Sir, you are a treasure. I'm 65 and playing sax as much as I can. I was a music major back in the day, even a 1/2 scholarship. Long story. I pour thorough your stuff and try to get even the smallest part into my playing. Thank you.
That's great - learning from Bach to John Williams to Pink Floyd to Pat Metheny - the gems of music. Thank you very much Rick Beato. Thanks for your pedagogy.
That is really cool. I can learn all of those notes but I feel the need to get the chords figured out first. I am just like that. It helps me to know where the heck I am. Great video. I'm going to tear it apart for a couple of days. Thanks for posting it.
This is awesome! I've always loved Pat Metheny's chromaticism. It sounds like a roller coaster getting ready to leave the tracks but all the while staying on top of the chord tones in a weird but musical way. I gota learn this lick.
Yeeeessss! Love following u man..thanks for yr lessons and passion. Great teacher! Fast, then slow, then music and tab..All round teaching not many of u around. Mad respect bro
Rick - loved how you captured Metheny's sound here. Would love to hear your thoughts on how you conceptualize applying these ideas while the changes are flying by like Metheny does, rather than over a static chord. Perhaps a Part II...?
I loved the pentatonic video, i nowtice Bb pentatonic is over A9 that is an altered sound I also noticed Wes liked to use the minor Blues scale over a V chord insted of alt Vic Juris was also good at this kind of Metheny thing , anybody looking for text
Nice lesson! Actually, I should say nice lessons, because it contains at least a half dozen fingering and phrasing concepts that are really useful for double-time jazz lines.
Thanks so much rick, you dont have to do these vids but we really appreciate the time you put into spreading the knowledge. What programs does pat use to make his guitar sound like anyother instrument? Or does it have to be a midi guitar
It's all in the notation. Play it and watch my analysis again. I'm no sure what you are looking for? The reason behind every note? You should get my Advanced Harmonic Concepts course which gets into greater depth about topics like this. Thanks
Just practice the line and pull out any bits you like. That's how you build vocabulary. One 'word' at a time. Practice them around the cycle and assimilate it into your own playing. It's a language.
This is my favorite (#1) lesson of yours Mr. Beato, thanks for sharing the details! How much is the Beato book? Hope you are well God loves you deeply Shalom 🎸 🔊🏞️🏔️⛰️🎊🎇🎉🎆✨🐕🎈
Rick - can you do a video on guitar articulations? For example, legato: hammer-ons, pull-offs, slides, and how to best use them in different styles of music. In your video, many of the hammer-ons, etc. start on a weak beat, and help create a certain stylistic, jazzy feel. How do you approach playing legato on fingerstyle acoustic/nylon string guitar when transcribing music originally written for instruments that can play very long, smooth legato lines, like on the violin (e.g. Bach violin sonatas and partitas)? It can be very difficult or impractical to get a smooth legato when changing strings.
I did a gig with John once - he's a genius. There was no point where I had any idea what he was playing! It was a real masterclass in open playing. Super nice guy, too.
And all this happens on a Amin7 chord? What is the rationale behind all this notes considering that what they learn at school is "on Amin7 play the Amin7 arpeggio"...
Rick, great lesson. Would you mind saving the gp version in a lower version of gp than 7? I downloaded a 30 day version and saved it as gp5 and it works fine except for not bringing over the standard notation... I need to save for my Pro Tools license... lol
Such a focused and concise teaching style and chops to boot! Where were you 25 years ago...lost my hair and most of my sanity figuring this stuff out!!!
so basically you play a chord, then you choose a scale and play the notes of that scale, and then you play the next chord. sometimes you add chromatic notes that are not in the scale you play.
Aww yiss with the tabs and everything!! Thanks Rick! Does the Beato Book have a lot of specific examples with tabs/sheet music like this or is it more just general theory info? Might pick it up as a Christmas present to myself.
There something wrong with file extension for the Guitar Pro file. There is no .gp it's either .gpx .gp3, .gp4, .gp5 and a few more. Could you please correct it? Thx
Hi Rick! What model is that guitar, it sounds amazing! Is it short scale? I heard in your video about Gibson that you can get the intonation right with short scale guitars.
fantastic video, great playing & very good minds about the idea, Rick, 1.000 thanks!!!! My question: how can pat play only over Am7, and think about so much different and outside harmonies in that speed. is it totally flow? how long do you thinke, he looks forward for the lines? what brain do a player need for this...:-)
Sir, you are a treasure. I'm 65 and playing sax as much as I can. I was a music major back in the day, even a 1/2 scholarship. Long story. I pour thorough your stuff and try to get even the smallest part into my playing. Thank you.
