@@frog6054 Well said about this, Mr. Frog... That the late, great Kentarou Miura's artwork for "Berserk" manga is *undoubtedly, being one of the greatest artworks ever presented in the history of Japanese manga* 🇯🇵📔 has ever known for 35 years since *1989 AD/Shōwa year 64 - Heisei year 1* yet...
@@PopLol the album name is byakkoya or white tiger field which refers to baihu the white tiger in chinese mythology also known as byakko in japanese which represents the west so im guessing that's it
@@PopLolmaybe the backward travel of time? Since the sun sets on the west and rise on the east. In my culture, we refer to the west as “the rear” and the east as “the front” . I’m just bullshitting here.
Miura is a fan of susumu, and also susumu likes to work on berserk music, because he can freely create music that sounds outside of this world, even creating a language for it
@@Hierophant_Bean Well said, Hierophant_Bean 🛐🫔 That both Susumu Hirasawa's singing 🎙🎶 + The late, great Kentarou Miura's manga art 📔🎨 = An *undisputed magnum opus of all-time* 😙👌, it IS...
This played randomly in my car a few days ago driving home. I felt so somber with my thoughts about Miura and Berserk. I will always consider him my teacher in the ways of illustration and story telling.
@@aboodyabdulqadir5487 I'm writing a short story, and I would like to know something. Do you fear if the readers will understand certain things? Like for instance I said, "the boom of cannons was soon drowned out by the clashing of swords." I fear people won't understand what I meant by that, but at the same time it's good to let them draw their own conclusions right?
@@spookzer16 If by that you mean an information u gave or a joke was overlooked then yea a lot of people (me included) try to be as expressive as possible, the "let them draw their conclusion" style is when u deliver the idea or info, but that idea itself is not clear on purpose clear also: what's not clear in "swords are closer n louder than cannons" : / would love to read your story m8
@@aboodyabdulqadir5487 The reason, "the boom of cannons was soon drowned out by the clashing of swords," isn't clear is because it's supposed to show how the battle changed. The clashing of swords wasn't louder than the cannons, but instead just how the battle shifted to melee fighting.
@@MacBOTBoy I assume you have read all of or a lot ofberserk if not theres a big spoiler for falcon of the millennium empire arc. There's Skull Knight, strongest guy outside of God Hand. There's Femto, impossible to kill as of yet. Then there's Ganishka, that they are all standing on and are surrounded by, he is the strongest apostle. Then theres Zodd staring in awe.
so epic and grand. when I listened to this while reading the part of the manga with the thumbnail I was getting chills. Imagine an anime with all of these astounding pieces.
Berserk had the most epic story of all time. Badass characters, wars, tragic, magic, and dark fantasy. Berserk had it all. I genuinely don't think there are story that is epic as Berserk.
@@KC-dg9pu My dream is Madhouse animating the whole manga with the style they used on Vampire Hunter D Bloodlust. Of course, Hirasawa making the soundtrack
@@Javier-il1xi I wouldn't mind the people doing Hell's Paradise right now doing it, what are they, the motorcycle team? Mappa? But yes I agree with keeping Hirasawa on the track lol.
It's not even related to Berserk but it fits so damn well . This song has a very somber , melancholic feel , all while giving grandiose vibes thanks to the choir . I guess mystical/otherwordly could also describe this song , not only because of the aetherial choir but also because of those weird cartoony coil sounds sprinkled throughout (which now that I think about it that must be a mouth harp) . For me , this song gives me a sense of ... nostalgia . Not because I grew up listening to it or anything , but maybe because it reminds me of all the good times I've had throughout my teenage years . Might be sad that they are in the past but I feel forever grateful .
