6:38 that’s me!! I remember seeing you running around my “art” 😅 I’m not a pixel artist I was just trying out this game for fun. I wish they had a game like this without it being pixel art… that would be sooo cool! It’s really hard for me to show off my style and stuff with the limitations of the pixels Also it seems like most people in this game steal art. I’ve seen the exact same Mona Lisa, starry night like a thousand times. I like to try and do original stuff but it never sells, I think comedy and memes sell better 😂
@@robuxgamergirl56 speed draw is VERY close to starving artis, but instead of donating, you give stars! in pixel artist, you have to enter a CONTEST to get stars
Robert Norman Ross (October 29, 1942 - July 4, 1995) was an American painter, art instructor, and television host. He was the creator and host of The Joy of Painting, an instructional television program that aired from 1983 to 1994 on PBS in the United States, CBC in Canada, and similar channels in Latin America, Europe and elsewhere. Ross would subsequently become widely known through his posthumous internet presence.[1][2][3] Early life Ross was born in Daytona Beach, Florida, to Jack and Ollie Ross, a carpenter and a waitress respectively, and raised in Orlando, Florida.[4][5] As an adolescent, Ross cared for injured animals, including armadillos, snakes, alligators and squirrels, one of which was later featured in several episodes of his television show.[5][4] He had a half-brother, Jim, whom he mentioned in passing on his show.[6] Ross dropped out of high school in the 9th grade. While working as a carpenter with his father, he lost part of his left index finger, which did not affect his ability to later hold a palette while painting.[7]: 22 Military career In 1961, 18-year-old Ross enlisted in the United States Air Force and was put into service as a medical records technician.[7]: 15 He rose to the rank of master sergeant and served as the first sergeant of the clinic at Eielson Air Force Base in Alaska,[8][9] where he first saw the snow and mountains that later appear as recurring themes in his paintings. He developed his quick painting technique during brief daily work breaks.[9] Having held military positions that required him to act tough and mean, "the guy who makes you scrub the latrine, the guy who makes you make your bed, the guy who screams at you for being late to work", Ross decided he would not raise his voice when he left the military.[9] Career as a painter During his 20-year Air Force career, Ross developed an interest in painting after attending an art class at the Anchorage U.S.O. club. He found himself frequently at odds with many of his painting instructors, who were more interested in abstract painting. Ross said, "They'd tell you what makes a tree, but they wouldn't tell you how to paint a tree."[10] Ross was working as a part-time bartender when he discovered a TV show called The Magic of Oil Painting, hosted by German painter Bill Alexander.[7]: 17-18 Alexander used a 16th-century painting style called alla prima (Italian for 'first attempt'), widely known as "wet-on-wet", that allowed him to create a painting within thirty minutes. Ross studied and mastered the technique, began painting and then successfully selling Alaskan landscapes that he would paint on novelty gold-mining pans.[5][9] Eventually, Ross's income from sales surpassed his military salary. He retired from the Air Force in 1981 as a master sergeant.[5][11][8][12] He returned to Florida, studied painting with Alexander, joined his "Alexander Magic Art Supplies Company" and became a traveling salesman and tutor. Annette Kowalski, who had attended one of his sessions in Clearwater, Florida,[13] convinced Ross he could succeed on his own. She, along with Ross and his wife, pooled their savings to create his company, which struggled at first. Ross was noted for his permed hair, which he ultimately disliked but kept after he had integrated it into the company logo.[11][7]: 19 The origins of the TV show The Joy of Painting are unclear.[11] It was filmed at the studio of the PBS station WIPB in Muncie, Indiana.[14] The show ran from January 11, 1983, to May 17, 1994, but reruns still continue to appear in many broadcast areas and countries, including the non-commercial digital subchannel network Create. In the United Kingdom, the BBC re-ran episodes during the COVID-19 pandemic while most viewers were in lockdown at home. During each half-hour segment, Ross would instruct viewers in the quick, wet on wet oil painting technique, painting a scene without sketching it first, but creating the image directly from his imagination, in real time. He explained his limited paint palette, deconstructing the process into simple steps. Art critic Mira Schor compared Ross to Fred Rogers, host of Mister Rogers' Neighborhood, noting that Ross's soft voice and the slow pace of his speech were similar.[15] With help from Annette and Walt Kowalski, Ross used his television show to promote a line of art supplies and class recordings, building what would become a $15 million business - Bob Ross Inc. - which would ultimately expand to include classes taught by other artists trained in his methods.[9][5] Following Ross's death, ownership of the company was passed to the Kowalskis.[16] Ross also filmed wildlife, squirrels in particular, usually in his garden, and he would often take in injured or abandoned squirrels and other animals. Small animals often appeared on his Joy of Painting canvases.