27.40 से सुनिये, नमस्कार करता हु पंडित अरविंद पारेख जी और पंडित योगेशसमसी दादा को, बिलकुल सही कहा, पंडित जी ने की बनारस घराना ये लखनौ और पंजाब का मिश्रण है, लेकीन फररूखाबद भी तो लखनौ से ही आया और अपनी विशेष बात साबित की, एक बात रखना चाहता हु की बनारस मे सिर्फ लखनौ या पंजाब से मिलती रचना है ऐसें बात नही, बनारस ने तबला मे उठान लाया जो अपने आप मे एक खूबसुरत रचना है जो अलग अलग लय और भाषा मे बजायी जाती है , एक नया आयाम जो स्वतंत्र तबला वादन मे पेशकार से पहले एक अलग शुरुआत तबला सोलो को देता है जीसमे उपज अंग की सुंदर अभिव्यक्ती होती है, इसके बाद सोलो मे पेशकार की जगह औचार या बनारसी ठेका बजता है जो धृपद गायकी या तंत्र वाद्य का आलाप जोड झाला इसकी अनुभूती देता है, ये तबला वादन मे पहले किसीं भी घराने मे नही देखा जाता, बाँट बजाना जीसमे लय का विभाजन दिखाया जाता है सिर्फ बनारस मे बजता है, नृत्य से आया हुआ आमद जो अलग अलग मात्रा से सुंदर भाषा का चुनाव वो भी उपज अंग से करके सम पे आने का अंदाज बनारस मे ही है, पखावज को पिता साज केहते है उसका पुरा अंदाज तबला पे बनारस जितना खूबसुरत कोई नही व्यक्त करता, जैसे दिल्ली पंजाब ने पखावज को बंद बाज जे रुप मे सोचा उसिको बनारस ने खुले बाज मे सोचा और साऊंड ,निकास को बखुबी बॅलन्स भी किया, सबसे महत्वपूर्ण फरद जो गत की जगह बजाते हे लेकीन गत नही, एक संपूर्ण अलग आयाम जो किसीं घराने मे नही वो बनारस ने दिया, इसमे एक ही आवर्तन मे खाली भरी की संभावना पुरी करते हूए और बिना तिहाई होतें हूए सम पे आनेवाली अपने आप मे स्वयंपूर्ण रचना दिखाई देती है, स्तुती परन बजाने की परंपरा जो पखावज से आयी है लेकीन हु ब हु बोली जाय ऐसें तबले पे सुनाई देती है, उसका कारण बनारस घराने की सोच और उसके विद्वान लोगो की साधना है, लग्गी नाडा जीस खूबसुरती से और साहित्य के अंदाज को समजके बनारस मे बजता है वैसा और कही नही, इन सारी चिजो का पार्श्वभूमी ये हे की इतिहास मे सबसे पुराना घराना फिर वो संगीत के किसीं भी विधा का हो, पहले बनारस घराना था, इसके तबला घराने मे जो वीर और शांत रस हौ वो बनारसी पखावज से हें, जो रुद्र रस है वो काशी विश्वनाथ जी का है, जो शृंगार रस हौ वो नृत्य से, जो सुंदर नजाकत है वो ठुमरी से है, और जो सांगीतिकता हे वो बनारस के गायन परंपरा की है, इसलीये तो उसके बनारस नाम को बना हुआ रस कहा जाता है, इतिहास मे सभी विधाओ का घरांना कॊई है तो वो पेहला बनारस है, पखावज, तबला, गाना, ठुमरी, लोकसंगीत, सारंगी, नृत्य, साहित्य, अध्यात्म, धार्मिकता ,सबमे बनारस है, तो बनारस तबला सिर्फ लखनौ या पंजाब की उपज नही. ये विनम्रता पूर्वक बोल रहा हु, बनारस सभी चिझो का घराना है सिर्फ कायदे या तुकडे का नही, इस घराने की सभी चिझे बेहद खूबसुरत है सभी ढंग से, सिर्फ गणित या भाषा नही बलकी साहित्य और सभी बातो मै
Very good QandA session. It clearly shows deep thinking and respect for art , talim and guru. He is also a polished speaker who doesn't venue into politically incorrect remarks. His tabla playing is beyond words. This bethak is wonderful. Please do host more of such bethaks. Please do bring Carnatic musicians such as Prince Rama Varma sometime.
