TIMESTAMPS 10:56 - Review of Maison Margiela Artisanal Collection (Couture) by John Galliano 44:54 - Maison Margiela Artisanal Collection (Couture) by John Galliano Collaboration with Christian Louboutin on Footwear 2:27:05 - Comparison of Margiela SS24 Couture to John Galliano's Spring/Summer 2000 "hobo" Collection for Christian Dior 1:29:33 - Review of Schiaparelli Haute Couture Collection by Daniel Roseberry 1:38:19 - Elsa Schiaparelli's Design Philosophy and Its Interpretation 2:09:30 - Review of Jean Paul Gaultier by Simone Rocha Haute Couture Collection 2:21:26 - John Galliano Comparisons to Martin Margiela's Work For SS24 Couture Collection
I agree 10000000% with what you say about the genuine representation of body positivity in this collection, this is diversity. I would love more to follow this, perfect integration of body shapes instead of showing one or two with terrible clothes not fitted to the model at all.
I agree, Margiela show was more like old-school Galliano himself, only tabis and face coverings remained from Margiela. He also pulled Olga Sherer (I think second time already), and it all started to look like old Dior show from 2000s, even women's shoes look like they are straight from that era. I was expecting PETA activists, and comically falling models.
According to Galliano when he took over Margiela he had a meeting with MM the real Margiela and he said... do as you please with Margiela. I am sure Martin loved this collection and everything.
@@warpnweft2192 YSL rightfully threw vitriol in his words to Tom Ford after what he did at YSL house. MM said D’accord… well, do the maths… we are talking here about his babies so that seems like a stamp of approval to me. Would you prefer Galliano doing in Margiela what Peter Do is doing in Helmut Lang? No please, to have a great designer to imitate the work of the previous one is the opposite of creation and fashion, it is just pure branding. If you bring Galliano you can't expect him to do the same over and over. I am glad Galliano is at Margiela and I think he is keeping the soul of the house as he explained very well in the Memory of podcast. Agree on the feathers, as Mcqueen said, it is only clothes…
You're one of my favorite fashion critics right now so I'm so glad you're covering this show. 18:08 I wear corsets regularly now as a fashion statement and sort of in rebellion to the oversized clothing / hoodie culture that's currently dominating. I loathe the hoodie with a passion. I don't even care if men use the corset in their designs or not, I would still wear it because it accentuates my natural curves and keeps my posture straight because I have problems with hunching due to computer and phone use. The corset is more of a tool than anything, at least for me.
was so much fun being a part of this live ayo; i love that you think i'm opinionated cos it's so true. would be happy to jump on the next one or whenever you'd like.
I think it’s refreshing that he chose to focus his inspiration on the working class , I would be interested to see if anyone else interpreted some sort of class commentary, I can’t quite fully articulate it but the model’s disjointed doll look combined with the allusion to prostitution*, night life, etc made me think of the lack of choice/agency these people might feel. *Vogue review mentioned this
John Galliano… what a masterful creative genius of a story teller!! I absolutely loved this 2024 Couture Show… so emotionally evocative, it is a quite brilliant comment on this epoque of social decay we are currently living through… Galliano usually does his artisanal film showing how the team brought the looks together… to me the team is ever present in this show! We can’t say that that Galliano is a new designer by any means and he quite rightly has his own passions, but I do think that he is loyal to the themes of Margiela in drawing attention to the awful destructive and boring commercialism that has overtaken the world of fashion. This show is in direct contrast to what other designers appear to be being pressured into producing! To me this show is a total thumbing of the nose to what all the over production of boring plastic clothes hoodies etc etc actually means. The reuse ♻️ of old clothes points to what we all know is the reality… that we have produced enough! I think it’s also a comment on the terrible distortions being perpetrated by plastic surgeons…it’s all a quite macabre social comment. To me Galliano is taking Margiela into the future in a really wonderful way! I loved it!🥰
I think its very British in a Charles Dickens kind of way - sooty, misty grey London, beautiful yet grotesque, a doll which is stained and broken yet still beautiful, in an eccentric way, whereas a French vision would be very beautifully perfect, Versailles, refined, beauty taken seriously, whereas ugly beautiful is something the British created not Prada.
