I enjoyed your video. I believe your concerns about 12G vs 3G are incorrect. The difference between the two is bandwidth: the 12g can pass 12 gigs of data vice 3 gig for the 3g. There are 8 inputs and 8 matching outputs. The second SDI connection (output) passes program, talkback and camera control for blackmagic cameras. You need the second cables for these functions whether it is 3G or 12G. For example the BM URSA Broadcast G2 is 12G and still requires the second cable for camera control etc. 12G is just an added expense for an HD only system. Not meant as a criticism.
This is a great update. I recently started following you regarding this. We are working with BMD right now on narrowing down my weak panel lcd on the BMD TVHD8. I use the switcher for our studio and weekly broadcast. Unfortunately, Great content @City on a Hill!
@@cityonahill_coah I actually got them both to see which one would be best. I mainly got the bigger one because of on board storage, and the professional audio solutions all in the same box. Completely new to the ATEM entire platform though, so it may be complete overkill too.
I know this is a new social media trend always to hold these wireless transmitters in your hand but people need to realize they're not created to be that close to your mouth. When you put them that close you hear every breath and every smack. They're made to be used with external lavalier mics (or just the transmitter) away from your mouth😁
Quite an insightful explanation . This is really appreciated. I have a question concerning the program recording versus Blackmagic braw internal recording. I assume that if a BMPCC4K for example is set to record BRaw internally using the 'Film' or 'Ext Video' dynamic range option...the internal recording will give you the flat looking ungraded image. Assuming the same camera is connected to this ATEM Television Studio Switch for the HD ISO recording, would you be having same flat looking image in the ISO files/multiview screen recorded on the switch or is there a way to set the dynamic range in ISO (video coming out through the hdmi to the switcher) to record in 'Video' dynamic range option?
that’s a good question. Basically you can do either or. On the black magic camera you can set on the display options whether to display the LUT out of the HDMI or not. If you display the LUT that’s what the switcher will see and it will record that in the program file. If you turn the LUT off on display, you’ll see the flat on graded footage in the switcher and that’s what it will record and see. Hopefully that makes sense.
it's pronounced "na.iv.te" correction, 12G SDI is still one way through the coax cable, it just pushes 4 times as much bits through the cable as 3G SDI does. you are probably mixing things up with the 10G ethernet the BMD studio cameras are capable of which is bidirectionnal.
WOW, Nice! Thanks for sharing. Mac & Blackmagic, absolutely.
Thanks for watching!
I enjoyed your video. I believe your concerns about 12G vs 3G are incorrect. The difference between the two is bandwidth: the 12g can pass 12 gigs of data vice 3 gig for the 3g. There are 8 inputs and 8 matching outputs. The second SDI connection (output) passes program, talkback and camera control for blackmagic cameras. You need the second cables for these functions whether it is 3G or 12G. For example the BM URSA Broadcast G2 is 12G and still requires the second cable for camera control etc. 12G is just an added expense for an HD only system. Not meant as a criticism.
i appreciate the correction 👏🏾👏🏾
Super helpful, especially for those of us that don't have one yet!
Great video!
Thank you for watching!
This is a great update. I recently started following you regarding this. We are working with BMD right now on narrowing down my weak panel lcd on the BMD TVHD8. I use the switcher for our studio and weekly broadcast. Unfortunately, Great content @City on a Hill!
bummer about the LCD screen! hopefully that gets resolved soon!! Thanks for the follow!
very interesting... thank you!
Glad you liked it!
Awesome!!
Thank you! Cheers!
Great video. I just got one for my podcast work
wow! i’m curious why you didn’t go with one of the smaller ones for podcast use?
@@cityonahill_coah I actually got them both to see which one would be best. I mainly got the bigger one because of on board storage, and the professional audio solutions all in the same box. Completely new to the ATEM entire platform though, so it may be complete overkill too.
ahh got it got it
I work on cruise ships as a TV Programmer, and our broadcast have exactly this one.
I know this is a new social media trend always to hold these wireless transmitters in your hand but people need to realize they're not created to be that close to your mouth.
When you put them that close you hear every breath and every smack.
They're made to be used with external lavalier mics (or just the transmitter) away from your mouth😁
Nice video. love to find a video on how to use it as everyvideo is the other atem mini, pro etc. any recommendations?
Coming soon!
Quite an insightful explanation . This is really appreciated. I have a question concerning the program recording versus Blackmagic braw internal recording. I assume that if a BMPCC4K for example is set to record BRaw internally using the 'Film' or 'Ext Video' dynamic range option...the internal recording will give you the flat looking ungraded image. Assuming the same camera is connected to this ATEM Television Studio Switch for the HD ISO recording, would you be having same flat looking image in the ISO files/multiview screen recorded on the switch or is there a way to set the dynamic range in ISO (video coming out through the hdmi to the switcher) to record in 'Video' dynamic range option?
that’s a good question. Basically you can do either or. On the black magic camera you can set on the display options whether to display the LUT out of the HDMI or not. If you display the LUT that’s what the switcher will see and it will record that in the program file. If you turn the LUT off on display, you’ll see the flat on graded footage in the switcher and that’s what it will record and see. Hopefully that makes sense.
@@cityonahill_coah thanks as always
Being that you use it for your cinematic productions, do you plug it into a surge protector, or is it plugged into the wall outlet?
if i remember correctly we had it plugged into a wall outlet for this shoot!
it's pronounced "na.iv.te"
correction, 12G SDI is still one way through the coax cable, it just pushes 4 times as much bits through the cable as 3G SDI does.
you are probably mixing things up with the 10G ethernet the BMD studio cameras are capable of which is bidirectionnal.
Lol...