Great to see a video about a low cost boom n bag rig for people starting out and wanting professional level audio. This rig is almost exactly like the low cost rig I recommend for cinematography students. The Tascam DR-70d recorders are now selling on ebay for less than $125 used including shipping. An addition. Movo makes a dual channel UHF based lav kit, Movo WMX-20-DUO (Not WMX70/WMX80) that comes with separate lav mics for less than $125 used on ebay. A change I would suggest is the Neewer carbon fiber boom pole for about $100 new on ebay. Thanks again.
Found your channel through Potato Jet and I cannot stop watching your videos! So informative and you can tell that you know what you’re talking about. Very smooth speaker and of course your audio is always spot on! Thanks for providing all this knowledge!
Very good video, and I couldn't agree more. Love my Tascam DR-70. Got a good deal on a Rode NTG3 with a Rode blimp and used Rode NTG2 with the Rode deadcat and a boompole. For microphone stands, I'd recommend the Hercules 631 or 633 stand, it's decent, has a clip on microphone clip and the 'arm' nicely disappears into the main body of the stand. It all starts with low noise, wind free, stable standing microphones and silent recordings. Keep making these videos! ❤
Thanks for the video. I have the AT 897 and it's a solid performer for the price. The option to use with phantom or with a AA battery is nice and adds to the flexibility.
I was pleased to see your recommendation for the Sennheiser HD 280 headphones. They were recommended to me years ago, and I couldn't be happier. I've since picked up two more pairs to outfit my booth for the talent and my recording station. Gosh those things work well!
A bunch of magic arms and Manfrotto superclamps are real life savers when it comes to mount and place mics. The more accessories one has, the more flexible recording becomes, even with small recorders and simple mics.
Great video! I wish it was available a couple years ago when I was starting to entering this world. It will be nice to have some other videos like this analyzing other price ranges and tools for specific needs. Also some information about how to choose wireless systems and lav mics, I'm really struggling to choose what to buy without selling my kidneys hahaha
First of all, I have to thank you for the detailed and user-friendly video. Second, I'm just getting into this world myself, and I'm wondering what kind of low noise xlr cable would be suitable, and what program you use to process the sounds. Thanks again and good luck
Great Video. Funny, when you compared 10-year-old (Tascam HD-P2) and 5-year-old (Marantz 671) Technology, I had both those recorders sitting on my desk. I also recently got the Tascam DR-70D, and I wondered how it compared to the Tascam & Marantz. I was also thinking of getting the Zoom R5, but after watching your video, I'll stick with the Tascam 70D!
Well done! Upgrading our video sound... your video helped me resolve buying decisions I’ve had for some time. By the way, keep making video... clear, concise, professional. Thank you!
Nice, I had not seen the mic quick release mounts. That sounds like a good solution for me. I currently have too many adapters to screw onto my mic stand to move my mic from my camera. I don't do enough commercial or interview work to have a second set of audio gear for a dedicated boom setup, so the quicker I can move my mic, the better.
I agree. I have heard that cable quality is an important part of the system. I've always used Hosa cables for this reason. I'd love to hear Alex's thoughts on this.
Appreciate the recommendations, just about to graduate from my sound design degree and looking to invest in a solid starter field recording kit in order to look for work. I've got a pretty well spec'd out desktop recording/editing set-up but decided it's high time to shelf the ZOOM H2n for something more professional.
This is excellent advice - I'm so glad I've found your channel. TY! Can you offer any advice for a beginner looking to record very directional wildlife sounds such as bird songs please?
For now I use two mics Rhode video micro and rhode smart lav+. I record them with my iPhone and the voice record pro app. It allows for gain control and live monitoring through headphones. I want to upgrade, but for cheap this is where I’m at.
From personal experience, Alex has this just right. This isn't inexpensive stuff, but it's the level to hit to avoid wasting money on junk. I wasted money on lower-end gear that left me frustrated with bad audio - don't repeat my mistakes!