That's great - learning from Bach to John Williams to Pink Floyd to Pat Metheny - the gems of music. Thank you very much Rick Beato. Thanks for your pedagogy.
Pat's guitar breakdown in 'Third Wind' is a sublime example of this approach I think :)
I was thinking the exact same thing. 😀
I can't even explain how much I dug seeing a 8 min video from you. Thanks so much for making it short. Absolutely love your stuff!
thanks also for including the music pdf file. You are fantastic.
For a Pianist your guitar playing is better than most guitar players
Julian Morgan I'm pretty sure Rick's main instrument is guitar, actually.
Vince OK maybe your rite I normally see him on piano
And his knowledge more advanced than most guitar players, many jazz guitar players and most musicians in general.
mdmccat oh very true
he taught guitar at his college.
That is really cool. I can learn all of those notes but I feel the need to get the chords figured out first. I am just like that. It helps me to know where the heck I am. Great video. I'm going to tear it apart for a couple of days. Thanks for posting it.
I need to add stoicism to my playing.
Thanks Rick this is so helpful, bless for your great job 🙏
This is awesome! I've always loved Pat Metheny's chromaticism. It sounds like a roller coaster getting ready to leave the tracks but all the while staying on top of the chord tones in a weird but musical way. I gota learn this lick.
Cool lesson! Very much appreciated, i really enjoyed it! Thank you Rick, Best wishes to y'all!
Yeeeessss! Love following u man..thanks for yr lessons and passion. Great teacher! Fast, then slow, then music and tab..All round teaching not many of u around. Mad respect bro
+Wade Sharp Thanks Wade!
Rick Beato thanks for replying nice one. Good vibes from a New Zealander currently in China
Thanx for sharing your vast knowledge
Thank you, Rick! Chord names on screen are very helpful!
I swear at the end of the scale i heard the word "BASS"
Rick - loved how you captured Metheny's sound here. Would love to hear your thoughts on how you conceptualize applying these ideas while the changes are flying by like Metheny does, rather than over a static chord. Perhaps a Part II...?
Great explanation of how solo is moving in and out of the key, and the mini progressions.
Rick, you are no mere mortal. Thanks for another great lesson.
Stuff like this is helping me break out of old stale patterns. Thanks so much!
haha that is one hell of a lick! also Pat Martino is an absolute master at this type of playing
Could you please do a video on transcribing solos?
I like chromaticism it gets me out of troubling scales.
Kurt rosenwinkel is great at comping between melodic lines
Excellent lesson Rick. Thank you!
Taking a solo to the next level.
Very interesting, a different way to play chromaticisms is the Pat Martino playing with all staccato phrases and alternate picking.
Great playing Rick! Thank you for the music.
I loved the pentatonic video, i nowtice Bb pentatonic is over A9 that is an altered sound
I also noticed Wes liked to use the minor Blues scale over a V chord insted of alt
Vic Juris was also good at this kind of Metheny thing , anybody looking for text
Thanks for posting this and the transcription
Thanks Rick !
Inspiration & instruction
Dude...you SHRED !
By far one of your best videos...........rc
Nice lesson! Actually, I should say nice lessons, because it contains at least a half dozen fingering and phrasing concepts that are really useful for double-time jazz lines.
Mil Gracias Master!
this is a great study…thx rick!!!
I love that guitar!
This is fabulous!
that's a badass lick!
awesome! thanks a lot Rick!
Thanks so much rick, you dont have to do these vids but we really appreciate the time you put into spreading the knowledge. What programs does pat use to make his guitar sound like anyother instrument? Or does it have to be a midi guitar
Quality Info Rick.
Wish these focused more on the concepts/theory than the guitar technique
It's all in the notation. Play it and watch my analysis again. I'm no sure what you are looking for? The reason behind every note? You should get my Advanced Harmonic Concepts course which gets into greater depth about topics like this. Thanks
Just practice the line and pull out any bits you like. That's how you build vocabulary. One 'word' at a time.