Lyrics: 万象を乗せマッハの船が つんざく心像の下方 代々と連なり咲く 訓戒の花園を見た ｢戻れぬ｣と騒がしく 行くだけのキミよ 別れの時と老いた｢日｣に 身を投げた In the depths of a mental image pierced by a Mach¹ ship carrying all of creation I saw a garden of with rows of admonitions blooming for generations You leave, saying loudly "Can't go back" At the time of parting, I cast myself into the aged "day" 夜は間近と浜辺の砂が 遠く沈む陽の影の牢を出る 千の国さえ砕ける波と にわかいきり立て 夢の津波 牙を剥いて In the evening, the sand on the nearby beach leaves the prison in the shadow of the distant sunset A wave that could destroy a thousand countries Suddenly enraged, the tsunami of dreams bares its fangs 緩衝の壁 突破の轟音 つんざく良心の嗚咽 連綿と途絶えずに降る 悔恨の雨音を消して ｢見えぬゆえ｣と無言のまま 行くだけのキミに 記憶は許されず追われる 冤罪者のように The sound of weeping as my conscience is pierced by the thunderous roar of a buffer wall being breached Erases the sound of regret endlessly raining down in streams You leave in silence, as if to say "For no discernible reason." Memories are forbidden to you, as if you were a falsely accused fugitive 今も遠くで息絶え絶えに 良かれと奮える怒号は老い行く 虹の朝など絵空の塵と にわかに聳え立つ 夢の塔の門よ開け Gasping somewhere far away now, the voice that bravely bellowed out what it thought was right grows old Mere rainbow mornings, the dust specks of pipe dreams Open up, oh gates of the suddenly looming tower of dreams 老いた日で明日が呼ぶ 過ぎる時の西へ西へ 知らぬ間に隠された 夢の闇の奥 Tomorrow calls out from the aged day Westward, westward of the passing time³ Hidden before you knew it The dark depths of dreams 老いた日へ明日を見に 過ぎる時の西へ西へ 呼び続くあの声の 夢の闇の奥 Go to the aged day to see tomorrow Westward, westward of the passing time In the dark depths of the dreams of that continuously calling voice 老いた日で明日が呼ぶ 過ぎる時の西へ西へ 知らぬ間に隠された 夢の闇の奥 Tomorrow calls out from the aged day Westward, westward of the passing time Hidden before you knew it The dark depths of dreams 満場の人喝采の声 つんざく声に撃たれて 淡々と散るユリのように 朽ちるキミを誰も見ず ｢夜明けを手中に｣と行く マッハの船の轟音に 別れの時と老いた｢日｣に 身を投げた The cheers of the entire audience No one sees that you are rotting just like A lily shot down by a piercing voice, its blossoms falling lightly "Daybreak will be in my control," thunders the Mach ship as it goes At the time of parting, I cast myself into the aged "day" 夜は間近と浜辺の砂が 遠く沈む陽の影の牢を出る 虹の朝など絵空の塵と にわかいきり立て 夢の津波 牙を剥いて In the evening, the sand on the nearby beach leaves the prison in the shadow of the distant sunset Mere rainbow mornings, the dust specks of pipe dreams Suddenly enraged, the tsunami of dreams bares its fangs 老いた日で明日が呼ぶ 過ぎる時の西へ西へ 知らぬ間に隠された 夢の闇の奥 Tomorrow calls out from the aged day Westward, westward of the passing time Hidden before you knew it The dark depths of dreams 老いた日へ明日を見に 過ぎる時の西へ西へ 呼び続くあの声の 夢の闇の奥 Go to the aged day to see tomorrow Westward, westward of the passing time In the dark depths of the dreams of that continuously calling voice 老いた日で明日が呼ぶ 過ぎる時の西へ西へ 知らぬ間に隠された 夢の闇の奥 Tomorrow calls out from the aged day Westward, westward of the passing time Hidden before you knew it The dark depths of dreams 老いた日へ明日を見に 過ぎる時の西へ西へ 呼び続くあの声の 夢の闇の奥 Go to the aged day to see tomorrow Westward, westward of the passing time In the dark depths of the dreams of that continuously calling voice
Any time I have a chance to recommend either Berserk, or Susumu HIrasawa, I do. I have never heard nor read anything better than either respective things.
Probably because it's not from Berserk at all despite the artwork in the video. It's from Susumu Hirasawa's album "Byakkoya - White Tiger Field" which had two tracks that were used for the movie "Paprika" (the tracks "Byakkoya" and "Parade" I think), I'd recommend checking out the rest of his stuff if you're unfamiliar with the work he's done outside of berserk (Niwashi King is a good one to start with if you're only familiar with his music in berserk).
Amazing. Susume Hirasawa really knows how to convey great music into dark fantasy. So otherworldly and haunting at times but really feels like storytelling in its own right
I've absolutely mad respect for Legend that is Susumu Hirasawa! I'm Glad Miura sensei& Berserk team chose him to give OST to their Anime!One of the Best Mangas of all time needed his energetic compositions & Voice. Even Paprika OST that Hirusawa San did is out of this World!
