Pur ti riveggo ... Traditor! - La mia rival! - Mario del Monaco, Gabriella Tucci & Aldo Protti
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- Опубліковано 25 сер 2024
- Radames - Mario Del Monaco;
Aida - Gabriella Tucci;
Amneris - Giulietta Simionato;
Amonasro - Aldo Protti;
Ramfis - Paolo Washington;
The NHK (Nippon Hoso Kyokai) Symphony Orchestra;
Conductor: Franco Capuana;
Tokyo Bunka Kaikan. 1961.
Giuseppe Verdi. "AIDA". Atto 3.
Duetto.
- Pur ti riveggo, mia dolce Aida
- Nel fiera anelito di nuova guerra
- Fuggiam gli ardori inospiti
- La, tra foreste vergini
Scena. Ma, dimmi: per qual via
Finale III. Traditor! - La mia rival!
Lui immenso.... Ma lei ragazzi...che voce meravigliosa ❤
Mario del Monaco con la sua voce piena brunita ma squillante tipica delle sue serate felici si è immedesimato perfettamente nel personaggio dando slancio e vigore .Ottima la Signora Tucci con splendide mezzi voci e padronanza vocale
Просто ШЕДЕВР,!!¡❤❤❤ Ну МАРИО Дель МОНАКО.,- ВООБЩЕ..! - СУПЕР..🎉🎉🎉
Tenor d'anthologie, exceptionnel, voix merveilleuse, d'une grande richesse. quel cadeau cet enregistrement, merci.
FIND ME A TENOR TODAY WITH DEL MONACO VOICE , ACTING AND DEDICATED TO HIS ART IN ANY ROLE ? BRAVO MARIO .......
...I am unable to suggest any tenor today....They all try their best however not a sign of comparable caliber...
RDS
Still looking....
I like Roberto Alagna in this role but is not the same. He's better than lyrics Radamés though.
Look harder..
@@davidjaraba5936 Dear David, 2006, Alagna was hissed and booed at La Scala after singing the opening aria ''Celeste Aida''. He shook his fist to the balcony where the booing took place. He then walked off the stage and left the theater. The Amneris was left to sing the duet by herself. The manager used a standby tenor Antonio Palombi respectfully finished the opera Alagna vowed never to return to La Scala again. In My Opinion, Alagna doesn't really have a voice for Radames when comparing him to tenors like Corelli, Tucker, Volpi, MDM, Filippeschi, Merli and Martinelli who sang the role a record 123 times at the Met.
Боже ! Это "невозможно" слушать ! Какая красота , какой вокал ..техника ! Всем современным тенорам и сопрано просто надо идти в монастырь !
Ah, what a cast, what singing, what acting never seen again, lost! Bravi tutti, bravi!!!!!!
Stagione benedetta dagli dei quella del 61 a Tokyo.Recite incredibili con artisti unici di cui per fortuna abbiamo testimonianza
Шедевр... Шедевр..!!!!' Будут ли когда-нибудь такие певцы гении, ответ очевиден Н-И- К- О -Г- Д- А❗️❗️❗️. дел. Монако, диСтефано, Корелли., Бастианини, Каллас, Тебальди, Симионато,Габриала Тусси, Стелла и многие другие великие певцы той этохи. Памятник им всем от нас живущих в21 веке.🔥💥❤️🔥💘💓💞
ALDO PROTTI CHE CANNONATA!!!!!! CHE ORGASMO DI VOCI QUI DENTRO!!!! VOGLIO ESSERE SEPOLTO ANCHE IO CON QUESTI MOSTRI SEPOLTO VIVO CON LORO MI VA BENE!!!!
Ahahahah eroico fan!
Stupendo terzetto!!!...bravissima la signora Tucci,esegue dei piani splendidi,con l'approvazione di Del Monaco!!! Del Monaco è un Radames spettacolare vocalmente,e pochi altri si muovono sulla scena,come Egli!!! Protti è un ottimo Amonasro!!! Grazie
God bless the Japanese for recording all the wonderful performances
Operaspia Indeed my friend.INDEED Arnold Bourbon Amaral
YES JAPANESE!!! THANK YOU SO MUCH SONY PEOPLE!!!