[9] Ross painted an estimated 30,000 paintings during his lifetime. Despite the unusually high supply of original paintings, Bob Ross original paintings are scarce on the art market, with sale prices of the paintings averaging in the thousands of dollars and frequently topping $10,000. The major auction houses have never sold any of Ross's paintings, and Bob Ross Inc. continues to own many of the ones he painted for The Joy of Painting, as Ross himself was opposed to having his work turned into financial instruments. In contrast to more traditionally famous artists, Ross's work-described by an art appraisal service as a cross between "fine art" and "entertainment memorabilia"-is most highly sought after by common fans of The Joy of Painting, as opposed to wealthy collectors. The artwork circulating among collectors is largely from Ross's work from before he launched the television show.[17] Technique Ross used a wet-on-wet oil painting technique of painting over a thin base layer of wet paint. The painting could progress without first drying. The technique used a limited selection of tools and colors that didn't require a large investment in expensive equipment. Ross frequently recommended odorless paint thinner (odorless mineral spirits) for brush cleaning. Combining the wet painting method with the use of large one- and two-inch brushes, as well as painting knives, allowed the painter to quickly complete a landscape scene.[18][19] Ross painted three versions of almost every painting featured on his show. The first was painted prior to taping and sat on an easel off-camera during filming, where Ross used it as a reference to create the second copy which viewers actually watched him paint. After filming the episode, he painted a more detailed version for inclusion in his instructional books.[20] The versions were each marked on the side or back of the canvas: "Kowalski" for the initial version, "tv" for the version painted during the TV show and "book" for the book version.[16] Influences Ross dedicated the first episode of the second season of The Joy of Painting to Bill Alexander, explaining that "years ago, Bill taught me this fantastic [wet-on-wet] technique, and I feel as though he gave me a precious gift, and I'd like to share that gift with you."[21] As Ross's popularity grew, his relationship with Alexander became increasingly strained. "He betrayed me," Alexander told The New York Times in 1991. "I invented 'wet on wet', I trained him, and ... he thinks he can do it better."[22] Art historians have pointed out that the "wet-on-wet" (or alla prima) technique actually originated in Flanders during the 15th century and was used by Frans Hals, Diego Velázquez, Caravaggio, Paul Cézanne, John Singer Sargent and Claude Monet, among many others.[23][24] Style Ross was well known for phrases he tended to repeat while painting, such as "let's add some happy little trees".[25] In most episodes, Ross would note that he enjoyed cleaning his paint brush. He was fond of drying off a brush dipped in odorless thinner by striking it against the can of thinner, then striking it against a box (on early seasons of the show) and a trash can (on later seasons). Occasionally, he would strike the brush hard on the trash can, saying he "hit the bucket" and then on the easel. He would smile and often laugh aloud as he said to "beat the Devil out of it".[26] He also used a lightly sanded palette to avoid reflections from the studio lighting.[27] In every show, Ross wore jeans and a plain light-colored shirt, which he believed would be a timeless look, and spoke as if addressing one viewer.[5] When asked about his relaxed and calm approach, he said, "I got a letter from somebody here a while back, and they said, 'Bob, everything in your world seems to be happy.' That's for sure. That's why I paint. It's because I can create the kind of world that I want, and I can make this world as happy as I want it. Shoot, if you want bad stuff, watch the news."[28] The landscapes he painted, typically mountains, lakes, snow and log cabin scenes, were inspired by his years in Alaska, where he was stationed for the majority of his Air Force career. He repeatedly said everyone had inherent artistic talent and could become an accomplished artist given time, practice and encouragement. Ross would say, "we don't make mistakes; we just have happy accidents."[29] In 2014, the blog FiveThirtyEight analysed 381 episodes in which Ross painted live, concluding that 91% of Ross's paintings contained at least one tree, 44% included clouds, 39% included mountains and 34% included mountain lakes. By his own estimation, Ross completed more than thirty thousand paintings.[30] His work rarely contained human subjects or signs of human life. On rare occasions, he would incorporate a cabin, sometimes with a chimney but without smoke, and possibly unoccupied.[16]
hi sona!! I have been a fan for a while now and u always make me smile i always watch you even if im not in a good mood or i am sick just remember that u will always be my favorite youtuber