Practice them around the cycle and assimilate it into your own playing. It's a language.
Rick, this is perfect. Thanks!
You should play along with the video.
You Rock! When i get out of this hole I'll buy even the Rick Beato mug.
Thanks!!
This is my favorite (#1) lesson of yours Mr. Beato, thanks for sharing the details! How much is the Beato book? Hope you are well God loves you deeply Shalom 🎸 🔊🏞️🏔️⛰️🎊🎇🎉🎆✨🐕🎈
...респект Вам,маестро...!👏👏👏
Hi, Rick. Can you do some more instruction a the subject of self comping ?
He did it here ;-P
Rick - can you do a video on guitar articulations? For example, legato: hammer-ons, pull-offs, slides, and how to best use them in different styles of music. In your video, many of the hammer-ons, etc. start on a weak beat, and help create a certain stylistic, jazzy feel.
How do you approach playing legato on fingerstyle acoustic/nylon string guitar when transcribing music originally written for instruments that can play very long, smooth legato lines, like on the violin (e.g. Bach violin sonatas and partitas)? It can be very difficult or impractical to get a smooth legato when changing strings.
John Stowell is very at that !
I did a gig with John once - he's a genius. There was no point where I had any idea what he was playing! It was a real masterclass in open playing. Super nice guy, too.
And all this happens on a Amin7 chord? What is the rationale behind all this notes considering that what they learn at school is "on Amin7 play the Amin7 arpeggio"...
Love this one 🎶🤘
Please Please, a video on kurt rosenwinkel!!! Thanks :)
Fantastic!
Very Jerry Garcia. Love it thank you
very nice LP
Rick, great lesson. Would you mind saving the gp version in a lower version of gp than 7? I downloaded a 30 day version and saved it as gp5 and it works fine except for not bringing over the standard notation... I need to save for my Pro Tools license... lol
Very Nice!
That's more like it, at least I can understand it. Great
+Peter Smart Thanks Peter!!
Hey Rick, are you a guitarist who plays piano or a pianist who plays guitar?
+Lasdudas Actually I am a bass player that plays guitar and piano :) True
Whaaaaat?? I never knew that you played bass...
Rick Beato you are awesome, keep the good work. Greetings from Argentina.
Such a focused and concise teaching style and chops to boot!
Where were you 25 years ago...lost my hair and most of my sanity figuring this stuff out!!!
so basically you play a chord, then you choose a scale and play the notes of that scale, and then you play the next chord. sometimes you add chromatic notes that are not in the scale you play.
Hey Rick I can't wait to practice some chromatic lines. Can you please drag Oz noy into an appearance on your channel.
Pretty hard to get right on a four-string bass. BUT I WILL ! :)
rick, man. i just loooove your sloppiness on the axe :D
are you always lifting the fingers like that, or is it so we can see better how u play it?
Aww yiss with the tabs and everything!! Thanks Rick! Does the Beato Book have a lot of specific examples with tabs/sheet music like this or is it more just general theory info? Might pick it up as a Christmas present to myself.
+Chris Paisley my book has this x 100
Rick Beato sweeeeet thanks!! Keep up the good work your lessons are on point!
There something wrong with file extension for the Guitar Pro file. There is no .gp it's either .gpx .gp3, .gp4, .gp5 and a few more. Could you please correct it? Thx
Hi Rick! What model is that guitar, it sounds amazing! Is it short scale? I heard in your video about Gibson that you can get the intonation right with short scale guitars.
Rick, I Love you, man. Do UA-cam have any online Guitar Course?
+Luiz Oliveira I do have a new course called Advanced Harmonic Concepts on my Beato Music Academy page on my website in the description. Thanks
Rick Beato Thank you , digging right now.
Can anyone suggest me any good chromatic soloing metheny album? Something i should check out in this kind of fusion style?
Holy chops, Rick!
The slow version was hip .
Is there a PDF associated with this?
+rhard007 In the description
fantastic video, great playing & very good minds about the idea, Rick, 1.000 thanks!!!! My question: how can pat play only over Am7, and think about so much different and outside harmonies in that speed. is it totally flow? how long do you thinke, he looks forward for the lines? what brain do a player need for this...:-)
I whis this guy was my teacher
3:03 Theses are kind of incels
I'd swear they sound like simps
😌
😢
Nope, Nope, Nope