whoa, that is fantastic! some many different ideas. Where's the director's cut of this where you discuss where these ideas are coming from :)? awesome version Andy!
I used to be a finger style player for years now I've gone over to flatpick from playing mandolin all the time and I'm surprised how easy it is to do that hybrid pick and finger thing I guess it's more for solo instrumentalists singers in the bluegrass world?
@@michaeladams2644 I think it really depends on the size of the group and the instrumentation, AND whether you are playing on your own mic, single-micing, or plugged in. You have to produce sound that will be heard in whatever context you're playing in. The guitar is the quietest instrument in the bluegrass band, and unless you are close-micing, hybrid picking just won't be heard. It works in a studio just fine where the compressor takes over.
Man, how I look forward to these videos. Thanks again Andy!
whoa, that is fantastic! some many different ideas. Where's the director's cut of this where you discuss where these ideas are coming from :)? awesome version Andy!
Sweet! Thanks for sharing.
Ear Candy Andy ❤
Yeahhhhhh
Oh wow. I’m so jealous. I have the technique down pat but not the ear to do that.
Nice job👍👍
Excellent. Curious as to what band setting you had the Strum Machine on…sounds great. Love my Strum Machine.
Bass, no mandolin, le pompe, and feet
Awesome playing! I'm curious. How much of that stuff (if any) would you play when jamming with other musicians?
All of it at that tempo. It would be different if the song was faster
If not going blind you were doing hybrid picking 😂
Hybrid picking is a part of the style. Both Tony and Clarence did it. But! You ain't heard nothing until you've heard Jim Hurst.
I used to be a finger style player for years now I've gone over to flatpick from playing mandolin all the time and I'm surprised how easy it is to do that hybrid pick and finger thing I guess it's more for solo instrumentalists singers in the bluegrass world?
@@michaeladams2644 I think it really depends on the size of the group and the instrumentation, AND whether you are playing on your own mic, single-micing, or plugged in. You have to produce sound that will be heard in whatever context you're playing in. The guitar is the quietest instrument in the bluegrass band, and unless you are close-micing, hybrid picking just won't be heard. It works in a studio just fine where the compressor takes over.
Comping like a jazz guitarist there - much nicer on that guitar though...