Thank you Pandit Arwind ji for these rare gems of your sessions. 1. Yogesh ji has been very honest in his deliberations, and so informative too. 2. There are only a select few who have sweetness of the tabla sound, as is with Pt Yogesh. Don't want to compare, but this is what goes best with the instrumental music, like sitar, sarod, violin & even santoor. Thanks again.💐💐🎉🎉
Amazing video. Not only this, but the entire series of baithaks. As an enthusiast, as a lover of Indian classical music, these are all worth in diamonds for me. Heard ustad Nizamuddin Khan sab for the first time today after pt shamsi ji mentioned his name. Thank you for all these amazing gatherings. Haritik Mishra
Plethora of knowledge and advice based on experience and wisdom is unique, can not be found after reading various texts prescribed for Visharsd or Alankar courses.Fantastic ability to bite.
I don't know if u would notice my comments. However, my high regards for Arvind Parikh Saheb. My late Grandfather spoke very well of you and he mentioned you quite often after meetings back home . You are among those lost generations who are not diplomatic or rather evasive in their response and opinion on matters of Concern. Very well pointed out the apathy among vocalists ignoring to mention the credit of the creator of the Bandishes and your approach towards fusion. A lie can be defended in numerous pretexts, & Truth could cry hard to prove itself. But finally truth prevails. This Bebaak & Akhadd mijaaz is what I loved in my Grandfather Pt. Abhay Narayan Mallick and I loved to see in you. Great Endeavour, to organise Baithaks with Such Great artistes like Shamsi Saheb in a Podcast format. I hope & pray this goes on to shape up in musical conferences of 50s & 60s when artistes stayed together & Listened, interacted and appreciated LIVE. My Grand father always bemoaned the dying of this ritual. It used to be like an annual Akhada. Again my huge regards to you Sir Parekh and your team. Jai BHARAT ✊
He is an ultimate tabla player and reciter. What an explanation about each Gharana with examples. I would be pleased if again Panditji is called. Amazing clarity which is nowadays very rare , with rich cultural heritage of Punjab Gharana.
I knew nothing about music but i am among good listener and praiser for indian classical music but now after watching so many episodes from here i know many things and listen to each episode very carefully and it interests me a lot , thnaks for presenting such a beau2 baithak and preserving the spirit of music.
Simply fantastic..! Mindblowing!! To say the least. Many many gratitudinous thanks, Arvind kaka; not only for this Baithak series, but also your glorious contributions, with the Sitar, to Hindustani Shastriya Sangeet and its parampara. May the Good Lord bless you with abundant health & happiness always..! Shath Shath PraNaams..!
Thank you Pandit Arvind Parikhji for organizing such a wonderful series of programs. I eagerly wait for next one. I am so excited to see Pandit Yogesh Samsiji. He is so clear to articulate the concepts. And praising is not enough for Yogeshji's recital.
I have known Yogesh when he was one month old. I also know his family including his grand father Dr. Samsi whose last name he has taken to continue with the Samsi last name as Dr. Samsi had all daughters and no son. So he wanted Yogesh to take his last name.
Sir plz invite pt. Venkatesh Kumar for baithak really hope to see him ,to catch some of his experiences and education for student of music like us plzz
Very informative. Please find some way how the great treasure of vocal and instrumental music preserved in our famous Archives, can be exposed and brought into light for posterity. Thanks
Recently I have copied my Masterjis notations in a new note book. My teachings, though very brief and dates back to 1998-99. But, today, when at times I practice, it is helpful because notations had been noted down. I belong to Farukabad Gharana. And I heard my Masterji say, "Tabla is a difficult instrument to play, just like violin".
