How I shot and graded my latest projects | No Crew No lights | Shot on BMPCC6K
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- Опубліковано 17 жов 2022
- In this video I review some footage from my latest projects shot in Italy and France. I also do a little breakdown of the cinematography behind some of the shots and I also show you how I grade my BMPCC6K footage.
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Did you stabilize the shots using the gyro data? If so, did you change the shutter angle?
@@leebrandt8597 absolutely not. I will never change shutter angle so I can stabilize the footage. That sounds like a very bad idea. I occasionally use regular stabilization.
@@matteobertoli Gotcha
As a newbie, transitioning from software engineering to filmmaking and cinematography, your videos are damn inspiring. Thanks Matteo!
I'm a true fan of your work ❤
Love the simplicity of BM and butteryluts. The latest video i recorded. I was amazed how little i had to color correct when i got everything right in camera. Butteryacademy has help me improve my skills and Ive been watching the course again lately 😀.
Man I've been having a tough time color grading the bmpcc 6k with color space transform
You're a genius Matteo. Love these shots especially the sunset / backlit of the bottle and glass.
AMAZING SHOTS! Goes to show that you don't need a crew to ge a great picture. THIS is how you still your Buttery LUTs™ ! 👏🏾
I love how simple your node tree is😀
Nicely done! Great looking shots!
Outstanding.
You’re a damn guru brother 📈📈📈📈📈 I love your style and work flow
Very good looking footage
Great content, so very helpful 👌🏼
You rock! keep doing this please
Thanks for sharing!
this clearly makes me believe buying a BM 6K was a great investment for my projects. all i need is a cinema lens as an icing on the cake.
You don't need cinema lens. Learn about framing (leading lines), composition (rule of thirds), shaping light (natural backlit, negative fills, bounce, diffuse), think about contrasts of different types (color contrast Blue / orange, light contrast dark / light, shape contrast round / square) within the frame. Think what you want to be focus of video, and try to draw eye to it. You will get great images without expensive equipment, learn first then invest
vintage lenses are a great cover up too :)
You don't need a cinema lens.
@@kuunami and yet we couldnt swap them for a photo lens stil.
lovely shots my friend! :)
"La vielle ferme" ( = The old farm) is such a nice wine, dense in flavors but light to the palate. Produced some 15 km north from Avignon ("ah-vee-nion"), AKA the City of Popes, it is one of the best exemples of simple yet classy easy-to-drink wines.
You know how to choose your clients ! And how to film their products.
good job as always matteo
Thanks for this video it makes me want to go out and create but first I need to purchase this camera. Cheers!
Thank you for sharing your knowledge for free Matteo ✌🏼
Sempre molto interessante!
Thanks Matteo, I learned a lot how to handle my 4K and 6K better.
Great video
4:34 the BM handled this light situation very decent.
Hi Matteo, I love your videos, you're a big reason why I decided to go for a BMPCC6K (I ended up going for the pro, though). I also shoot very minimally and do a lot of hand held, so my question is how do you deal with the rolling shutter in these cameras? Especially with tighter lenses? I came from Sony and you had to move the camera quite frantically to notice it but, with this camera, I feel it's quite noticeable even with very small movements. Your hand held shooting is stunning so I thought I'd see if you had any tips!
Will you post the finished video here? Or where can we see it? Looks awesome!
I might yes! It will probably be part of the full BTS video. Thank you!
What was the iso in last EXT shot that u show us ,and thank you 🙏🏾
How do your organize your folders?
Do you have a limit of say 95 set after which highlights clipped will be shown? Or is that limit different.
Am kindl asking what shutter iso kelvin did you use when shootting this video
As always, best looking footage on youtube… I am struggling to get even close… But what is that False color you are using at the 8:37 mark…? The colors in the graph are not distributed like the BM false color in the pocket camera or in Resolve… Pink only up to IRE 50…?
He is actually using the false color preset for the URSA Mini Pro 4.6k. I was wondering why the reflecting highlight in at the bottle is not clipping. Now I know but it is still a little bit confusing because some people might not notice the mistake.
what micrphones do you use or your sound gear in general matteo
waiting on p4k vs p6k thoughts
Awesome video as always Matteo, just wondering about this NiSi Swift True Color ND-VARIO Pro Nano 1-5stops Variable ND, does it have any IR (infrared cut/filtration) or is it just a regular ND with true colour capabilities?
Thanks! No you need a ir cut with it
Thanks @@matteobertoli, I thought as much. Thanks.
Man, the Leica R lenses are such a perfect combo with the Pocket 6k. I'm just a little worried about focus breathing for narrative projects.
There is way less focus breathing on the Leica then the Cooke s4 ;)
@@matteobertoli Oh wow. For some reason I thought that these had bad breathing. These look so good that I thought there was a catch somewhere 😂
Really helpful video - exactly what we all wanted to see. How come you didnt shoot with the mini ursa - was it too cumbersome ?
Super rushed shoots. Couldn’t think about charging batteries. 1 vmount lasted all day with the Pocket :)
@@matteobertoli I'M SOLD!!!! 😀
Great Job Matteo! A question: are you using metabones speedbooster? Did you experience problems with focusing in wide angle? This is my problem.
No speedboosters needed for the Pocket 6K.
@@matteobertoli really? I have The 4k but problems with focus on distance wide angle
Gear video link.? Full setup
hi, thank you for the video, I'm trying to learn from you. Just to make sure I understand it right, you used the 35mm for all the shots, you just stepped back for the wide angle shots right? So one camera, one lens, no gimbal, no AF, no extra light, just a great lens and a great camera and experience. I love it!
Correct :) thanks!