In philosophy there is a lot of emphasis on what exists. We call this ontology, which means, the study of being. What is less often examined is what does not exist. It is understandable that we focus on what exists, as its effects are perhaps more visible. However, gaps or non-existence can also quite clearly have an impact on us in a number of ways. After all, death, often dreaded and feared, is merely the lack of existence in this world (unless you believe in ghosts). We are affected also by living people who are not there, objects that are not in our lives, and knowledge we never grasp. Upon further contemplation, this seems quite odd and raises many questions. How can things that do not exist have such bearing upon our lives? Does nothing have a type of existence all of its own? And how do we start our inquiry into things we can’t interact with directly because they’re not there? When one opens a box, and exclaims “There is nothing inside it!”, is that different from a real emptiness or nothingness? Why is nothingness such a hard concept for philosophy to conceptualize? Let us delve into our proposed box, and think inside it a little. When someone opens an empty box, they do not literally find it devoid of any sort of being at all, since there is still air, light, and possibly dust present. So the box is not truly empty. Rather, the word ‘empty’ here is used in conjunction with a prior assumption. Boxes were meant to hold things, not to just exist on their own. Inside they might have a present; an old family relic; a pizza; or maybe even another box. Since boxes have this purpose of containing things ascribed to them, there is always an expectation there will be something in a box. Therefore, this situation of nothingness arises from our expectations, or from our being accustomed. The same is true of statements such as “There is no one on this chair.” But if someone said, “There is no one on this blender”, they might get some odd looks. This is because a chair is understood as something that holds people, whereas a blender most likely not. The same effect of expectation and corresponding absence arises with death. We do not often mourn people we only might have met; but we do mourn those we have known. This pain stems from expecting a presence and having none. Even people who have not experienced the presence of someone themselves can still feel their absence due to an expectation being confounded. Children who lose one or both of their parents early in life often feel that lack of being through the influence of the culturally usual idea of a family. Just as we have cultural notions about the box or chair, there is a standard idea of a nuclear family, containing two parents, and an absence can be noted even by those who have never known their parents. This first type of nothingness I call ‘perceptive nothingness’. This nothingness is a negation of expectation: expecting something and being denied that expectation by reality. It is constructed by the individual human mind, frequently through comparison with a socially constructed concept. Pure nothingness, on the other hand, does not contain anything at all: no air, no light, no dust. We cannot experience it with our senses, but we can conceive it with the mind. Possibly, this sort of absolute nothing might have existed before our universe sprang into being. Or can something not arise from nothing? In which case, pure nothing can never have existed. If we can for a moment talk in terms of a place devoid of all being, this would contain nothing in its pure form. But that raises the question, Can a space contain nothing; or, if there is space, is that not a form of existence in itself? This question brings to mind what’s so baffling about nothing: it cannot exist. If nothing existed, it would be something. So nothing, by definition, is not able to ‘be’. Is absolute nothing possible, then? Perhaps not. Perhaps for example we need something to define nothing; and if there is something, then there is not absolutely nothing. What’s more, if there were truly nothing, it would be impossible to define it. The world would not be conscious of this nothingness. Only because there is a world filled with Being can we imagine a dull and empty one. Nothingness arises from Somethingness, then: without being to compare it to, nothingness has no existence. Once again, pure nothingness has shown itself to be negation. A world where there is nothing is just an empty shell, you might reply; but the shell itself exists, is something. And even if there were no matter, arguably space could still exist, so could time; and these are not nothing. Someday we may come face to face with pure space, that is a nothingness waiting to be filled. Possibly, when scientists find a way to safely pilot spaceships into black holes, or are able to create a pure vacuum, we will be forced to look straight into the void. But even if that really is nothing, by entering into that nothingness, humans will destroy it by filling it. Or perhaps we will be consumed by it and all traces left of our existence will be erased. Death, the ultimate void for humans, makes people uneasy for obvious reasons: all that they are will be forever reduced to a blank space felt only by loved ones, and even that absence will be forgotten someday. However, let us not steer away from these questions about nothingness, even if they may take us to bleak places. When one looks a little closer at the big questions, even though it may seem contradictory, nothingness appears everywhere. And if we want to learn how something came from nothing, or if there ever was nothing, we can not shy away from looking into the scary void a little closer.