I’m sad I missed the live! Seems like everyone had a good time as I watch it back. To answer the question about the corsets in the Margiela show: I love them. We’re at a point in fashion history where we understand the social standards and prejudices that came with certain pieces of clothing. So when we see these lovely models of different ethnicities and body shapes giving theatre in corsets, we should understand it’s coming from a very different place. It’s bringing fun, structural design to fashion again minus all the sexism, misogyny, bigotry, and pain (literally and figuratively). But then again, I’m a sucker for structure in fashion. Let’s bring it back to everyday wear! 😎👍🏾
Wasn't corsets meant to make a woman's waist look smaller and her hips look bigger, which is biologically attractive ? I don't know about the history of the corset or the alleged misogyny, bigotry, pain yes, early corsets were very stiff and uncomfortable, but are we now at a point where most people, especially women have accepted that small waist and wide hips is beautiful in a woman, despite the anti feminine feminist rhetoric since the 1970's ? IMO, its only woke feminists who are attacking corsets ( because they reflect biological femininity which they hate )
@@gobyfish1399 I think you’re hitting on a few things that points emphasize what I’m trying to say: the focus should be on the structure of a garment looking good the body-regardless of gender, size or shape. The Galliano team opened the show with a masculine body in a corset. That in itself is a challenge against who can wear a corset, who looks good in it, and why someone would wear it in the first place. Sure, we as a society like hourglass figures. But you should pick up the corset because you want to wear it, because you want to play with shapes and structure in your fashion that day. Not because you want to fit into an idea of what you should look like. Does this make sense? At the end of the day, fashion should be fun. And the Margiela show brought fun theatrics to the fashion with historical pieces, but left the antiquated mindset in the past. At least that’s my impresssion 😎
I see your point, that we as a Western society have decided that either gender can wear corsets, which was originally created for the biological female body and that cross dressing is not wrong or should not be forbidden. Which opens up the whole can of worms about the gender identity confusion that is swallowing up the Western world, but I'll leave it as that. My opinion still stands that woke feminists would hate this for a different reason, they just don't like biological femininity in women, which is part of the whole gender identity issue. But the idea that we should have freedom of dress, as well as reinterpreting historical dress is a good thing, but in reality, it's complicated - gender identity politics. Fashion cannot escape from the social and political currents of our current times, its part of it. Don't know what's Galliano's actual thinking about all this. @@kaeuymah
I usually do not like it when new creative directors put too much of themselves into the brands they are hired to direct. But John Galliano at Maison Margiela is one exception, because in 2017, Margiela himself told John to “Take What You Will From the DNA of the House, Protect Yourself, and Make It Your Own”. So Galliano make Maison Margiela his own, that's exactly what Margiela wanted.
I feel really weird hearing and reading about how this is a very Galiano collection without much reference to Margiela‘s work. I feel like with a tiny bit of effort I can discern the connection between every look in artisanal 24 and a Margela house code that’s now been used for storytelling purposes. if Martin Margielas goal was to show an example of the possibilities of experimental deconstruction for more practical and functional purpose then Galliano’s tenure shows its usage for the purposes of fantasy, which I didn’t expect to like but here it is.. I mean the lining techniques, the idea of material illusion with cardboard and leather ceramics (which themselves also reference mmm), to the references to the history of the house with the first topless look (1989),,,, idk
It was mentioned in the stream that many looks reference Margiela’s work. What was more galliano was the overall theatre of the show and the themes used which are all ideas Galliano has explored before. Saying it’s a very Galliano collection doesn’t all of a sudden mean there are 0 references to Margiela I remember even pointing out specific looks in the collection that are direct references to Margiela like look 15. No designer is going to make a show with 0 references to the brand that’s not the point I was making
SHOW NOTES MARGIELA: www.showstudio.com/collections/spring-summer-2024-haute-couture/maison-margiela-artisanal-ss-24-haute-couture/press-release SCHIAPARELLI: www.showstudio.com/collections/spring-summer-2024-haute-couture/schiaparelli-ss-24-haute-couture/press-release?gallery=false&look=1 JEAN PAUL GAULTIER: www.showstudio.com/collections/spring-summer-2024-haute-couture/jean-paul-gaultier-ss-24-haute-couture/press-release?gallery=1&look=1
Broken dolls ... china doll etc. Its symbol and idea is deeply historic and ancient symbolism reference. Seen a lot in culture, so i found it interesting to see this reference in this show claimed as the crown of couture.
Maison Margiela was a breathtaking show, thanks for your great talk! But one thing that confused me is that the music in The Runaway (I think it had Vivaldi's Spring) was different from the official video (Adele's Hometown Glory), and I couldn't find the live version! I wonder why this happened.
