Thomas Hampson - Vision fugitive (Massenet: Hérodiade)
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- Опубліковано 15 гру 2024
- Full playlist: • Gala concert with Thom...
Gala concert with Thomas Hampson and Luca Pisaroni
Heidelberger Frühling, 2012
WDR Rundfunkorchester
Conductor: Massimo Zanetti
Lyrics:
HÉRODE
Ce breuvage pourrait me donner un tel rêve!
Je pourrais la revoir...
Comtempler sa beauté!
Divine volupté à mes regards promise!
Espérance trop brève
Qui viens bercer mon coeur et troubler ma raison...
Ah! ne t'enfuis pas douce illusion!
(avec le plus grand charme et très soutenu)
Vision fugitive et toujours poursuivie
Ange mystérieux qui prend toute ma vie...
Ah! c'est toi! que je veux voir
Ô mon amour! ô mon espoir!
Vision fugitive! c'est toi!
Qui prends toute ma vie!
Te presser dans mes bras!
Sentir battre ton coeur
D'une amoureuse ardeur!
Puis mourir enlacés...dans une même ivresse
Dans une même ivresse...
Pour ces transports...pour cette flamme.
Ah! sans remords et sans plainte
Je donnerais mon âme
Pour toi mon amour! mon espoir!
Vision fugitive! c'est toi!
Qui prends toute ma vie!
Oui! c'est toi! mon amour!
Toi, mon seul amour! mon espoir!
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Merci infiniment d'avoir inclus le texte ! J'ai autrement pu apprécier l'excellence de son interprétation en lisant les mots. C'est pas un air qu'on entend souvent (au moins moi). J'adore Hampson mais ne m'attendais pas a u t a n t là.
Thank you very much for your work to listen such wonderfull classic music!!!
Sublime Thomas !
Stunning!!!
Bravo
3:25 jumped the shark. That’s a swing and a miss
3:25 ? My French is OK. I don't get it. Give me a hand and help me out here...If you really want to hear bad French but sung with passion, Dimitri Horovstovski is incredible. You just have to tolerate the bad French pronunciation. There are early recordings of him that predate he sold ones (which also are poor in pronunciation, but good in passion).
Bravo, maestro.
Bravo!!!!!!
Gorgeous singing with repertoire that suits beautifully. And the soprano aria in this is gorgeous too.
inappropriate
What is inappropriate?
Hampson does not sound healthy here. The voice production is labored; the vibrato has widened alarmingly.
Because that means he's singing inappropriate repertoire (the dramatic, Verdian, and even attempting the Verismo baritone repertoire). His voice is going to develop a wobble if he keeps this up.
The main thing I notice is how small his voice is
THROATY PRODUCTION LISTEN TO GORDON MACRAE
In my view, Hampson became difficult to watch because of his mannerisms. Never to listen to, I must add. Perhaps not in the same league of Kathleen Battle and Cecilia Bartoli but getting there.
El saxofon suena ASQUEROSO!
The saxophone is deliberate. It's a sensual, sexual song and Massenet put it in because it is an instrument played at the time only in brothels. That's one of the reasons the opera was banned in a number of countries. This is a song about sex, or as the polite expression is "fornication." It's dripping with it. The design of the aria is an orchestration of an orgasm. That's why Hampson and every other operatic singer doesn't sing it well.
Aindrias Hirt me refiero al sonido de ese saxofón en concreto. Yo soy saxofonista, y el del vídeo suena terrible
Entiendo ahora. Estás en lo cierto. Por favor, perdona mi español. Las orquestas a menudo reemplazan el saxofón con un clarinete que destruye la intención del aria.
@@AindriasHirt Are you suggesting that opera singers don't know about orgasms?!! I beg to differ!!!
@@AindriasHirt Although Mae West waxes lyrical on the virtues of "a man what takes his time", I think this tempo is way too slow. The phrasing lacks, um, thrust.