You should really give free draw 2 a shot. It’s really fun when you know how to use it, a tip if you play, for coloring make a layer under the sketch for color.
drawing ideas for a vid or smth 1. A noob with armor 2. A soft C&P 3. A character with the super duper happy face 4. A emo w stitch face 5. ur roblox avatar! 6. first person u sees roblox avatar 7. C&P hater 8. free draw 9. Angelazz
Hello Sona!!!!!! I'm a big fan of your videos! And I know you have improved alot since 2022, and it would be fun to watch you do the Improvement meme! This is just an idea, if you don't want to do it, that is totally fine. Btw, could I get a shout-out In your next video? LOVE UR CHANNEL!!!!!!!💙💙💙💙
The one with all the dots, where you said about the paint brush being slammed on the canvas is my daughter's hahahaha she freaked out when she seen your video and you talked about it lol !! Made her day 😅
I love you sona drawz stuff i even used one of your drawings as my pfp i loved that one your so good at drawing and so entertaining and funny at the same time
Sona: "7 robux? It's worth more than that, come on." Also Sona: *sells the "kawaii cactus" art for five robux because the shirt she connected the art to was five robux*
Fun or bad Fact: When you put a ID for a shirt/gamepass when you use someone’s shirt/gamepass you won’t get the robux, the owners of the shirt/gamepass . So you have to make a shirt or gamepass, you have to make it but it will cost robux, so it’s not free. I’m sorry jimmys :(
5:51 that Mr Krabs walk caught me off guard ☠️
6:38 that’s me!! I remember seeing you running around my “art” 😅 I’m not a pixel artist I was just trying out this game for fun. I wish they had a game like this without it being pixel art… that would be sooo cool! It’s really hard for me to show off my style and stuff with the limitations of the pixels
Also it seems like most people in this game steal art. I’ve seen the exact same Mona Lisa, starry night like a thousand times. I like to try and do original stuff but it never sells, I think comedy and memes sell better 😂
Wow! 👌
there's draw 2 and stuff but they don't donate
@@robuxgamergirl56 speed draw is VERY close to starving artis, but instead of donating, you give stars! in pixel artist, you have to enter a CONTEST to get stars
4:29
@@juanabanana2340 huh- its not
Did anyone ever stop to say how amazing Sona's avatar looks?
LOL THANKS
@@SonaDrawzStuffYT monkey man
@@SonaDrawzStuffYT i surprised people aren't spamming you with "OMG SONA I LOVE YOU SO MUCH IM 1 FAN OMG HI"
(not trying to be rude to fans btw)
@@NyanCatzzz you should be rude to them
@@XxLooeyxX Where did the “too” come from🤨
4:57 "YAY SOMEONE BOUGHT MY GREEN FOOT JUICE" -Sona
sona: the only person i know that claims they've never done pixel art yet draws art better than most people in starving artists
she's an artist she's drawn with a mouse??
@@gameplay_1601 yeah but she said she has never drew pixel art.
@@TheReal_MilesMorales- alr then, still did good anyway
yeah lol
all art is pixel art, some art just has a bigger canvas
Alt title: Sona tries to annoy starving artists
Robert Norman Ross (October 29, 1942 - July 4, 1995) was an American painter, art instructor, and television host. He was the creator and host of The Joy of Painting, an instructional television program that aired from 1983 to 1994 on PBS in the United States, CBC in Canada, and similar channels in Latin America, Europe and elsewhere. Ross would subsequently become widely known through his posthumous internet presence.[1][2][3]
Early life
Ross was born in Daytona Beach, Florida, to Jack and Ollie Ross, a carpenter and a waitress respectively, and raised in Orlando, Florida.[4][5] As an adolescent, Ross cared for injured animals, including armadillos, snakes, alligators and squirrels, one of which was later featured in several episodes of his television show.[5][4] He had a half-brother, Jim, whom he mentioned in passing on his show.[6] Ross dropped out of high school in the 9th grade. While working as a carpenter with his father, he lost part of his left index finger, which did not affect his ability to later hold a palette while painting.[7]: 22
Military career
In 1961, 18-year-old Ross enlisted in the United States Air Force and was put into service as a medical records technician.[7]: 15 He rose to the rank of master sergeant and served as the first sergeant of the clinic at Eielson Air Force Base in Alaska,[8][9] where he first saw the snow and mountains that later appear as recurring themes in his paintings. He developed his quick painting technique during brief daily work breaks.[9] Having held military positions that required him to act tough and mean, "the guy who makes you scrub the latrine, the guy who makes you make your bed, the guy who screams at you for being late to work", Ross decided he would not raise his voice when he left the military.[9]
Career as a painter
During his 20-year Air Force career, Ross developed an interest in painting after attending an art class at the Anchorage U.S.O. club. He found himself frequently at odds with many of his painting instructors, who were more interested in abstract painting. Ross said, "They'd tell you what makes a tree, but they wouldn't tell you how to paint a tree."[10]
Ross was working as a part-time bartender when he discovered a TV show called The Magic of Oil Painting, hosted by German painter Bill Alexander.[7]: 17-18 Alexander used a 16th-century painting style called alla prima (Italian for 'first attempt'), widely known as "wet-on-wet", that allowed him to create a painting within thirty minutes. Ross studied and mastered the technique, began painting and then successfully selling Alaskan landscapes that he would paint on novelty gold-mining pans.[5][9] Eventually, Ross's income from sales surpassed his military salary. He retired from the Air Force in 1981 as a master sergeant.[5][11][8][12]
He returned to Florida, studied painting with Alexander, joined his "Alexander Magic Art Supplies Company" and became a traveling salesman and tutor. Annette Kowalski, who had attended one of his sessions in Clearwater, Florida,[13] convinced Ross he could succeed on his own. She, along with Ross and his wife, pooled their savings to create his company, which struggled at first.
