Très belle découverte qui enchante par sa sensibilité. Il y a hélas beaucoup trop de compositeurs qui nous sont inconnus et qui pourtant méritent une place de choix dans la musique dite classique. Un très grand merci
A truly wonderful performance! Such a poetical and colorful music. Yet, I wonder if the player used a different edition than the one of the scrolling. Indeed, the first bar of the second prelude is played unquestionably in 3/4 (instead of C, as given in the time signature). The silence on the 2nd beat of the bar is 'played' as a quaver (like in the second bar on the same element) instead as a crotchet...the player is throughout the preludes rhythmically very precise (with the necessary nuances, yet), just wondering if there is another edition of these great pieces. Thanks Medtnaculus for your fantastic videos of criminally forgotten composers!
Thank you for introducing this Composer. Dose anyone know he himself performed these works for piano or not? These pieces looks very difficult to practice.
Stefano Ligoratti deserves a great round of applause for how well he plays this music! Too bad that the composer was a fascist though. That detracts from much enjoyment of it.
The worst thing about beautiful romantic music is that you can't enjoy it anymore after your ears get used to the Classical era style harmony/thematic development.
I used to think that way. My intro to classical music was Beethoven and Chopin, and I would debate who was the superior composer and more worthy of listening. I realized they, and composers from all eras, were worth listening to and appreciating regardless of what qualities might be lacking from each period.
I wasn't aware of any Classical era composer who gave nearly as much fuck about thematic development as Romantic composers. Unless you think of putting a theme into minor v as a proper thematic development.
to me, Malipiero straddles an intellectual bridge between Impressionism and Expressionism. thank you for posting!
Très belle découverte qui enchante par sa sensibilité. Il y a hélas beaucoup trop de compositeurs qui nous sont inconnus et qui pourtant méritent une place de choix dans la musique dite classique. Un très grand merci
This was just what I needed right now
Sensibilité très expressive naturellement ajoutée d'une harmonie d'une très belle science
These autumn preludes are very beautiful. Thank you sharing these!
A truly wonderful performance! Such a poetical and colorful music. Yet, I wonder if the player used a different edition than the one of the scrolling. Indeed, the first bar of the second prelude is played unquestionably in 3/4 (instead of C, as given in the time signature). The silence on the 2nd beat of the bar is 'played' as a quaver (like in the second bar on the same element) instead as a crotchet...the player is throughout the preludes rhythmically very precise (with the necessary nuances, yet), just wondering if there is another edition of these great pieces. Thanks Medtnaculus for your fantastic videos of criminally forgotten composers!
1:36 Spiderman...Spiderman?
Zane Xiao Lol
Lol x2
Che magnifica scoperta🙏 grazie!
fantastici
Thank you for introducing this Composer. Dose anyone know he himself performed these works for piano or not? These pieces looks very difficult to practice.
very pianistic writing actually, so not nearly as difficult as it looks like.
Beauty
N.3 reminds me Rachmaninoff Etude-Tableau op.39 n.5
👌👍👏
What recording date ?
Never heard this before. Beautiful. Do I hear something from a night in Spain? Wow!
Second movementttt
Stefano Ligoratti deserves a great round of applause for how well he plays this music! Too bad that the composer was a fascist though. That detracts from much enjoyment of it.
The worst thing about beautiful romantic music is that you can't enjoy it anymore after your ears get used to the Classical era style harmony/thematic development.
Says who?
i can :)
I used to think that way. My intro to classical music was Beethoven and Chopin, and I would debate who was the superior composer and more worthy of listening. I realized they, and composers from all eras, were worth listening to and appreciating regardless of what qualities might be lacking from each period.
That makes no sense whatsoever.
I wasn't aware of any Classical era composer who gave nearly as much fuck about thematic development as Romantic composers. Unless you think of putting a theme into minor v as a proper thematic development.