Arvind ji should speak to Zakir bhai on the topic of concept of fusion. This arrogance of the classical music is sad. Desh mein bhi fusion hai, pehle bhi tha. Even when two gharanas or two classical art forms come together, it is FUSION
Arnab with due respect the 2 gharanas singing together is different thing they dont compromise on basics for commercial purposes...but some fusions not all but the half learned ones compromise....and just beacause it sells well...
Pandit ji probably meant fusions between different genres of music, not just different Gharanas. Also, probably he meant there hasn't been any significant one in this country, that has been widely accepted.
@@arnabdasphysicsHi, your guess is as good as mine. But across many of these baithaks, Pandit ji's condescending dismissal of fusion music is very marked. The purists look down upon it. But Pt Ravi Shankar, Zakir bhai and many others have taken Indian music global through fusion. Of course, many others have butchered music in the name of fusion too. But, many pure classical practitioners have made music that is unbelievably bad. We should take the best from all.
@@arnabdasphysics I would urge you to listen to Pt Ravi Shankar and Phillip Glass; Remembering Shakti; works of Dr L Subramaniam; .. there's an endless list. Mr Arvind Parikh's deep condescension is misplaced, almost naive.
27.40 से सुनिये, नमस्कार करता हु पंडित अरविंद पारेख जी और पंडित योगेशसमसी दादा को, बिलकुल सही कहा, पंडित जी ने की बनारस घराना ये लखनौ और पंजाब का मिश्रण है, लेकीन फररूखाबद भी तो लखनौ से ही आया और अपनी विशेष बात साबित की, एक बात रखना चाहता हु की बनारस मे सिर्फ लखनौ या पंजाब से मिलती रचना है ऐसें बात नही, बनारस ने तबला मे उठान लाया जो अपने आप मे एक खूबसुरत रचना है जो अलग अलग लय और भाषा मे बजायी जाती है , एक नया आयाम जो स्वतंत्र तबला वादन मे पेशकार से पहले एक अलग शुरुआत तबला सोलो को देता है जीसमे उपज अंग की सुंदर अभिव्यक्ती होती है, इसके बाद सोलो मे पेशकार की जगह औचार या बनारसी ठेका बजता है जो धृपद गायकी या तंत्र वाद्य का आलाप जोड झाला इसकी अनुभूती देता है, ये तबला वादन मे पहले किसीं भी घराने मे नही देखा जाता, बाँट बजाना जीसमे लय का विभाजन दिखाया जाता है सिर्फ बनारस मे बजता है, नृत्य से आया हुआ आमद जो अलग अलग मात्रा से सुंदर भाषा का चुनाव वो भी उपज अंग से करके सम पे आने का अंदाज बनारस मे ही है, पखावज को पिता साज केहते है उसका पुरा अंदाज तबला पे बनारस जितना खूबसुरत कोई नही व्यक्त करता, जैसे दिल्ली पंजाब ने पखावज को बंद बाज जे रुप मे सोचा उसिको बनारस ने खुले बाज मे सोचा और साऊंड ,निकास को बखुबी बॅलन्स भी किया, सबसे महत्वपूर्ण फरद जो गत की जगह बजाते हे लेकीन गत नही, एक संपूर्ण अलग आयाम जो किसीं घराने मे नही वो बनारस ने दिया, इसमे एक ही आवर्तन मे खाली भरी की संभावना पुरी करते हूए और बिना तिहाई होतें हूए सम पे आनेवाली अपने आप मे स्वयंपूर्ण रचना दिखाई देती है, स्तुती परन बजाने की परंपरा जो पखावज से आयी है लेकीन हु ब हु बोली जाय ऐसें तबले पे सुनाई देती है, उसका कारण बनारस घराने की सोच और उसके विद्वान लोगो की साधना है, लग्गी नाडा जीस खूबसुरती से और साहित्य के अंदाज को समजके बनारस मे बजता है वैसा और कही नही, इन सारी चिजो का पार्श्वभूमी ये हे की इतिहास मे सबसे पुराना घराना फिर वो संगीत के किसीं भी विधा का हो, पहले बनारस घराना था, इसके तबला घराने मे जो वीर और शांत रस हौ वो बनारसी पखावज से हें, जो रुद्र रस है वो काशी विश्वनाथ जी का है, जो शृंगार रस हौ वो नृत्य से, जो सुंदर नजाकत है वो ठुमरी से है, और जो सांगीतिकता हे वो बनारस के गायन परंपरा की है, इसलीये तो उसके बनारस नाम को बना हुआ रस कहा जाता है, इतिहास मे सभी विधाओ का घरांना कॊई है तो वो पेहला बनारस है, पखावज, तबला, गाना, ठुमरी, लोकसंगीत, सारंगी, नृत्य, साहित्य, अध्यात्म, धार्मिकता ,सबमे बनारस है, तो बनारस तबला सिर्फ लखनौ या पंजाब की उपज नही. ये विनम्रता पूर्वक बोल रहा हु, बनारस सभी चिझो का घराना है सिर्फ कायदे या तुकडे का नही, इस घराने की सभी चिझे बेहद खूबसुरत है सभी ढंग से, सिर्फ गणित या भाषा नही बलकी साहित्य और सभी बातो मै