I wanted to get tascam but they don't ship to where I live. I had to go with zoom H6. And it's quite a nice system. Anyway, thanks for the video. I'm still super new when it comes to sound and there are many things I don't understand 😅
That’s totally fine! Zoom H6 is great for regular recording stuff, it just struggles with really detailed or quiet sounds in my experience. Keep learning, there’s lots to get into but it’s all fascinating stuff and I’m going to keep trying to break down the more complicated things!
@@axk I'll see how far I can get with it :) I'm the meanwhile, I'm planning to get some nice speakers for audio editing (I've watched your video on it). I have one question, though: which audio interface should I buy to connect them to my MacBook?
This video is quite helpful for me. I am soon going to make a documentary with many interview situations. I usually use the NTG4+ and plug it directly in my BMPCC4K Camera, which works quick and easy for me. Now i´m thinking: Should I buy an external Recorder instead and would that really improve my sound Quality ??
Which microphone would u suggest to a naturalist ( ambience/ nature /streams etc). My current set-up: Recorder: Zoom H5 and F3 Microphone: Sennheiser mke600 , Rode stereo videomic pro( which i bought for my canon7d),is in good condition, Got aRodeM3 for general ( all purpose) use.
I just baught Rode NTG-3 and I am not sure which audio interface I should buy. I came across RODECaster Pro II which sound really good but not sure if its over kill for my use case. To give you the context of my usage is that I am intended to record video cources in my home studio and possibly do live streaming. But I am not intended to do any music production etc.. so not sure if I should go with this seemingly high end Rode Caster pro 2 or choose something more simpler and cheap that do the job for my use case. Please share your thoughts and advice. Thanks in advance and and keep rocking great content man!
MobileMusic The preamps of the H6 and the two Tascam recorders he mentioned are of similar quality. Tascam built-in mics might be slightly better, but I’d use separate mics anyway. Main issue is form factor and how you use the recorder. If you insist that your recorder fit in a sound bag or under your camera, the H6 may not be right for you. That said, if you have a Zoom H6 already, I wouldn’t sweat it. The H6 is a fine recorder. You can certainly make it work for you.
Can you make a video about the know all the integy Mike video mic.... I want to hear a professional advice out of using the road wireless go ... I have anyone to know how a professional that can be used in more UA-cam or sort of the journalistic
I've noticed how often dialogue sounds 'dead', no ambience at all. And other films have amazing sound. Is it done in post or what? How do you get that 'full' sound? Hope that makes sense. Love your channel!
Thanks for your video, could you help me with something, I need to find a way to make a live program, and I need to use the mic directly to the computer, so far I have not been able to know which one or what devices I do need for that, so far I'm uploading videos, and the recorder works great, but for live programs, I just don't know, I have been in a couple of professional stores and the guys there don't know about it. Thanks for your imput
What type of mic would you recommend for recording outside or inside ambience as well as room tone? I would like to record/hear every5hing that is going on in all directions.
thank you so much! straight to the point, not much bla bla, and always with the 2 - 4 recommendations for different budgets. great work alex!! i'm using the mke600 with the c200 and i'm happy with it. now if it comes to environmental recordings for outside ambient, would you recommend the RØDE Stereo VideoMic X or something else (similar price range like the mke600)? and sorry if you already talked about this in one of your previous vids ...didn't went through them all yet...
Taco Friday Entertainment, You shouldn’t. Without the capsule, the H5 is very light, and using a USB power bank, you can easily recorded two XLR mics with phantom power for a full work day. The features are comparable to the Tascam recorders. It’s just a matter of form factor and interface. If the H5 works for you, don’t worry about what other people prefer.
In your last video you say the best budget option for a shotgun mic is the NTG4+ but here you say the MKE600 is a better sounding mic... I'm torn now. In all honesty I need a shotgun mic for short films but also one I can use in the studio to record podcasts, because, budget. I have a Zoom h4n pro recorder, which here you mention is not the best but it'll work for now. What second mic would you recommend for recording podcasting? I'm looking at the Shure SM58?
I would always call timecode necessary, but most of the gear that’s capable of running or jam syncing timecode falls outside of the entry level budget, so I decided not to cover it in this video. But I love what Deity and Tentacle are doing for timecode sync!