Regarding the question who buys Schiaparelli - do women actually buy designer clothes to begin with?? I was surprised to find out that women barely buy designer RTW, let alone couture, its just bags and shoes, only men buy designer RTW, and those who buy are like team Hedi, team Demna, team Virgil, team Rick, that's it.
@@janagovedaricapoljakova1482 What do you mean? Designer brands usually have precise Italian sizing and are far more consistent across collections and seasons in comparison to cheaper brands.
What I mean is that sizes tend to be rather on the small side, which makes buying clothes more risque business for the majority. Also, female bodies tend to fluctuate over the month and time much more than male, so accessories and shoes are much better bet@@burgersuperking
I agree. When I was watching this I thought this is so Galliano and hardly anything relating to Margiela. However who cares. It's a great show and they are lucky to have Galliano there so why not create some drama and fantasy , which Galliano does so well. Bravo I say It felt very Vivienne Westwood and Thom Browne inspired. I appreciated this presentation however I hope he doesn't go down this road too often as that's what made Dior become boring and predictable.
I've accepted that I'm in the minority but as a woman, nudity in fashion shows (or anywhere) always gets me a bit uncomfortable. Anyway, I agree with you, fashion does seem to be more exciting this season!
I bought an ethernet cable and I tried it out but the speed isn't any better. I think it's because no Wifi provider can guarantee more than 30mbps in my area which is abysmal considering where I used to live in London I had speeds of 1GBps. The issue is more to do with bad overall signal due to me living close to a river so it doesn't seem to be a fixable issue unfortunately.
@@FashionRoadman I spent a summer in Iceland near Mitvak lake, I used to go to an hotel for internet... they had internet via satellite... and here in UK we don't have proper internet because of a river...
@@PilarNarvaezalvarez it is very annoying tbh. The UK is so behind in many things. Reminds me of when there is the slightest bit of snow all the transport systems break down or the fact that the underground has not been updated so in the summer heatwaves it is actually dangerous to travel via underground
@@FashionRoadman Related to Rocha, not a massive fan as I think she has been a easier spinoff of Rei Kawakubo, but the JPG collection was splendid. She can do it and that is great as I want more women designing in fashion.
On the topic of hair in certain areas being frowned upon, I disagree. I just think its cleanliness and being upkept to shave. Im a guy and I shave my legs (a soccer thing tbh) I shave in general consistently. Care less about a bit of armpit or vaginal hair, but overrall we should keep it trimmed.
John Galliano is not an immigrant, he's a white British man born in Gibraltar Spain, a British territory. He didn't grow up in England, but he was always British. British culture and history was always his culture and history.
He’s an immigrant to England, just because Gibraltar is a British territory doesn’t mean he didn’t immigrate to England. Its not a part of the UK, you need specific paperwork if you want to move from a British overseas territory to the UK
You are speaking non stop, 3h about John Galliano and you show the runaway of Gaultier and you are not able to speak about Gaultier more than 3 sec. LOL
TIMESTAMPS
10:56 - Review of Maison Margiela Artisanal Collection (Couture) by John Galliano
44:54 - Maison Margiela Artisanal Collection (Couture) by John Galliano Collaboration with Christian Louboutin on Footwear
2:27:05 - Comparison of Margiela SS24 Couture to John Galliano's Spring/Summer 2000 "hobo" Collection for Christian Dior
1:29:33 - Review of Schiaparelli Haute Couture Collection by Daniel Roseberry
1:38:19 - Elsa Schiaparelli's Design Philosophy and Its Interpretation
2:09:30 - Review of Jean Paul Gaultier by Simone Rocha Haute Couture Collection
2:21:26 - John Galliano Comparisons to Martin Margiela's Work For SS24 Couture Collection
I agree 10000000% with what you say about the genuine representation of body positivity in this collection, this is diversity. I would love more to follow this, perfect integration of body shapes instead of showing one or two with terrible clothes not fitted to the model at all.
I agree, Margiela show was more like old-school Galliano himself, only tabis and face coverings remained from Margiela. He also pulled Olga Sherer (I think second time already), and it all started to look like old Dior show from 2000s, even women's shoes look like they are straight from that era. I was expecting PETA activists, and comically falling models.
I am so disappointed that Galliano himself did not provide the activists and tell the models to fall over their shoes. If he had, it would be perfect.