Yes, indeed. It seemed as if all were from 1961
La chiusa del terzo atto è fantastico!!!
It's cute how she forgets the next part and he reminds her: "ma dimmi...". Superb diction and powerful performance.
Celeste voce!!!! The gods used to sing to us!!!
I'm not much of a Del Monaco fan, but he was born for the role of Radames: the only one with the voice and tone virile enough to interpret him perfectly. Period.
Wow! Both in fine voice! Absolutely outstanding!!!!!
Thanks to the people who have made it possible to upload these images. An amazing treasure for opera fans.
Better not to remember the way this brilliant man sung, when we decide to go an attendance to opera, because we will remain at home.
Fantastic, just magnificent.
Фантастика!!!Великие певцы.....
I cannot get enough listening to these real singers - perfectly matched.
La migliore aida della storia dell’uomo rimane quella di città del messico del 1951, veramente incredibile... il Del Monaco che preferisco, ma ovviamente è sempre pazzesco.
Che sogno di voci! Solamente sublime
Великие голоса! Браво,браво!
Che meraviglia!
Sacerdote io resto a te...è da brividi
Del Mónaco: el gran tenor dramático italiano del siglo XX.
excelente!!!
BRIVIDI! 💕💓💗
Grazie del filmato MA ONORE MASSIMO ALLA CULTURA GIAPPONESE che ci ha concesso di poter vedere grazie al loro illuminato progresso tecnologico CAPOLAVORI SIMILI!!! ONORE ALLA NHK DI TOKIO!!!
...todays Tenors would give their right arms just to be able to sing like MDM for a single evening...
verimente
Yes. It would cost them for sure.
You call this specific thing as signing?ok then!!! I bet you mean the instrument which is outstanding for sure...But singing?Seriously??!!He is awful here... !!
@@demonstain Endless breath, Impeccable diction, impetus phrasing, even voice up to B-Natural, an ability to express rage & anger like no other tenor before or after him. ''Lauri Volpi, " Perhaps the best B-FLATS OF ANY TENOR" and lets hope he lasts. Quoted by George Jellinek. VOLPI, '''MDM had a complex voice in the gloomy infliction's of a baritone in the first octave and extended up to high C which is a ''A VERY STRANGE THING'' This type of voice in a way tends to be of a baritone tessitura. When the day comes where Otello has exhausted him as a tenor with a baritone quality, he could well sing as a soprano which would be over the top. Page 149 from Volpi's "Voce Parallele" Jellinek also mentioned while chuckling " MDM has a trick soprano voice and if one day Del Monaco can no longer sing as a tenor, we could perhaps hear him as a soprano". Overall, a great tenor that dedicated his life to his art form and was better live than on records.
Modi Tefols in italian language it is called „ recitare“. This could be a better expression....
BRAVISSIMI!!!
This gave me actual goosebumps. Stupendous.
MARAVIGLIOSI GLI DUE!!!!!
Un león de la escena la Tucci muy grande. Espectaculares , de otro tiempo.....
Excelente! 👏👏👏👏
A very exciting performance by two great singers fully up to Verdi's demands, vocally and dramatically..
Three singers!!!
@@vitabella6481 Four!!! Protti might not be as good as Bastianini or Warren but he's bloody good!
@@xxsaruman82xx87 ...and Protti sings particularly well here in this live performance...better than in any of the studio performances I had heard in my youth.
11:45 WOW! Chills!
Paradiso!
Bravi bravi!
che grande!!!
strepitosi i Sib della Tucci e di del monaco alla fine!!!
Mario à jamais!
BELLEZA !!!!!!!!!!!!!!!!!!
Superbi ambi due.
Genio.
マエストラ・トゥッチの高音のピアニッシモの美しさは最高！！
... anche benissimo Aldo Protti.
Che sensuale del Del Monaco
e anche Tucci!!
???...
@@Tkimba2 Del Monaco was a very charming man
Gigante 💪❤️
The singing is superb; the scene comes alive.
My God, we can only dream about such singing in our days full of fake stars!