@@matteobertoli I will copy your approach, I might have to go with the Fuji X-H2s or the Sony a7iv (because or some photo work I get from time to time, which I will use the -X-T4 but want to have a backup). Not sure which one to invest in. So far I'm using a Fuji X-T4 and a X-100V but need a camera with no recording limit, for those long presentations that I film regularly. As a tool it would maybe make sense to go FF but I don't know if I can trust Sony, the overheating seams to be at least sometimes a problem, also the colours are different to my X-T4. But I guess I would get a tool with all the FF advantages. Or I stick to Fuji and go with the X-H2s. What would you do? Or save all the money and just work with what I have until sony brings out a a7iv+ with no overheating issues and no crop ;)
Thank you so much! So overall your basic settings are 24fps for the project in DaVinci Resolve? And when you import 48fps RAW you convert it to 24fps so that it plays as slow mo?
Nope, it automatically plays in slow :) Project is 24 in camera with off speed recording of 48.
@@matteobertoli Ahh. Because when you import media in DaVinci with different FPS it ask „Would you convert to Project Frame Rate?“…. So it does automatically
@@Jaxplode the clips are 24p ;)
@@Jaxplode to be exact, the camera shoots the footage in 48p, then converts it in camera to 24p so that it's already slowed down before you even import it
what timeline settings do you use? gamma etc? colour managed? thanks
Resolve default settings. That’s it. No idea why people are going crazy with this color management thing. That’s all I do with 2 node structure and default settings
Insane work ! How do you get false color in Resolve ? Sorry for the stupid question tho
Thanks! It’s a plugin
@@matteobertoli thank you, any reference ? I do like its scale
@@MUTABAZISTUDIOS can’t remember the name but if you google false colors plug in resolve you ll find ;)
so you're not doing the whole Davinci Colour managed - WideGamut workflow? You just do a manual LUT Rec709 conversion at the end?, interesting. Wouldn't the Promist filter have helped with rendering the highlights in harsh sunlight better? Was that a conscious decision or did you just not have the filter with you on that day?
Also: huge, huge fan of the french wines. I was on a film project in 2020 near Montpellier / Nîmes and on our days off we would roam off to the Domaines, some 1-2h drive away and just get a taste of the best wines I've had in my life, there are wines you can't really buy online, as they are predominantly sold locally, but they are sensational. The properties themselves are just breathtaking. The people there just know how to live. If you ever plan on going to that area, hit me up I can give you some great recommendations!
Thanks again for the video, man.
Thanks! As i said in the video, it was a choice because i wanted a clean image. Regarding davinci, no idea why everyone is going nuts over this color management and wide gamut workflow. As I showed here, this very simple workflow works incredibly well and you will save tons of time
10:29 im assuming the ISO can be at 1250 for that wine glass shot ?
As long as you don’t have bright highlights yes, but no point imo. You could shoot that at 400. Much better
Bonjour pouvez vous faire la comparaison entre bmpcc 6k vs fx3
I don’t have a fx3
Thx but, where can we watch the spots?
Still being edited
Shutter speed on these slow motion shots?
No shutter speed on the Pocket. Always 180 shutter angle
Hi Matteo, have you got any advice for exposing with false colours for outside spaces, e.g. rural and city scenes? We know a lot is said about skin tones and having a mix of pink and green for Caucasian skin, but curious about non human scenes?
Question, i have the blackmagic 6k pro and I black balance my camera and I still get a lot of noise in the shadows and in the black. Any recommendations? I used to have the blackmagic 6K and never had that much noise like I do with the pro.
Yeah lots of info missing. Were you using the internal NDs? Or if it was night, how dark it was? The Pocket, like any other camera, can get very noisy if you are shooting in pitch black. Cleanest image you are gonna have is at iso 400 and 1250
I have the same problem with my 6k pro. Every time I shoot in the dark, I have a lot of noise in the image.
No nd. I was in iso 400. The last shoot I did I had the windows open which was enough to light the room and I also had one 1.5 K with a soft box hitting the subject and he had a black shirt and that was super noisy. This past weekend I had another shoot outside around 4 PM in a canopy and I still got noise in the black and shadows. My settings were iso 640, aperture 4.0. I had the same settings on a canon C 300 MK two and the blacks and The shadows were clean. I am thinking the camera might be defective?
@@RandyRuizvideomedia if you’re getting noticeable noise in broad daylight at iso 400. You might have a bad unit. Shouldn’t be noisy unless, like Matteo said, you’re underexposing or it’s just too dark out to get a decent signal from the sensor.
@@RandyRuizvideomedia you should post some example shots. I only get noise if its really dark.. late evening time frame.
Ciao Matteo una curiosità, è affidabile fare la color su MacBook Pro?
Cioè??
@@matteobertoli Nel senso che è molto bello molto vivido e brillante ma non affidabile come può essere un monitor esterno professionale e calibrato ? Ti chiedo essendo tu un professionista stellare, per capire se posso lavorarci anch’io con il MacBook
@@Dionisio77 assolutamente affidabile, se poi pensi che ormai é tutto online pure mio amico DIT prima di consegnare passa dal flanders al macbook, perchè tanto è li che lo guardano tutti :)
@@matteobertoli Grazie la tua risposta mi ha incoraggiato molto :)
I give up on bmpcc a long time ago, using Sony fx3 right now, Sony works good, but Gosh the bmd raw and colour is killing sony every time I saw someone post bmpcc clips. Sony can be really good after colour grading, but the bmpcc can easily match up fx3 clip while fx3 is having some really hard time to get similar colour like bmpcc
For one shot you mentioned that you shot at 48fps. What's the reason for that?
I shot 48p for all of them. Brand video, product shots, love the slowmo footage
To say no crew no lights is merely clickbait when clearly you had Mother Nature on set and Mr. Sun as your gaffer. I enjoyed the breakdown nonetheless.
😂 😂 😂 nice one!