@@PlanSéquenceFilmArt it has affected me all these years...I was quite young, yet to be in those relationships of depth, but I knew the poignancy spoke nothing but absolute truth. Many scenes hurt, but they were simultaneously beautiful because they felt so real.
How stupid of them to start a copyright case against you - this sort of thoughtful insight can only help to introduce people new to Bergman (such as myself) to the films. This is a really enjoyable video essay in itself, and now, of course, my uncertainty about whether to spend the considerable amount of money it takes to get access to Bergman's films (in the UK outside of London at least) is over. Thank you so much for such great work.
Dear Marty, it brings me great joy that you have appreciated this video essay. It's unfortunate that a film corporation would make such a judgement on this piece, but it's the world we live in today, I suppose. Once again thank you for the kind words.
If you can, watch the Swedish series instead of the film. Or both, if you enjoy the story. I watched the film first, then the series, and the latter was much more fulfilling as a story. Haven't watched the HBO series yet - perhaps one day I'll take the leap.
Hey Sam! I'm quite fond of Kierkegaard in general, what I meant to say was that for the subject under discussion in the essay, I don't think its theology present in the aforementioned book bore much value, especially if it is addressing a couple in which religion does not play a significant part. Thanks for the comment!
Hey Pstvt, I haven't seen the American remake yet, but I'll give it a shot when I have a chance. Is it as brutal, cynical, straighforward and raw as Bergman's original work? And how do Oscar Issac and Jessica Chastain's performances compare with Liv Ullman and Erland Josephson?
Hey Pstvt, I haven't seen the American remake yet, but I'll give it a shot when I have a chance. Is it as brutal, cynical, straighforward and raw as Bergman's original work? And how do Oscar Issac and Jessica Chastain's performances compare with Liv Ullman and Erland Josephson?
Appreciate your work, It's great learning for me as a student of film. Keep going, more strength to you.
Thank you Chetan, glad you enjoyed it!
Saw it ages ago.. Most realistic series about the breakdown of Commitment.
You are quite right, one of the most punishing depictions of the marriage condition and its decay.
@@PlanSéquenceFilmArt it has affected me all these years...I was quite young, yet to be in those relationships of depth, but I knew the poignancy spoke nothing but absolute truth. Many scenes hurt, but they were simultaneously beautiful because they felt so real.
How stupid of them to start a copyright case against you - this sort of thoughtful insight can only help to introduce people new to Bergman (such as myself) to the films. This is a really enjoyable video essay in itself, and now, of course, my uncertainty about whether to spend the considerable amount of money it takes to get access to Bergman's films (in the UK outside of London at least) is over. Thank you so much for such great work.
Dear Marty, it brings me great joy that you have appreciated this video essay. It's unfortunate that a film corporation would make such a judgement on this piece, but it's the world we live in today, I suppose. Once again thank you for the kind words.
This film is an absolute beauty♥️
Btw thanks for the deeper dive
Dear Tarumi, you are very welcome, my friend.
Brilliant acting .among the very best
Absolutely, Liv and Erland are always brilliant.
What’s the music in the background? ❤️
A selection of Bach French suites.
@@PlanSéquenceFilmArt Excellent thanks for letting me know 👍
@@sho8611 No worries, my friend.
What is the background piano music you used? Wonderful video btw
Thank you Walter White. The soundtrack is a selection of Bach's French Suites. Cheers.
The best thing about SOSM is that it has the long version. The same with Fanny och Alexander, the long version is better.
Doubtless, Bergman's film benefits a lot from the longer version. Cheers.
Coz of volvo?
No, because of Saab, obviously!
@@PlanSéquenceFilmArt sheeeeezz
If you can, watch the Swedish series instead of the film. Or both, if you enjoy the story.
I watched the film first, then the series, and the latter was much more fulfilling as a story.
Haven't watched the HBO series yet - perhaps one day I'll take the leap.
Many people have recommended the series, I'll certainly get to it at some point, thanks for the reminder. Cheers!
Kierkegaards theology was valuable, be denying religion/spirituality you are deny the foundation of life and existence
Hey Sam! I'm quite fond of Kierkegaard in general, what I meant to say was that for the subject under discussion in the essay, I don't think its theology present in the aforementioned book bore much value, especially if it is addressing a couple in which religion does not play a significant part. Thanks for the comment!
@@PlanSéquenceFilmArt thank you for the effort in making the video
I liked the new adaptation more. The story line and the way the roles were reversed. I loved it…
Hey Pstvt, I haven't seen the American remake yet, but I'll give it a shot when I have a chance. Is it as brutal, cynical, straighforward and raw as Bergman's original work? And how do Oscar Issac and Jessica Chastain's performances compare with Liv Ullman and Erland Josephson?
I liked the new adaptation more. The story line and the way the roles were reversed. I loved it…
Hey Pstvt, I haven't seen the American remake yet, but I'll give it a shot when I have a chance. Is it as brutal, cynical, straighforward and raw as Bergman's original work? And how do Oscar Issac and Jessica Chastain's performances compare with Liv Ullman and Erland Josephson?