♥️ Grazie
Both doing amazingly well, but takes MDM to show that Radames is NOT an easy role by any means, if done properly. Bravi
Vi immaginate due voci così nei teatri odierni?Ah,sarebbero strapieni...
Sarebbe fantastico! Addio bel passato...
Love the dinosaurs!
MAGNIFICAS VOCES..
A great voice for Rhadames of course but he also looks right for a guy living in a hot desert climate. Pavarotti wears huge heavy furry robes. He looks like a brown bear. Poor Domingo is dressed wearing a blue tutu in his Texas Aida.
GOTT SEI DANK GIBT ES UA-cam
After this Pavarotti is a joke in comparison and Carreras being talked into it was criminal. This is a heavy weight role and requires a voice of extraordinary vigour and power to justify Verdi’s requirements. Del Monaco nails it.
Dear John, Yes, Radames does require a voice of power. Pavarotti was a great lyric tenor who successfully sang roles outside of his repertoire. Pav was not truly suited for the role of Radames as Gigli was not, but they both managed the role. MDM and Corelli were not suited for Lucia, but they both performed the opera, however, not as well as Pavarotti where suitability is concerned. Pavarotti also sang this opera in the 1990s when MDM Corelli, and Tucker were no longer available.
@@sugarbistdid Del Monaco perform Lucia? Do you know which year he sang it?
@@joshuafurtado-mendes9327 January 3rd 1952 at the Met with Pons and Capecchi. Review: Mr. Del Monaco was a handsome & impetuous lover, more at ease vocally in moments of anger & stress than in the gentler strains of the first act duet & the closing ''Tu Che A Dio Spiegasti L'ali.'' In Donnizetti's music his failure to achieve any semblance of a legato line was disaffecting; but in compensation, his honest & lively belief in the dramatic values of the score made his performance a vivid & lively one. Corelli also sang the opera at the Met in Jan. 11, 1971 to poor reviews and bowed out after the 1st act in his 2nd performance on Jan.21st 1971.
@@sugarbist thank you for providing this, I had no idea he performed the full role as I’ve only heard the studio recording of the aria. I’ve found that the period between 1950-1953 found Del Monaco in a period of a particular energetic period in regards to his singing approach before he entered his full prime so I can imagine what the review is talking about. I wish there was a recording.
@@joshuafurtado-mendes9327 MDM also has a terrific Ballo 1946 you can hear on Y.T. You may also want to check out his Tosca Rarrisimo from Napoli 1954 with Guelfi and Caniglia, where he encores the'' E Lucevan Le Stelle'' with mezza voce` and reinforced diminuendo. Enjoy
I found. Gabriella. Tucci. Aida!!better than. Leontyce. Price. It is just my opinion. She is much complete. Aida vocally than. Price. Her voice is seem less from top to bottom. She was a great. Aida!!impossible to find today!!in any opera house around the world.
Alfredo Loyola Yeah Madame Price was not a good Aida despite winning 15 Grammys,Presidential medal of freedom & Sopranos all over world hated to follow Madame Price in any Opera House.Some great Sopranos would call it career suicide 😢. And in Italy they called her Loinesa.Oh one more thing Rudolf Bing flew to Europe & practically beg her to come to the MET. And she has gotten the longest ovation 43 minutes at the MET. More than any other Opera Singer at the Met. Administrative Staff wanted Madame Price👑 to Open the New Met.And Samuel Barber wrote Cleopatra just for Madame Price. I saw her twice in concert & it was SRO she would sell out in 2 weeks. Not bad for a mediocre Aida. Arnold Bourbon Amaral 🌹🌏🌎🌍
Very much doubt Maestro Karajan whom I worked with would ever get on his knees for any singer. Nice story.
Of course much better than Leontyne. She was much overrated!
@metropolitan1966 so you are deaf dumb drunked and an idiot? Tucci sings 10 times better than Price. No doubt. If you like the vocal flaws of a overrated singer like Price more than the complete voice of Tucci is an other question. The flaws gave personality, one recognises Price in every tone by her flaws. If this is quality, i doubt it.
@metropolitan1966 Nope, Callas IS Aida. Price isn't as good as Tucci, Tebaldi, Milanov and lots more.