Thank you for another great video! I am still wondering on what mic to pick for video narrating... I have Zoom H6 and use supplied mics, but it looks like external mic would be better, right?
If I wanna start with a 416 do you think it's a waste of money Alex? BH recommended a Sony D10 for that as a recorder - thoughts? I wanted to get an MKE600 vs a 416 but I wasn't sure. I keep reading from pros that mke 600 is not a pro mic, and I better dish out money once; also 416 is dealing well with moisture. I am a photogrpaher starting to DP commercials and I am doing my own sound for now; I am the kind of guy who buys top good gear and learns to use it properly - I hate limiting factors in gear because I outgrow gear. (thanks for the channel)
@@spiritphingaz_ positive, has a decent sound. But I'm not too experienced. I've been too busy with photography to dive into sound a lot. Sound guys tell me it's a decent mic, but 416 and other are a notch better. My take is that until I go into expensive commercials/productions, this one is just fine, it has food quality.
I have a Tascam Dr-40 it came with tascam headphones then I got a shotgun mic from Amazon it's a XLR mic it came with a deadcat and a foam I also want to Know if I have a XLR cable that has 2 male connection one for Right and left on my Tascam Dr-40 and the cable goes into one Female for the mic will that record on both channels like that?
Hey alex. I just recently bought a Zoom H6. I'm a novice film maker in film school and always loved sound. I plan to use it to record ambient sound & some foley. What do you think? Any pointers or add ons youd suggest?
Another great overview. You are my go to person now! Thanks. Question. Ive never used a recorder. Do they store the sound? Then I just import into FCPX? Thanks
Alex, now that we have our recorder and a microphone or two (or three or four, just don't tell my wife) where do you take the audio file? I work on an Apple platform and have Final cut Pro. What is your work flow or what would you recommend for someone just getting into audio. Thanks for your help!
Hey Alex, Hoobilly here and Happy Thanksgiving to you and yours!.. I remember seeing Tascam Porta 1 being the first budget battery operated "field recorder" back in the 80s, so... So now latter in life, I'm getting into this world of "Field Recording" out in the woods.. What phantom powered mics would you recommend for this use? And would you recommend them or battery powered??
I'd like to use earbuds for myself and use a headphone splitter for overears I'd keep on my belt for anyone who wants a listen. Except, on set I'd often have one ear free of headphones between takes, so maybe that won't work
Alex, when is it better to use the dB pad switch on a mic, versus just setting the recorder's preamp differently? For example, I have a Shure VP83 shotgun mic, and it has a +10, 0, -10 dB pad switch... I am wondering if its just there to compensate for a bad preamp, or if it would actually make for a lower noise floor, or change the sensitivity of the mic, if I matched levels in the camera... Thanks!
I’d say you can get great results out of the DR40X. You’ll like the 60Dmk2 if you’re doing DSLR filmmaking or need some more inputs and a different form factor. But you’re not going to get a noticeable difference in sound quality. Think about which will be easier to use while you’re shooting/recording and you’ll be able to figure out which is right for you. Most of Tascam’s lineup is pretty good these days, so I don’t think you can go too wrong with them in general. Hope that helps!
Currently looking for a microphone to attach to a Panasonic G7. I need a recommendation for a camera that has decent range. For instance, I will most likely have the camera 4-5 feet 4 inches away from me. Do you know any microphones that pick up sound well in this range based off of your experience? Pete
what stereo matched pair would you suggest for stereo recordings on the field or in live events? i was looking for a pair of akg 414 but being told they have a too much peculiar sound to be an all round solution. maybe a pair of nt2 from rode? or better to stay on 2 pensil mics?
Underrated channel, very very VERY underrated
Sayantan Chatterjee Couldn’t agree more.👍
I love it because he's professional, straigthforward and reliable. He doesn't blabber for minutes without end
I agree. This guy is quick and too the point with tons of credibility!
You got THE BEST field recording channel on the internet, Alex.
Why is it so underrated??
