (or The Letter) - Joe Cocker, Blinded By The Light - Manfred Mann also all became hit covers and are definitive.
A few thoughts... First, that wear pattern on a guitar is typically caused by a combination of the pick scratching the paint, the perspiration from the player's arm, and the friction of their arm or shirt sleeves against the guitar body. It has become popular in recent years to purchase brand new instruments that have been built to look this way from the factory...this is called a "relic" guitar. However, in Stevie's case, he purchased this guitar used from a shop window. He said it was already worn, and he could tell that it must ply and sound incredible by the amount of wear it sustained from the previous owner. I believe it was made in 1958 or '59. Second, Hendrix often played extended versions of his recorded songs live, just as Stevie did here. You are correct in commenting that Stevie was playing faster, but he was also taking more time between some of the lines of lyrics than Hendrix did. Third, it cannot be overstated that one of the big differences in the two versions of this song is that each man's backing band played their parts very differently. Stevie's band, Double Trouble, was playing more of a groove and staying in the pocket rhythmically, while Jimi's band, the Jimi Hendrix Experience, was much more frenetic as a rule and less in the pocket. Finally, the Hendrix version was a studio recording complete with extra added guitar tracks and panning from speaker to speaker...this was missing from Stevie's live version (and from Hendrix's live versions). Also, Hendrix faded out for the ending of his studio version, while Stevie had to actually "end" his live version. Looking forward to your future comparisons. God bless!!
stevie's guitar is a 1962. the wear on the back of the body is much worse than the wear on the front. stevie carved his name on the back so it could be identified if it was ever stolen.
@@marzsit9833 ...thanks for the correction. I thought I remembered reading that he thought it was either a '58 or '59 due to a sticker on thg he back of one of the pickups he once found. Again, thanks for the correction.
There's a Jimi Hendrix 1969 Voodoo child live in black and white that's good. Hendrix live was so different because you felt he had no idea where the performance was going to go, and he focused on getting to the point where the guitar took him over and used his body as a means to come alive. In contemporary language we would say he went into flow state on stage. Interviews show he was incredibly shy and humble, he lived through the guitar.
The black and & white show is Stockholm 1969. There's a better one in colour from Maui 1970 that is a hell of a trip. On vimeo, you can see Berkeley 1970, Royal Albert Hall 1969, and my favourite, Atlanta Pop 1970, all in colour. The Atlanta Pop Voodoo Child shows why Hendrix was so special and un-recreatable.
stevie ray vaughan live at the el mocambo is an absolute MUST! You will be challenged to find a musical performance anywhere by anyone where the musician is one with their instrument than this one
One of the most amazing things about this is that he did NOT break a string... lol.. (Look at Little Sister, with string broken, no pause, and perfect guitar switch!)
If someone is an accomplished guitarist; (of the Rock genre); then seeing S R.V. leaves them absolutely speechless! 😶 Realizing the technical expertise & the amount of work, ie:[practice scratches on his 🎸 body]: then this amoji comes to mind😱 I don't know if anyone will ever be as good as this. All the G.O.A.T.S. only dream of achieving this level of G.O.A.T.I.S.M.🐐
It's so cool to see how the music affects your facial expressions and makes your body move. It's so genuine. I like when you look surprised and pleased.
I love your reaction. This truly is a Great Cover. I am so glad you got to experience this great performance. Stevie Ray, like Hendrix, is often near the top of the greatest guitarists lists (Hendrix is almost always the top). They both are incredibly gifted and they both play with a lot of expressiveness and soul. You had some great observations in contrasting this with the Hendrix version. I'm glad you visually paid attention to his techniques, and noticed how attuned with his body and soul he is to his guitar. While Stevie's performances of this are beloved and amazing, I agree that the Hendrix version has more profundity and depth. You are really starting to get attuned to what separates the great guitarists from the rest with two great examples.
Oh GHAD!!! How can you not SEE that the man LIVED AND BREATHED playing--and the wear and tear is from YEARS of the DRIVING POWER he put into his playing!! You STILL have SOOOOOOOO much to learn about the energy that many dedicated to their playing!! There was NOTHING PHONY about Stevie when he plays! YES...he OWNS his playing! You want to see him at his past?!? That same Austin City performance has his "Masterpiece": RIviera Paradise! Watch/listen to THAT, and you'll see and hear more emotion coming from a rock musicians playing then you'd yet discovered. You NEED too! It will astound you!!
I feel like Stevie took key elements from Jimi's version and accentuated and made them his own...When I leave this Earth plane I want to go to a show where they play together...How amazing that would be..Thanks for your reaction..Peace to you
For me both Stevie and Jimi stand alone in the electric guitar pantheon. On hearing Jimi for the first time on the radio, back then, the description “cosmic soul” came to mind. It was as if his music, his playing came from the heavens. As in supernovas and neutron stars and colliding galaxies. And yet soulful. The Blues. I saw/heard Jimi play at the Berkeley Community Theatre. I thought there will never be another one like him again in my lifetime. But Stevie…damn! He played with the same spirit and the same unbounded joy and energy as Jimi. And the music, the chaotic beauty of frequencies and sounds and colors feeding back becoming a natural force, becoming a solar wind blowing through us. And we with our feet in the mud taking a primordial dive into the stuff of life through Jimi and Stevie.
Boy, I think your reaction is absolutely spot on. This is definitely speedier. Full props to Stevie to pull this off live, cuz Hendrix had a full studio at his disposal to get his message across. But this is just, (“just,” hah!) an homage to Hendrix. Hendrix is SO much more than Voodoo Child. But he is also nothing less. Try to imagine…just try…to imagine what it was like to buy Electric Ladyland in 1968. There you are, sitting in your living room with some friends, you’ve heard “Purple Haze,” you’ve heard “Little Wing,” but you haven’t heard “The Star Spangled Banner” yet. Or “Machine Gun….” Or Eddie Van Halen, or Joe Satriani, or “insert your favorite metal guitarist here.” And then THIS happens. And then…about a year and a half later..he was gone. I don’t think I can explain it. I think you had to be there.
