Powerful and colorful score! Glad to know that the philosophy of allowing the music to massively contribute to the power of the drama (as opposed to being musical wallpaper) is not yet dead.
I really enjoyed this. It definitely has a Sixties action-adventure vibe to it, and may have even worked on an episode of TOS we never got to see. I’ve always regarded the ability to compose music as one of Mankind’s most sublime abilities, so I really envy you your talent.
Wow, friend! That's very kind of you to say, thanks. I so regard that talent in others too, obviously with all these videos. For fun I may try mating this to a few TOS scenes! 🖖😏
Interesting. The mixed time signatures reminded me of "Return Of The Musketeers" from 1989, where the title sequence has a piece that flips between 5/4, 6/4 and 7/4 - pretty much every bar so there's 24 beats every 4 bars but easy to lose your place in the rhythm!
@@davidpage9355 Here's the trailer, and it does use the music I mentioned. It's the 1970s cast reprising their roles in the film adaption of Dumas own sequel "Twenty Years After". ua-cam.com/video/ytphNv26Vs8/v-deo.html Coincidentally I just saw someone else commenting on a Lalo Schifrin vibe, Schifrin scored The Four Musketeers back in 1974 (although despite the two films being filmed as a single entity, The Three Musketeers was scored by Michel Legrand). As you can tell, I love those films, Michael York, Oliver Reed etc, they're the definitive adaption of the original book (and I've read 4 different English translations and seen multiple film and TV adaptions!). Funnily enough there's Trek parallels here, as some of the music from "The Conscience Of The King" would fit into those 1970s films very easily. Also, I realised only after I'd made the original comment that the fight music from "Shore Leave" is a more natural go-to for something which constantly changes bar lengths! Something like 3-5-3-5-4-4-2-4-4-2 if I remember rightly! Oh, and you might have seen I've done the detective work on those few season 2 episodes not to feature any credit for the music, and I'd say only "A Piece Of The Action" was right to do so.
Powerful and colorful score! Glad to know that the philosophy of allowing the music to massively contribute to the power of the drama (as opposed to being musical wallpaper) is not yet dead.
Really appreciate your thoughts, thank you.! As I say, completely inspired by the Trek greats. What a fun time working this out.
I really enjoyed this. It definitely has a Sixties action-adventure vibe to it, and may have even worked on an episode of TOS we never got to see. I’ve always regarded the ability to compose music as one of Mankind’s most sublime abilities, so I really envy you your talent.
Wow, friend! That's very kind of you to say, thanks. I so regard that talent in others too, obviously with all these videos. For fun I may try mating this to a few TOS scenes! 🖖😏
Interesting. The mixed time signatures reminded me of "Return Of The Musketeers" from 1989, where the title sequence has a piece that flips between 5/4, 6/4 and 7/4 - pretty much every bar so there's 24 beats every 4 bars but easy to lose your place in the rhythm!
That's crazy fun! I will have to check that one out. Thanks, as always Liam.
@@davidpage9355 Here's the trailer, and it does use the music I mentioned. It's the 1970s cast reprising their roles in the film adaption of Dumas own sequel "Twenty Years After".
ua-cam.com/video/ytphNv26Vs8/v-deo.html
Coincidentally I just saw someone else commenting on a Lalo Schifrin vibe, Schifrin scored The Four Musketeers back in 1974 (although despite the two films being filmed as a single entity, The Three Musketeers was scored by Michel Legrand).
As you can tell, I love those films, Michael York, Oliver Reed etc, they're the definitive adaption of the original book (and I've read 4 different English translations and seen multiple film and TV adaptions!).
Funnily enough there's Trek parallels here, as some of the music from "The Conscience Of The King" would fit into those 1970s films very easily. Also, I realised only after I'd made the original comment that the fight music from "Shore Leave" is a more natural go-to for something which constantly changes bar lengths! Something like 3-5-3-5-4-4-2-4-4-2 if I remember rightly!
Oh, and you might have seen I've done the detective work on those few season 2 episodes not to feature any credit for the music, and I'd say only "A Piece Of The Action" was right to do so.