0:00 I. Sennets and Tuckets 1:20 II. Waltz 3:36 III. Mazurka 5:21 IV. Samba 6:18 V. Turkey Trot 8:14 VI. Sphinxes 8:57 VII. Blues 10:33 VIII. In Memoriam 11:48 - March: "The BSO Forever"
Bernstein could be modern without being off-putting, which is something that most of his contemporaries could not do. He also could be light without being light-weight, and when he used modern devices, such as tone rows or atonality, it always seemed natural and organic, not a system or an experiment.
![[Score] Jean Françaix - Quadruple Concerto (1935) for flute, oboe, clarinet, bassoon and orchestra](http://i.ytimg.com/vi/bEUs7KhF1OA/mqdefault.jpg)
![[Full Score] Eric Coates - The Three Bears (A Phantasy) for orchestra (1926)](/img/n.gif)
0:00 I. Sennets and Tuckets
1:20 II. Waltz
3:36 III. Mazurka
5:21 IV. Samba
6:18 V. Turkey Trot
8:14 VI. Sphinxes
8:57 VII. Blues
10:33 VIII. In Memoriam
11:48 - March: "The BSO Forever"
You have an awesome channel! Nice to listen a different repertoire. Some unknown composers. Congratulations 👏
Bernstein could be modern without being off-putting, which is something that most of his contemporaries could not do. He also could be light without being light-weight, and when he used modern devices, such as tone rows or atonality, it always seemed natural and organic, not a system or an experiment.
I don’t like
mildly based