Margiela and the team saved Paris. We are still allowed to dream ❤
According to Galliano when he took over Margiela he had a meeting with MM the real Margiela and he said... do as you please with Margiela. I am sure Martin loved this collection and everything.
Margiela said he was d’accord with Galliano. That means “ok.”
I have a hot take on Margiela atm but don’t want to rustle any feathers
@@warpnweft2192 YSL rightfully threw vitriol in his words to Tom Ford after what he did at YSL house. MM said D’accord… well, do the maths… we are talking here about his babies so that seems like a stamp of approval to me. Would you prefer Galliano doing in Margiela what Peter Do is doing in Helmut Lang? No please, to have a great designer to imitate the work of the previous one is the opposite of creation and fashion, it is just pure branding. If you bring Galliano you can't expect him to do the same over and over. I am glad Galliano is at Margiela and I think he is keeping the soul of the house as he explained very well in the Memory of podcast. Agree on the feathers, as Mcqueen said, it is only clothes…
Your analysis is soooo on point. I just enjoyed that Galliano brought art, theater back and stories back, so tired of commerce only, hoodies only. 🔥👏🔥
I completely agree!👍🏽👍🏽👏🏻👏🏻👏🏻
this comment section will agree unfortunately we are not the majority, and thence we are not catered to. @@Happinc
You're one of my favorite fashion critics right now so I'm so glad you're covering this show. 18:08 I wear corsets regularly now as a fashion statement and sort of in rebellion to the oversized clothing / hoodie culture that's currently dominating. I loathe the hoodie with a passion. I don't even care if men use the corset in their designs or not, I would still wear it because it accentuates my natural curves and keeps my posture straight because I have problems with hunching due to computer and phone use. The corset is more of a tool than anything, at least for me.
was so much fun being a part of this live ayo; i love that you think i'm opinionated cos it's so true. would be happy to jump on the next one or whenever you'd like.
Definitely!
Going all in on the cloven hoof !!
We love a good hoof
What I loved was the size range, but I did see that they used body prosthetics for wider hips and larger derrière.
I think it’s refreshing that he chose to focus his inspiration on the working class , I would be interested to see if anyone else interpreted some sort of class commentary, I can’t quite fully articulate it but the model’s disjointed doll look combined with the allusion to prostitution*, night life, etc made me think of the lack of choice/agency these people might feel.
*Vogue review mentioned this
John Galliano… what a masterful creative genius of a story teller!! I absolutely loved this 2024 Couture Show… so emotionally evocative, it is a quite brilliant comment on this epoque of social decay we are currently living through…
Galliano usually does his artisanal film showing how the team brought the looks together… to me the team is ever present in this show! We can’t say that that Galliano is a new designer by any means and he quite rightly has his own passions, but I do think that he is loyal to the themes of Margiela in drawing attention to the awful destructive and boring commercialism that has overtaken the world of fashion. This show is in direct contrast to what other designers appear to be being pressured into producing! To me this show is a total thumbing of the nose to what all the over production of boring plastic clothes hoodies etc etc actually means. The reuse ♻️ of old clothes points to what we all know is the reality… that we have produced enough! I think it’s also a comment on the terrible distortions being perpetrated by plastic surgeons…it’s all a quite macabre social comment. To me Galliano is taking Margiela into the future in a really wonderful way! I loved it!🥰
I think its very British in a Charles Dickens kind of way - sooty, misty grey London, beautiful yet grotesque, a doll which is stained and broken yet still beautiful, in an eccentric way, whereas a French vision would be very beautifully perfect, Versailles, refined, beauty taken seriously, whereas ugly beautiful is something the British created not Prada.
Galliano x Margiela devoured all the fashion houses this week bravo Galliano brava 👏
I’m sad I missed the live! Seems like everyone had a good time as I watch it back.
To answer the question about the corsets in the Margiela show: I love them. We’re at a point in fashion history where we understand the social standards and prejudices that came with certain pieces of clothing. So when we see these lovely models of different ethnicities and body shapes giving theatre in corsets, we should understand it’s coming from a very different place. It’s bringing fun, structural design to fashion again minus all the sexism, misogyny, bigotry, and pain (literally and figuratively).