SRV was a master, a savant and he was always completely one with the guitar and the soul or essence of the music. He also almost never played a song the same way twice, he is mostly improvising, embellishing. Yes that is actual wear from how hard he plays. He uses extremely heavy strings, partly how to get really powerful sustain, but it's also really hard to both pluck and hold down at the frets, or bend notes. He played so hard he would often rip off fingertips, and he'd just crazy glue them back on to keep playing. You really must watch him do Texas Flood Live at the El Macombo to truly see how he is totally involved in the soul of the music, and his technique will amaze you. He is channeling Jimi here, and he is actually using Jimi's "wah wah" pedal too. Here is a suggestion for a cover: You've done Beatles songs and this one is from The Concert For George after his untimely death, featuring dozens of famous people in the band, sung by Eric Clapton (who played on the original), and George's son Dhani is playing too, a spitting image of a Young George: ua-cam.com/video/CrTMc2i6Lzc/v-deo.html ( While My Guitar Gently Weeps (Taken from Concert For George) ) Speaking of offspring being a spitting image, here is something Amy will thoroughly enjoy, though it's probably not worthy of a reaction. David Gilmour and his daughter Romany doing a rendition of his solo song called Yes I have Ghosts. she on harp and he on acoustic guitar, filmed during covid lockdowns as a sort of family gathering/home movie (David being of Pink Floyd fame) ua-cam.com/video/dGdEe8yp2TI/v-deo.html ( David Gilmour with Romany Gilmour - Yes, I Have Ghosts (Von Trapped Series) ) And this short photo album set to David's playing shows just how alike his daughter is to his younger self: ua-cam.com/video/T_gQ_D5yhAE/v-deo.html ( David Gilmour and Romany Gilmour - Kokineli )
Stevie is pure energy, which is (to me) whats so impressive, that he could maintain it for a whole show. Hes a very driving and confident preformer. Jimi liked a little air of mystery and I think thats across all of his music.
Hendrix version is live too, but in the studio, it is improvisation because film crew asked them to play something for film, and the result is Voodoo child ( slight return), on album Electric Ladyland is another, longer, different version called Voodoo Chile, which is kind of base for Voodoo Child, but actually different song. But the masterpiece of guitar playing is Machine Gun from Band of gypsies album.
Thank you for this! I loved it! I was lucky enough to see him once, on the Pier in NYC. He did 2 encores. One was 3 Hendrix songs and the second one was just him playing 3 instrumentals, just him and his guitar without his band. When he played the instrumentals, the audience was silent while he played. When he finished the last one, he just put his guitar down on his stand and walked off the stage. By far the best concert I’ve ever seen.
I feel like the thing you were trying to describe about the two version's different rhythmic feel is that Stevie's cover has a bit of a Texas Swing influence. I think that the genius of many artists lies in their ability to mold tons of various influences into something new. That's what Jimi did and that's what Stevie did as well. We all build on the shoulders of giants.
Hendrix was a genius and was a real pioneer for the time. No diminishing his impact and his talent. SRV was just as one with his instrument as Hendrix and this is a great tribute to Jimi but also demonstrates SRV's incredible skills. Would have been interesting if they were both still alive and rocking.
you don't have to prefer one over the other. The thing about Jimi vs Stevie is that the vibe is completely different, and depending on your mood at the time, you'll prefer one over the other....yet still like both for what they are.
VirginRock clearly confused by what she's hearing without knowing about the existence of wah wah pedals is great lol a funny detalil too I don't know if anyone mentioned: Jimi Hendrix was a lefty. In 20:35 here you see SRV pulling something, that's a "vibrato arm". His goes on top instead of below the strings, as an ode to Jimi. As Jimi sometimes played right-handed guitars, his vibrato arm would also be on top of the strings instead of the usual position below, because the bridge (the piece of the guitar where this arm attaches to) is reversed.
The one thing both Hendrix and SRV have in common, and this in often overlooked by guitarists, is that they have a mastery of their instruments. By this I mean both guitarists know acutely how to get a wide range of sounds from their guitars, in this case the Fender Stratocaster. Both Hendrix and SRV spent a long time getting to know what their guitars could and couldn't do, what modifications could be made and how the guitar felt beneath their fingers. Watch their live performances and you'll see them making adjustments to their instruments as they play, be it switching pickups, turning knobs or adjusting tuners. Many guitarists will strap on a guitar and knock out a tune and it wouldn't really matter what guitar they played but with Hendrix and SRV I don't think that was the case, their guitars were very personal to them and they could push them to their limits.
THANKS for DOING THIS!!! I've been wanting to see someone do this, SO MANY TIMES - I think you will enjoy Stevie Ray Vaughan AND Jimi Hendrix original!!
This is Stevie Ray's speeded up version of the song. I recommend also checking out a second of his live versions. The others tend to be much slower with a lot more subtlety. Especially when you're comparing it directly to Hendricks, checking out one of these other videos is very important. Check out Stevie Ray's other version here: ua-cam.com/video/JoB_YBXXEOU/v-deo.html
Wow….there are so many great covers! : off the top of my head, There’s Heart covering Stairway to Heaven at Kennedy Center Honors 2012. A fun one would be to listen to the folk version of Babe, I’m Gonna Leave You by Joan Baez (which is itself a cover) and then the Led Zeppelin version. The Sound of Silence by Simon and Garfunkel and then the version by Disturbed. No Quarter by Led Zeppelin and then the cover by Tool (if you don’t mind going into some metal).
So glad that you came across Stevie Ray in this way. I truly think you would be impressed with Beth Hart and Joe Bonamassa's cover of the classic Etta James song "I'd rather go blind" live in Amsterdam. Truly a performance for the ages. Keep up the great work Amy, i really appreciate your take on music.
There are several different SRV performances of this song on yt. This one is done at a faster tempo than any of the others I've seen. Also if you watch 7 different SRV performances of this you'll get 7 different guitar solos. He never played the same song the same way twice.
As mentioned earlier in the comments, Jimi covered All Along the Watchtower, and even Bob Dylan regarded it as the definitive version. Another significant cover is Jeff Buckley's version of Leonard Cohen's Hallelujah.
SRV incredibly was a humble guitarist and he held Jimi Hendrix in very high regard. Before recording the song Voodoo Child, SRV sought out permission from Jimi Hendrix's father for permission to do a 'cover' of the song. That is quite incredible, considering what an amazing player SRV was. SRV was truly an amazing talent and an amazing person as well.
Thanks, VR.. IMHO Stevie is the most amazing performer... I know, Jimi started it, but SRV is my preference... he had mad respect for Jimi, and also covered at least one others by JH... there is just nobody like Stevie!! appreciate your listen...
I went into a music shop and out back I could hear a guitar tinkling out "The Wind Cries Mary." I tranced out back and when the guitarist was finished I gave praise. The old man turned and said, "I only wish I could let the guitar breathe like Hendrix." Every Hendrix track I listened to thereafter I became aware of the inhale and exhale.
