shall marry the miller's son Pin my hat on a nice piece of property Friday nights, for a bit of fun We'll go dancing Meanwhile... It's a wink and a wiggle And a diggle in the grass And I'll trip the light fandango A pinch and a diddle In the middle of what passes by It's a very short road From the pinch and the punch To the paunch and the pouch and the pension It's a very short road To the ten thousandth lunch And the belch and the grouch and the sigh In the meanwhile There are mouths to be kissed Before mouths to be fed And a lot in between In the meanwhile And a girl ought to celebrate what passes by Or I shall marry the business man Five fat babies and lots of security Friday nights, if we think we can We'll go dancing Meanwhile... It's a push and a fumble And a tumble in the sheets And I'll foot the highland fancy A dip in the butter And a flutter with what meets my eye It's a very short fetch From the push and the whoop To the squint and the stoop and the mumble It's not much of a stretch To the cribs and the croup And the bosoms that droop and go dry In the meanwhile There are mouths to be kissed Before mouths to be fed And there's many a tryst And there's many a bed To be sampled and seen In the meanwhile And a girl has to celebrate what passes by Or I shall marry the Prince of Wales Pearls and servants and dressing for festivals Friday nights with him all in tails We'll have dancing Meanwhile It's a rip in the bustle And a rustle in the hay And I'll pitch the quick fantastic With flings of confetti And my petticoats away up high It's a very short way From the fling that's for fun To the thigh pressing under the table It's a very short day 'Til you're stuck with just one Or it has to be done on the sly In the meanwhile There are mouths to be kissed Before mouths to be fed And there's many a tryst And there's many a bed There's a lot I'll have missed But I'll not have been dead when I die! And a person should celebrate everything Passing By And I shall marry the miller's son
Is it just me, or is she not keeping with the music like at all, changing tempo every two seconds, and taking it way too fast in general? And I feel like there isn't much acting/variance through the whome song, it just feels like it's all one tone. Don't get me wrong, she was great in hamilton, but this was definitely not her best work. 😅
Dear grant I was ac casting agents for 15 years on broadway. Miss Goldsberry’s voice is lovely but does not seem to shimmer or soar. She clearly has had training both acting and voice. She is very “studied “ in her delivery. I would request another song from her atypicall of what she would choose for herself to get an idea of what her natural vocal gifts are. Something not studied.
@@foriamemma And she was brilliant as Angelica, but Terrance's point is well-taken. "Miller's Son," as with a lot of Sondheim, has a lot of nuance and depth, and her take on it is relatively one-note. She also seems to be working harder at it than she needs to which, combined with a too-fast tempo, inhibits her ability to "shimmer or soar." To me, it's a performance indicative of the all-too-common trend to just go out there and "nail a song," instead of getting deep underneath its skin, which Renée is incredibly good at doing in Hamilton. Here are two other performances for comparison: ua-cam.com/video/lFBei6wdvM8/v-deo.html and ua-cam.com/video/udNinvC05Ks/v-deo.html.
@@benmalkevitch356 It might have helped if she had sung all 3 verses. By cutting the middle verse, they really wrecked the dramatic structure of the song-it’s really a play within a play and doesn’t make as much sense without all the verses.
I'm impressed she was still so powerful with the wind whipping in her face
The wind adds a bit more drama.
God she’s AMAZING! THAT VOICE IS SO PURE AND CLEAR!
Renee does sondheim so well. Sass levels are high! 👑👑
Omg she was in the BET Hip Hop Awards Cypher. Crazy!!!! She's an amazing singer.
Love Renee sweet voice 😍
My biggest inspiration.
She's amazing!
she NEEDS to do Sunday in the Park with George
I never knew she had this voice!
You must've never watched her playing Evangelina on One Life To Live!
What about Hamilton? She actually does some real singing, not just rapping, as Angelica.
I love this and hate that it was truncated. You really need all three sections.
Love her
amazing
I'm glad she found a hip-hop musical to star in and show off skills that aren't used in a typical musical like this one.
concerned for the band with this WIND
YES KDJSFLDJ I just watched all the orchestra trying to control their sheet music
She's also a great prosecutor on The Good Wife. ....This, I had no idea! wow!