It cannot be compared with the duet Del Monaco - Callas in Mexico City some ten years earlier.
That in 1951 Mexico was probably the best recording ever made. Live and technically weak by artistically the best.
Couldn't just enjoy the moment, eh? Sad
....I wouldn’t compare any Soprano to MC....It required a MDM to complete that dream cast. Tenors of our times would sound like aphon...
Why carp? Callas was a different soprano than Tucci. Let us not forget what a wonderful soprano Tucci was. She fully proves her mettle here, holding her own against Del Monaco's vocal thunder.
@@hashatz La Tucci RIP
Immensoooo Mariooooooooooooneeee
Mah....
Ho letto i giudizi. Ma che volete di più
questi voci musiche sarà l'unica lingua che saranno comprese da altri popoli extraterrestri nei nostri viaggi interstellari ,notate come i bambini i neonati rimangano incantati nell'ascoltare queste opere e le capiscano recepiscano i messaggi che tramandano persino il regno animale e le piante perché è universale non mi stupirei su un 'intelligenza artificiale debba rimanere non indifferente all'ascolto di questa che chiamo lingua universale.
Ce' una oggi come Gabriela.... mi domando??
Purtroppo voci così oggigiorno ce le possiamo solo sognare...
ce n'è una trentina
@@radames5855 haha, are you deaf? There is not one! They are all woobly, woofy, eary, squeezed, constricted or small voiced. No clear and big voices at all. Its a drama also about listeners who are deaf and ignorant.
@@vitabella6481 se lei avesse un minimo di umorismo,avrebbe capito la mia risposta.......coraggio
Saioa Hernandez
Èh...non era piu' come in Mexico...
Brava Tucci
Del Monaco is the best dramatic tenor ever.
@@esterbruno8604 he may have been at the beginning of his career, and his "Otello" was unparallelled. But he became increasingly painful to listen to, shouting more and more.
@@kbhprinsesse Well, in this registration his voice is not at the best. But i think also here he is fantastic! And his Otello is... What I'm saying! He IS Otello!
@@kbhprinsesse Shouting with perfect diction and endless breath. Read '' Looking Back on Mario Del Monaco'' by Photographer David Akins. You should come away with a different appreciation of the great tenor.
@@sugarbist his diction has nothing to do with whether he's bawling with no nuance or not.
Don't know whether it is the recording but the Monaco does not sound anything like as baritone or as normal his voice sad heavy enough to be a convincing radimus but not over heavy/dark like giacommini or Kaufman
....Mr Kaufmann tries to be a good Kaufmann. ImO the voice- only the voice- is not comparable to the great Giacommini. As far as I know, Radames is already out of Kaufmanns repertoire. RDS
You mean Radames. Volpi , Filippeschi and Tucker were successful as Radames' without having dark baritone qualities.
Gabriella. Tucci sounds more an spinto soprano than. Price in. Aida!! She sang the complete role of. Aida!!without making to much chest voice in
The middle of the voice and in the lower register.
It sounds LOWER to me, transposed ... could someone check that?...
I checked it. Perfectly in tune (440)
And, of course, no transposition in any place (there are no traditional transposition for any part of Aida, to my knowledge)
because of the strong chest voice and squillo :-) Listen to Giuseppe Giacomini - even the high B sound unnaturally low :-)
It sounds lower because of the old vocal technique which has a low larynx.
Dear Lorenzo, I would always ask my Father to check the pitch when MDM was singing. The pitch pipe always showed that MDM was in pitch.
MDM....the greatest screamer...ever!!!.bravo.
Kauffman the screamer goat.