I love this series of videos!!! M’am, SRV on the date of this performance, probably has played this song hundreds of times, he grew up listening to Hendrix, his older brother was/is in The Fabulous Thunderbirds band. What a talent, tragically taken away too young and too soon, like Jimi
Thank you Amy. In the Hendrix vs. Stevie preference question, I greatly admire Stevie's technique and passion. And yet Jimi's tone speaks to me as even deeper in how it touches me. If you hear and watch Jimi's Maui and especially Woodstock performances of Voodoo Child, you will be transported with him to a faraway galaxy. Stevie never met Hendrix, but always felt a kinship with him. Hendrix was known as a very gentle, friendly soul, and gave great credit to other musicians, and that giving reputation followed him in death. Re. covers: great idea! I like the idea of "Famous but Bad" covers, where you react to a popular cover that is much worse than the original. First prize goes to, wait for it... ...Guns and Roses playing a _dance_ version of Dylan's immortal "Knockin' on Heaven's Door." Their cover treats a tragic death (that is seen in the film, "Pat Garrett and Billy the Kid," for which it was written) as a celebration: it is morally wrong, however fine the musicianship. Am I wrong? Sigh, I hope so. I probably mistake enthusiam for judgment. Anyway, hear the original, one of the greatest folksongs ever, and some great covers like The Grateful Dead would do, or the very best version of all by Mark Knopfler. Mark's version was a memorial to schoolchildren cut down at Dunblane School in Scotland, it will rip your heart out. He asked Bob to let him rewrite the song, and of course Dylan obliged. Some links below. Peace! Original from the "Pat Garrett and Billy the Kid" soundtrack: ua-cam.com/video/rm9coqlk8fY/v-deo.htmlsi=kgSnX2aa-8EP8ok1 Dunblane (Mark Knopfler and Ted Christopher): ua-cam.com/video/4KbEQjvgC0c/v-deo.htmlsi=Fl25iFGFDHxzfF2J From Dylan and the Dead album: music.ua-cam.com/video/71xr3tV4tyc/v-deo.html&si=tyx8za6FQUAOV00i
between 20:26 and 20:40 you can hear him hold a note continually while it not only sustains, but morphs into higher notes in the harmonic series. hendrix was one of the first to use infinite sustain and feedback as musical tools. when the big marshalls came out in the 60's, players discovered that if you stood close to the amplifier with the volume all the way up, the sound would feed back through the strings. this created infinite sustain, so that you could prolong a note as long as you wanted to. it also allows you to bring out harmonics by changing your distance to the amplifier, so that you can change the note as it sounds. brad gillis made this technique his trademark during his stint with ozzy in 1982.
i stumbled on this because I love Jimmy Hendricks, but I subscribed because your analysis was so interesting. I especailly like the way you pointed out how musicians find there own emotional landscape in their performance.
Excellent choice. SRV is arguably the only artist to cover a legend and maybe have done it better. This isn't a knock against Hendrix, but a supreme compliment to Vaughan. RIP to both.
This is from Stevie’s 1989 Austin City Limits performance. He had cleaned up, just released his album In Step and was at the absolute top of his game. He and his band were locked-in together and so tight. You can see the quick glance at the others just as the breakdown after the first solo starts. About the guitar: All of those marks and wear are from playing it. That was his #1. Also, he usually used .11 gauge strings most of the time-ridiculously heavy strings. And look how easily he would bend them. Just incredible strength and ability.
We all know what you want to say....This is better! Go ahead, it's okay. We know. Jimi was the greatest guitar innovator ever, Stevie Ray was the greatest guitar player ever!! 🎸 🐐
For a real treat watch Stevie Ray Vaugh cover of Jimi Hendrix "Little Wing". Stevie virtuoso performance of this cover song is true to Hendrix but also stylistically Vaughan. His performance is STUNNING. Little Wing is a unappreciated Hendrix song but loved and covered by many of the greatest guitarist.
I LOVE, LOVE, LOVE this new series! And I love your intro about how in classical, almost every single song we hear is a "cover", an interpretation. I never thought of it that way before, but of course you are right? Oh, please, pretty please, do "Raining Blood". Original: Slayer. And for the cover, review the very haunting and different cover by Tori Amos. This might not be the epitome of rock covers, but it will show the versatility of rock. The original Slayer sock is a substitute for caffeine. The Tori Amos version will cause nightmares.
When it comes to the electric guitar here is pre Hendrix and Post Hendrix. Love Stevie but Jimi wrote the Book and recreated the modern sound of the electric guitar.
Apparently a 'cover' version was called that because a second artist would perform a rendition of, usually, a lesser known artist's song (oftentimes a black artist back in the day), then release their record to literally 'cover' up the original version on the shelf. Thankfully it no longer has that specific meaning, and has become a generalized term.
I think you spotted how connected Stevie is with what he's playing. That was his signature as a performer, in addition to the amazing strength and dexterity of his hands. His peers often marveled at how, like Hendrix, the music just poured from him, seemingly without effort. Stevie also composed some beautiful pieces of his own: "Lenny" and "Riviera Paradise" come to mind. These, along with his recorded interpretation of Hendrix' "Little Wing" are testaments to his stunning virtuosity with the instrument. His work has inspired young guitarists ever since.
For me the difference is Stevie Ray Vaughn is more about speed and technical ability. He just cleans up what Hendrix created and makes it shiny, fast and new, where as Jimi Hendrix enjoys experimenting more and puts more of a mystic, out of this world feeling into his guitar playing and takes you on a trip somewhere. I highly, highly suggest you listen to (or watch, the video of the performance has recently been released on UA-cam) of Jimi Hendrix - "Machine Gun". It will literally take you to _another_ plane of consciousness with what he does.
