GENESIS REUNION 2014:THE FIVE "THE LAMB LIES DOWN ON BROADWAY" - STEVE, PETER ,TONY, MIKE, PHIL
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- Опубліковано 21 тра 2024
- #genesis #philcollins #tonybanks #petergabriel #mikerutherford #stevehackett #anthonyphillips **If this video is of interest to you PLEASE CONSIDER HITTING THE "$ SUPERTHANKS $" button !
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On March 17th 2014, former and current GENESIS band members met for a filmed discussion about their story.
These are the rushes/outtakes from CAMERA A , the principal camera... with much improved audio from previous versions.
In this Part : the 1970s FIVE with PETER GABRIEL, PHIL COLLINS, TONY BANKS, MIKE RUTHERFORD & STEVE HACKETT discuss
the trials and tribulations of making the prog classic THE LAMB LIES DOWN ON BROADWAY and why Peter Gabriel decided to leave the band during the 'Lamb' tour.
ALSO AVAILABLE NOW ON THIS CHANNEL -
- THE FIVE : 'SUPPER'S READY' & 'MUSICAL BOX'
• GENESIS REUNION 2014: ...
- THE FIVE : ' THE LAMB LIES DOWN ON BROADWAY' & PETER LEAVES is here
• GENESIS REUNION 2014:T...
- THE FIVE : STEVE HACKETT LEAVES GENESIS & PETER GABRIEL RETURNS FOR ONE SHOW • GENESIS REUNION 2014: ...
Watch GENESIS REUNION 2014: THE THREE. Part ONE. • GENESIS REUNION 2014: ...
PART TWO of THE THREE is here • GENESIS REUNION 2014: ...
GENESIS PLAYLIST - FULL INTERVIEWS & shorter sections ua-cam.com/play/PL4.html...
* NOTES RE CAMERA ISSUES
Why is the camera moving so much? There were 3 cameras. you’re only seeing the “ rushes” footage from one of them. The camera operator is changing shots and focus to get variety - to be intercut with the other two in the edit.
**If you love this stuff, do support me with a subscription (free).
**PLEASE ALSO CONSIDER hitting the SUPERTHANKS $ button under the video to send me a small donation!
(Every $/£ donated will get fed back into my work - retrieving and uploading the content you love .) **
When Peter says "Supper's Ready"...it still sounds like he has just announced the next song and they're all about to actually play it.. :)
To me the LAMB was a Epic and Dramatic Album....My favorite songs were ...CARPET CRAWLERS...RIDE THE SCREE...The LAMIA..BACK IN NYC...💯💯💯💯🥰🥰🎤🎧🎹🎹🎹🎹🎹🎸🎸🥁🥁🥁🥁
It is rare for a band, that all members were equally talented and got successful solo careers. Lets not forget Anthony Phillips, Genesis first guitar player. He deserves to be recognized. .He recorded many fabulous solo albums as well.
I agree. My two-part interview with Anthony is on this channel.
Another Favorite GENESIS album was SELLING ENGLAND BY THE POUND...💯💯💯💯💜💜💜💜🎧🎤🎹🎹🎹🎹🥁🥁🥁🥁🎸🎸
Absolutely fantastic have a wonderful day John ❤❤❤❤❤❤😊😊😊😊😊😊😊
I cannot thank you enough for making this moment possible for all of us fans to enjoy! Thank you John!
Art reflects life reflects Art reflects...(ad infinitum)...The Lamb could only have been written with the air of torment and paranoia and distance within the players themselves, making Rael - well - Real! 🤓
I hope, HOPE the 'five' know how important, and vital these early records are to us...'Suppers Ready' was the first song that had me obsessed with this thing called music. I was age 10. A cassette of 'Seconds Out' was given to me, at a time I was just discovering what was to become my career and lifelong love. Listen to SR was a deeply spiritual experience for me, and at that age, utterly lifechanging...Much love to the guys, AND you, John, for these uploads. Best. M.E. ❤
Thank you so much for sharing these interviews !!
Thanks! This is wonderful material about the band more than the music. Not that I dislike the music but it’s keenly satisfying to hear how the musicians worked to make such wonderful songs and a truly wonderful concept album.
Cheers ! Very much appreciated! Love your take on this too.
I love hearing Mike and Peter clash
This is the essence of genesis
Very nice. I couldn't imagine sitting in your seat, facing these legends in person. Great work
Tony and Mike's resentment towards Steve is very evident. They never look him in the face and avoid talking to him. Zero empathy.
Wonderful ❤
These new versions are wonderful - I'm loving all of the extra detail. Thanks once more, John!
And then there were 1,085… I find it almost unbelievable that, even with a previous release of this interview, there are so few of us really committing and listening word-for-word to this whole conversation.
For those of us who are really touched by the history and music of Genesis (often from a young age), this is spine-tingling stuff. A transitional, tumultuous period for our favorite band, with the inner workings revealed by a conversation that is so open on the part of these guys.