🙏🏼 🙏🏼
Great to see a video about a low cost boom n bag rig for people starting out and wanting professional level audio. This rig is almost exactly like the low cost rig I recommend for cinematography students. The Tascam DR-70d recorders are now selling on ebay for less than $125 used including shipping.
An addition. Movo makes a dual channel UHF based lav kit, Movo WMX-20-DUO (Not WMX70/WMX80) that comes with separate lav mics for less than $125 used on ebay.
A change I would suggest is the Neewer carbon fiber boom pole for about $100 new on ebay.
Thanks again.
Found your channel through Potato Jet and I cannot stop watching your videos! So informative and you can tell that you know what you’re talking about. Very smooth speaker and of course your audio is always spot on! Thanks for providing all this knowledge!
What knowledge he has. Nobody else on youtube. Continue please making these. We need your input.
You’re making me geek out a lot more I’m audio than I thought was possible. Thx
Very good video, and I couldn't agree more. Love my Tascam DR-70. Got a good deal on a Rode NTG3 with a Rode blimp and used Rode NTG2 with the Rode deadcat and a boompole. For microphone stands, I'd recommend the Hercules 631 or 633 stand, it's decent, has a clip on microphone clip and the 'arm' nicely disappears into the main body of the stand.
It all starts with low noise, wind free, stable standing microphones and silent recordings.
Keep making these videos! ❤
I've been looking to upgrade my recording game and was completely overwhelmed by the options. This is EXACTLY what I needed. Thanks, Alex!
I like the new lighting
Thanks for all of your super information! Very helpful as I'm just learning!
This was the exact video I was looking for in 2020. Very informative!
Amazing video! Finally a realistic budget setup! Thanks for the advice!
Thanks for the video. I have the AT 897 and it's a solid performer for the price. The option to use with phantom or with a AA battery is nice and adds to the flexibility.
More than I want to spend at this point, but it gives me a better idea of what I need to aim for. Really great vid, thanks so much.
I was pleased to see your recommendation for the Sennheiser HD 280 headphones. They were recommended to me years ago, and I couldn't be happier. I've since picked up two more pairs to outfit my booth for the talent and my recording station. Gosh those things work well!
A bunch of magic arms and Manfrotto superclamps are real life savers when it comes to mount and place mics. The more accessories one has, the more flexible recording becomes, even with small recorders and simple mics.
I am actually watching every one of your videos since you started this channel. I find that your content is as good as taking a course in Audio :-)
I'm very glad I discovered this channel. Thanks a lot!
Alex, your channel is very important because sound is So important. Great great video, as always
Great video! I wish it was available a couple years ago when I was starting to entering this world. It will be nice to have some other videos like this analyzing other price ranges and tools for specific needs. Also some information about how to choose wireless systems and lav mics, I'm really struggling to choose what to buy without selling my kidneys hahaha
Benn using the Tascam DR60mk2 for a year or so, great little tool!
First of all, I have to thank you for the detailed and user-friendly video. Second, I'm just getting into this world myself, and I'm wondering what kind of low noise xlr cable would be suitable, and what program you use to process the sounds. Thanks again and good luck
Great Video. Funny, when you compared 10-year-old (Tascam HD-P2) and 5-year-old (Marantz 671) Technology, I had both those recorders sitting on my desk. I also recently got the Tascam DR-70D, and I wondered how it compared to the Tascam & Marantz. I was also thinking of getting the Zoom R5, but after watching your video, I'll stick with the Tascam 70D!
Well done! Upgrading our video sound... your video helped me resolve buying decisions I’ve had for some time.
By the way, keep making video... clear, concise, professional. Thank you!
Nice, I had not seen the mic quick release mounts. That sounds like a good solution for me. I currently have too many adapters to screw onto my mic stand to move my mic from my camera. I don't do enough commercial or interview work to have a second set of audio gear for a dedicated boom setup, so the quicker I can move my mic, the better.
Thank you for making a channel. so much information anyone can learn.
Thank you fantastic (tutorial). Please consider making mor for us beginners
Very soon 😁
As to wind protection, don't stop at the zepplin; get a fur high wind cover. It makes all the difference. Well worth the expense if you're outdoors.