Go on Lady! Glad there's another Reaction channel with an actual musician! Thanks! - by the way: i would love to see a reaction of Dream Theater! Well....just listen to "An evening with John Petrucci & Jordan Rudess"
This is Stevie performing on the legendary _Austin City Limits_ TV broadcast in October 1989, less than a year before his tragic death in a helicopter crash. Stevie was clean and sober, and at the absolute TOP of his game. 07:57 He's MIIIIIIIIIIIILES beyond "pretty good." Stevie Ray was someone who could have given Hendrix himself a run for his money, especially after he got himself clean from the drugs. 10:27 Yes, he's stretching out a lot farther in his improvisations between verses. 11:00 I think the word you're searching for is "urgently." It's as though he knows subconsciously he's soon to die, and is trying to say everything he has to say in the little time remaining to him. 17:13 Stevie's "Number One" was, as so many famous guitarists' instruments are, an absolute Frankenstein. The body was a 1963 Fender Stratocaster, with a 1962 neck and 1959 pickups, and the whammy bar replaced with one of unknown date. The Frankensteining was done by Ray Hennig's Heart of Texas Music in Austin in the mid-1970s. You're looking at an instrument that has been played halfway to death by its owner, he loved it so much. (I had the privilege of seeing it on display in an exhibit on Texas music and musicians at the Bullock Museum of Texas History.) 18:35 Yes! He's becoming so much one with his instrument that there's almost no division between them. 20:30 Right here, you can see him performing his party trick of bending the f*ck out of the strings, a feat made far more difficult by his habit of playing with very thick-gauged strings. The thick strings plus the bending made him able to achieve to achieve tonalities unavailable to other guitarists. 21:23 I have been heard to say, many times, that there are only two people on earth who should ever attempt to play "Voodoo Child" (Slight Return)", and they're both dead. Now you've heard them both.
Brilliant discussion of the two pieces and delightful to hear your professional interpretation. Even better that I found myself agreeing with you. I think you are more drawn to the original because it had greater menace. Enjoy.
He called that guitar either #1 or "the wife". Every battle scar on it was earned. It's in a museum today.
I wish so badly it was still in his hands 🥺🥺
I believe his brother has it.
that headstock was glued back on more than a few times lol.
All is said so good in the previous comments that I only have one small thing to say - SRV really loved Jimi Hendrix and you can tell it from listening to this. It´s not just a cover, it´s a tribute to an icon.
You gave me a new perspective.
SRV was a great guitar player, but why he tried to imitate Hendrix is beyond me.
His own music with Double Trouble is great, but he could not match the technique
or sound of Hendrix.
Stevie Ray Vaughan was a master of the Texas Blues. He could play his guitar behind his back without missing a note. From my home state of Texas! R.I P. Stevie.
we lived on Laureland Rd and stood in our front yard watching the funeral procession drive by.
SRV is the reason I first picked up a guitar as a child. I've loved Texas blues all my life. It's in my bones and never gets old. Boy, I miss Texas but still happy to be blessed to still live in the South. There's nothing like the South and its blues. I left once but never will again!
The Texas Tornado...
Lady, you didn't just pick a cover song, you picked THE cover song!!!
Idk SRV’s other cover of Jimi’s song (little wing) was pretty damn good.
Yeahhh
I saw Stevie do this song in Dallas Nov 25 1989
I don't think you exaggerated to call it THE cover. Very few people interpret a song this complex and get it right. Here's one that KISS got right, kind of amazing ua-cam.com/video/PC9xjboGmsk/v-deo.html
This is a unique thing. Best cover. But the master is still better. Yet the song, though famous to guitarists, is this poem to
Stevie's guitar is beautiful. Every buckle rash, dent, guitar pick scratches tell a story. ✌️
Yeah, the story was usually "Ahh fuck, I didn't put it in it's case and it got scratched as fuck"
Chris Layton (drums) & Tommy Shannon (Bass) were a perfect match for for SRV
Chris Layton was a nice guy. But was a lack luster Drummer. Got to see SRV six times and loved him. I always wished if he had lived. That he could have found a Better Drum that would have push him...
I saw Stevie Ray Vaughan and Double Trouble perform in Santa Barbara in 1984. Forty years ago. Can you believe that? I have watched every possible live version of Stevie's rendition of this song. I have my favorites, and each version has enough differences to make each unique in some small way. It's what makes live music so fun. This version is not in my top three favorites. I enjoy it, but every music listener brings their own tastes to a performance and my three favorites are: El Macombo (1983), Austin City Limits (1983), and Tokyo (1985). I won't say one version is better than another. They're just the ones that tickle my ears.
My favorites of this are #1 Toyko 1985, Austin City Limits 1989, as well as El Macombo
I saw him at Universal Amphitheatre, same year. I spent quite a bit of time that next week just staring at my guitar. That show changed how I hear the instrument forever.
i Remember seeing you up on stage with Stevie showing him how he should play this song thanks for Helping him.
My top 3 exactly.
Stevie Ray never played the songs exactly the same live because he said it felt like he would be copying himself. I guess if you had to play the same material over and over being on the road 200 days a year it could get a little repetitive and start to become more like a job if you didn't change things up. I saw him play at the Shoreline Amphitheatre in 1990. He was one of the best. Cheers!
SRV is experiencing a resurgence in popularity because of UA-cam. It is one thing to hear his guitar but to have the ability to watch the mastery is a whole different aspect and through this his music is a controversy. Yes, SRV's performances are sultry, theatrical and dramatic (although off stage he is the same man), because of what he does and various musical tactics he keeps you on the edge of your seat...but listening closely, or in a more peaceful setting or going back from video to audio only, he and his guitar play are very musical, one has to experience enough to get past the "easy excitement" to enjoy him on a purely musical level.
What he is most credited for is that he and his instrument are not 2 different objects or beings, it becomes just one entity. It is hard for a UA-camr, reactioner to do SRV and not interrupt the guitar solo with comments as his whole performance or whole 90 minute concert is just one grand solo.
What I like about this song is that SRV completely owns it, makes it his own but at the same time homages and gives respect to the original Hendrix piece.
Amy, while absolutely we can enjoy guitar performance by other musicians more than SRV for personal taste reasons, I have no doubt that you just watched the best blues guitarist that ever lived, BB King said that of all people whom he played together with he enjoyed playing with SRV the most because he got so up close to him and got to interact with him, Eric Clapton said that the first time he heard SRV it frightened him because he had not believed that what he heard could possibly be played on a guitar.
May SRV rest his soul in peace and may his guitar finally get the cigarette break that it needed.
Well said :)
I was a huge Hendrix fan growing up (and still am). This was my first introduction to SRV. This clip you watched today. I was totally blown away and was a huge fan from that point on. He’s the only one that could really pull off a Hendrix cover. He also did a mind blowing rendition of another Hendrix song, little wing. Both versions are amazing. On a side not you should check out some live versions of Jimi Hendrix playing voodoo child.
Correct: compare and contrast live to live, not studio to live!
Big SRV fan here. This rendition of Voodoo Child might just be my favorite of his many spectacular performances. Technical brilliance combined with powerful guitar play and deeply soulful voicing. This rendition is higher-tempo than the original (and most other renditions) and most satisfyingly urgent. Overwhelmingly charismatic; like a got dam volcano erupting . Love it more each & every time I view/hear it.
