Beethoven - Piano sonata n°11 op.22 - Richter London 1968

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  • Опубліковано 21 жов 2024
  • Ludwig van Beethoven
    Piano sonata n°11 op.22
    I. Allegro con brio 0:00
    II. Adagio con molta espressione 7:40
    III. Menuetto 16:20
    IV. Rondo. Allegretto 19:46
    Sviatoslav Richter
    Live recording, London, 20.X.1968

КОМЕНТАРІ • 26

  • @jamesnickoloff6692
    @jamesnickoloff6692 Рік тому +11

    Richter gave his best in London. No wait, it was in Moscow. No, in Leningrad. In New York. In Budapest. In Prague. In Munich. Throughout Italy. In France. In Japan. And in tiny villages in the Soviet Union, nearly forgotten places. Who can say? Every performance is a miracle. How fortunate the people who heard him LIVE. And how fortunate are we that technology brings him to us--from the grave!--today. Thank you, Sviatoslav!

    • @danal81
      @danal81 11 місяців тому

      Not every performance of his is a miracle. Some are riddled with mistakes.

    • @jamesnickoloff6692
      @jamesnickoloff6692 11 місяців тому +3

      @@danal81 OK, you're right. But the number of his truly miraculous performances--over a period of five decades--is astonishing. And it is also amazing that so many of these were recorded. Of course there are mistakes in live performances, but in my opinion there is also more Life in the live ones than in the studio recordings.

    • @danal81
      @danal81 11 місяців тому

      Agreed. And when he's good, he's REALLY good, a truly unique talent.@@jamesnickoloff6692

    • @asaluk3149
      @asaluk3149 4 місяці тому

      I had the great pleasure of hearing Richter perform live twice, once in Chicago and once in Washington, D.C. Both were tremendous experiences.

    • @jamesnickoloff6692
      @jamesnickoloff6692 4 місяці тому

      @@asaluk3149 How fortunate you are!

  • @sofijavukic9126
    @sofijavukic9126 3 роки тому +7

    Such a wonderful sonata. Deserves more attention.

  • @michaelnancyamsden7410
    @michaelnancyamsden7410 4 роки тому +10

    Richter was awesome.. Check out his concertos.

  • @whitecatinchopin
    @whitecatinchopin 5 років тому +10

    i think,this's best beethoven.

  • @tiromancino_tt
    @tiromancino_tt Рік тому +3

    grande interpretazione

  • @notaire2
    @notaire2 5 років тому +5

    Lebhafte live Aufführung dieser fein komponierten Klaviersonate im rhythmischen Tempo mit klarem Anschlag und gut artikulierter Dynamik. Einfach wunderschön!

  • @vivienmerchant
    @vivienmerchant 7 років тому +17

    This is just extraordinarily wonderful. The slow movement has to be one of Beethoven's finest achievements and it is played here with such intensity, unbelievable control of all the layers and indescribably beautiful tone. This is both perfomer and composer at their best; a meeting of heart and mind in complete balance. Thank you so very much for posting this marvel.

    • @danal81
      @danal81 11 місяців тому

      no one asked

  • @ljiljanastanic9076
    @ljiljanastanic9076 4 роки тому +4

    Maestro...!!!

  • @jennyjang5894
    @jennyjang5894 5 років тому +10

    Unbelievably brilliant ~

  • @mike8015
    @mike8015 7 років тому +11

    Jesus Christ, this is perfect!

  • @paul7606
    @paul7606 8 місяців тому +2

    He was able to create such sound with his large hands.

  • @falamimire
    @falamimire 8 років тому +6

    This was first issued on an awful ASDISC label.
    Thanks for the perfect upload!!!

  • @MrGer2295
    @MrGer2295 7 років тому +9

    Beautiful piano playing ! Thank you for posting :)

  • @ihatesherbetland88
    @ihatesherbetland88 8 років тому +6

    Whoa! Holy crap!

  • @wolfgangklofat594
    @wolfgangklofat594 2 роки тому +2

    Dieser Russe deutscher Abstammung sticht bei diesem Beethoven alle aus, mögen sie nun Schnabel, Gulda, Levit heißen. Auch einem Emil Gilels gelingt nicht diese intuitive Erfassung der Sonate wie sie Sviatoslav Richter auch kongenial auszuspielen in der Lage ist (vor 53 Jahren war). In der B-Dur op. 22 zeigt sich die Überlegenheit seiner "hypnotischen"* Klavierkunst am deutlichsten, - ist in etwa jedoch auch in den opus 26 (Trauermarsch), 31/2 (Sturm) und in der Appassionata op. 57 nicht zu verkennen. - *: So das Wort von Nikolai Lugansky, dem prädestinierten Nachfolger(?!), als er nach seinen pianistischen "Vorbildern" gefragt wurde.

  • @fredericpelassy527
    @fredericpelassy527 6 місяців тому

    Pour moi, même au-dessus de Michelangeli...quel génie.

    • @roccocicoria4888
      @roccocicoria4888 Місяць тому

      Non esageriamo. Meglio di Michelangeli proprio no. I geni poi sono i creatori, non gli esecutori.

  • @volodyashestakov
    @volodyashestakov 3 роки тому +1

    Сволочи! Уберите поганую рекламу из Рихтера!