I'm surprised you didn't talk about cable quality options, which is prolly the topic on which I'm the most fuzzy
I agree. I have heard that cable quality is an important part of the system. I've always used Hosa cables for this reason. I'd love to hear Alex's thoughts on this.
A cable video would be good.
a cable is a cable. Buy moderate to high-priced cables and don't nerd out over intangible things. Obsess over creative.
Not all cables are equal, for sure. I have some in the works!!
Can you do an update, please 🙏🏼
Thank You *Audio Guru*
Thanks as always man. Appreciate your videos very much.
Appreciate the recommendations, just about to graduate from my sound design degree and looking to invest in a solid starter field recording kit in order to look for work.
I've got a pretty well spec'd out desktop recording/editing set-up but decided it's high time to shelf the ZOOM H2n for something more professional.
Guess, shouldn't be binning the h2n, its best always in the pocket, if u r into fields( don't know what will come up when 😂😂😂
Nice video- thanks- Are your recommendations about the same still (for mics and recorders)??
This is excellent advice - I'm so glad I've found your channel. TY! Can you offer any advice for a beginner looking to record very directional wildlife sounds such as bird songs please?
@Alex Knickerbocker: Always a pleasure to watch you videos. Could you do an advanced video of this if you say have double or triple the budget?
Make a video for a medium and advanced level kit.
Great video. I love my 7506s, I have 2 pair.
But I do find them a little bass heavy. I'm not talking Beats, but definitely more than my ATH-R70x.
For now I use two mics Rhode video micro and rhode smart lav+. I record them with my iPhone and the voice record pro app. It allows for gain control and live monitoring through headphones. I want to upgrade, but for cheap this is where I’m at.
From personal experience, Alex has this just right. This isn't inexpensive stuff, but it's the level to hit to avoid wasting money on junk. I wasted money on lower-end gear that left me frustrated with bad audio - don't repeat my mistakes!
Thank you
good tips.. don't forget decent XLR cables without tab holes so they don't get stuck in your gear
please keep up the the awesome work
This is the video I wish I've watched before I started YT.
Love your work sir
I wanted to get tascam but they don't ship to where I live. I had to go with zoom H6. And it's quite a nice system.
Anyway, thanks for the video. I'm still super new when it comes to sound and there are many things I don't understand 😅
That’s totally fine! Zoom H6 is great for regular recording stuff, it just struggles with really detailed or quiet sounds in my experience. Keep learning, there’s lots to get into but it’s all fascinating stuff and I’m going to keep trying to break down the more complicated things!
@@axk I'll see how far I can get with it :) I'm the meanwhile, I'm planning to get some nice speakers for audio editing (I've watched your video on it). I have one question, though: which audio interface should I buy to connect them to my MacBook?
Thank you for putting this together Alex, appreciate it!
I'm so used to the 7506s. I should give Sennheiser cans another try.
Great video Alex!
This video is quite helpful for me. I am soon going to make a documentary with many interview situations. I usually use the NTG4+ and plug it directly in my BMPCC4K Camera, which works quick and easy for me. Now i´m thinking: Should I buy an external Recorder instead and would that really improve my sound Quality ??
Thanks, Alex. I needed this
Which microphone would u suggest to a naturalist ( ambience/ nature /streams etc).
My current set-up:
Recorder: Zoom H5 and F3
Microphone: Sennheiser mke600 , Rode stereo videomic pro( which i bought for my canon7d),is in good condition,
Got aRodeM3 for general ( all purpose) use.
I was hoping you would mention the Rode NTG3 over the NTG4
I just baught Rode NTG-3 and I am not sure which audio interface I should buy. I came across RODECaster Pro II which sound really good but not sure if its over kill for my use case. To give you the context of my usage is that I am intended to record video cources in my home studio and possibly do live streaming. But I am not intended to do any music production etc.. so not sure if I should go with this seemingly high end Rode Caster pro 2 or choose something more simpler and cheap that do the job for my use case.
Please share your thoughts and advice. Thanks in advance and and keep rocking great content man!
Hey Alex! Thanks for the video!
Could you do an in-depth video on using Fairlight in Davinci Resolve?
