The bridge between 7th chord arpeggios and 7th chords and their inversions is the “hub.” Brilliantly demonstrated and mindblowingly practical. 22 voicings???? Geez. Thank you!
This is a really beautiful intro to voicings for comping. Who knew that playing 1 Dom7 chord for 24 measures could sound soooo good! The theory really helps to understand, but hands down (and hands on), Jared is the best jazz guitar instructor I've found on UA-cam. Really looking forward to chord melody style as we progress through the various chord types. Love it! Thank you!
The way you lay this lesson out is great. All it does it two things. 1) It covers a single strategy the entire time and 2) It is chock full of examples. It’s just: here’s what we’re doing, and here’s a limited, focused number ways you can go about executing this strategy in playing dominant seven chords up and down the neck. I can apply this to chords even outside dominant 7s and 9s, I posit. Does anybody ever do this with 11s and 13s? I bet there’s even other sort of four-note combos you could play, such as the diminished 7th (which I believe you’ve actually done in your specific-to-dim7-chords video)… what else, what else? Man, I love this heavenly instrument. Excellent. Thanks so much, Jared!
Thanks, Scott! Yep, you can definitely do this with any chord type. You can absolutely do it with 11s and 13s as well. For min11 for example just replace the 5 with the 11. For dom13 replace the 5 with the 13. Great question! I hope that helps. ~~ ** Cheers, -Jared
You were right that was exactly what I expected, incredible lesson !! How come it's so cristal clear, you show, you explain, and in a snap we map a whole part of the neck, that's awesome, many thanks.
WoW, that’s amazing how 16mn can be so game changing, I will not forget that way of thinking ! Thank you ! Hope to see the same with other chords! 🙂🙂 Cheers from France 🇫🇷
Love this info! I’ve gotten to a pretty comfortable level with jazz chords and using in songs from your theory series and other videos. I used them in conjunction with a book on Jazz chords. Now I’m very comfortable taking piano sheet music or jazz standards and learning the songs or making my own thing with them.
Wow, great demo. So many options off the same chord. When do the "Ask me about Hub Latching" T's come out? Kidding. Great stuff Jared. Would like to see this for Major Minors too. Thanks.
I hear a cool album. I think it’s gonna be called, Never Mind The Scales, Here’s The Arpeggios. I love this video. There’s one major 7 inversion, think the 3rd is in the bass on the A string if I’m remembering correctly. It’s such a ridiculous stretch, I don’t have alien hands so it’s a worthless voicing for me
Haha, yeah that one is really hard for sure! For those big stretches or impossible chords I like to play two or three notes from them at a time and not worry about the full thing
Hi Jared- once again great stuff. Often I like to reinterpret the different voicings and put them in reference to the good ole CAGED system with five different chord shapes. As with the standard tuning of the guitar there can possibly only be five different chord types and therefore this might further reduce complexity (imho) this would result into your first row of D dom-chords re-interpreted as D dom in... A-shape C-Shape G-Shape C-Shape C-Shape E-Shape G-Shape (francly, this is the one where it is the least obvious) E-Shape E-Shape D-Shape G--Shape Whats your take on my interpretation?
Great Stuff Jared, let let us know when the comping course is available.
Thanks, Chris! The comping course is now available. here's the link: www.soundguitarlessons.com/jcm
This is hands down the best comping tutorial I've seen on youtube, on school, everywhere. I feel iluminated honestly. Amazing video my man!
Jared you are the best teacher on UA-cam!!
The bridge between 7th chord arpeggios and 7th chords and their inversions is the “hub.” Brilliantly demonstrated and mindblowingly practical. 22 voicings???? Geez. Thank you!
As usual, Jared breaks it down and explains it well, never smoke and mirrors or hand waving explanations.
I appreciate that, Jeff! Cheers, ~~ Jared
This is a really beautiful intro to voicings for comping. Who knew that playing 1 Dom7 chord for 24 measures could sound soooo good! The theory really helps to understand, but hands down (and hands on), Jared is the best jazz guitar instructor I've found on UA-cam. Really looking forward to chord melody style as we progress through the various chord types. Love it! Thank you!
Thanks, Allen! Your comment made my day :) ~~ Cheers, -Jared
➡ Get my FREE Method Booklet - Play any jazz chord with just 8 shapes ➡ bit.ly/3msntbe
Awesome exercise, can feel my brain working while visualizing intervals in new spots!
Nice! That's where it's at :)
The way you lay this lesson out is great. All it does it two things. 1) It covers a single strategy the entire time and 2) It is chock full of examples. It’s just: here’s what we’re doing, and here’s a limited, focused number ways you can go about executing this strategy in playing dominant seven chords up and down the neck.
I can apply this to chords even outside dominant 7s and 9s, I posit. Does anybody ever do this with 11s and 13s? I bet there’s even other sort of four-note combos you could play, such as the diminished 7th (which I believe you’ve actually done in your specific-to-dim7-chords video)… what else, what else? Man, I love this heavenly instrument.
Excellent. Thanks so much, Jared!
