Beethoven & Sonata Form - An Analysis
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- Опубліковано 1 жов 2024
- Yet another music theory lesson, this time on an early sonata by Beethoven (sonata no 20 / opus 49 no 2), who himself at first didn't want this piece to be published. Nevertheless, it contains some interesting lessons for the beginner composer or music enthousiast. Feel free to ask questions in the comment section! I'll be glad to help you out.
#analysis #Beethoven #sonata
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Excellent , do more like this.
Glad to hear more analysis of the full piano sonatas not just moonlight
Amazing my friend! 😊 please analyze Symphony 9, thanks ❤
The whole symphony? That would take ages to edit! You can always n become a patreon and forward more realistic requests...
What is this piece of music?
It's his piano sonata no. 20 (aka opus 49 no. 2)
Hello and thank you for this channel. I have happily subscribed! I am very familiar with 6, 6-4, etc...after Roman numerals, but could you please tell me what V2 is, or any Roman numerals with a 2 following them? Does it mean the 7th is in the bass? Thank you!
Hey Mark. Yes, that is correct, the number always indicate the interval distance to the root. When a 7th is above the root, the distance is... a seventh, when it’s below, the distance reduces to a 2nd. The total sum of these complementary intervals is always a nine.
@@TimondeNood got it, thank you!
Thank you for this great analysis! Why do you think Beethoven didn't want this piece to be published?
As with Beethoven, he was very critical towards his own work. This is something we see with almost all composers in the romantic era. Here is some info from wikipedia: "These sonatas are referred to as the Leichte Sonaten to be given to his friends and students." "Beethoven often suppressed works in his early years, either revising them later for publication or determining that they were not fit. In fact, he withheld many early works from publication for life. In the case of these two sonatas, it was Kaspar van Beethoven, the composer's brother, who decided they were worthy of publication. Against the composer's will, he presented them to a publishing house, thus allowing posterity to hear works that might otherwise have been lost or destroyed." I would like to add: Brahms once said, and this might help you shred some light on this topic, a good composer/creator does know how to write, but he/she must also know how to erase. Don't take this too seriously, some composers kept revising works from in their early years, art is never finished, it is only abondoned IMO
Thank you!
Will you analyze any symphonies ? or mozarts requeim mass something like that ?
not all of them of course
You're welcome! I wish I could do all of that, but making these video's is very time & energy consuming & I have a lot of other interests and thing that I got to do. So I won't promise anything, however maybe in the future ;)
Thank you very much from Italy!
Prego, Manuel!
A look at Beethoven's Sonata 1-10 analysis
ua-cam.com/video/3D77-H2Jo1o/v-deo.html
SERGİ = EXPOSİTİON
GELİŞME= DEVELOPMENT
SERGİNİN TEKRARI=REEXPOSİTİON
ANA TEMA=FİRST THEME
YAN TEMA=2. THEME
BİTİŞ TEMASI=CODA