How to Photograph Big Products (part one)
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- Опубліковано 23 сер 2024
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A series teaching you the basics of shooting larger products and putting them on a white background. This is part one which will teach you lighting and camera settings. To find out more visit www.seantucker...
Part Two showing you how to cut the product out onto a white background and add a drop shadow is here:
• How to Photograph Big ...
Part Three showing you how to recolour your product is here:
• How to Photograph Big ...
#photography #productphotography #studio
I just discovered my love of photography in 2020, and have consistently came back to you during my quest for knowledge.. This video is 6 years old at the time of this comment, but the information within is timeless. Thank you 😎
You are my Guru forever now , I have my first furniture shoot tomorrow which I got today and I have no idea how I will manage as I am just a beginner still trying to capture those birds eye , and here I see , something very amazing the way you explained each bit of it , very humbly and sincerely....You became my idol .... I have learned many things from your 13.34 seconds video ,camera light frame .....
Thank you so much
I kept looking at your hard working eyes ....
I love that you use a Mark 2. The quality of your work is inspiring and it really halts the gear hype so many (including myself) obsess over. Sincere respect.
I'm starting at photography, and my family owns a small furniture factory.
My intention is to gather knowledge to take good pictures of the products.
That was a great lesson and it will hell a lot.
Many thanks!!
What is the name of the furniture company? Are you located in High Point? My family owns a small furniture retail store and I have the same goal as you! Cheers!
This is the best product photography video I’ve seen yet
This is by far the best insightful and helpful video of product photography on youtube. It would be great if you could make more on product photography.
Right to the point, straight forward, thanks a lot for this video even after all those years.
I like the way you started with one light..and on to the next . .. thanks a lot .your content still lives
I've just subscribed to your channel. Whenever I do so, which is not often because I don't what to receive a tone of notifications and I always prefer quality over quantity (actually I dislike quantity), I always read the "About" section after the few first videos hooked me.
This is the first time I do this, but you asked for. Your description of your channel is meaningful. It confirms the impression you give through your talk and statements. I like it. I agree with it. I decided that you'll be one of my teachers.
Another thing I always do when I subscribe to a channel is to watch the entire content from the oldest video to the news in a chronological order even if the latest one is actually about what I'm looking for. Patience and the will to come to know you and your UA-cam progress will make me wait to be updated. It's actually an exquise feeling.
Starting my Sean Tucker journey NOW. Thank you.
Thanks mate. That’s quite an investment:) Good luck.
You are so inspirational. I am now going to watch every single video on your channel, starting with this one. Thank you!
I know you have had years of experience but you make it look so easy Sean. Nice one
This has been the most helpful tutorial and the explanations have been great. Thank you!
Seriously. Super helpful. Thank you! And it's been 4 years since this upload! Bless high quality content.
So glad to have found this for larger products. Really helpful, especially specifiying the lens, settings and camera used. Thank you for the cheaper alternative lights add on too, indispensable.
Excellent. Clear, straight-forward information.
Very great video, watching it for the 3rd time!
Such a terrific tutorial and has opened up for me new possibilities/opportunities in a clear and enjoyable tutorial. Thanks, Sean.
Thank you for doing these tutorials! Simply priceless!
Thanks Sean! This is brilliant! Very straightforward extremely useful! Keep up the great work!
Thank you so much for this tutorial. It is priceless. 😍
thanks alot
Excellent. I would enjoy seeing you share more about product photography. The tools, techniques, the business? Thank you.
so helpful - starting out doing photography and just got a furniture shot which this has helped me so much
I had been looking for something like this for a while, brilliant tutorial, perfectly explained. Thanks!
Great guy, great wisdom. Thx and be happy🙏🏻
Great tutorial. Very detailed and explained clearly. Much appreciated.
Hi Sean, nice tutorial. I'd just want to mention one Achilles Heel that you had here by placing the gray card ON your product. It will immediately gain the color cast of the fabric. So you'd need to place it by itself in the live shooting area sans product. Other wise good video, and thanks for taking the time to make these videos.
This video is excellent and exactly the tutorial I was looking for.
I have decided to start at the very start. Lots of information. Thanks
you are so good at tutorials! Thank you!! I'm now excited and feel prepared to shoot furniture next week :)
Thanks Sean, for taking time and effort to teach me something!!!!
All of this information was so helpful!! I dont do A LOT of product photography but this will be super helpful for me!
Great video Sean! Thank you!
A very useful video series, thank you.
Great video Sean, Thank you for the info!!! i´m looking forward for the next one too!