Thanks, Scott! Yep, you can definitely do this with any chord type. You can absolutely do it with 11s and 13s as well. For min11 for example just replace the 5 with the 11. For dom13 replace the 5 with the 13. Great question! I hope that helps. ~~ ** Cheers, -Jared
Hi Jared! I just enrolled in your Jazz Comping Mastery and got two for price of one! Thanks for the deal! Excited to learn these comping chords!
Awesome! Glad you signed up, Christopher. Excited to have you in there! :) Cheers, -Jared
You were right that was exactly what I expected, incredible lesson !! How come it's so cristal clear, you show, you explain, and in a snap we map a whole part of the neck, that's awesome, many thanks.
Glad it was helpful, Vincent! Thanks for watching. ~~ Jared
These knowledge is a precious gem to my vocabulary dude. Thanks a lot.
You're welcome! Thanks, Lucas :)
I love your teaching style so much! Thank you for putting all these great lessons together!
Thanks so much, Ryan! That means a lot. You’re very welcome :)
~~ Jared
Getting Jazz comping this weekend 1 & 2! Thanks!
Right on! :) 🙌
The lesson was an eye opener, difficult for me but with the subject, “comping voicings”. Always worth the head scratch, thanks Jared.
Glad it was helpful! Thanks, Stuart :)
WoW, that’s amazing how 16mn can be so game changing, I will not forget that way of thinking ! Thank you !
Hope to see the same with other chords! 🙂🙂
Cheers from France 🇫🇷
Thanks, Arugan! Glad you found this helpful! Cheers, ~~ Jared
@@soundguitar 🙂🎵
couldyou do another video for minor and major chords? i learned so much from this video and to complete a 251... this would be amazing!
The lesson i was wainting for, after neosoul like 7 chords. Wonderful thank you so much!
You're very welcome! Glad to hear that :) Thanks, Vincent
This is f.... good!! Greate taste for sound! Thank you very much!
wow that was so mind-blowing loved it thanksssss dude !!!
Most welcome 😊 Thanks for watching! Cheers ~~ Jared
Love this info! I’ve gotten to a pretty comfortable level with jazz chords and using in songs from your theory series and other videos. I used them in conjunction with a book on Jazz chords. Now I’m very comfortable taking piano sheet music or jazz standards and learning the songs or making my own thing with them.
Very good exercise!! Do more man! Thx. 🎸
Thanks so much, Carlos! Will do
Great Lesson Jared!
really nice lesson Jared !
Great! For some reason, my brain can 'get' this approach. Very useful for me. Thanks!
Tremendous lesson, starting tonight!
Right on, David! Thanks :)
@@soundguitar really great content, have a lot of work to do!
GREAT LESSON !!!!!
Thanks!! :)
Thanks, good stuff.
Glad you enjoyed it :) thanks, Christian!
Domo arigato gozaimashita sensei!!!
Cheers, Marc! :)
A lot to think about Thanks! Dave.
Cheers, Dave. Thanks for watching and commenting :) -Jared
@@soundguitar You're welcome, Dave.
thehell broo, way too great forr free lessonn! thank you sir!
My pleasure! Glad you liked it :) BTW, I love the name "Crispy Experience" haha, that's great. Cheers ~~ Jared
Wow, great demo. So many options off the same chord. When do the "Ask me about Hub Latching" T's come out? Kidding. Great stuff Jared. Would like to see this for Major Minors too. Thanks.
Brilliant! 👍👏
Nice - a chord lesson dressed to the 9s … (:
I hear a cool album. I think it’s gonna be called, Never Mind The Scales, Here’s The Arpeggios.
I love this video. There’s one major 7 inversion, think the 3rd is in the bass on the A string if I’m remembering correctly. It’s such a ridiculous stretch, I don’t have alien hands so it’s a worthless voicing for me
Haha, yeah that one is really hard for sure! For those big stretches or impossible chords I like to play two or three notes from them at a time and not worry about the full thing
@@soundguitar Ok, thanks. That’s kinda what I was thinking. Maybe play the shell voicing
Hi Jared- once again great stuff.
Often I like to reinterpret the different voicings and put them in reference to the good ole CAGED system with five different chord shapes. As with the standard tuning of the guitar there can possibly only be five different chord types and therefore this might further reduce complexity (imho)
this would result into your first row of D dom-chords re-interpreted as D dom in...
A-shape
C-Shape
G-Shape
C-Shape
C-Shape
E-Shape
G-Shape (francly, this is the one where it is the least obvious)
E-Shape
E-Shape
D-Shape
G--Shape
Whats your take on my interpretation?
Relating it to CAGED totally works! :) Thanks for sharing, Pablo.
This will take me nearly a year to get under my fingers 😮😢🙏🤙
Respectfully, I do wish there were fret numbers on these for newbie’s like me. Just gonna take me longer as I continue learning the fretboard. 🙏🤙
Dom7, min7, half-dim chords sound great in all inversions, but 2nd and 4th iversions of Maj7 chords are -bleh- situational
been wondering what that black fabric on the headstock is for
it's a fretwrap which mutes/quiets open strings when you slide it below the nut.
It dampens the overtones that ring above the nut - just a personal preference to mute them
And also that! :)
Is it possible to use the same approach with other chord types, minor, major, half diminished etc to get almost infinite pallet of sounds?
ABSOLUTELY! :) good question