Exactly 💯💯💯
Completely Agree 💯
Thanks a lot
Correct 💯
Wonderful observation. Benaras was a melting pot of many great artistes ans so the adayegi part of Benaras is Exclusive.
Very good QandA session. It clearly shows deep thinking and respect for art , talim and guru. He is also a polished speaker who doesn't venue into politically incorrect remarks. His tabla playing is beyond words.
This bethak is wonderful. Please do host more of such bethaks.
Please do bring Carnatic musicians such as Prince Rama Varma sometime.
Your sessions are a blessing to music lovers!!....Thanks for uploading!
I am thrilled to listen to you..patience and Sanskar..it helped to remove some basic doubts in mind.. fantastic!!
no words just amazing, I am very proud of Pt Yogesh ji and Punjab Gharana...........!!
I don't think anybody could have summarized Ustad Zakir Hussain's artistry better than what Pandit Yogesh-ji did here.
Sureshji does, along with him
Thank you Pandit Arwind ji for these rare gems of your sessions.
1. Yogesh ji has been very honest in his deliberations, and so informative too.
2. There are only a select few who have sweetness of the tabla sound, as is with Pt Yogesh.
Don't want to compare, but this is what goes best with the instrumental music, like sitar, sarod, violin & even santoor.
Thanks again.💐💐🎉🎉
The best Tabla Player ever lived Pandit Yogesh Samsi, he play tabla at another level no one can. Love u Ustad God Bless U. I Wish i was your diciple.
Possibly the finest tabla player at this moment !
One among the finest tabla players.. :)
It's not a possibility is the truth
And the humblest.
who is older? zakir or yogesh?
@@a.3160 zakir ji is 17 years older than yogesh ji
He is very knowledgeable and humble.
Pandit jee ...we are fortunate to listen this ....really a great tutorials thru baithak .... music and life lessons ....
Excellent elaboration by Pt. Yogesh ji....learnt a lot 🙏🏻🙏🏻🙏🏻
Kyaa gyaan diya! Wah
These 'baithaks' are so interesting and captivating. A wonderful platform for people hungry to learn about music and maestros. Thank you Arvind ji!
Amazing video. Not only this, but the entire series of baithaks. As an enthusiast, as a lover of Indian classical music, these are all worth in diamonds for me. Heard ustad Nizamuddin Khan sab for the first time today after pt shamsi ji mentioned his name. Thank you for all these amazing gatherings.
Haritik Mishra
Plethora of knowledge and advice based on experience and wisdom is unique, can not be found after reading various texts prescribed for Visharsd or Alankar courses.Fantastic ability to bite.
🙏 pranaamam Yogesh bhai and PT Arvind ji🙏
I don't know if u would notice my comments. However, my high regards for Arvind Parikh Saheb. My late Grandfather spoke very well of you and he mentioned you quite often after meetings back home .
You are among those lost generations who are not diplomatic or rather evasive in their response and opinion on matters of Concern.