Two famous covers are Jimi Hendrix's cover of Bob Dylan's "All Along the Watchtower" and Johnny Cash's cover of Nine Inch Nail's "Hurt". Both are definitive.
Johnny Cash's really is great
Totally agree @@segueoyuri
Mr. Tambourine Man by the Byrds, La Bamba by Los Lobos, Respect by Aretha, Without You by Harry Nilsson, I Will Always Love You - Whitney, A Little Help From My Friends (or The Letter) - Joe Cocker, Blinded By The Light - Manfred Mann also all became hit covers and are definitive.
A few thoughts...
First, that wear pattern on a guitar is typically caused by a combination of the pick scratching the paint, the perspiration from the player's arm, and the friction of their arm or shirt sleeves against the guitar body. It has become popular in recent years to purchase brand new instruments that have been built to look this way from the factory...this is called a "relic" guitar. However, in Stevie's case, he purchased this guitar used from a shop window. He said it was already worn, and he could tell that it must ply and sound incredible by the amount of wear it sustained from the previous owner. I believe it was made in 1958 or '59.
Second, Hendrix often played extended versions of his recorded songs live, just as Stevie did here. You are correct in commenting that Stevie was playing faster, but he was also taking more time between some of the lines of lyrics than Hendrix did.
Third, it cannot be overstated that one of the big differences in the two versions of this song is that each man's backing band played their parts very differently. Stevie's band, Double Trouble, was playing more of a groove and staying in the pocket rhythmically, while Jimi's band, the Jimi Hendrix Experience, was much more frenetic as a rule and less in the pocket.
Finally, the Hendrix version was a studio recording complete with extra added guitar tracks and panning from speaker to speaker...this was missing from Stevie's live version (and from Hendrix's live versions). Also, Hendrix faded out for the ending of his studio version, while Stevie had to actually "end" his live version.
Looking forward to your future comparisons.
God bless!!
Great comment. Agree on all points. You saved me the trouble of typing all that out myself.
Another good point
and stevie's version is closer to the electric blues style, while the original is more psychedelic rock
stevie's guitar is a 1962. the wear on the back of the body is much worse than the wear on the front. stevie carved his name on the back so it could be identified if it was ever stolen.
@@marzsit9833 ...thanks for the correction. I thought I remembered reading that he thought it was either a '58 or '59 due to a sticker on thg he back of one of the pickups he once found. Again, thanks for the correction.
There's a Jimi Hendrix 1969 Voodoo child live in black and white that's good.
Hendrix live was so different because you felt he had no idea where the performance was going to go, and he focused on getting to the point where the guitar took him over and used his body as a means to come alive.
In contemporary language we would say he went into flow state on stage.
Interviews show he was incredibly shy and humble, he lived through the guitar.
The black and & white show is Stockholm 1969. There's a better one in colour from Maui 1970 that is a hell of a trip. On vimeo, you can see Berkeley 1970, Royal Albert Hall 1969, and my favourite, Atlanta Pop 1970, all in colour. The Atlanta Pop Voodoo Child shows why Hendrix was so special and un-recreatable.
I remember seeing Stevie do this live at a club when I was maybe 18. Blew my mind.
Stevie & his guitar definitely become one. It’s like it’s an extension of his body.
He was channeling, and never, never, lost on the fret board!
stevie ray vaughan live at the el mocambo is an absolute MUST! You will be challenged to find a musical performance anywhere by anyone where the musician is one with their instrument than this one
I still miss Stevie every day, there'll never be a another like him. To quote Bonnie Raitt - All of our Pride and Joy.
He played on 14 gauge strings ! The man's a Beast !!!
One of the most amazing things about this is that he did NOT break a string... lol.. (Look at Little Sister, with string broken, no pause, and perfect guitar switch!)
I can go 11.5 on an acoustic (D standard) but 14's? Unreal!
@@ceebee491more often he played 13’s tuned down to e flat. But he does so many whole step Albert king licks it’s insane.
He also destroyed his hands and started using lighter gauges near the end.
@@endocry On the advice of BB and others, eventually going to 9's on occasion.
There are only a couple of songs on YT that make me weep. This is one if them
If someone is an accomplished guitarist; (of the Rock genre); then seeing S R.V. leaves them absolutely speechless! 😶 Realizing the technical expertise & the amount of work, ie:[practice scratches on his 🎸 body]: then this amoji comes to mind😱 I don't know if anyone will ever be as good as this. All the G.O.A.T.S. only dream of achieving this level of G.O.A.T.I.S.M.🐐
It's so cool to see how the music affects your facial expressions and makes your body move. It's so genuine. I like when you look surprised and pleased.
How could someone remember all of those notes? Astounding. If he can't memorize them, he his making them up. Even more astounding.😊
I love your reaction. This truly is a Great Cover. I am so glad you got to experience this great performance. Stevie Ray, like Hendrix, is often near the top of the greatest guitarists lists (Hendrix is almost always the top). They both are incredibly gifted and they both play with a lot of expressiveness and soul. You had some great observations in contrasting this with the Hendrix version. I'm glad you visually paid attention to his techniques, and noticed how attuned with his body and soul he is to his guitar. While Stevie's performances of this are beloved and amazing, I agree that the Hendrix version has more profundity and depth. You are really starting to get attuned to what separates the great guitarists from the rest with two great examples.
There are really great, great guitar players out there. SRV is above them all!
As a guitarist, That last solo and the ending, was insanely good. My lord.
SRV also covered Jimmy's "Little Wing" It's beautiful!
Texas blues stylings are a special creature. There are a lot of influences that went into them, and SRV blended them to perfection.
The energy here is just off the chart!
Oh GHAD!!! How can you not SEE that the man LIVED AND BREATHED playing--and the wear and tear is from YEARS of the DRIVING POWER he put into his playing!! You STILL have SOOOOOOOO much to learn about the energy that many dedicated to their playing!! There was NOTHING PHONY about Stevie when he plays! YES...he OWNS his playing! You want to see him at his past?!? That same Austin City performance has his "Masterpiece": RIviera Paradise! Watch/listen to THAT, and you'll see and hear more emotion coming from a rock musicians playing then you'd yet discovered. You NEED too! It will astound you!!