Ross was noted for his permed hair, which he ultimately disliked but kept after he had integrated it into the company logo.[11][7]: 19
The origins of the TV show The Joy of Painting are unclear.[11] It was filmed at the studio of the PBS station WIPB in Muncie, Indiana.[14]
The show ran from January 11, 1983, to May 17, 1994, but reruns still continue to appear in many broadcast areas and countries, including the non-commercial digital subchannel network Create. In the United Kingdom, the BBC re-ran episodes during the COVID-19 pandemic while most viewers were in lockdown at home.
During each half-hour segment, Ross would instruct viewers in the quick, wet on wet oil painting technique, painting a scene without sketching it first, but creating the image directly from his imagination, in real time. He explained his limited paint palette, deconstructing the process into simple steps.
Art critic Mira Schor compared Ross to Fred Rogers, host of Mister Rogers' Neighborhood, noting that Ross's soft voice and the slow pace of his speech were similar.[15]
With help from Annette and Walt Kowalski, Ross used his television show to promote a line of art supplies and class recordings, building what would become a $15 million business - Bob Ross Inc. - which would ultimately expand to include classes taught by other artists trained in his methods.[9][5] Following Ross's death, ownership of the company was passed to the Kowalskis.[16]
Ross also filmed wildlife, squirrels in particular, usually in his garden, and he would often take in injured or abandoned squirrels and other animals. Small animals often appeared on his Joy of Painting canvases.[9]
Ross painted an estimated 30,000 paintings during his lifetime. Despite the unusually high supply of original paintings, Bob Ross original paintings are scarce on the art market, with sale prices of the paintings averaging in the thousands of dollars and frequently topping $10,000. The major auction houses have never sold any of Ross's paintings, and Bob Ross Inc. continues to own many of the ones he painted for The Joy of Painting, as Ross himself was opposed to having his work turned into financial instruments. In contrast to more traditionally famous artists, Ross's work-described by an art appraisal service as a cross between "fine art" and "entertainment memorabilia"-is most highly sought after by common fans of The Joy of Painting, as opposed to wealthy collectors. The artwork circulating among collectors is largely from Ross's work from before he launched the television show.[17]
Technique
Ross used a wet-on-wet oil painting technique of painting over a thin base layer of wet paint. The painting could progress without first drying. The technique used a limited selection of tools and colors that didn't require a large investment in expensive equipment. Ross frequently recommended odorless paint thinner (odorless mineral spirits) for brush cleaning.
Combining the wet painting method with the use of large one- and two-inch brushes, as well as painting knives, allowed the painter to quickly complete a landscape scene.[18][19]
Ross painted three versions of almost every painting featured on his show. The first was painted prior to taping and sat on an easel off-camera during filming, where Ross used it as a reference to create the second copy which viewers actually watched him paint. After filming the episode, he painted a more detailed version for inclusion in his instructional books.[20] The versions were each marked on the side or back of the canvas: "Kowalski" for the initial version, "tv" for the version painted during the TV show and "book" for the book version.[16]
Influences
Ross dedicated the first episode of the second season of The Joy of Painting to Bill Alexander, explaining that "years ago, Bill taught me this fantastic [wet-on-wet] technique, and I feel as though he gave me a precious gift, and I'd like to share that gift with you."[21] As Ross's popularity grew, his relationship with Alexander became increasingly strained. "He betrayed me," Alexander told The New York Times in 1991. "I invented 'wet on wet', I trained him, and ... he thinks he can do it better."[22] Art historians have pointed out that the "wet-on-wet" (or alla prima) technique actually originated in Flanders during the 15th century and was used by Frans Hals, Diego Velázquez, Caravaggio, Paul Cézanne, John Singer Sargent and Claude Monet, among many others.[23][24]
Style
Ross was well known for phrases he tended to repeat while painting, such as "let's add some happy little trees".[25]
