Una lezione presso la Scuola dell'Opera Italiana
Вставка
- Опубліковано 12 лис 2012
- Una lezione presso la Scuola dell'Opera Italiana (Bologna) nell'ambito del Cantiere internazionale Performing ArtsYard.
Dal minuto 1.55 il celebre mezzo soprano Dolora Zajick e a Quanqun Yu, rispettivamente docente e allieva di una Masterclass, che si sono esibite insieme presso la Metropolitan Opera di New York.
wow they are such an amazing mezzos... very surprising!
3:59 My favourite female voice timbre! ♥️🎶
Dolora Zajick is amazing! Wonderful!
What a treasure!!! Thank you so much!!
I finally learn to open my mouth so loud to sing the high note. It is like I am going to bite somebody LOL. I used to feel shy to open my mouth to sing in public, but now I am used to it.
What a wonderful class!
Wunderful, like a warm Bach in summer
this is an amazing video.
Thank you for posting this..... :-) its very nice
Whos the fantastic lady who starts around 3:25? Incredibly deep rich voice she has
@@richardvergara She's a mezzo, dummy
Her voice looks like alto
Fantastic teacher/singer. What a beautiful experience to have a REAL singer demonstrating rather than just talking.
That lesson was awesome, dont know wath this project is but seems like a masterclass. And she taught many great things, very pratical, sometimes masterclasses arent worth the money and all that.. a singer that has her voice fresh all these years sure knows technique that makes you survive and shine
With this comment the one and only stupid is YOU!
I can tell you know a lot... what a fucking diletant!
Sylvia Maisonet yeah i think i'll second that. lol i had one teacher that would talk about this. Well first, for me, i create some tensions. But in certain ocasions, i think it can be used. It also depends on the physiognomy of the person.
I just think that the singer keeping a healthy and "in shape" voice is a good detector of what to do for longevety. I thank you for sharing your wisdom, it was quite informative. I had no idea her voice was that small...lol
Everyone knows?... like what you're saying is an absolute truth. Well, I completely disagree with you both. She's not saying to spread the sound. What she wants is more space which obviouss the student doesn't have and when she does it, you can hear it in the sound. It was clearer, more head and high placement, lighter and more overtones besides been completely natural. Nobody speaks high only dropping their jaws.
The space has to be in the back of the mouth (the singers dome) not the front.
hobo1975
zajick and a small voice ? you should get a set of new ears....
Interessante ver as várias maneiras de ensinar.
3:16 ff das Vokallegato sehr schön erklärt!
grande Giusi... smack!
Do you have the whole lessons recording? I would love to hear it again.. I am Guanqun.. This seems too little about that lesson... Thank you very muh..
I love watching this class and incorporate the exercises as part of my vocal warm--up.😀
Good teacher
Teach it Dolora!!!!
Vielen Dank!!!!Schoene Gruesse aus Russland!!!!!Bravo,Maestra!!!!!👧🌹❤👏
Las lecciones y educación de voz son realmente maravillosas, me ayudará muchísimo para retomar mi canto. millones de gracias por tanta belleza.
Como quisiera encontrar una buena maestra como usted aquí en Mexico, y tener la oportunidad de estudiar mas, algún día espero poder viajar al extranjero.
whan will be next Master Class???????end where?
Menomale che è scuola italiana..... Nemmeno una parola....
il mezzo soprano Dolora Zajick corregge le note con vocali che risultano schiacciate , non perfettamente voltate e non uguali di colore. la mandibola che lei muove continuamente verso il basso aiuta , in un primo momento , a trovare la posizione ovale che devono avere le labbra.
è efficace il sugggerimento di fare l'acuto con la vocale"e" raccoltisssima al posto della prevista " i " prevista dal testo. il risultato perfetto è immediato...
. bellissima voce il mezzosoprano alunna
questa bravissima giovane donna aveva una voce meravigliosa del soprano lirico spinto.
peccato che aveva scelta la strada del mezzosoprano.
aveva una voce sublime del soprano drammatico.
una Grande !
I just don't know why Zajick encourages spreading the mouth. She didn't do that. Wide mouth singing is wrong. Long mouth, but not wide is the right way to sing. Spreading the mouth like a big smile makes the sound edgy and thin. It closes the pharyngeal space. Only the greatest singers adhered to this. Nilsson never spread her mouth. Nor did Caballe.
Well Dolora is in the same league as a singer with Nilsson and Caballe. One of the greatest Mezzos ever; so she knows what she is talking about.
Exactly. This is painful to watch.
So confusing!! Isn't spreading the mouth wide like this exactly what an operatic singer is NOT TO EVER do?
@@eilinodea209 yep, which is why modern opera voices are so terrible.
I love lessons for darker voices
Unglaubliche Stimme.