You really know nothing about dramatic singing, del monaco had a huge voice he didnt need to scream unlike most of what we have today lyrics trying to sing rademes; chenier,fancuila de west to name a few,why do you think that mexico recording though not technically the best is surely one of the very best live recordings also his dick johnson has not been bettered and thats not just my opinion,so if you dont mind ill take the "screamer" any day in this type of role over any of todays so called tenors
David Clarke not huge voice. Pushed voice.
lei non è il solo che lo pensa, credo siate in 4 o 5 ... rassegnatevi alla mediocrità
@@TD05SSLegacy you do know nothing if you think its a pushed voice,the greatest dramatic tenor ever and thats not just my opinion,and before you think im some del monaco fanatic im not,im just partial in my judgements and here he is excellent as he wasnt always,i like a wide range of tenors from lemeshev,tagliavini,bjoerling,etc i never pigeon hole,different tenors for different roles
Aldo Protti and Gabriella Tucci were just amazing!!!! Can MDM sing a high note without extending his arm(s) and having his eyes pop out ? Annoying facial expressions and hand gestures, not to even mention how he sings in the wings or even with his back turned to the audience. High powerful notes. OK. Fine. But too 1 dimensional for me.
Well its obvious your not a fan and dont appreciate one of the best ever rsdames,and that just me saying this read the rest of the comments here,yours are a tad petty indeed,he was the finest dramatic tenor to ever sing in opera
The gestures that MDM used were partially a form of his acting, but he also used physical strength to achieve the massive voice production that we hear. Even in concert form as scene here on YT he raises his shoulders and extends his arms and quite often his eyes would bulge. He did state that he could not sing as often as a lyric tenor because he applied so much physical strength. Many times it also seemed as if Corelli was not exerting himself, but if you look closely at some of his live videos, you can see perspiration on his face. The same was true about Tucker who basically had an easy production but you could see his facial perspiration as well.
Bad now and bad then.... Yikes! Where is Caruso when you need him?
Here we go again
You strike again the del monaco demoniser,tiresome,but uttey predictable,just as well 99% of people strongly disagree with you
Jeez, were you an angry ex-girlfriend of his in a past life or something?
I have never seen anyone jut out their lower jaw on high notes. Pretty much counter to human vocal technique and anatomy. And yet he still did it! That’s what amazes me. He had to be fearless because he was just working without a net. And probably so frustrating for his fellow artists. His ‘technique’ couldn’t sustain anything but full volume.
I should answer to you with links to Del Monaco's live recordings here in youtube, but I will task you with searching for them as a benevolent reproach for coming out with your callous comment on Del Monaco not being able to sustain anything but at full volume. "Cielo e mar", the last note before the start of the aria (on the word "buonanotte), plus in the middle of the aria (on the last "o sogni d'or"). Check also his 1969 recital for the German TV here on youtube: in Otello's "Dio, mi potevi scagliar": on "l'anima acqueto".
I would also advise a careful listening of the first duet of Andrea Chenier with Maddalena (choose the one with Renata Tebaldi): the attacco on the A flat is a really difficult one, especially so piano and morbido as he manages to do it.
You must understand that Del Monaco could do "everything", but he needed a "branded" sound to stress his uniqueness in the midst of such other phenomenal tenors of his age. He chose to highlight his bronze, glorious and virile sound, and undoubtedly he sometimes overdid it, especially to our "modern" ears. I'll stop this comment here, I have to use too many "quotes"...
An absolute inaccurate comment: Singing piano was not MDM's strength but he did do it many times throughout his career. Examples: La Solita Storia Del Pastore. The entire aria is sung in mezza voce. O Paradiso, The Flower Song, Cielo E Mar, Lohengrin aria, La Juive aria, Tosca 1954 "RARI " performance from Naples. MDM encores the " E Lucevan Le Stelle" with mezza voce & diminuendo. 1946 Ballo In Maschera singing softly and the Scherzo aria Laughing as few tenors could do, Adriana,Duets from Manon Lescaut, Tosca, Forza, and of course the Otello duets. Yes, almost abandoning mezza voce after 1960, except for Otello. MDM was a master of his complicated technique and as Corelli mentions here on YT. MDM tried to sing softly but his technique made it very difficult.
TD05SSLegacy BALONY
@@anonymousdude1010 detailed and full of knowledge. Thank you! RDS
He was able to sing piano, you are wrong. Listen to the finale of this performace. Or the Aria of forza del destino, also here on YT.
ПЛАЧЬТЕ "КАУФМАННЫ" , "КУРЫ" И ПРОЧИЕ СОВРЕМЕННЫЕ ТЕНОРА ...!