In most episodes, Ross would note that he enjoyed cleaning his paint brush. He was fond of drying off a brush dipped in odorless thinner by striking it against the can of thinner, then striking it against a box (on early seasons of the show) and a trash can (on later seasons). Occasionally, he would strike the brush hard on the trash can, saying he "hit the bucket" and then on the easel. He would smile and often laugh aloud as he said to "beat the Devil out of it".[26] He also used a lightly sanded palette to avoid reflections from the studio lighting.[27]
In every show, Ross wore jeans and a plain light-colored shirt, which he believed would be a timeless look, and spoke as if addressing one viewer.[5]
When asked about his relaxed and calm approach, he said, "I got a letter from somebody here a while back, and they said, 'Bob, everything in your world seems to be happy.' That's for sure. That's why I paint. It's because I can create the kind of world that I want, and I can make this world as happy as I want it. Shoot, if you want bad stuff, watch the news."[28]
The landscapes he painted, typically mountains, lakes, snow and log cabin scenes, were inspired by his years in Alaska, where he was stationed for the majority of his Air Force career. He repeatedly said everyone had inherent artistic talent and could become an accomplished artist given time, practice and encouragement. Ross would say, "we don't make mistakes; we just have happy accidents."[29]
In 2014, the blog FiveThirtyEight analysed 381 episodes in which Ross painted live, concluding that 91% of Ross's paintings contained at least one tree, 44% included clouds, 39% included mountains and 34% included mountain lakes. By his own estimation, Ross completed more than thirty thousand paintings.[30] His work rarely contained human subjects or signs of human life. On rare occasions, he would incorporate a cabin, sometimes with a chimney but without smoke, and possibly unoccupied.[16]
This comment is underated somehow, tbe amount of time put into it vs the likes is sad
Ok boomer
He actually died pretty young. Around 53 years old. I am actually surprised I never knew much about him at all but I feel pretty sad.
@@elizabethisweird he def copy and pasted
@@ihateyoutubehandles444 ik
3:56 it’s says :
I’m too menatlly bankrupt to think of anything funny to do for this bit so here, just have a wall of text of me just complaning-
i dont watch many drawing videos but oh my gosh ur videos are so dang entertaining
HI AWESOMEMAY
WOW I NEVER NEW AWESOMEMAY WATCHES SONA OML YOU GUYS SHOULD COLLAB
sona is the person who makes art to annoy and it somehow makes us broskies have a better day
its been 5 months after making this comment i never knew it liked im so happy
the fact you're still an amazing artist in a pixel game just shows how good you are 👀
tysm!!
Omg hi sona
Sona you make my day better !
You make me laugh and happy everyday!
Love your video and art
Every time Sona draws i get inspired ✨
YAYYYYYYYYYYYYYYYYY
@@SonaDrawzStuffYT :D
“Your prices…. 7 robux. It’s worth more than that” *proceeds to sell for 5 robux*
I always love when she says “What’s up broskies!”
The best part
overrated comment :/
@@luckythebozo honestly as iconic as it is i kind of agree
Sona: looks at ppl yell at themself
Them: what's problem
Sona: don't mind me just looking
8:07 The fact that this bloody shirt is made by a group called "Jesus Christ Our Holy God"
Is it just me or it looks like colored lines are back!!!! >:DDD nice! Looks great! :D
This game is perfect for sona lol
the part when it was 'where do u live' MADE ME LAUGH SO HARD LOL LIKE WHAT IF HES 10? AHAHHAHA
“Today I’m going to play darbing artists” What a absolute legend
VOICE CHAT?! THATS SO COOL!
2:31 Every Roblox shirt developer
1:36
It is not what you think If you watch this video . . . It is kid friendly totally :)
Oh my god, thanks for posting sona! Its my birthday, and this made it better!
when you get pain "MINE IS GOING TO NAMED PAIN"
as an artist I am in fact starving at the moment
“My grandma needs wrinkle cream”
-sona 2022
Sona is such a great youtuber! She deserves more subs! :O
AYYY THANKIES
@@SonaDrawzStuffYT OMG U REPLIEDDDDDD OMGGG
omg u and polarcub should play this game together (awesome collab) :D
wait till she finds out about some of the scripts on this game
what’s the scripts?-
@@luckythebozo rule 34 pasting, copying images off anywhere and pasting, etc
whenever you upload I get the energy to draw thanks too you sona!
hi sona!! I have been a fan for a while now and u always make me smile i always watch you even if im not in a good mood or i am sick just remember that u will always be my favorite youtuber
In philosophy there is a lot of emphasis on what exists. We call this ontology, which means, the study of being. What is less often examined is what does not exist.