So we have Zajick counseling singers to open their mouth. This is Jan. 2019; up until a couple of years ago, Zajick was my go-to Amneris, Adalgisa, and Azucena. But -- guess what: This lady with the enormous voice started to sound like a little mouse in the octave from middle C to the C above, and she kept her mouth closed to sort of squeeze out the sound. IMO In her early years, whatever she was doing encouraged a vocal production that made her middle voice too heavy, so that the bottom overpowered that part of her range. Keeping one's mouth closed helps the upper "resonance", and that was her solution. As I said, I haven't heard her in person in a couple of years.
This video is hard to watch.
Francisco Araiza DICE TODO LO CONTRARIO EN LA POSICIÓN DE LA BOCA...¿A QUIÉN LE HACEMOS CASO?
3:59 What is this singer's name?
@ approx 1:28 - what is the song from which she's demonstrating the glorious high note?
and she did it piano and so relaxed.
mon couer souv a tois
If Maria Callas could see what that false teacher does, callas would yell at her saying you are an enemy of opera
the girl from 0:57 looks like the british soprano Elizabeth Watts n_n
3:57 :0 what´s her type voice? omg that dark color in her voice
Contralto
esiste ancora questa scuola?
처음에 발성하는 부분은 음정이 없어ㅜ
One,one Andrés one the teacher said to student " open the mouth" and student don't heeding o my God, It's bad student, from a tree time she heeding, is absolutly bad, is only heeding over from maginific guide teacher.
Please student, please heeding y easy.
Bravoo for master class.
Привет с России!!!супер.❤❤❤
quero aprende com vcs esta tecnica já canto mais preciso aprender mais
maravillosa lección! !!
Simpática la sra. :-)
la maestra mantiene costante il rapporto tra il suono alto e "l'aggancio" mandibolare tecnica sconosciuta a tutte le allieve presenti ecco perché è un discorso tra sorde e mute quella che canta mozart è stonata in modo costante causa la sbagliata posizione del suono che non è "a fuoco" qulla del samnson ha tutta la voce indietro e afona la maestra può spiegare anche in turco ma non ne cava un ragno dal buco
Pazienza ci arriverà .......
Yes! I love that she's teaching them to sing youthfully and with forward placement. That's really important for flexibility and, frankly, longevity. :-)
Joshua Green I don’t think she’s teaching them to sing with placement. I think she’s teaching them to sing wide. However, I do think she’s teaching them to sing with flexibility.
@@matthewmagguilli2702 I think she’s trying to get them with placement by singing wide. The masky school of singing.
Sorry, ich wollte nicht da das Kommentar einfügen, irrtümlich habe ich da gepostert, deshalba auch gelöscht. Ich bin auch Sängerin, diese eine Stimme klingt wirklich gut. Tolles Werk! Gratulation!
Долора - класс.
Dolora,tutto ok,però insegnale anche a inspirare giusto.Non tutti respirano già bene.!comunque ,bravissima!
As bel canto singing beginner, I don't think opening the mouth in such a big range is a good idea as it disperses the sound. I am just feeling lucky that I am having a good teacher now.
Resonance for bel canto in that high pitch should be using not only pharynx, but also head to maximise the relaxation of the whole upper body. The way demonstrated in the video applies too much tension on the throat, though it does create a strong pharynx resonance. Just a personal opinion regarding this as a bel canto beginner, open for criticising.
Peccato che l'apertura a sorriso sia fisiologicamente scorretto in quanto manda in tensione la laringe...tra l'altro il respiro profondo dove sta? E poi scuola dell'opera italiana con una che nemmeno lo parla l'italiano?? Mah
+Valeria Fincato Certo come no. Prova a fare un acuto con la bocca a pesce e vediamo che succede. ;-)
Ha ha ha guarda la caballe e tanti altri come lei... Nessun sorriso ma bocca aperta verticalmente... Ce ne sono che la fanno così. Ed anche trattati di grandi cantanti. Informati e poi mi dici.
+Valeria Fincato Informati tu ;-) Dammi retta. Ciao ciao.
Come credi! ma almeno io nomi e motivazioni le ho date. Mi dovrò informare pure ma fortunatamente la ricerca è aperta a tutti. Saluti
Sorriso sì, ma interno!!!
