Jazz Ear Training: A Comprehensive Guide

Use code "GILMAN25" for $25 off Dr. Joe Gilman's Jazz Ear Training Video Course!
jazzlessonvideos.com/ear-training
0:00 Intro
2:03 Hearing the root in a chord
6:50 Hearing chromatic tensions in a chord
13:12 Unlocking sounds of dominant and sus chords
17:39 Unlocking sounds of diminished and altered chords
22:14 Outro
Dr. Joe Gilman is a full-time professor of music at American River College in Sacramento, an adjunct professor of jazz studies at CSU Sacramento, and a longtime associate of the Brubeck Institute and the Stanford Jazz Workshop. Joe was the music director of Capital Jazz Project from 1997 to 2011. He has received bachelor's degrees in classical piano and jazz studies at Indiana University, a master's degree in jazz and the contemporary media from the Eastman School of Music, and a doctoral degree in education from the University of Sarasota.
Joe has been the primary pianist with jazz vibraphonist Bobby Hutcherson since September 2006, and the Sacramento Jazz Orchestra since 2010. He has also performed professionally with Eddie Harris, Woody Shaw, Marlena Shaw, Richie Cole, Joe Locke, George Duke, Chris Botti, Eric Alexander, Anthony Wilson, Nicholas Payton, Russell Malone, Charles McPherson, Wycliffe Gordon, David "Fathead" Newman, and Slide Hampton, and has recorded with Joe Henderson, Bobby Hutcherson, Frank Morgan, Jeff Watts, Robert Hurst, Tootie Heath, and Larry Grenadier.
#jazz #piano #improvisation #eartraining

[@jazzlessonvideos]

Use code "GILMAN25" for $25 off Dr. Joe Gilman's Jazz Ear Training Video Course!
jazzlessonvideos.com/ear-training

[@dofuxie2135]

Thank you very much. This was very informative and give me A New Perspective. Much appreciation. Looking forward to your next video

[@libertatus]

This is magnificent! Brilliantly and succinctly explained. Easily accessible lesson. Thank you.

[@oosaxx]

So nice to hear on a tuned piano.

[@jeremyellismusic]

Excellent.

[@user-fb1nn4ec5f]

ahh that intro was pure FILTH is there anywhere i can listen to it?

[@josdurkstraful]

The b13 (=#5) has also an upward tendency: in G7#5 (G B D# F) the F# wants to go to the 3rd E in the CMaj7 chord.

[@tonebrennan8475]

D#,notF#

[@tonebrennan8475]

Could be downwards also;D#-D/F-E;(G7#5-CMaj9)

[@josdurkstraful]

@@tonebrennan8475 of course.... silly me.

[@josdurkstraful]

@@tonebrennan8475 Yep...