It is understandable that we focus on what exists, as its effects are perhaps more visible. However, gaps or non-existence can also quite clearly have an impact on us in a number of ways. After all, death, often dreaded and feared, is merely the lack of existence in this world (unless you believe in ghosts). We are affected also by living people who are not there, objects that are not in our lives, and knowledge we never grasp.
Upon further contemplation, this seems quite odd and raises many questions. How can things that do not exist have such bearing upon our lives? Does nothing have a type of existence all of its own? And how do we start our inquiry into things we can’t interact with directly because they’re not there? When one opens a box, and exclaims “There is nothing inside it!”, is that different from a real emptiness or nothingness? Why is nothingness such a hard concept for philosophy to conceptualize?
Let us delve into our proposed box, and think inside it a little. When someone opens an empty box, they do not literally find it devoid of any sort of being at all, since there is still air, light, and possibly dust present. So the box is not truly empty. Rather, the word ‘empty’ here is used in conjunction with a prior assumption. Boxes were meant to hold things, not to just exist on their own. Inside they might have a present; an old family relic; a pizza; or maybe even another box. Since boxes have this purpose of containing things ascribed to them, there is always an expectation there will be something in a box. Therefore, this situation of nothingness arises from our expectations, or from our being accustomed. The same is true of statements such as “There is no one on this chair.” But if someone said, “There is no one on this blender”, they might get some odd looks. This is because a chair is understood as something that holds people, whereas a blender most likely not.
The same effect of expectation and corresponding absence arises with death. We do not often mourn people we only might have met; but we do mourn those we have known. This pain stems from expecting a presence and having none. Even people who have not experienced the presence of someone themselves can still feel their absence due to an expectation being confounded. Children who lose one or both of their parents early in life often feel that lack of being through the influence of the culturally usual idea of a family. Just as we have cultural notions about the box or chair, there is a standard idea of a nuclear family, containing two parents, and an absence can be noted even by those who have never known their parents.
This first type of nothingness I call ‘perceptive nothingness’. This nothingness is a negation of expectation: expecting something and being denied that expectation by reality. It is constructed by the individual human mind, frequently through comparison with a socially constructed concept.
Pure nothingness, on the other hand, does not contain anything at all: no air, no light, no dust. We cannot experience it with our senses, but we can conceive it with the mind. Possibly, this sort of absolute nothing might have existed before our universe sprang into being. Or can something not arise from nothing? In which case, pure nothing can never have existed.
If we can for a moment talk in terms of a place devoid of all being, this would contain nothing in its pure form. But that raises the question, Can a space contain nothing; or, if there is space, is that not a form of existence in itself?
This question brings to mind what’s so baffling about nothing: it cannot exist. If nothing existed, it would be something. So nothing, by definition, is not able to ‘be’.
Is absolute nothing possible, then? Perhaps not. Perhaps for example we need something to define nothing; and if there is something, then there is not absolutely nothing. What’s more, if there were truly nothing, it would be impossible to define it. The world would not be conscious of this nothingness. Only because there is a world filled with Being can we imagine a dull and empty one. Nothingness arises from Somethingness, then: without being to compare it to, nothingness has no existence. Once again, pure nothingness has shown itself to be negation.
A world where there is nothing is just an empty shell, you might reply; but the shell itself exists, is something. And even if there were no matter, arguably space could still exist, so could time; and these are not nothing.
Someday we may come face to face with pure space, that is a nothingness waiting to be filled. Possibly, when scientists find a way to safely pilot spaceships into black holes, or are able to create a pure vacuum, we will be forced to look straight into the void. But even if that really is nothing, by entering into that nothingness, humans will destroy it by filling it. Or perhaps we will be consumed by it and all traces left of our existence will be erased.
Death, the ultimate void for humans, makes people uneasy for obvious reasons: all that they are will be forever reduced to a blank space felt only by loved ones, and even that absence will be forgotten someday. However, let us not steer away from these questions about nothingness, even if they may take us to bleak places. When one looks a little closer at the big questions, even though it may seem contradictory, nothingness appears everywhere. And if we want to learn how something came from nothing, or if there ever was nothing, we can not shy away from looking into the scary void a little closer.
9:35 you should’ve said “on earth”
LOL
XD
5:32 OMG SONA MADE EVANS VISION IN THE BITE OF 83!
I'm a pixel artist and you did amazing for someone who hasn't done pixel art!
7:35 …YOU’RE 20?
9:02 SONA, MY RABBIT IS IN A CAVE. and yes diesel was having a stroke. im mad at u now :angy:
yo
yo
Hi
@NebulaBru wassup
Yo
a
You should really give free draw 2 a shot. It’s really fun when you know how to use it, a tip if you play, for coloring make a layer under the sketch for color.
