Django Reinhardt & Duke Ellington - Honeysuckle Rose - Gill&Jazz Transcription

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  • Опубліковано 24 чер 2022
  • - Get transcription PDF (notation+tab+Chord diagrams, Soundslice Link) :
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    Django Reinhardt with Duke Ellington And His Orchestra:
    Live "Civic Opera House", Chicago, IL, November 10, 1946
    - My Soundslice channel:
    www.soundslice.com/users/gilo...
    - All PDF transcriptions at:
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    Transcription: Gilles Rea©2022
    www.gillesrea.com

КОМЕНТАРІ • 16

  • @luisdaussat5427
    @luisdaussat5427 7 місяців тому +1

    Incroyable merci

  • @Ludwig_Cox
    @Ludwig_Cox Рік тому +2

    you are great and just a wonderful human being, thanks

  • @TcheddyG
    @TcheddyG Рік тому +1

    Cette version est fantastique et le solo de Django est vraiment exceptionalle - par excellence. Tres sous-estimée. Quand je pense qu'il n'est pas vrai confortable avec la guitare électrique et il joué comme ça. Ooofff...

  • @robertcordonnier2455
    @robertcordonnier2455 2 роки тому +4

    J’admire votre rigoureux travail de transcription sur ces standards de jazz que nous aimons tous. Que j’aurais aimé pouvoir profiter de vos contributions lorsque je me suis mis à la guitare en 1968 !

    • @GillJazzTranscriptions
      @GillJazzTranscriptions  2 роки тому

      Merci beaucoup! Moi aussi j'aurais bien aimé profiter de mes relevés lorsque j'ai commencé en 1976!!!

  • @roberthampton3791
    @roberthampton3791 2 роки тому +2

    THANK YOU! THANK YOU! THANK YOU!
    I had done bits and pieces of transcription with this recording, but I lose patience and rather just play music in real time. I don't have the fortitude to do the great work you've provided us, Django-philes, with your great YT channel.
    FYI;
    99% of YT is just "time wasting" your life over USELESS crap.
    I fell in awe of Django in 1975 .
    The moment I played my 1st vinyl album I bought from a "bargin bin" and dropped the needle down on "FEERIE"
    Paris 7 9 1947 , my mind was blown.
    Forgot who Hendrix and McLaughlin were. This was, is, and has been, the greatest musician ever in my mind.
    Years ago in the 1970's it was mentioned in articles about the life of Django about this infamously, ill fated "Journey to the USA" tour/gig.
    They claimed there were no recordings of these concerts.
    Also that Django ( urban mythology perhaps?) that he traveled aboard without a / his guitar.
    I had read that the first date of the the tour was in CLEVELAND. Oh.
    That his 1st appearances he was given junk guitars to perform on.
    (Definitely has to be myth, Duke himself had the intelligence and deep pockets to provide him an instrument. After all, he's the one who made "coming to America" possible in the 1st place. Secondly I am dubious that DUKE would risk the bands credibility and reputation by having a bad act on stage. Thirdly , can't ever imagine Django NOT playing at 110% .
    Also the articles I read in the 70's said that "Django's" sound on electric was not up to par/ standards of his Grappelli days / Selmer recordings.
    In the 1970's , I went to the main library in Cleve. Ohio.
    Found newspaper ( remember a newspaper?) article glued to cardboard about that 1st (?) evening. The critic panned the concert , although I can not recall the exact words , basically said "what was / is the big deal ? So what? Frenchman on guitar...etc etc."
    Well this recording PROVES that all those 1940's to 1970's writers KNEW NOTHING ( so what's new about that? Still happens today only its televised) and were full of shit.
    DJANGO IS ON FIRE, DADDY-O ! You hear Duke cheering him on !
    Duke had decades of great sidemen working in the band . He damn well knew outstanding genius talent when he heard it! He heard it back in Paris in the 1930's first hand.
    Electric guitar/ bad sound/ technique ?
    Sounds like they given him a race car and he's burning the track down, he has so much control and GREAT SOUND!
    Personally , I always preferred Django on electric. His idea's and phrasing are much more bop. I really can't listen to the early violin / acoustic recording. Sound really dated and corny to me. IMHO
    THANK YOU! THANK YOU! THANK YOU!

  • @SamyDaussat
    @SamyDaussat Рік тому +1

    Incroyable !

  • @FSarnicola
    @FSarnicola 2 роки тому +2

    🍾🍾🍾🍾❤️❤️❤️❤️ i love

  • @jefmeeks
    @jefmeeks 2 роки тому +1

    That was amazing! Nice work and thanks.

  • @VoodooKush
    @VoodooKush 2 роки тому

    Wow! Excellent choice! Thank you

  • @frankie_lanaro
    @frankie_lanaro 2 роки тому

    Thanks, I'm transcribing this solo as well, and from time to time I check your work to see if we agree, and we do.

  • @RickMcCargar
    @RickMcCargar 2 роки тому +1

    Awesome work here, thank you! Question, how did a man with two good fingers play the G9 and following chords starting at 3:14?

    • @GillJazzTranscriptions
      @GillJazzTranscriptions  2 роки тому +1

      Django used all of these fingers for chords with certain limits, you can see it in these pictures :
      www.photos.gillesrea.com/Django-Reinhardt-Photos/#label=Django%20accords

    • @RickMcCargar
      @RickMcCargar 2 роки тому

      @@GillJazzTranscriptions That's amazing. All these years and I'd never known that. Thanks for the info and pix!

    • @lucasfabisiak9586
      @lucasfabisiak9586 Місяць тому

      @@GillJazzTranscriptions Great album. Thanks for putting it together and sharing it. The letter to Stephane from the US is hilarious. I remember hearing in a documentary that Django couldn't write. Strangely enough, it was still fairly comprehensible.