@@Tanner-James Yes Hampson doesn't fit 100% perfectly into the category of baritone, but not all baritones do. The fach system isn't as rigid as people think it is. I think Thomas Hampson is a lyric baritone.
@@bradycall1889 Yeah I can agree that voices in general likely don't fit the rigidity of the fach system. That person saying that Thomas Hampson is anything remotely close to a lyric tenor if his voice was more "developed" is madness lol. I'm a novice lyric tenor myself who has the privilege of working with a world class spinto tenor and Hampson in my admittedly limited experience of analyzing voices still believes that to be insane.
Я 5 минут назад слышала этот отрывок в исполнении Бергонцци с Бастианини..Это счастье было слышать,большая работа!не поленюсь и найду..блин.старая опера и выразительные мастера!
PAVAROTTI vive sempre em meu coração, grandioso concerto, os dois tenores arrasaram. Bravos maestros Tradução para o português do Brasil desejando muitas vitórias .
Beyond thrilling. I run out of superlatives which which to describe my overflowing joy at this stunning performance. Both singers here, at the very peak of their powers.
Ascoltare questo brano è sempre commovente, interpretato da voci meravigliose lo è maggiormente. Comunque si sente che il nostro grande PAVAROTTI ha maggiore feeling con " LA BOHEME" e la musica di PUCCINI.
That is too big a statement, we do not need to ask Caruso and great baritone, Titto Ruffo to come up with this duet. There are ton of great ones, much stronger than this 2. ua-cam.com/video/TulQPsPYfkU/v-deo.html ua-cam.com/video/Dwyp9iuvgWo/v-deo.html ua-cam.com/video/axcJwCrAsOc/v-deo.html
Ah, of course, the people that kept on giving Hampson baritone roles for all of his life must have got it all wrong. And aside from technique, Pavarotti and Hampson have exactly the same timbre, right?!
Nice to hear these two great voices both sounding great when they take turns. But I wonder about the balance when they sing together in the fourth minute, where Pavarotti completely drowns out the lower voice, maybe it is by design as required by the composition, or maybe it is Pavarotti concentrating on his own part and unintentionally but effectively disregarding the other part of the duo to drown it out. I wonder whether the duo get a chance to really practice together to nail the duet, you can hear at 4:22 how the lower voice holds the note longer past Pavarotti cutting his own note off, and then Pavarotti to his credit "fixes" his or his duet partner's error by turning his voice back on for a moment, nice save but still jarring to hear. Somehow (by practice together or by great musical instincts, I don't know which) the good duet performances achieve a great coordination and balance of the two voices.
Totally different styles in these two. Hampson's position is in and fluffy. Pava's is out and hard. Hampson plows thru and lifts heavy, Pava is in the right spot. Pava's technique is bel canto. A great master. Hampton's doing something else.
stoleczna14 Pav's technique is solo far to belcanto. Try to listen to schipa , gigli and many singers of the 30's/40's .. Pav was a great singer but pushing is not belcanto.
Ilvermibaleno I love the old singers, especially Yussi Bjorling. Could you explain what you mean when you say Pavarotti was pushing? How is bel canto different from how he sang? I can hear that modern singers do something different, e.g., Kaufmann, Hvorostovski, even Thomas Allen and Sam Ramey. But Pavarotti was old school, wasn't he? His tone was light, not powerful, but I don't think he was pushing. Thanks for your thoughts on this. Regards!
@@arnaudraffarin2344 listen to 4.21 , "cor" totally in throat , often Pav sang in this way. Kraus said about him :"iron throat". Anyway, he was a great singer but not belcantista like gigli or schipa. Regards
Pavarotti definitely sang with more of his own technique than pure bel canto. In bel canto every note is not constructed the way Pavarotti constructed his. It doesn’t take away from his mastery, it’s just a fact in its own right.
It's a pity this duet is not better known, because it's exquisite. As for Pavarotti and Hampson, great separately, not so great together. How this performance is watched and enjoyed and nobody ever mentions Di Stefano and Warren's superb recording is beyond me.
¿alguien tiene la letra de esta canción? ¿o algún enlace por el que mandarla? lo necesito urgentemente Does anyone have the lyrics of this song? Or a link to read it?
Prefer a baritone more full, clarion and dark, more suited to the ringing jewel of a voice Pavarotti has here. Hampson more suited to Mozart than Puccini or Verdi, most clearly.
For a different version with Hampson, try ua-cam.com/video/4GGeTAql3Ig/v-deo.html In that video the duo are more in sync with each other, and the recording is less shouty and more smooth in my opinion. And in that other video they must be watching the conductor because they cut off together without the problem found at about 4:25 in this video. Maybe Pavarotti is just too much of a soloist for this duet.
But very "listenable". I know what you mean. But it's just that his technique requires a lot of lip and mandible tension. He drawns Pavarotti here, what he definitely shouldn't. Oh well, he was young and silly, I guess.
Pavarotti at the height of his career, Hampson with his voice still fresh, this video is a real GEM! Theay both sang the hell out of this duet!!