'Emotional damage', Steven He classics, did Sona not see that on the right?
7:02
Sona playing roblox is fun to watch✨✨
Pls do more roblox videos :D
drawing ideas for a vid or smth
1. A noob with armor
2. A soft C&P
3. A character with the super duper happy face
4. A emo w stitch face
5. ur roblox avatar!
6. first person u sees roblox avatar
7. C&P hater
8. free draw
9. Angelazz
Sora is an Artist
does she doBetter than anyone I have ever seen she’s the best artist ever
i love how in every thumbnail you make your hat have an expression similar to you character’s face expression!
Some people in this game have so many skilled artists
Omgg the colorfull outline thing is back!!! >w
the tactic for good art in starving artists is to individually paint every pixel :D
i’ve seen this sonas vids before in the past and i just now found their channel again. Super epic so I’m subscribing lol.
“Yay somebody bought my green foot juice”
-Sona June 22 2022
Hello Sona!!!!!! I'm a big fan of your videos! And I know you have improved alot since 2022, and it would be fun to watch you do the Improvement meme! This is just an idea, if you don't want to do it, that is totally fine. Btw, could I get a shout-out In your next video? LOVE UR CHANNEL!!!!!!!💙💙💙💙
wdym "improved since 2022"
bruh I played this for months without knowing you tried it and honestly I am so mad at myself rn but I don't freaking know why
6:21 THIS IS THE FUNNIEST PART “Amogus”
AHAHAHAHA got me laughing hard! Keep up the good work! (also ur kinda the reason why I drew digital)
Why isn't nobody talking about the thumbnail it's amazing!!!!!
The one with all the dots, where you said about the paint brush being slammed on the canvas is my daughter's hahahaha she freaked out when she seen your video and you talked about it lol !! Made her day 😅
wheres my wrinkle cream sona..? you promised me ll: , (
The cactus looked super cute😍
"someone bought my green foot juice" was my favorite part lol
You are the best UA-camr
the dog in the thumbnail looks like my dog
*GIGGLES*
To whoever who made koro sensei, THANK YOU
Sona's logic :
Makes yt videos talking
But
Is embarassed of not being muted on roblox
👁👄👁👌🏼
Maybe it's because it feels weird to talk without knowing you can edit the audio afterwards to sound right
Ur already an artist 💖💖💖 😇 💖💖💖
👏
“I’m only good at making them sad and miserable.”
Sona, 2022
I love your art and vid
I like your art that you drew your self❤
the thumbnail really accurate cuz my dog died today
Your content always makes me laugh
Yes the artist queen of art☺
You know Koro sensei? Damn I love that guy
I love you sona drawz stuff i even used one of your drawings as my pfp i loved that one your so good at drawing and so entertaining and funny at the same time
Wow so cool keep up the good work sona here’s some chocolate cake 🎂
No one gonna talk about the cactus?
3:49 fun fact. koro sensei is my fav character from assassination classroom. also one more fun fact. koro sensei means unkilable teacher
"So it's like- real estate?-" **HOUSE CRASHES**
2:46 i cant stop laughing at the naruto head 🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣
Omg I love ur art!! How do you do it!?
Fr, your such an artist
sona huggy wuggy was on the news 😍
I love this artist very much i love her art!
Every artist in this game : GIVE ME THE MONEY.
“They just fell over and died!”THAT HAPPENS TO ME ALL THE TIME!!!
Hi Sona I really like ur art I watched u when I didn’t even have a UA-cam acc lol!
8:48 the cheap shrek rripoff said frick you
Sona: "7 robux? It's worth more than that, come on."
Also Sona: *sells the "kawaii cactus" art for five robux because the shirt she connected the art to was five robux*
I love all your art sona and you make us laugh 💓💖
This camed up on my screen while i was eating a chocolate type thing
Best time 👍👍👍
Opps your my new favorite youtuber GET HER TO 1M
Omg first of sona that I watched playing roblox! :0
I love that drawing!!!
hi i love your art i think you are a grate drawer you make my day better bye!
koro sensei is the anime equivalent of the winning smile
Try speed draw!
Its a normal drawing game and...
Its not pixelated! :D
God tier drawing Sona👌👍
WHO DESIGNED THE THUMBNAIL 😨
IKR
Fun or bad Fact: When you put a ID for a shirt/gamepass when you use someone’s shirt/gamepass you won’t get the robux, the owners of the shirt/gamepass . So you have to make a shirt or gamepass, you have to make it but it will cost robux, so it’s not free.
I’m sorry jimmys :(
I love this new sub 😁
I HAD NO IDEA YOU PLAYED ROBLOX🙀
sona called saitama naruto lmao