Nice!
How do you compare Zoom H6 recording quality, its mics and features?
MobileMusic The preamps of the H6 and the two Tascam recorders he mentioned are of similar quality. Tascam built-in mics might be slightly better, but I’d use separate mics anyway. Main issue is form factor and how you use the recorder. If you insist that your recorder fit in a sound bag or under your camera, the H6 may not be right for you. That said, if you have a Zoom H6 already, I wouldn’t sweat it. The H6 is a fine recorder. You can certainly make it work for you.
Great content!
Epic info. Came here from that older potato jet video
Thank you!!!
Thanks!
Can you make a video about the know all the integy Mike video mic.... I want to hear a professional advice out of using the road wireless go ... I have anyone to know how a professional that can be used in more UA-cam or sort of the journalistic
thank you for the awesome content !
Thanks for the brilliant video. Sharing this on Twitter!🍹👍
I've noticed how often dialogue sounds 'dead', no ambience at all. And other films have amazing sound. Is it done in post or what? How do you get that 'full' sound? Hope that makes sense. Love your channel!
Thanks for your video, could you help me with something, I need to find a way to make a live program, and I need to use the mic directly to the computer, so far I have not been able to know which one or what devices I do need for that, so far I'm uploading videos, and the recorder works great, but for live programs, I just don't know, I have been in a couple of professional stores and the guys there don't know about it. Thanks for your imput
What type of mic would you recommend for recording outside or inside ambience as well as room tone? I would like to record/hear every5hing that is going on in all directions.
a little handheld sony recorder which is one of the best handheld recorders ever made
Does it make any difference if you remove the low end in post with eq vs engaging the high pass filter?
I guess you have way more control if you edit the eq in post as the build in HP filter will be a preset that wont act dynamically on its surroundings
thank you so much! straight to the point, not much bla bla, and always with the 2 - 4 recommendations for different budgets. great work alex!! i'm using the mke600 with the c200 and i'm happy with it. now if it comes to environmental recordings for outside ambient, would you recommend the RØDE Stereo VideoMic X or something else (similar price range like the mke600)? and sorry if you already talked about this in one of your previous vids ...didn't went through them all yet...
Could I pair a field recording with video from an Insta360 one RS in post production?
thanks a lot
i bought a Zoom H6. do you think it's good enough to begin with it for dialog and music ?
are the Audio Technika ATH M50x a good alternative to the Sony MDR 7506?
For making ambient, this would be good once I can afford and prepare.
And now I feel bad for buying the Zoom H5 instead of the Tascams 🙃
Taco Friday Entertainment, You shouldn’t. Without the capsule, the H5 is very light, and using a USB power bank, you can easily recorded two XLR mics with phantom power for a full work day. The features are comparable to the Tascam recorders. It’s just a matter of form factor and interface. If the H5 works for you, don’t worry about what other people prefer.
In your last video you say the best budget option for a shotgun mic is the NTG4+ but here you say the MKE600 is a better sounding mic... I'm torn now. In all honesty I need a shotgun mic for short films but also one I can use in the studio to record podcasts, because, budget. I have a Zoom h4n pro recorder, which here you mention is not the best but it'll work for now. What second mic would you recommend for recording podcasting? I'm looking at the Shure SM58?
So is timecode generation not necessary in an entry level rig for video sound? Would editors just be happy using clapperboard sync?
I would always call timecode necessary, but most of the gear that’s capable of running or jam syncing timecode falls outside of the entry level budget, so I decided not to cover it in this video. But I love what Deity and Tentacle are doing for timecode sync!
Got myself a 70D, modded to use internal li-ion batteries, last more than 15h of 4 channel recording. amazing bang for the buck!
Great Advice
What Do you think of the rode ai 1 as an interface
Thanks for all the great tips! What do you think about the new rode ntg 5?
Thank you for another great video!
I am still wondering on what mic to pick for video narrating... I have Zoom H6 and use supplied mics, but it looks like external mic would be better, right?
how to mount a boom mic overhead?