Pavarotti and Hampson on the same stage !!! It's quite something ! :D
Lyric Baritone and Lyric Tenor together. Beautiful. They pair so wonderfully.
2 lyric tenors, but Pavarotti is a full tenor and Hampson is a Tenore corto(undeveloped tenor)
@@vitormrmr lol there is no way Thomas Hampson is a tenor 🤣 How can you possibly justify that being true?
@@Tanner-James Yes Hampson doesn't fit 100% perfectly into the category of baritone, but not all baritones do. The fach system isn't as rigid as people think it is. I think Thomas Hampson is a lyric baritone.
@@bradycall1889 Yeah I can agree that voices in general likely don't fit the rigidity of the fach system. That person saying that Thomas Hampson is anything remotely close to a lyric tenor if his voice was more "developed" is madness lol. I'm a novice lyric tenor myself who has the privilege of working with a world class spinto tenor and Hampson in my admittedly limited experience of analyzing voices still believes that to be insane.
Ever growing fan of Thomas Hampson … great technical and emotional articulation.
Bravissimi !!!!!! E come non notare la magistrale direzione del grande Maestro Anton Guadagno.
God young Hampson has such a beautiful VOICE!
Я 5 минут назад слышала этот отрывок в исполнении Бергонцци с Бастианини..Это счастье было слышать,большая работа!не поленюсь и найду..блин.старая опера и выразительные мастера!
Thomas and Lucciano!!!! Together... Am I dead and went to paradise????
Yes, yes you have. What I would have given to be there.
Love it! It's fabulous to have the great Pavarotti with the amazing Thomas Hampson!
Two GOATs sharing one stage🗿👑
Hampson has a very beautiful baritone voice!
PAVAROTTI vive sempre em meu coração, grandioso concerto, os dois tenores arrasaram. Bravos maestros
Tradução para o português do Brasil desejando muitas vitórias .
Wow. There are not many men who could stand up with Pavarotti, but here is one of them.
Beyond thrilling. I run out of superlatives which which to describe my overflowing joy at this stunning performance. Both singers here, at the very peak of their powers.
Ascoltare questo brano è sempre commovente, interpretato da voci meravigliose lo è maggiormente. Comunque si sente che il nostro grande PAVAROTTI ha maggiore feeling con " LA BOHEME" e la musica di PUCCINI.
No way! These two sang together?? Oh wow!!😮😮😮😮😮😮😮😮😮😮😮😮😮
splendidi, semplicemente la perfezione
Still brings tears to my eyes, after decades.....
My 2 fav opera boys!
If the I ever get the time machine built, I will head back and make sure Im at this performance in the one of the first few rows...
The sheer beauty of both artists voice are sublime!!!! So warm and yet powerful nontheless!
Che bella aria, i enjoyed every second.
semplicemente delizioso
Beautiful sounds. Wonderful performance too.
Te adoro ❤️❤️❤️❤️❤️❤️❤️
PAVAROTTI VOZ imortal do melhor tenor do mundo, vc é imbatível. É vivo em meu coração. A paz de DEUS. BRASILEIRA descendente de italianos .
Beautiful, and yet they sing in spite of each other.
Great baritone, great tenor!
Two tenors!!!
@@xxsaruman82xx87 Thomas Hampson is a baritone isn’t he?
@@misslivinlife88 ignore him
@@misslivinlife88 Yes, Thomas Hampson is a baritone.
Tenore corto: hampson
So wonderful, thanks for posting this video ❤️❤️
really fantastic
Oh my... Bellisimo
In my humble (also not very important) opinion, we are watching the greatest two singers of all time sharing the same stage here. This is awesome!
such an exquisite way of speech, sir
That is too big a statement, we do not need to ask Caruso and great baritone, Titto Ruffo to come up with this duet. There are ton of great ones, much stronger than this 2.
ua-cam.com/video/TulQPsPYfkU/v-deo.html
ua-cam.com/video/Dwyp9iuvgWo/v-deo.html
ua-cam.com/video/axcJwCrAsOc/v-deo.html
Good for Pavarotti and that's it!
R I P!! Maestro!!
Rewarding, no less!!
Fine.
GOAT
너무 아름다운 환상적인 듀엣입니다!!!^^
True tenor and tenore corto.
Ah, of course, the people that kept on giving Hampson baritone roles for all of his life must have got it all wrong. And aside from technique, Pavarotti and Hampson have exactly the same timbre, right?!
Bravo no, braviiisssssiimo
❤️❤️
HUGES !!
A very fine performance but my sentimental favorite is Thomas Hampson and Jerry Hadley.
I prefer Jerry Hadley with another underrated baritone, Alan Titus. Hampson is high pitched voice many times.
Gorgeous singing. Wow. Hampson sounding like a good solid baritone here with real chiaroscuro.
Thank you very much for uploading.
Lost love the pearl fishers duet
Also quite inspiring!
Really beautiful...but Hampson seems to push too much on his voice sometimes...he has lyrical voice not dramatic... Pavarotti is the best!
