You can’t use a mono buffered mult to split the midi trs but it is possible with a midi splitter to play both synths at once. Better still, Poly Cinematic and Pianophonic will each accept a chord dump from Chord Pilot, this lets you instantly transfer all 8 chord presets into all 8 chord memories on each module, allowing you to operate them independently of a chord pilot. I’ll do a demo on our UA-cam channel shortly.
Fantastic module ❤. I don't know music theory at all so this seems a great choice to play chords :) I don't undestand why turning the 'conform' knob on the left produce less nicely related chord? Does it means that the algos work better with major chords and less with minor? Thanks
turning the conform all the way to the left gives the possibility of all 12 semitones to be part of your chord, in the middle it allows just 2 (fifths apart) and all the way to the right is 7 notes (e.g just the white notes for a C major scale)
Amazing
This looks amazing.
Been waiting for this!
Would love to see tips and tricks sequencing presets.
You guys forgot the CV inputs ? Any plans of expanders in the future ?
V2 software now allows you to assign Bias CV to any control.
Can I multiply the midi out with any buffered multiple module to control Poly Cinematic + Pianophonic modules with only one Chord Pilot?
You can’t use a mono buffered mult to split the midi trs but it is possible with a midi splitter to play both synths at once.
Better still, Poly Cinematic and Pianophonic will each accept a chord dump from Chord Pilot, this lets you instantly transfer all 8 chord presets into all 8 chord memories on each module, allowing you to operate them independently of a chord pilot. I’ll do a demo on our UA-cam channel shortly.
@@knobula_synths thank you!
Fantastic module ❤. I don't know music theory at all so this seems a great choice to play chords :)
I don't undestand why turning the 'conform' knob on the left produce less nicely related chord? Does it means that the algos work better with major chords and less with minor? Thanks
turning the conform all the way to the left gives the possibility of all 12 semitones to be part of your chord, in the middle it allows just 2 (fifths apart) and all the way to the right is 7 notes (e.g just the white notes for a C major scale)
Will you be in London synth expo this Saturday?
sadly I can't make it this Saturday