But then again, I’m a sucker for structure in fashion. Let’s bring it back to everyday wear! 😎👍🏾
Wasn't corsets meant to make a woman's waist look smaller and her hips look bigger, which is biologically attractive ? I don't know about the history of the corset or the alleged misogyny, bigotry, pain yes, early corsets were very stiff and uncomfortable, but are we now at a point where most people, especially women have accepted that small waist and wide hips is beautiful in a woman, despite the anti feminine feminist rhetoric since the 1970's ? IMO, its only woke feminists who are attacking corsets ( because they reflect biological femininity which they hate )
@@gobyfish1399 I think you’re hitting on a few things that points emphasize what I’m trying to say: the focus should be on the structure of a garment looking good the body-regardless of gender, size or shape.
The Galliano team opened the show with a masculine body in a corset. That in itself is a challenge against who can wear a corset, who looks good in it, and why someone would wear it in the first place. Sure, we as a society like hourglass figures. But you should pick up the corset because you want to wear it, because you want to play with shapes and structure in your fashion that day. Not because you want to fit into an idea of what you should look like. Does this make sense?
At the end of the day, fashion should be fun. And the Margiela show brought fun theatrics to the fashion with historical pieces, but left the antiquated mindset in the past. At least that’s my impresssion 😎
I see your point, that we as a Western society have decided that either gender can wear corsets, which was originally created for the biological female body and that cross dressing is not wrong or should not be forbidden. Which opens up the whole can of worms about the gender identity confusion that is swallowing up the Western world, but I'll leave it as that. My opinion still stands that woke feminists would hate this for a different reason, they just don't like biological femininity in women, which is part of the whole gender identity issue. But the idea that we should have freedom of dress, as well as reinterpreting historical dress is a good thing, but in reality, it's complicated - gender identity politics. Fashion cannot escape from the social and political currents of our current times, its part of it. Don't know what's Galliano's actual thinking about all this. @@kaeuymah
JPG had a really strong show out by Simone Rocha. It's either their show and/or Margiela's that caught my eye.
I usually do not like it when new creative directors put too much of themselves into the brands they are hired to direct. But John Galliano at Maison Margiela is one exception, because in 2017, Margiela himself told John to “Take What You Will From the DNA of the House, Protect Yourself, and Make It Your Own”. So Galliano make Maison Margiela his own, that's exactly what Margiela wanted.
I feel really weird hearing and reading about how this is a very Galiano collection without much reference to Margiela‘s work. I feel like with a tiny bit of effort I can discern the connection between every look in artisanal 24 and a Margela house code that’s now been used for storytelling purposes. if Martin Margielas goal was to show an example of the possibilities of experimental deconstruction for more practical and functional purpose then Galliano’s tenure shows its usage for the purposes of fantasy, which I didn’t expect to like but here it is..
I mean the lining techniques, the idea of material illusion with cardboard and leather ceramics (which themselves also reference mmm), to the references to the history of the house with the first topless look (1989),,,,
idk
It was mentioned in the stream that many looks reference Margiela’s work. What was more galliano was the overall theatre of the show and the themes used which are all ideas Galliano has explored before. Saying it’s a very Galliano collection doesn’t all of a sudden mean there are 0 references to Margiela
I remember even pointing out specific looks in the collection that are direct references to Margiela like look 15. No designer is going to make a show with 0 references to the brand that’s not the point I was making
when I said hearing and reading I meant from people generally, not in the stream, my bad.
@@FashionRoadman
Margiela Artisanal pubic hair will go craaaazy on vestiaire collective 🤣
LOOOL
Beautiful collection. This is designing
I’m so mad I missed another legendary livestream 😭
Hopefully you catch the next one 😭
SHOW NOTES
MARGIELA: www.showstudio.com/collections/spring-summer-2024-haute-couture/maison-margiela-artisanal-ss-24-haute-couture/press-release
SCHIAPARELLI: www.showstudio.com/collections/spring-summer-2024-haute-couture/schiaparelli-ss-24-haute-couture/press-release?gallery=false&look=1
JEAN PAUL GAULTIER: www.showstudio.com/collections/spring-summer-2024-haute-couture/jean-paul-gaultier-ss-24-haute-couture/press-release?gallery=1&look=1
Broken dolls ... china doll etc. Its symbol and idea is deeply historic and ancient symbolism reference. Seen a lot in culture, so i found it interesting to see this reference in this show claimed as the crown of couture.
So with you on Chanel take on ballet theme..I just rolled up the opening picture of the show and went like wtf..
