A Clip from Observations on Film Art: Plotting in VAGABOND
Вставка
- Опубліковано 7 вер 2024
- Professor David Bordwell breaks down the interwoven narrative structures that make Agnès Varda’s film so unnervingly ambiguous.
Watch the full episode of Observations on Film Art on the Criterion Channel: www.criterionc...
you can just feel her passion and love for movie making by seeing a pic from her on set. RIP
I was not looking forward to watching this one (it was my first Varda film). I knew about her, but not much about her reputation. I just judged this movie was a mid 80s film, which I used to think was an uninteresting decade for film. I was intrigued at the pace of the movie and how it started off. I loved the pseudo documentary feel of the talking head interviews and how some of the stories are somewhat linked. When the film ended, I was left shocked at how flawless it was. I was also shocked when I finally watched Cleo from 5 to 7 and realized that it too was a perfect film. Most filmmakers will never make one masterpiece in their entire career. Varda made 2. She was a genius who introduced an entirely fresh way of using cinema to tell a story. I need to rewatch this gem.
Kubrick made 8 masterpieces
I liked your lighting set up for the talking head portion! The concept here was well explained too. I haven’t looked it up yet but I am almost 100% sure that Vagabond was shot on Kodak Vision stock since I’ve taken photos with it before. The colors look so familiar.
Learning something new daily, thank you.
agnes varda, a true master in cinema.
Please launch your streaming service in the UK.
Good morning
I hope this film: L'amour fou-1969, Director: Jacques Rivette is from the wonderful company on David, with my wishes for health and wellness, thank you so much for the very wonderful films
Any upgrade to Blu-ray soon???
Freud
🤣