I think it's Brighton that have several small fishing boats on the shore. I always know when I draw close to them. It's the less than subtle small of those nets. Having said that, I've always wanted to go out for a shift on one of those, just for the experience. I too love to see them come and go, and in particular the return journey when, somehow the gulls seem to know all the offcuts get discarded over the stern. I like this painting. Seeing boats large and small, some powered, and others under sail always held a fascination from me from when I was very little. And what you've created here is an image the defines the last boat coming home for another day. Which in turn would indicate that time is getting on, and the chip shop calls to my hungry tummy. That got expensive with my wife and 5 nippers all needed something to eat before bed. What clearly define the painting for me is the long shadow, blending seamlessly together that gives it credibility. Great stuff. TTFN.
OMG .. how I LOVE seascapes....but yours are just SUPERB! I have painted many seascapes using your tutorials, and have been amazingly pleased with how they turn out! Thanks tons... you keep me so excited and looking forward to my next attempt 👍💯👏👏👏👏👏😉
Brilliantly explained Lois how you've planned for creating a fantastic seascape scene with fishing boat, thanks greatly for sharing your inspirational talent again with minimum colours leaving detail depth and colours throughout your painting. Thanks stay safe and healthy
Really like your art. Would you ever consider showing your palette and color mixing? It adds so much to the presentation (for me). Nonetheless, very nice work :)
ok, another question or rather request. as for some superficial reason, I would like to hang two paintings in my living room in portrait format (sorry for my bad english). do you have any suggestions or could you please show some landscapes (loose or abstract - doesn't matter) in portrait instead of landscape (it feels funny, to use the same word twice in a sentance plus meaning something else each time :-D)
I wonder, what made the difference in this painting to use the english-venezian-red instead of e.g. burnt sienna? My e-v-red is from schmincke and it is marked as opaque. does this has to do with it? my burnt sienna is from rembrandt, and it looks quite close to e-v-red. only when it is mixed with raw sienna the two mixes look slightly different. but I only made swatches (yet). and as I am rather afraid to try something new immediately by myself (:-D) I wonder and rather ask ;-)
Lovely painting and I really appreciate your description of your work
Absolutely awesome!, You're healing me of my one big sin: getting bogged down with detail. Many thanks Lois!! 🥰🥰🥰
I love 💕 the amount of information you give 💝in this interesting💓💞video thanks for the beautiful,💕video you shared.,💕...
I can hear those gulls. You really captured the feel of the seaside.
I think it's Brighton that have several small fishing boats on the shore. I always know when I draw close to them. It's the less than subtle small of those nets. Having said that, I've always wanted to go out for a shift on one of those, just for the experience. I too love to see them come and go, and in particular the return journey when, somehow the gulls seem to know all the offcuts get discarded over the stern. I like this painting. Seeing boats large and small, some powered, and others under sail always held a fascination from me from when I was very little. And what you've created here is an image the defines the last boat coming home for another day. Which in turn would indicate that time is getting on, and the chip shop calls to my hungry tummy. That got expensive with my wife and 5 nippers all needed something to eat before bed. What clearly define the painting for me is the long shadow, blending seamlessly together that gives it credibility. Great stuff. TTFN.
OMG .. how I LOVE seascapes....but yours are just SUPERB! I have painted many seascapes using your tutorials, and have been amazingly pleased with how they turn out! Thanks tons... you keep me so excited and looking forward to my next attempt 👍💯👏👏👏👏👏😉
I love your skies. Always realistic looking.
Thanks so much for your lovely comment! 🎨
I love your seascape paintings, the detail with out over working with the brush is remarkable.
I love 💕 the amount of information you give 💝in this interesting💓💞video thanks for the beautiful,💕video you shared.,💕.
Love the sky! And how you have encouraged us to have a go. My husband wants me to try this...
That’s beautiful. I’m very new to all this and starting to give some of your videos a go. Thank you.
Brilliantly explained Lois how you've planned for creating a fantastic seascape scene with fishing boat, thanks greatly for sharing your inspirational talent again with minimum colours leaving detail depth and colours throughout your painting. Thanks stay safe and healthy
Gorgeous seascape painting. The cloud and sky are so subtle and sophisticated. The depth of your painting is amazing 💕🎨👍🏼🌊
Merci de nous partager ton talent j adore ce que tu transmet dans ses aquarelles 🙏bravo !
A very inspiring painting , is was so nice to have you share this with us and loved your technics.
Nicely done, looking so beautiful, thank you so much for sharing
Love this painting.
I love seaside and boat painting. Thank you for simplifying the process for us all
A really beautiful painting here. Great to atmosphere.
I love every one of your paintings!!
SO beautifully painted!
Thank you for sharing your wonderful talent, such a lovely seascape painting ! ❤️🙋🏻♀️
Wonderful...
You make it look easy I love boats
Amazing painting..Greetings from France
I love the color choices on this one. Thank you once again.
Love this painting
Thank you so much .. I love your paintings ...amazing . I'm learning from you
Thanks so much Praseeta!
Really like your art. Would you ever consider showing your palette and color mixing? It adds so much to the presentation (for me). Nonetheless, very nice work :)
Love it. Love it! You make it look so easy 🤩
Wonderful Lois. Thank you so much 😊
Really good effort and very informative Thanks.
This is just beautiful!
Wonderful tutorial!
Me encantan tus pinturas tan sencillas y tan bonitas!!!😍🎨🖌️
Wow thank you so much! I cant wait to try this!
👌👌👌👌😊😊
Beautiful! 😎🥰
Thank you Jill!
Beautiful 😍
Amazing very much love from India
Thanks so much 🎨💐
Lovely!
Thanks Alyson!
Brilliant thank you
Thank you so much!
ok, another question or rather request. as for some superficial reason, I would like to hang two paintings in my living room in portrait format (sorry for my bad english). do you have any suggestions or could you please show some landscapes (loose or abstract - doesn't matter) in portrait instead of landscape (it feels funny, to use the same word twice in a sentance plus meaning something else each time :-D)
Hi Lois. Do you recommend a particular brand and size of the Hake brush. I see on this video you have used it. Thank you.
Is there a reference photo for this one? Lovely
I wonder, what made the difference in this painting to use the english-venezian-red instead of e.g. burnt sienna? My e-v-red is from schmincke and it is marked as opaque. does this has to do with it? my burnt sienna is from rembrandt, and it looks quite close to e-v-red. only when it is mixed with raw sienna the two mixes look slightly different. but I only made swatches (yet). and as I am rather afraid to try something new immediately by myself (:-D) I wonder and rather ask ;-)