Great talk ... Do you have any links at all to Galliano commenting on this collection, its response. Or picture of him, did he appear after the show?
Schiaparelli had a "cowboys & aliens " theme
Maison Margiela was a breathtaking show, thanks for your great talk! But one thing that confused me is that the music in The Runaway (I think it had Vivaldi's Spring) was different from the official video (Adele's Hometown Glory), and I couldn't find the live version! I wonder why this happened.
Most times it’s due to them not having the copyright for distribution which is what they would need to post it on their UA-cam runway video legally
Regarding the question who buys Schiaparelli - do women actually buy designer clothes to begin with?? I was surprised to find out that women barely buy designer RTW, let alone couture, its just bags and shoes, only men buy designer RTW, and those who buy are like team Hedi, team Demna, team Virgil, team Rick, that's it.
I think if sizing wouldn't be such an issue for women's, they would actually buy more
@@janagovedaricapoljakova1482 What do you mean? Designer brands usually have precise Italian sizing and are far more consistent across collections and seasons in comparison to cheaper brands.
What I mean is that sizes tend to be rather on the small side, which makes buying clothes more risque business for the majority. Also, female bodies tend to fluctuate over the month and time much more than male, so accessories and shoes are much better bet@@burgersuperking
The real product used by Pat McGrath was discovered by Erin Parsons. Much more authoritative and she was Pat McGrath first assistant for many years
I agree. When I was watching this I thought this is so Galliano and hardly anything relating to Margiela. However who cares. It's a great show and they are lucky to have Galliano there so why not create some drama and fantasy , which Galliano does so well. Bravo I say
It felt very Vivienne Westwood and Thom Browne inspired. I appreciated this presentation however I hope he doesn't go down this road too often as that's what made Dior become boring and predictable.
I've accepted that I'm in the minority but as a woman, nudity in fashion shows (or anywhere) always gets me a bit uncomfortable. Anyway, I agree with you, fashion does seem to be more exciting this season!
It was a bit scandalized too until I realized the pubic hair was fake.
@@ElderMoreMind the fake pubic hair was pretty cool ngl 😅
I think that the commentary about "nudity" in Margiela, was likely more about the suprise/shock of couture pubic hair, rather than nudity in general
so beautiful
Where is this jacket from?
It’s Rick Owens ❤️
I'm a 90s kid and like Galliano and therefore don't care about him not following house code or themes but I think the house itself should lol
Don't use wi-fi, buy an ethernet cable and connect directly. It won't solve the problem of British internet speed but it will improve :)
I bought an ethernet cable and I tried it out but the speed isn't any better. I think it's because no Wifi provider can guarantee more than 30mbps in my area which is abysmal considering where I used to live in London I had speeds of 1GBps. The issue is more to do with bad overall signal due to me living close to a river so it doesn't seem to be a fixable issue unfortunately.
@@FashionRoadman I spent a summer in Iceland near Mitvak lake, I used to go to an hotel for internet... they had internet via satellite... and here in UK we don't have proper internet because of a river...
@@PilarNarvaezalvarez it is very annoying tbh. The UK is so behind in many things. Reminds me of when there is the slightest bit of snow all the transport systems break down or the fact that the underground has not been updated so in the summer heatwaves it is actually dangerous to travel via underground
@@FashionRoadman Related to Rocha, not a massive fan as I think she has been a easier spinoff of Rei Kawakubo, but the JPG collection was splendid. She can do it and that is great as I want more women designing in fashion.
I can’t find the SHOW NOTES 😢😢 help me… i neeeeeeeeeed
They should be in the pinned comment
On the topic of hair in certain areas being frowned upon, I disagree. I just think its cleanliness and being upkept to shave. Im a guy and I shave my legs (a soccer thing tbh) I shave in general consistently. Care less about a bit of armpit or vaginal hair, but overrall we should keep it trimmed.
41:16 i am fucking dying laughing
LOOOL
John Galliano is not an immigrant, he's a white British man born in Gibraltar Spain, a British territory. He didn't grow up in England, but he was always British. British culture and history was always his culture and history.
He’s an immigrant to England, just because Gibraltar is a British territory doesn’t mean he didn’t immigrate to England. Its not a part of the UK, you need specific paperwork if you want to move from a British overseas territory to the UK
You are speaking non stop, 3h about John Galliano and you show the runaway of Gaultier and you are not able to speak about Gaultier more than 3 sec. LOL