I feel like Stevie took key elements from Jimi's version and accentuated and made them his own...When I leave this Earth plane I want to go to a show where they play together...How amazing that would be..Thanks for your reaction..Peace to you
For me both Stevie and Jimi stand alone in the electric guitar pantheon. On hearing Jimi for the first time on the radio, back then, the description “cosmic soul” came to mind. It was as if his music, his playing came from the heavens. As in supernovas and neutron stars and colliding galaxies. And yet soulful. The Blues. I saw/heard Jimi play at the Berkeley Community Theatre. I thought there will never be another one like him again in my lifetime. But Stevie…damn! He played with the same spirit and the same unbounded joy and energy as Jimi. And the music, the chaotic beauty of frequencies and sounds and colors feeding back becoming a natural force, becoming a solar wind blowing through us. And we with our feet in the mud taking a primordial dive into the stuff of life through Jimi and Stevie.
I always try to imagine what it would sound/look like if Stevie or whomever was playing the violin. I mean, it would still be incredible.
Boy, I think your reaction is absolutely spot on. This is definitely speedier. Full props to Stevie to pull this off live, cuz Hendrix had a full studio at his disposal to get his message across. But this is just, (“just,” hah!) an homage to Hendrix.
Hendrix is SO much more than Voodoo Child. But he is also nothing less. Try to imagine…just try…to imagine what it was like to buy Electric Ladyland in 1968. There you are, sitting in your living room with some friends, you’ve heard “Purple Haze,” you’ve heard “Little Wing,” but you haven’t heard “The Star Spangled Banner” yet. Or “Machine Gun….” Or Eddie Van Halen, or Joe Satriani, or “insert your favorite metal guitarist here.” And then THIS happens.
And then…about a year and a half later..he was gone.
I don’t think I can explain it. I think you had to be there.
SRV was a master, a savant and he was always completely one with the guitar and the soul or essence of the music. He also almost never played a song the same way twice, he is mostly improvising, embellishing. Yes that is actual wear from how hard he plays. He uses extremely heavy strings, partly how to get really powerful sustain, but it's also really hard to both pluck and hold down at the frets, or bend notes. He played so hard he would often rip off fingertips, and he'd just crazy glue them back on to keep playing. You really must watch him do Texas Flood Live at the El Macombo to truly see how he is totally involved in the soul of the music, and his technique will amaze you. He is channeling Jimi here, and he is actually using Jimi's "wah wah" pedal too.
Here is a suggestion for a cover: You've done Beatles songs and this one is from The Concert For George after his untimely death, featuring dozens of famous people in the band, sung by Eric Clapton (who played on the original), and George's son Dhani is playing too, a spitting image of a Young George:
ua-cam.com/video/CrTMc2i6Lzc/v-deo.html ( While My Guitar Gently Weeps (Taken from Concert For George) )
Speaking of offspring being a spitting image, here is something Amy will thoroughly enjoy, though it's probably not worthy of a reaction. David Gilmour and his daughter Romany doing a rendition of his solo song called Yes I have Ghosts. she on harp and he on acoustic guitar, filmed during covid lockdowns as a sort of family gathering/home movie (David being of Pink Floyd fame)
ua-cam.com/video/dGdEe8yp2TI/v-deo.html ( David Gilmour with Romany Gilmour - Yes, I Have Ghosts (Von Trapped Series) )
And this short photo album set to David's playing shows just how alike his daughter is to his younger self:
ua-cam.com/video/T_gQ_D5yhAE/v-deo.html ( David Gilmour and Romany Gilmour - Kokineli )
How many songs did he write
Stevie is pure energy, which is (to me) whats so impressive, that he could maintain it for a whole show. Hes a very driving and confident preformer.
Jimi liked a little air of mystery and I think thats across all of his music.
Not talking about all the alcohol and cocaine that was flowing in his bloodstream
My favorite version of Voodoo Child. SRV has such great energy.
Hendrix version is live too, but in the studio, it is improvisation because film crew asked them to play something for film, and the result is Voodoo child ( slight return), on album Electric Ladyland is another, longer, different version called Voodoo Chile, which is kind of base for Voodoo Child, but actually different song.
But the masterpiece of guitar playing is Machine Gun from Band of gypsies album.
To listen to you compliment SRV with your background brings me great joy. Thanks!
Thank you for this! I loved it! I was lucky enough to see him once, on the Pier in NYC. He did 2 encores. One was 3 Hendrix songs and the second one was just him playing 3 instrumentals, just him and his guitar without his band. When he played the instrumentals, the audience was silent while he played. When he finished the last one, he just put his guitar down on his stand and walked off the stage. By far the best concert I’ve ever seen.
Indeed - the original version is profound. SRV did a great tribute to it, his interpretation came from the heart.
I feel like the thing you were trying to describe about the two version's different rhythmic feel is that Stevie's cover has a bit of a Texas Swing influence. I think that the genius of many artists lies in their ability to mold tons of various influences into something new. That's what Jimi did and that's what Stevie did as well. We all build on the shoulders of giants.
Hendrix was a genius and was a real pioneer for the time. No diminishing his impact and his talent. SRV was just as one with his instrument as Hendrix and this is a great tribute to Jimi but also demonstrates SRV's incredible skills. Would have been interesting if they were both still alive and rocking.
Compare live to live, not studio to live performance.
SRV covering hendrix is as perfect a start as you could make! HE does other hendrix songs too
SRV --- A true Texas treasure.......
One of the few, if not the only, true practitioner of Hendrix.....
Stevie is the pinnacle of guitar playing..in ANY genre...bar none.
Stevie brings out the blues that Jimi kind of hid behind the psychedelia.
I love your acknowledgment to the similarities between covers and classical interpretation
you don't have to prefer one over the other. The thing about Jimi vs Stevie is that the vibe is completely different, and depending on your mood at the time, you'll prefer one over the other....yet still like both for what they are.
VirginRock clearly confused by what she's hearing without knowing about the existence of wah wah pedals is great lol a funny detalil too I don't know if anyone mentioned: Jimi Hendrix was a lefty. In 20:35 here you see SRV pulling something, that's a "vibrato arm". His goes on top instead of below the strings, as an ode to Jimi. As Jimi sometimes played right-handed guitars, his vibrato arm would also be on top of the strings instead of the usual position below, because the bridge (the piece of the guitar where this arm attaches to) is reversed.
SRV is crisp, clear, and a 'cleaned up' version of Voodoo Child from Hendrix's. They are both favorites and I love their music the same. Thanks.
Since you can't see his feet, you can't see him working the WAH pedal which was esserntial to this perfomance... Love the Wah pedal.
