¡Una maravilla! Aquí se pone de manifiesto la gran utilidad de dominar la respiración continua. No como un fin en sí misma, pero sí como auxilio de la técnica al servicio del Arte. Los detractores de dicho recurso técnico, que la consideran innecesaria para efectuar cualquier buena ejecución, deberían analizar cada momento de esta interpretación genial de Sergio Pires. Y me descubro ante los siempre difíciles filatos, deudores de tan perfecto control de la columna de aire. Un gran concierto y una muy completa masterclass. Todo en el mismo paquete👏👏👏
@@sergiopires1786 holy sh....that's one of the best (if not the best ) performances of the cadenza on youtube ( I've heard quite a few ) very clear sound, and very articulated tongue. You are probably a star in your country. Do you work in an orchestra or are you a solo musician?
très beau, du niveau de Mc Kauw qui fut un maître dans cette oeuvre, où une embouchûre souple ,une sonorité proche du jazz est requise( la technique...bien sûr).
Bravo Sergio! Great performance! Congrats for the Video! Can I ask you which fingering you use for the higher G in measure 63 -64?🙏 thank you beforehand. Davit
Played loudly to conceal lack of passion, especially on lower register eg.2.27. Exactly as ex-BBC Pierre Boulez would have wanted. A difficult instrument to master
COMPLIMENTI PER IL BELLISSIMO SUONO (SCURO PIENO DI ARMONICI) LEGATO E STACCATO. ANCHE IO HO STUDIATO IL CLARINETTO AL CONSERVATORIO G ROSSINI DI PESARO E ME NE INTENDO DI VERO SUONO SCURO DEL CLARINETTO
Très bonne musique contemporaine et un formidable clarinettiste, Sergio Pires. Effectivement un très beau son et beaucoup de projection. Bravo
¡Una maravilla! Aquí se pone de manifiesto la gran utilidad de dominar la respiración continua. No como un fin en sí misma, pero sí como auxilio de la técnica al servicio del Arte. Los detractores de dicho recurso técnico, que la consideran innecesaria para efectuar cualquier buena ejecución, deberían analizar cada momento de esta interpretación genial de Sergio Pires.
Y me descubro ante los siempre difíciles filatos, deudores de tan perfecto control de la columna de aire.
Un gran concierto y una muy completa masterclass. Todo en el mismo paquete👏👏👏
Muchas gracias por sus palabras!!!
Bravo Sérgio! Beautiful sound and amazing staccato!
Matija Raicevic glad you liked ! :) thank you!
@@sergiopires1786 holy sh....that's one of the best (if not the best ) performances of the cadenza on youtube ( I've heard quite a few ) very clear sound, and very articulated tongue. You are probably a star in your country.
Do you work in an orchestra or are you a solo musician?
@@user-zt9qv4cs5o thank you!!! I try to do a bit of every world !!:)))
It is a while since I last grappled with this amazing Concerto. Yours is a truly masterful interpretation in every sense. I take my hat off to you.
Thank you !!!
Sergio, bravo. Amazing.
Thank you!
👏🏼👏🏼👏🏼 Very beautiful sound 😍
thank you!!
Muy interesante el concierto muy hermoso
Snare excerpts for my own and others use:
1:49
16:33
Sergio -- Mr. Pires -- this is sheer brilliance!!! Bravissimo!!!
MASTERRRRR
Bravo!!!
thank you!!!
Bravo Sérgio! espectacular :)
Gracias Lara! :)
Congratulations!! Very very demanding work and very well played.
Great performance Sergio. I enyoj!
Be well.
Petar
Petar Taneski thank you Petar! Be well
👍Sir,Sérgio Pires's playing the clarinet!!!!!!!
Sensational !
a really great performance! Gratulation
Great performance!
bravo.un suono bellissimo.
très beau, du niveau de Mc Kauw qui fut un maître dans cette oeuvre, où une embouchûre souple ,une sonorité proche du jazz est requise( la technique...bien sûr).
Bravo Sergio! Great performance! Congrats for the Video! Can I ask you which fingering you use for the higher G in measure 63 -64?🙏 thank you beforehand. Davit
Copenhagen: Samfundet til Udgivelse af dansk Musik, 1931 (Imslp version)
Pág1: 0:06 ||1|| = 0:33
Pág2: 1:52, ||6|| a tempo = 3:10
Pág3: 4:13, fermata cadenza ad lib= 4:38
Pág4: 6:39, ||9|| Più allegro = 7:35, Poco adagio: 08:38
Pág5: 9:36, ||16|| = 11:21
Pág6: 12:05, fermata: 12:46, ||20|| Allegro non troppo eighth:144 = 13:10, ||21|| = 13:49
Pág7: 14:50, ||25|| a tempo = 15:30, ||27|| = 16:06, ||28|| = 16:28
Pág8: 16:32, ||30|| = 17:08, Fermata1 = 17:45, Fermata2 = 18:00
Pág9: 18:25
Pág10: 20:42, ||39|| Tempo I (Allegro vivace) = 21:18, ||43|| Poco meno = 22:57
Com urgência preciso falar com o senhor Sérgio pires não sei como fazer para contatar
Snare excerpt 1:50
huh?? does his bell have a key/hole on it?
Played loudly to conceal lack of passion, especially on lower register eg.2.27. Exactly as ex-BBC Pierre Boulez would have wanted. A difficult instrument to master
COMPLIMENTI PER IL BELLISSIMO SUONO (SCURO PIENO DI ARMONICI) LEGATO E STACCATO. ANCHE IO HO STUDIATO IL CLARINETTO AL CONSERVATORIO G ROSSINI DI PESARO E ME NE INTENDO DI VERO SUONO SCURO DEL CLARINETTO
You are the best clarinetist ever what kind of embechore you using?
Embechore
difficult to try to explain embouchure here ... :/
@@sergiopires1786 :(
@@sergiopires1786 what is your setup?
oren licostini model a1 mouthpiece, Vandoren v12 N3.5 and Silverstein Cryo4
Wonderful performance but it’s still not music. Anyway Drucker remains the undefeated champ
BAD.