If I wanna start with a 416 do you think it's a waste of money Alex? BH recommended a Sony D10 for that as a recorder - thoughts? I wanted to get an MKE600 vs a 416 but I wasn't sure. I keep reading from pros that mke 600 is not a pro mic, and I better dish out money once; also 416 is dealing well with moisture. I am a photogrpaher starting to DP commercials and I am doing my own sound for now; I am the kind of guy who buys top good gear and learns to use it properly - I hate limiting factors in gear because I outgrow gear. (thanks for the channel)
Have you checked out Rode NTG3?
@@spiritphingaz_ I got the mke 600
@@cubul32 what's your experiences with it so far?
@@spiritphingaz_ positive, has a decent sound. But I'm not too experienced. I've been too busy with photography to dive into sound a lot. Sound guys tell me it's a decent mic, but 416 and other are a notch better. My take is that until I go into expensive commercials/productions, this one is just fine, it has food quality.
Thanks for the video. What do you think about Rodecaster Pro? It's more expensive, but the price comes with quality, in your opinion?
I have a Tascam Dr-40 it came with tascam headphones then I got a shotgun mic from Amazon it's a XLR mic it came with a deadcat and a foam I also want to Know if I have a XLR cable that has 2 male connection one for Right and left on my Tascam Dr-40 and the cable goes into one Female for the mic will that record on both channels like that?
thoughts on Synco D2?
Hey alex. I just recently bought a Zoom H6. I'm a novice film maker in film school and always loved sound. I plan to use it to record ambient sound & some foley. What do you think? Any pointers or add ons youd suggest?
Another great overview. You are my go to person now! Thanks. Question. Ive never used a recorder. Do they store the sound? Then I just import into FCPX? Thanks
Hey Alex could you suggest some books (or any other resources) for beginners. Stuff that might help in difficult times.
Alex, now that we have our recorder and a microphone or two (or three or four, just don't tell my wife) where do you take the audio file? I work on an Apple platform and have Final cut Pro. What is your work flow or what would you recommend for someone just getting into audio. Thanks for your help!
Hey Alex, Hoobilly here and Happy Thanksgiving to you and yours!.. I remember seeing Tascam Porta 1 being the first budget battery operated "field recorder" back in the 80s, so...
So now latter in life, I'm getting into this world of "Field Recording" out in the woods.. What phantom powered mics would you recommend for this use? And would you recommend them or battery powered??
Cables? Hosa? Doesn't matter, any wire will do?
I'd like to use earbuds for myself and use a headphone splitter for overears I'd keep on my belt for anyone who wants a listen.
Except, on set I'd often have one ear free of headphones between takes, so maybe that won't work
Alex, when is it better to use the dB pad switch on a mic, versus just setting the recorder's preamp differently? For example, I have a Shure VP83 shotgun mic, and it has a +10, 0, -10 dB pad switch... I am wondering if its just there to compensate for a bad preamp, or if it would actually make for a lower noise floor, or change the sensitivity of the mic, if I matched levels in the camera... Thanks!
I have the Tascam DR40X, is it good enough to use with the shotgun mics you recommended or I should upgrade to the Tascam 60D - MKII?
I’d say you can get great results out of the DR40X. You’ll like the 60Dmk2 if you’re doing DSLR filmmaking or need some more inputs and a different form factor. But you’re not going to get a noticeable difference in sound quality.
Think about which will be easier to use while you’re shooting/recording and you’ll be able to figure out which is right for you.
Most of Tascam’s lineup is pretty good these days, so I don’t think you can go too wrong with them in general. Hope that helps!
Currently looking for a microphone to attach to a Panasonic G7. I need a recommendation for a camera that has decent range. For instance, I will most likely have the camera 4-5 feet 4 inches away from me. Do you know any microphones that pick up sound well in this range based off of your experience?
Pete
Very useful!! 👏👌
what stereo matched pair would you suggest for stereo recordings on the field or in live events? i was looking for a pair of akg 414 but being told they have a too much peculiar sound to be an all round solution. maybe a pair of nt2 from rode? or better to stay on 2 pensil mics?
I'll share ear buds, is there any other reason not to use them