The one thing both Hendrix and SRV have in common, and this in often overlooked by guitarists, is that they have a mastery of their instruments. By this I mean both guitarists know acutely how to get a wide range of sounds from their guitars, in this case the Fender Stratocaster. Both Hendrix and SRV spent a long time getting to know what their guitars could and couldn't do, what modifications could be made and how the guitar felt beneath their fingers. Watch their live performances and you'll see them making adjustments to their instruments as they play, be it switching pickups, turning knobs or adjusting tuners. Many guitarists will strap on a guitar and knock out a tune and it wouldn't really matter what guitar they played but with Hendrix and SRV I don't think that was the case, their guitars were very personal to them and they could push them to their limits.
THANKS for DOING THIS!!! I've been wanting to see someone do this, SO MANY TIMES - I think you will enjoy Stevie Ray Vaughan AND Jimi Hendrix original!!
This is Stevie Ray's speeded up version of the song. I recommend also checking out a second of his live versions. The others tend to be much slower with a lot more subtlety. Especially when you're comparing it directly to Hendricks, checking out one of these other videos is very important.
Check out Stevie Ray's other version here: ua-cam.com/video/JoB_YBXXEOU/v-deo.html
I was gonna request this when I saw you doing Hendrix!!! He’s got a great cover of Little Wing too :)
GREAT OBSERVATION / REMARK! BECOMING ONE!... And, guitar manufacturers call it "reliced"!!!
Wow….there are so many great covers! : off the top of my head, There’s Heart covering Stairway to Heaven at Kennedy Center Honors 2012. A fun one would be to listen to the folk version of Babe, I’m Gonna Leave You by Joan Baez (which is itself a cover) and then the Led Zeppelin version. The Sound of Silence by Simon and Garfunkel and then the version by Disturbed. No Quarter by Led Zeppelin and then the cover by Tool (if you don’t mind going into some metal).
So glad that you came across Stevie Ray in this way. I truly think you would be impressed with Beth Hart and Joe Bonamassa's cover of the classic Etta James song "I'd rather go blind" live in Amsterdam. Truly a performance for the ages.
Keep up the great work Amy, i really appreciate your take on music.
There are several different SRV performances of this song on yt. This one is done at a faster tempo than any of the others I've seen. Also if you watch 7 different SRV performances of this you'll get 7 different guitar solos. He never played the same song the same way twice.
As mentioned earlier in the comments, Jimi covered All Along the Watchtower, and even Bob Dylan regarded it as the definitive version. Another significant cover is Jeff Buckley's version of Leonard Cohen's Hallelujah.
just 3 guys owning a crowd. its amazing.
SRV incredibly was a humble guitarist and he held Jimi Hendrix in very high regard. Before recording the song Voodoo Child, SRV sought out permission from Jimi Hendrix's father for permission to do a 'cover' of the song. That is quite incredible, considering what an amazing player SRV was. SRV was truly an amazing talent and an amazing person as well.
Welk done lady !!Stevie and Uli Jon Roth maintained and took Hendrix’ legacy up and beyond
Thanks, VR.. IMHO Stevie is the most amazing performer... I know, Jimi started it, but SRV is my preference... he had mad respect for Jimi, and also covered at least one others by JH... there is just nobody like Stevie!! appreciate your listen...
I went into a music shop and out back I could hear a guitar tinkling out "The Wind Cries Mary." I tranced out back and when the guitarist was finished I gave praise. The old man turned and said, "I only wish I could let the guitar breathe like Hendrix." Every Hendrix track I listened to thereafter I became aware of the inhale and exhale.
Superb musicians, fantastic song, and a wonderful job comparing the two. Very enjoyable and informative reaction. Thanks
I love this series of videos!!! M’am, SRV on the date of this performance, probably has played this song hundreds of times, he grew up listening to Hendrix, his older brother was/is in The Fabulous Thunderbirds band. What a talent, tragically taken away too young and too soon, like Jimi
Thank you Amy. In the Hendrix vs. Stevie preference question, I greatly admire Stevie's technique and passion. And yet Jimi's tone speaks to me as even deeper in how it touches me. If you hear and watch Jimi's Maui and especially Woodstock performances of Voodoo Child, you will be transported with him to a faraway galaxy. Stevie never met Hendrix, but always felt a kinship with him. Hendrix was known as a very gentle, friendly soul, and gave great credit to other musicians, and that giving reputation followed him in death.
Re. covers: great idea! I like the idea of "Famous but Bad" covers, where you react to a popular cover that is much worse than the original. First prize goes to, wait for it...
...Guns and Roses playing a _dance_ version of Dylan's immortal "Knockin' on Heaven's Door." Their cover treats a tragic death (that is seen in the film, "Pat Garrett and Billy the Kid," for which it was written) as a celebration: it is morally wrong, however fine the musicianship. Am I wrong? Sigh, I hope so. I probably mistake enthusiam for judgment. Anyway, hear the original, one of the greatest folksongs ever, and some great covers like The Grateful Dead would do, or the very best version of all by Mark Knopfler. Mark's version was a memorial to schoolchildren cut down at Dunblane School in Scotland, it will rip your heart out. He asked Bob to let him rewrite the song, and of course Dylan obliged. Some links below. Peace!
Original from the "Pat Garrett and Billy the Kid" soundtrack:
ua-cam.com/video/rm9coqlk8fY/v-deo.htmlsi=kgSnX2aa-8EP8ok1
Dunblane (Mark Knopfler and Ted Christopher):
ua-cam.com/video/4KbEQjvgC0c/v-deo.htmlsi=Fl25iFGFDHxzfF2J
From Dylan and the Dead album:
music.ua-cam.com/video/71xr3tV4tyc/v-deo.html&si=tyx8za6FQUAOV00i
Hi, nice episode. H was a smooth ride in the musical river SRV is a race down the same river.
between 20:26 and 20:40 you can hear him hold a note continually while it not only sustains, but morphs into higher notes in the harmonic series.
hendrix was one of the first to use infinite sustain and feedback as musical tools. when the big marshalls came out in the 60's, players discovered that if you stood close to the amplifier with the volume all the way up, the sound would feed back through the strings. this created infinite sustain, so that you could prolong a note as long as you wanted to.
it also allows you to bring out harmonics by changing your distance to the amplifier, so that you can change the note as it sounds. brad gillis made this technique his trademark during his stint with ozzy in 1982.
i stumbled on this because I love Jimmy Hendricks, but I subscribed because your analysis was so interesting. I especailly like the way you pointed out how musicians find there own emotional landscape in their performance.