crazy woman
Ария Далилы🙏🙏
Proprio Materclass
GRAN AMNERIS DE LA TRAVIATA
il problema non è la maestra ma le allieve che vengono da tecniche precedenti dove proprio l'uso corretto della mandibola è sconosciuto la voce e tutta dentro e non si proietta in avanti a poco servono queste lezioni quando le basi tecniche di formazione sono diverse non si può in una lezione una tantum cambiare abitudini muscolari pregresse se non capisce questo cara azzurra non possiamo intenderci su termini a cui corrispondono tecniche di emissione che le sono sconosciute
+fred puccino
riascolti questa lezione che dura meno di 6 minuti( 3 alunne in 6 minuti scarsi) e rifletta di più ,,,
queste ragazze non stanno provando per debuttare il giorno appresso.... questa è solo una lezione e queste ragazze stanno incontrando una cantante che vuole insegnare la posizione che deve avere la bocca quando si canta e io direi anche, e soprattutto, che lavorerà su come si volta completamente la voce e su come si pronuncia ogni singola vocale se si canta nel medium o se invece si canta nel registro acuto , ovvero quando occorre alzare sempre più il palato e la mandibola si abbassa auotmaticamente. non vedo tentativi di fare agganci mandibolari e aggiungo che in questo post non ho sentito voci stonate non recuperabili, basta con pazienza riuscire a far "voltare " in maniera totale e non a metà la voce, nè, ho sentito voci indietro. la saluto
+fred puccino
parole sante !
G
Where are the dynamics, pianissimi? Bidu Sayao would have ruined her voice with this technique. Suggested the soprano listen to Eleanor Steber/Mozart.
MrSkylark1 MrSkylark1 Bidu Sayao didn’t even dream of having a career of the magnitude and success as Ms. Zajick. Sorry to bring you the bad news. Dolora is considered the BEST mezzosoprano of this century so far if you didn’t know. Besides she’s obviously focusing on technique and voice production not style or interpretation as many modern teachers do. You may have the best dynamics and NEVER make a career.
eleanor steber is the BEST! No one could touch her technically.
mozart is hard.
테크닉은 차치하고 성량으로 학생들을 기죽이넹 brava!
Singing on smile never helped anyone.
0:54 RIP ear / Riposa in pace all'orecchio
Не очень хорошая техника, сори
Para los que hablamos español es mas fácil hablar en frances
Condivido. Bye Bye questa idea distorta del suono coperto che permetteva di cantare solo a quelle che Kraus chiamava le "gole di ferro" (purtroppo esempi fuorvianti per tantissimi). Maschera maschera maschera e appoggio appoggio appoggio e.....buon gusto, of course.
Another voice teacher which k ows NOTHING!!!
This is horrendous... So many people watching this video will get a bad impression. You should NEVER open your mouth sideways.. The tone loses its resonance and direction. There is no way you can sing over an orchestra with a mouth like that..
no no no
it's true. the point she was making re: vowel modification WAS true. the tilt of her head, though, is bad pedagogically. I say that with the caveat that IT worked for HER. So who the hell am i lol Same thing with Jessye Norman re: overextension of jaw and overworking of mouth. BUT it worked for her and she sang beautifully forever. rip
Enseñando a Cantar el personaje de Dalilah SAMSON SAMSON. de CAMILE SAINT SEENS
The girl in blue is actually doing it right and she teaches the wrong (widespread mouth). That's all what is wrong with modern opera teaching.
1:08 She scared the shit out of that poor girl
che stupida che insegna cosi,come una master che vuole i studenti diventano subito come una master
So wet
That is not even close to a big voice.
About whom are you referring?
Yuck!
Dolora sa cosa fa.... Voce tipo valanga con supporto costante.... non chiacchiere e 100 posizioni...
Terrible
Se non insegna a cantare le vocali limpide e squillante è inutile tutto il resto.
Такие уроки вредно слушать отсутствует культура
Чудесный урок!!!Слыхала эту певицу в Вене,она фантастически пела Эболи.Она на этом уроке дарит много информации ценной.
Male!!!!
Tutte in Falsettone cantano le donne da circa un secolo. Questo non è cantare. Non si capisce una sola parola mai. Più che cantanti sono gorgheggiatrici.
Ok .. .students, please watch this video and do exactly the opposite ... ! Every student in this video sing the same way ... just as their teacher. No diversity in the voices, in the results ... Is the aim to make sound volume ???? And above all that, the french pronunciation is wrong ! Singing (making music in general) is not about copying ... but about expressing ourselves our own way.
Cantano schiacciando tutti suoni!!! ORRIBILE!!! NON SI PUO' ASCOLTARE!!!!
Horrible teaching making the voice more white, nasal or squeezed.
Especially in the ”Mi tradi”.
Voices should develop a cavernous sound instead.
Horrible! Zacik sings all the time herself?!?
Contraltisdima is right, if she is a singer coach or not. its just bad and absolutely not helpful if the teacher does sing to show how to do it like DZ does. Its very dangerous that the students try to imitate the sound of the teacher and this is so bad since Every voice and every body is different. I can also see that Zajik who I appriciate very much as a singer, is showing of herself. Thats even worse...
@@vitabella6481 are you crazy? The teacher MUST know be able to demonstrate how it is done. Far too many teachers can't do it and say"oh I did it wrong now but you know how I mean" or they're old and can't do it anymore, so they should stop teaching.
This is not real opera... wtf?