Very well pointed out the apathy among vocalists ignoring to mention the credit of the creator of the Bandishes and your approach towards fusion.
A lie can be defended in numerous pretexts, & Truth could cry hard to prove itself. But finally truth prevails.
This Bebaak & Akhadd mijaaz is what I loved in my Grandfather Pt. Abhay Narayan Mallick and I loved to see in you.
Great Endeavour, to organise Baithaks with Such Great artistes like Shamsi Saheb in a Podcast format.
I hope & pray this goes on to shape up in musical conferences of 50s & 60s when artistes stayed together & Listened, interacted and appreciated LIVE.
My Grand father always bemoaned the dying of this ritual.
It used to be like an annual Akhada.
Again my huge regards to you Sir Parekh and your team.
Jai BHARAT ✊
Thanks a lot for this knowledge .... 💝💝 To both pandit jis
I am from Morocco and follow carefully your bhaitaks, would be amazing if subtitles are in English when someone speaks in Hindi. :)
It is being done
Amazing sir! thank you very much!
MANMETR He came to my house in London with Hariprasad Chaurasia for dinner in 2007. Good guy. I'm coming to Morocco, next week.
Enjoy Morocco!!
If you go to settings and for subtitles put English autogenerated and it will translate to english in text when they speak in Hindi.
He is an ultimate tabla player and reciter. What an explanation about each Gharana with examples. I would be pleased if again Panditji is called. Amazing clarity which is nowadays very rare , with rich cultural heritage of Punjab Gharana.
I knew nothing about music but i am among good listener and praiser for indian classical music but now after watching so many episodes from here i know many things and listen to each episode very carefully and it interests me a lot , thnaks for presenting such a beau2 baithak and preserving the spirit of music.
Wonderful to watch and understand great arts of tabla by different ideas
Simply fantastic..! Mindblowing!! To say the least.
Many many gratitudinous thanks, Arvind kaka; not only for this Baithak series, but also your glorious contributions, with the Sitar, to Hindustani Shastriya Sangeet and its parampara.
May the Good Lord bless you with abundant health & happiness always..!
Shath Shath PraNaams..!
Anubratada's reactions do nothing but justify Yogeshji's playing
Jalan.
@@jigggro I would say respect towards a far more senior player.
@@jigggro jalan for you may be , i would call it recognition
He is not only a fine tabla player but also an educated , well spoken,well read & a level headed guy.Mind you he is 17 years younger than Zakirbhai.
Wow. I thought there must be maximum 5-7 years diff.
Can't forward. Even a sec . Jane kya rah jaye seekhne se
Vinay Swarnkar true
🙏🙏🙏🙏🙏
It is a great interview.
a marvellous lecture. thank you
Thank you Pandit Arvind Parikhji for organizing such a wonderful series of programs. I eagerly wait for next one. I am so excited to see Pandit Yogesh Samsiji. He is so clear to articulate the concepts. And praising is not enough for Yogeshji's recital.
Great sessions for music students.
Atulneey vadan guru ji ka
By far the best sunset i've ever witnessed
Thanks so much from a big fan of Panditji. I play the kaida at 134:30, and it is great to see a master such as Panditji play it.
Nicholas Klacsanzky It's one of the most famous compositions of Ustad Amir Hussain Khan Saheb. Almost every tabla player here plays it😊
Another great video. Very informative and interesting. Which software do you for the subtitles?
Wah jii wah
Waah pandit ji
Anaghat tehaai 🤯
Culture of family
Beautiful
I have known Yogesh when he was one month old. I also know his family including his grand father Dr. Samsi whose last name he has taken to continue with the Samsi last name as Dr. Samsi had all daughters and no son. So he wanted Yogesh to take his last name.
You knew him when he was one month old? Did he talk much back then?
pranam sabhi GuniJano Ko..
Sir plz invite pt. Venkatesh Kumar for baithak really hope to see him ,to catch some of his experiences and education for student of music like us plzz
Please invite Ustad Rashid khan saheb 🙏🙏🔥🔥plz
Kya baat hai
Kya baat hai 👌
Sir ustad Rashid khan jii ko bhulaea n
P 1:22:04 the peshkar 🎉🎉🎉🎉🎉
Such beautiful thoughts on accompaniment by Pt Samsi. Very insightful.