Excellent choice. SRV is arguably the only artist to cover a legend and maybe have done it better. This isn't a knock against Hendrix, but a supreme compliment to Vaughan. RIP to both.
Hendrix has that feel, bends and off timing that nobody can replicate. But great cover, original is better right off the bat from the feel
This is from Stevie’s 1989 Austin City Limits performance. He had cleaned up, just released his album In Step and was at the absolute top of his game. He and his band were locked-in together and so tight. You can see the quick glance at the others just as the breakdown after the first solo starts.
About the guitar: All of those marks and wear are from playing it. That was his #1. Also, he usually used .11 gauge strings most of the time-ridiculously heavy strings. And look how easily he would bend them. Just incredible strength and ability.
I love these reaction videos!🙏✨❤️ Yes, Stevie loved Hendrix...& also Albert King...who later became like a father to him.
We all know what you want to say....This is better! Go ahead, it's okay. We know. Jimi was the greatest guitar innovator ever, Stevie Ray was the greatest guitar player ever!! 🎸 🐐
Stevie Ray brings a very 'driving and sing-song energy'. A great cover.
SRV... He did great everything, covers, original songs. He was the Midas of Texas blues, he turned whatever he touched in gold.
Saw SRV twice. Once at the pier in NYC in 1986, he was 15 feet away.
This is a great new series. Love it. "Vive la différence!"
I really enjoy the depth and color in your analysis and your commentary.
Its always been crazy to me how he played it with such a fat stings, what a powerhouse of a man.
For a real treat watch Stevie Ray Vaugh cover of Jimi Hendrix "Little Wing". Stevie virtuoso performance of this cover song is true to Hendrix but also stylistically Vaughan. His performance is STUNNING. Little Wing is a unappreciated Hendrix song but loved and covered by many of the greatest guitarist.
this much depth reacting to something so far out or your own musical "wheelhouse" is truly extraordinary.
also, the idea the SRV would fake wear and tear on his guitar borders on sacrilege.
I LOVE, LOVE, LOVE this new series! And I love your intro about how in classical, almost every single song we hear is a "cover", an interpretation. I never thought of it that way before, but of course you are right? Oh, please, pretty please, do "Raining Blood". Original: Slayer. And for the cover, review the very haunting and different cover by Tori Amos. This might not be the epitome of rock covers, but it will show the versatility of rock. The original Slayer sock is a substitute for caffeine. The Tori Amos version will cause nightmares.
I was a jimi fan first but I think Stevie Ray Vaughan Is the greatest of all time
When it comes to the electric guitar here is pre Hendrix and Post Hendrix. Love Stevie but Jimi wrote the Book and recreated the modern sound of the electric guitar.
@@jeffmason2691 i get what your saying in that no jimi hendrix then stevie wpuldve been different
Apparently a 'cover' version was called that because a second artist would perform a rendition of, usually, a lesser known artist's song (oftentimes a black artist back in the day), then release their record to literally 'cover' up the original version on the shelf. Thankfully it no longer has that specific meaning, and has become a generalized term.
SRV was a force of nature, and is greatly missed.
i agree
I think you spotted how connected Stevie is with what he's playing. That was his signature as a performer, in addition to the amazing strength and dexterity of his hands. His peers often marveled at how, like Hendrix, the music just poured from him, seemingly without effort. Stevie also composed some beautiful pieces of his own: "Lenny" and "Riviera Paradise" come to mind. These, along with his recorded interpretation of Hendrix' "Little Wing" are testaments to his stunning virtuosity with the instrument. His work has inspired young guitarists ever since.
Stevie is such a good performer.
i think stevie ray - life without you at capitol theatre is the best guitar performance i ever seen. Very powerful. Or texas flood in japan
Stevie was on the very top of his game here in this Austin City Limits performance. I remember watching it age 17 when it was first broadcast
For me the difference is Stevie Ray Vaughn is more about speed and technical ability. He just cleans up what Hendrix created and makes it shiny, fast and new, where as Jimi Hendrix enjoys experimenting more and puts more of a mystic, out of this world feeling into his guitar playing and takes you on a trip somewhere. I highly, highly suggest you listen to (or watch, the video of the performance has recently been released on UA-cam) of Jimi Hendrix - "Machine Gun". It will literally take you to _another_ plane of consciousness with what he does.
All along the watchtower by Hendrix is one of his best. Bob Dylan song that Hendrix just owned.
The dude is just so good . I really started learning to play because of Stevie and Robert cray but Stevie was the goat
Go on Lady! Glad there's another Reaction channel with an actual musician! Thanks!
- by the way: i would love to see a reaction of Dream Theater! Well....just listen to "An evening with John Petrucci & Jordan Rudess"
This is Stevie performing on the legendary _Austin City Limits_ TV broadcast in October 1989, less than a year before his tragic death in a helicopter crash. Stevie was clean and sober, and at the absolute TOP of his game.
07:57 He's MIIIIIIIIIIIILES beyond "pretty good." Stevie Ray was someone who could have given Hendrix himself a run for his money, especially after he got himself clean from the drugs.
10:27 Yes, he's stretching out a lot farther in his improvisations between verses.
11:00 I think the word you're searching for is "urgently." It's as though he knows subconsciously he's soon to die, and is trying to say everything he has to say in the little time remaining to him.
17:13 Stevie's "Number One" was, as so many famous guitarists' instruments are, an absolute Frankenstein. The body was a 1963 Fender Stratocaster, with a 1962 neck and 1959 pickups, and the whammy bar replaced with one of unknown date. The Frankensteining was done by Ray Hennig's Heart of Texas Music in Austin in the mid-1970s. You're looking at an instrument that has been played halfway to death by its owner, he loved it so much. (I had the privilege of seeing it on display in an exhibit on Texas music and musicians at the Bullock Museum of Texas History.)
18:35 Yes! He's becoming so much one with his instrument that there's almost no division between them.
20:30 Right here, you can see him performing his party trick of bending the f*ck out of the strings, a feat made far more difficult by his habit of playing with very thick-gauged strings. The thick strings plus the bending made him able to achieve to achieve tonalities unavailable to other guitarists.
21:23 I have been heard to say, many times, that there are only two people on earth who should ever attempt to play "Voodoo Child" (Slight Return)", and they're both dead. Now you've heard them both.
SRV is a legend!
Jimi’s match. Stevie’s so clean.
Brilliant discussion of the two pieces and delightful to hear your professional interpretation. Even better that I found myself agreeing with you. I think you are more drawn to the original because it had greater menace. Enjoy.
What a guitarist! He matches Hendrix.