Plus some heartwarming chuckles between the guys to smooth it over a little bit.
I feel like we are part of a small club who really are staying committed to this thin-and this interview gives us a privileged inner look at a convoluted, painful period for the band. This is just incredible stuff. I’m rambling on a little bit, but hopefully my point is made: gratitude to the filmmaker and interviewer: thank you, John!!!
I love your wonderfully “rambling” comment. Thank you !
@@JOHNEDGINTONDOCUMENTARIES glad we have mutual appreciation here. Wish I could donate for your efforts, I am a self funding musician working on some projects right now, but please know that your work is greatly appreciated, you probably know that already.
Having discovered Genesis in my teenage youth with Invisible Touch, I worked my way through their catalogue and although enjoying the Gabriel era was firmly in the Collins camp. But in the last few years I've had a rediscovery, everything is familiar as music stays with you for life, but now with more of a musical understanding I've been blown away by Nursery Cryme through Lamb which in my opinion got better with each release, and now Lamb is my favourite Genesis album. Certainly the live version on Archive #1 is something I will never tire of. It's great hearing the guys talking about it. If only there was more footage / recordings from that tour.
Thank you for these uncut interviews. Absolute gold dust for us fans ❤
My pleasure!
Es siempre sorprendente constatar las tensiones internas de la banda en la grabación de "The Lamb", para mi, uno de los mejores albumes de la historia dell rock. Igualmente sorprende escuchar a Phill decir que no sentía su autoria, o que se sintió ignorado, cuando su trabajo de batería y percusión es uno de los mejores y mas inspirados trabajos de bateria que uno pueda escuchar everr!!
"The New Jerusalem and blah, blah, blah." Oh, Pete ...
I think maybe the fans have been right all along, the chief tension seems to be between Pete and Phil. From not knowing, and then declining to hug one another, to Phil's constantly bringing it up, and Pete speaking for him, about the whole 'Phil was getting sick of my getups'. I think there is more truth to it than Phil would like to admit. David Hentchel produced Trick of the Tail and in another interview says that Phil very much wanted to sing. In this interview Pete seems to have enough of that, and says that he and Phil would often sit down and be 'working on their own thing'. I think it could be partly this idea of Phil as the 'reluctant rock star' that Pete seems sick of, when frankly they ALL were that. As Tony says, they loved music, and if they could make a living at it so much the better, and they did, kudos for that, beers all around. The same with Phil, its hardly his fault he wrote good songs that lots of people liked. Its really the fan base that almost demands they be apologetic for expressing themselves musically in a certain way. At the same time some people take the distintion between art and commerce seriously, and think of simplicity as being a sell out.
What I find interesting is the lack of critical commentary on the fact that 'the lamb lies down on broadway' seems a pretty patently ANTI american album. The crass commercialization and the 'lamb' as either just a ritual sacrifice, or an allusion to jesus 'lying down' on broadway to be sacrificed with the 'grand parade of lifeless packaging' seems pretty pointedly anti american. Something that I can understand from THEN, but then you had the jingoism of the eighties and the fall of russia into the nineties, so that theme got over shadowed. Today it seems less a 'spiritual journey into the soul' and more a political album that has a lot of the same themes that Pink Floyd later trotted out with The Wall.
7:23 Phil steals the conversation
had to give fly on a windshield/broadway melody of 1974 a listen after that
0:08 I love the segue from The Lamb into Fly ... Mike's 12 string rhythm and Tony's ambient Mellotron Choir setting the stage for Pete's " & I'm hovering like a fly, waiting for a windshield on a freeway"...BOOM!!!
As for the naked girls, that was Seattle. I was there.
But GENESIS had a Strong ITALIAN FAN BASE .!!💯💯💯💯🥰🥰🥰🥰
👍👍
John thanks. Is this a first time release? Loving this.
No but previous one was blocked by a copyright claim so I re-edited it to take that on board
This is a mislabeled therapy session between the guys
Camera work not good
Please read the video info on this which explains it
Interesting to see when Pete talks about his priorities to his family the rest of the band's body language comes off as "he's talking BS"
I didn't get that, they've all admitted to being unsympathetic. Tony you can't tell whether he's blowing it off with "well thats our upbringing" or more likely "yes, we've done interviews before, I've admitted I was a prick, can we move on?"
At the same time I don't get how he was going off to Hollywood if that was going on. The body language to me was "oh geez can we get this over with".
In hindsight I think I'd be fine if they had come in saying "can we not talk about Pete and Steve leaving yet again". I'd rather see them all comfortable and joking about their time together not feeling like "I'm glad I dont work with those bastards again" at the end.
There's always been Ethel....
Jacob wake up you gotta tidy your room now
The camera work is awful
Please read the explanation which is below the video.
And: wrong! The camera work captures the intensity of this conversation.