Jack Sanders - Scales as Basis for Technique - Part 3
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- Опубліковано 8 вер 2024
- Guitar: 2013 Richard Reynoso (tinyurl.com/oty...)
Here's Jack Sanders, who works with some of the most talented young players in this country, with the second part of his lesson on using scales as the basis of a comprehensive technique. In Part 3 Jack gives us some exercises to practice control of tone and articulation as we put the left and right hands together and begin to practice our scales. Jack is playing a 2013 Richard Reynoso cedar-top classical guitar at the Guitar Salon showroom in Santa Monica, CA.
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I would welcome many more videos from Jack Sanders, especially ones which look at developing ballistic motion.
Wish I could have watched these 3 videos 30 years ago. I am finding improvement right away. thank you
Thanks you so much! One of the best teaching.
you're the best, thank you
More, please!
great series
Thank you, Jack!
Very nice series, Thanks !
You are amazing !
Wonderful videos! Could I request a “Jack Sanders Book/CD/Video” please?
Great
Hi Jack, can we practise scale using chico (pinky) finger and alternate with the normal i,m,a to improve our finger muscle agility and flexibility ? There are thousand of fingering pattern for our right hand arpeggio or free stroke or rest strokes.
+Lawrence Hiun Definitely! Any practice that you do using the small finger (c) will help. Experiment with the nail length and shape so that if feels as close as possible to the resistance that the other fingers have going through the string.
ok thank
Would you use the same finger techniques for playing arpeggios? If so, would you continue to plant the thumb?
What are your thoughts on playing scales with 3 or even 4 fingers of the right hand? Ex. alternating (a m i a m i etc.) applied to the same scales in rest and free strokes. Even though it's more complicated to coordinate, theoretically, couldn't you achieve faster speeds and more endurance since you're dividing the work between more fingers?
+Ian Jenkins Hi Ian, I have no issues with playing scales with different combinations of fingers. Having your large muscles relaxed (deltoid and biceps, especially) will allow you to play almost any fingering well. Every guitarist should explore different options to find out what works best for them. Personally, if I have to play a really fast scale, I'll usually choose PMPM, free stroke. Once I settled in on that fingering, a fast scale in a piece didn't scare me anymore.
+Jack Sanders
It would be so great to have you do more videos on technique! (Especially right hand technique finger combinations that you just referred to, PMPM, IMAIMA, AMIAMI..)
Hi Jack. My question is regarding the shape of the right hand. I can't tell from the front view but is you're right hand in a "c" shape or more fist like aka arpeggio shape? Thanks. Mike
Good instruction of Mr. Sanders, but I observe he doesn't do clean displacements, which need also separate attention.