Said the dude from the sideline.
Hugh Laurie sure could sing.
I agree.
Nice to hear these two great voices both sounding great when they take turns. But I wonder about the balance when they sing together in the fourth minute, where Pavarotti completely drowns out the lower voice, maybe it is by design as required by the composition, or maybe it is Pavarotti concentrating on his own part and unintentionally but effectively disregarding the other part of the duo to drown it out. I wonder whether the duo get a chance to really practice together to nail the duet, you can hear at 4:22 how the lower voice holds the note longer past Pavarotti cutting his own note off, and then Pavarotti to his credit "fixes" his or his duet partner's error by turning his voice back on for a moment, nice save but still jarring to hear. Somehow (by practice together or by great musical instincts, I don't know which) the good duet performances achieve a great coordination and balance of the two voices.
Two absolutely magnificent voices, but, IMO, they don't blend very well; in fact, they almost seem to clash when sounding together.
Please leave.
@@retgrimes WTF?? After you...
Totally different styles in these two. Hampson's position is in and fluffy. Pava's is out and hard. Hampson plows thru and lifts heavy, Pava is in the right spot. Pava's technique is bel canto. A great master. Hampton's doing something else.
stoleczna14 Pav's technique is solo far to belcanto. Try to listen to schipa , gigli and many singers of the 30's/40's .. Pav was a great singer but pushing is not belcanto.
Ilvermibaleno I love the old singers, especially Yussi Bjorling. Could you explain what you mean when you say Pavarotti was pushing? How is bel canto different from how he sang? I can hear that modern singers do something different, e.g., Kaufmann, Hvorostovski, even Thomas Allen and Sam Ramey. But Pavarotti was old school, wasn't he? His tone was light, not powerful, but I don't think he was pushing. Thanks for your thoughts on this. Regards!
@@Ilvermibaleno pavarotti pushing ???!! LOL
@@arnaudraffarin2344 listen to 4.21 , "cor" totally in throat , often Pav sang in this way. Kraus said about him :"iron throat". Anyway, he was a great singer but not belcantista like gigli or schipa. Regards
Pavarotti definitely sang with more of his own technique than pure bel canto. In bel canto every note is not constructed the way Pavarotti constructed his. It doesn’t take away from his mastery, it’s just a fact in its own right.
They do seem to be competing with each other just a bit, but a bloody good rendition nevertheless. Hampson still a young singer when this recorded.
Do you have an idea of the year? May be late 90s???
They’re competing with each other… just like… Marcello and Rudolfo….??? It’s almost like… that’s the dynamic even in this duetto
Awesome, for a lot of reasons (as long as you don’t watch Hampson’s face).
Der Unterschied wird ganz deutlich, wenn ein Ton vorne sitzt oder wampftig nach hinten verlagert ist.
It's a pity this duet is not better known, because it's exquisite. As for Pavarotti and Hampson, great separately, not so great together. How this performance is watched and enjoyed and nobody ever mentions Di Stefano and Warren's superb recording is beyond me.
¿alguien tiene la letra de esta canción? ¿o algún enlace por el que mandarla?
lo necesito urgentemente
Does anyone have the lyrics of this song? Or a link to read it?
Pele and Maradona!!!
Prefer a baritone more full, clarion and dark, more suited to the ringing jewel of a voice Pavarotti has here. Hampson more suited to Mozart than Puccini or Verdi, most clearly.
When and where is this performance?
0:50
For a different version with Hampson, try ua-cam.com/video/4GGeTAql3Ig/v-deo.html In that video the duo are more in sync with each other, and the recording is less shouty and more smooth in my opinion. And in that other video they must be watching the conductor because they cut off together without the problem found at about 4:25 in this video. Maybe Pavarotti is just too much of a soloist for this duet.
Hampson wasn't bad 'till he tried Verdi.
Puccini isn't Hampson's cup of tea. The two voices don't go together.
1:31 palavrão
😂😂😂😂😂😂😂 sai dae mano
to my way of thinking Pavoritti had to up his game to sing with Hampson
Duetto tracurabile ma almeno Pavarotti ha tecnica sufficiente per Puccini... Hampson non lo commento, chi ha orecchie sa cosa intendo...
He was always unwatchable; now he's unlistenable too. Not gonna be any days off.
donald kane lol, I believe you didn't comment in the right thread
They seem to be yelling at each other.
Hampson, as usual, is unwatchable.
Why in your opinion is Hampson unwatchable.Donald?
He does kind of over act, and exaggerate his expressions. I love his voice so much that I forgive it.
Remember, though, that he's acting for a large, in-person audience, not for those watching on PBS --
But very "listenable". I know what you mean. But it's just that his technique requires a lot of lip and mandible tension. He drawns Pavarotti here, what he definitely shouldn't. Oh well, he was young and silly, I guess.
It wasn't his youth; he's always been unwatchable.
Not Pavarotti, not Domingo, greatest 'Italian' tenor was Spanish Jose Carreras.
go get hearing aids lol
❤️❤️