Very informative. Please find some way how the great treasure of vocal and instrumental music preserved in our famous Archives, can be exposed and brought into light for posterity. Thanks
🙏🙏🙏
This is Amazing, please do one baitakh with Flute
As a flute player, I second this! Please call either Pt. Hariprasad Chaurasia, Pt. Ronu Majumdar, or Pt. Praveen Godkhindi
Pt. Nityanand Haldipur baithak will be coming soon
Brilliant idea to organize baitaks. Thank you so much to everybody who made it possible and Arvin ji🙏🏽
34:00
🙏🙏😇💕
1:52:38 anagat ❤
Probably the best demonstration of a exemplary layakari!
37:07 the guy looks really bored and looks at his watch.Classic!
Amazing Individual, Teacher, Player
Sir how can one attend your sessions?
57:11
The quality of the video is great...!!
Recently I have copied my Masterjis notations in a new note book. My teachings, though very brief and dates back to 1998-99. But, today, when at times I practice, it is helpful because notations had been noted down. I belong to Farukabad Gharana. And I heard my Masterji say, "Tabla is a difficult instrument to play, just like violin".
Agar Hindi me hota to me bhe dhanya ho jata leken koi baat nahi gurujano ko koti koti pranam
v nicely he handled the interview
Precisely and nicely explained both verbally and thru demonstrations👍
Amazing performance
Glued to it
Arvind ji should speak to Zakir bhai on the topic of concept of fusion. This arrogance of the classical music is sad. Desh mein bhi fusion hai, pehle bhi tha. Even when two gharanas or two classical art forms come together, it is FUSION
Arnab with due respect the 2 gharanas singing together is different thing they dont compromise on basics for commercial purposes...but some fusions not all but the half learned ones compromise....and just beacause it sells well...
Pandit ji probably meant fusions between different genres of music, not just different Gharanas. Also, probably he meant there hasn't been any significant one in this country, that has been widely accepted.
@@arnabdasphysicsHi, your guess is as good as mine. But across many of these baithaks, Pandit ji's condescending dismissal of fusion music is very marked. The purists look down upon it. But Pt Ravi Shankar, Zakir bhai and many others have taken Indian music global through fusion. Of course, many others have butchered music in the name of fusion too. But, many pure classical practitioners have made music that is unbelievably bad. We should take the best from all.
@@arnabbhattacharyaGGAgree totally.
@@arnabdasphysics I would urge you to listen to Pt Ravi Shankar and Phillip Glass; Remembering Shakti; works of Dr L Subramaniam; .. there's an endless list. Mr Arvind Parikh's deep condescension is misplaced, almost naive.
Sir hamare ustad ji zakir Hussain ji ko bhi bualaye koshish kare
Great classes why they speak in English I dont understand
amazing. but tabla sur me nahi hai
1:30:11 what a tihai
Hallo nanaksar sir ji pl aap hindi m btaau aap ka shukriya
Spellbinding playing and lecture. Isn’t this a Bharat Kakade Dayan?
Certainly is! Yogesh ji most of the time uses tabla sets made by Bharat ji😊
Certainly is! Yogesh ji most of the time uses tabla sets made by Bharat ji
Tabla Bajane Se Paise Aate Hai Kya 😔
What is the location of these baithaks? It seems like a high-rise apartment/flat, but located where?
How to attend this baithak session ?
I think only those who are known to Arvind Parekhji or the artist can attend this session as it's held privately at Arvind Parekhji' house.
Kyoki talal English m nahi bolna h ji
Legend.
Pta nhi ye log apni language me baat kyu nhi krte...
😂 ye to sach bat hai
Because ye sare baithaks globally sab log sunte hai from all over the world so english language se sabko easy hota hai samajhna
Kabhi taari Khan ko bhi bajawa lo
Everything is fine and inspiring...but talim classical ki hai to bhasha bhi apni hi honi chahiye....!!
42:49