Ohhh-why did they cut out the middle verse?! She so good-I would have loved to hear her do the whole song ☹️.
Maybe she decided not to marry the businessman afterall...........:-)
because the middle verse is a bitch to learn lol
shall marry the miller's son
Pin my hat on a nice piece of property
Friday nights, for a bit of fun
We'll go dancing
Meanwhile...
It's a wink and a wiggle
And a diggle in the grass
And I'll trip the light fandango
A pinch and a diddle
In the middle of what passes by
It's a very short road
From the pinch and the punch
To the paunch and the pouch and the pension
It's a very short road
To the ten thousandth lunch
And the belch and the grouch and the sigh
In the meanwhile
There are mouths to be kissed
Before mouths to be fed
And a lot in between
In the meanwhile
And a girl ought to celebrate what passes by
Or I shall marry the business man
Five fat babies and lots of security
Friday nights, if we think we can
We'll go dancing
Meanwhile...
It's a push and a fumble
And a tumble in the sheets
And I'll foot the highland fancy
A dip in the butter
And a flutter with what meets my eye
It's a very short fetch
From the push and the whoop
To the squint and the stoop and the mumble
It's not much of a stretch
To the cribs and the croup
And the bosoms that droop and go dry
In the meanwhile
There are mouths to be kissed
Before mouths to be fed
And there's many a tryst
And there's many a bed
To be sampled and seen
In the meanwhile
And a girl has to celebrate what passes by
Or I shall marry the Prince of Wales
Pearls and servants and dressing for festivals
Friday nights with him all in tails
We'll have dancing
Meanwhile
It's a rip in the bustle
And a rustle in the hay
And I'll pitch the quick fantastic
With flings of confetti
And my petticoats away up high
It's a very short way
From the fling that's for fun
To the thigh pressing under the table
It's a very short day
'Til you're stuck with just one
Or it has to be done on the sly
In the meanwhile
There are mouths to be kissed
Before mouths to be fed
And there's many a tryst
And there's many a bed
There's a lot I'll have missed
But I'll not have been dead when I die!
And a person should celebrate everything
Passing By
And I shall marry the miller's son
it's a shame they cut this song to shit.
❤ ✿❧🌿❧✿ ❤
When was this?
Sweden...circa 1900
Is it just me, or is she not keeping with the music like at all, changing tempo every two seconds, and taking it way too fast in general? And I feel like there isn't much acting/variance through the whome song, it just feels like it's all one tone.
Don't get me wrong, she was great in hamilton, but this was definitely not her best work. 😅
needs syncing but really like this rendition
au migraine voice lesson 2005?
I would like to see more range.
Could you please elaborate on that statement?
Dear grant I was ac casting agents for 15 years on broadway. Miss Goldsberry’s voice is lovely but does not seem to shimmer or soar. She clearly has had training both acting and voice. She is very “studied “ in her delivery. I would request another song from her atypicall of what she would choose for herself to get an idea of what her natural vocal gifts are. Something not studied.
@@babar201109 she was a lead in hamilton...???
@@foriamemma And she was brilliant as Angelica, but Terrance's point is well-taken. "Miller's Son," as with a lot of Sondheim, has a lot of nuance and depth, and her take on it is relatively one-note. She also seems to be working harder at it than she needs to which, combined with a too-fast tempo, inhibits her ability to "shimmer or soar." To me, it's a performance indicative of the all-too-common trend to just go out there and "nail a song," instead of getting deep underneath its skin, which Renée is incredibly good at doing in Hamilton. Here are two other performances for comparison: ua-cam.com/video/lFBei6wdvM8/v-deo.html and ua-cam.com/video/udNinvC05Ks/v-deo.html.
@@benmalkevitch356 It might have helped if she had sung all 3 verses. By cutting the middle verse, they really wrecked the dramatic structure of the song-it’s really a play within a play and doesn’t make as much sense without all the verses.
Julia McKenzie eats this alive!
Julia's a vegan; stopped eating songs10 years ago