Thank you so much for this wonderful tutorial, it is extremely helpful.
Very good tutorial, I find your teaching process very clear. I am impressed to see that we work in a very similar way and that we have the same equipment! I must confess that you are a level above me ...
Personally I never close the diaphragm beyond what is necessary to obtain the necessary depth of field because I am afraid of the loss of sharpness related to the difraction at the edge of the diaphragm (Airy disc). What do you think about it ?
Thank you Sean!
Amazingly clear explanation Sean!...What are the sizes and model spec
of softboxes used in the video?
wow, this is a gem. Thank you!
Great tutorial Sean
Very nicely explained Sean.
Hi Sean. Amazing content, thanks for all your hard work. I am an Upholsterer and am looking to buy a backdrop( large white preferably 3m wide if possible) and some lighting. Is there any you would recommend as an entry level? Thanks Sean
Brilliant video, thank you!
Excellent tutorial Sean!
Hi Sean, great tutorial! If I see it right your camera is tilted slightly downwards. Is it preferable to always do this instead of lowering the tripod on the same level as the product?
Thank you!!
That was really an amazing videos
Things u explained were amazing and really helpful
This was very helpful!
Wow, Thank you for all this wonderful information, as a furniture & interior designer always looking to improve my photo shoot skills!!
Can i ask what camera you use or you'd recommend for someone who shoots photos of furniture (large) products INSIDE homes and uses video to film parts of the build process of the pieces inside his garage? Dont care about zoom, but do like "blury background" depth of field, auto focus and something easy to use wold be nice
Thanks!
Great video, thanks a lot.
Hey Sean, Great video, really helpful. any chance to gets more like this. Maybe tutorial how to shoot small objects ex. bottle, vegetable or fruit, candles etc. Will be very appreciate.
Glad you enjoyed it. There is a load out there on small product photography. Check out Photigy. He's great.
Thanks for this great tutorial man! awesome!
Thank you very helpful
Excellent!
Very well explained.
Hi Sean, good tutorial! My product is Indoor LED Display Board. How to make photography for that?
very nice and helpful , Thanks
awesome video!
Wonderful tips, thank you so much
Very useful video! Thank you!
That's helps a lot, for rendering
Thanks that's a really helpful and detailed video. Just wondering if you got any tips on shooting products like ceiling lights and chandeliers?
Hi Sean, great tutorial! Would there be any difference in setup or camera settings if using continuous lighting instead of strobes/speedlights?
this is great. thank you so much.
Lovely tips, keep up the good job
Thank you very much for share this helpful video
Thank you so much
This is incredible. How would you shoot a door with no overhead light?
thank you very much .
great tutorial....many thanks..!
Hi Sean, I can't thank you enough for making this video! It's helped me immensely and likely prevented loads of headaches. Wondering if you have any tips in addition to this tutorial for shooting furniture without a seamless? I always default to using a white seamless to avoid colored reflections and allow for clean cutouts, but I know some of my clients prefer the context of a more "real" setting, like wood floors. Any advice you have would be GREATLY appreciated!!
Thanks Jessica. Contextual photography is a different bag really. It stops being studio photography (unless you're shooting in a room set) and becomes lifestyle photography. So I would approach it like shooting a person in a location. Assess the ambient light and then work out how you want to accent your product with additional lighting. Some rooms already have great light and you'll just need a reflector or two to fill shadows a bit, once you've found the spot where the light is already singing. Best of luck and glad to be of help.
You're the best. Thanks for the suggestions!
Great vid thanks
Thanks for video.
Great video. Thank you for not duming it down. If you want good photos you have to take it seriously. No " three easy steps " please. Well done.
Hello Sean.Great tutorials you have there,they helped me a lot aswell.I'm also new to this and would like some basic info about the backdrop backround,i want to shoot mattresses and maybe beds in the future,so basicelly i need a whitesheet or a white backdrop wider than 2.5 meters.Do you know where could i get that equipment(what kind of material should i get for this kind of photography and how much width do i need for a mattress that it's length is around 2 meters long so i can shoot it vertically?).
Thank you so much for this tutorial Mr Sean.. I wanted to ask what is the make of those lights and some specifications please.
Very good video.
Brilliant!
Great video.
I have an opinion.
I think your ambient light will come from strobes lighting. When they fire, lightings will light up the room then bounce again to object. To get non ambient light interfere product lighting is to cover the room with all white or black wall color paint. Thanks. :)
Perfect
Good one!
Well, going above f/10 reduces sharpness (especially on a 5d mk ii) because of diffraction.
Great video !!
fantastic video thanks
Hi Sean,
Very helpful video. I use a Panasonic G9 (M43) camera @ 20.3 MP. The pictures I am planning to take will be used for printed commercial brochures. I plan to have a subcontractor do the editing. The main lense I am planning to use is a 14-140mm f3.5-5.6. Do you think this camera / lense combo can produce accepetable results given that I follow your lighting instructions and guidelines? I will also be looking at purchasing the lighting equipment. Can you make any recommendations for this as well? Thank you
Really love your videos mate, they're amazing.
But I do think you're wrong about your flash sync settings.
I am quite sure that the Canon 5D Mark II has a flash sync of 1/200.
It doesn't matter, I'm just an arse
Great video, thanks
Hey Sean,
Wonderful tutorials! Super detailed and thorough! absolutely invaluable!! - you've really helped me build my confidence and put all the pieces i've read together, succinctly! I am just about to buy my studio kit and was wondering if you could throw your two cents in as I really want to ensure I am buying the necessary.
I will be shooting mostly table-top homeware and some larger furniture pieces such as chairs, coffee tables.. Right now i'm torn between two things. I am considering two rectangular soft box strobes (sides) and one octagonal soft box strobe for the top.
1) Should I consider two speed lights to kill the shadows on my background and minimize post-processing work (no-need to cut-out etc..)?
2) How much wattage would suffice for my strobes? The kits I am looking for are either 300w (x2), with the addition of the over-head (300w) or 600w (x2) with the additional over-head..
Hi mate. 300w should be fine as long as you can kill the rest of the light in the room so you're not battling with bright ambient light, like sun coming in through a window. You will probably find that you will still need to cut out your images though. Unless you are using a white reflective floor (in which case you'll have a reflection underneath instead of a drop shadow) the you may blow the background white but you won't blow the floor white without over exposing the product.
Hey Sean, thanks for making the video! I have been having an issue as a lot of the products I am starting to shoot are large very reflective objects (TVs and american fridges). Reflections are a huge issue as you can imagine! Any ideas that could help?
Thanks Peter
What would you recommend for a quality and a budget white backdrop for these large items? I'm needing a backdrop about 15 ft x 24 ft
Hi can you do a video on photographing beside lamp home furnishing poduct
Thanks for the video
Waaaooo love ❤️ explain actions
amazing tutorial!! thank you
Why did you set your white balance to flash ?
I really like your explanation but was hoping for some insight into really BIG subject like cars trucks and groups of 50 people etc...
Great series. One question. You talk about your grey card, saying it is 50% grey. I see a lot of grey cards available, some say 18% grey, some say 50% grey. Some even look the same as your card and say it's 18% grey and not 50%. Any significant difference between the two? I always thought 18% grey is the basis for exposure and color. What's the advantage of using 50% grey?
They are terms for the same thing, don't let it confuse. The 18% grey thing comes from the world of art I believe, but I know Photoshop etc deals in 50% grey etc. The terms seem to be used interchangeably.
Thanks!
The midpoint between what just comes out white, and what just comes out black. If the black is 0, and the white is 100, middle grey is 50% grey. But the black is not really black and the white is not really white. In addition, the scale used can be linear or logarithmic. Plus, does grey go from 0-100 with 0 being black, or is the amount of grey, measured from white, becoming more grey as the light falls off? Is it measured as a percentage of maximum density of the negative? I learned 78% grey in my days. I have since heard 12%, 18%, 22%, 50% and 78% grey. Is it sRGB, AdobeRGB, Lab, etc.
They are all still referring to exactly the same thing, depending on what exactly they are measuring, and how they are measuring it. The important thing is, “grey card,” ignore the percentage.
Hi sean! Thanks for all the wonderful tutorials, i used your techniques to setup a home studio and photoshoot some pieces of furniture.. i use a dslr camera Nikon DS3200 and the settings you recommend. I also use the flash that comes with the camera.. When i shoot with flash on, i get backround shadow on white and i also overlight the frame dissapearing the shadow under the furniture which i want to keep.. I jut get a flat white furniture.. What can i check if i do wrong? My lens also are 50mm but i shoot at a closer distance than you because i dont have that much space.. Any tips would be really appreciated! Thanks for all the great work!
+Spyros Armaos you can't use on camera flash and get the same results. The position of the lights creates the look so if you don't follow the lighting as well as the settings you won't get good images. Maybe time to invest in more lights or hire a studio space for your shoots. Good luck
+Sean Tucker Great. Thanks for the help and the great tutorials !
could you make video for architectural photography???