I loved how this page reassured me that Griffith the tactician still existed inside of Femto. The way he was relying and certain on Skull Knights arrival reminds me of how in the golden age ark he relied and used Guts brashness. Puts a chill down my spine thinking of how he might be using Guts tendancies even now to his own needs. The only way to defeat Griffith is to reject him like guts did in the snow and Rickert did on the bridge. If you let him provoke you you will end up like the kings brother, the queen, advisor Foss, Ganishka, and now the Skull Knight just serving his ultimate ends. Griffith literally has always had fate on his side so to defeat him you must make your own way rejecting your destiny. I order for Guts to win he must again reject Griffith and put aside his quest for revenge and find a way Griffith would never accept. Edit: Griffith says to guts when he claims him that Guts will die when he says he can die. He literally claims power over Guts fate and he commands the band of the hawk to be sacrificed for him choosing their fated deaths as well. You see what I’m saying? Guts is going to have to die… but not when Griffiths tells him to
A translation of the Lyrics, would be great if they were subtitled on the video: All creation rides the MACH ship as it pierces the southward of heart. You saw the endless generations of warnings bloom like a flowering garden, But only continued forward, loudly saying, "Don't turn back!" At the time of departure, in the worn sun you cast off your self. Night is near with the distant, sinking sun bringing forth a cage of shadow to the coastal sand. A wave breaks upon the tranquility of one thousand countries and dreams are suddenly angered as the tsunami bears its fangs. All barriers are broken with a thunderous roar that pierces the weeping conscience. You were with the unending pouring anguish as it was wiped out, But only continued forward, keeping silent, "No cause." Not pardoning memories as if pursing a guiltless person. Now a distant, feeble breath gives an invigorated bellow at an old death. A rainbow paints upon heaven's soil and dreams are suddenly elevated as the tower opens its gates. Calling for tomorrow to the worn sun, floating across time, towards west, towards west. An unknown space conceals dreams of deepest darkness. Looking for tomorrow in the worn sun, floating across time, towards west, towards west. A voice goes on calling for dreams of deepest darkness. Calling for tomorrow to the worn sun, floating across time, towards west, towards west. An unknown space conceals dreams of deepest darkness. All assembled people with voices of exaltation pierce the suppressed voice. Unconcerned like fallen lilies rotting, you look to no one, "Trust in daybreak" and continue on, MACH ship's thunderous roar. At the time of departure, in the worn sun you cast off your self. Night is near with the distant, sinking sun bringing forth a cage of shadow to the coastal sand. A rainbow paints upon heaven's soil and dreams are suddenly angered as the tsunami bears its fangs. Calling for tomorrow to the worn sun, floating across time, towards west, towards west. An unknown space conceals dreams of deepest darkness. Looking for tomorrow in the worn sun, floating across time, towards west, towards west. A voice goes on calling for dreams of deepest darkness. Calling for tomorrow to the worn sun, floating across time, towards west, towards west. An unknown space conceals dreams of deepest darkness. Looking for tomorrow in the worn sun, floating across time, towards west, towards west. A voice goes on calling for dreams of deepest darkness.
If all you do is buy his albums you are missing most of the experience. You need all the live performances too. He changes most of his songs every time he performs them live. Many times the live performance is superior to the studio version.
Crude lyrics : Banshou wo nose MAHHA no fune ga tsunzaku shinzou no kahou Daidai to tsuranari saku kunkai no hanazono wo mita "Modorenu" to sawagashiku yuku dake no KIMI yo Wakare no toki to oita "hi" ni mi wo nageta All creation rides the MACH ship as it pierces the southward of heart. You saw the endless generations of warnings bloom like a flowering garden, But only continued forward, loudly saying, "Don't turn back!" At the time of departure, in the worn sun you cast off your self. ---- Yoru wa madika to hamabe no suna ga tooku shizumu hi no kage no rou o deru Sen no kuni sae kudakeru nami to niwaka ikiritate yume no tsunami kiba wo muite Night is near with the distant, sinking sun bringing forth a cage of shadow to the coastal sand. A wave breaks upon the tranquility of one thousand countries and dreams are suddenly angered as the tsunami bears its fangs. ---- Kanshou no kabe toppa no gouon tsunzaku ryoushin no oetsu Renren to todaezu ni furu kaikon no ame oto wo keshite "Mienu yue" to mugon no mama yuku dake no KIMI ni Kioku wa yurusarezu owareru enzaisha no youni All barriers are broken with a thunderous roar that pierces the weeping conscience. You were with the unending pouring anguish as it was wiped out, But only continued forward, keeping silent, "No cause." Not pardoning memories as if pursing a guiltless person. ---- Ima mo tooku de iki taedae ni yokare to furueru dogou wa oiyuku Niji no asa nado ezora no chiri to niwaka sobietatsu yume no tou no mon yo hirake Now a distant, feeble breath gives an invigorated bellow at an old death. A rainbow paints upon heaven's soil and dreams are suddenly elevated as the tower opens its gates. ---- Oita hi de asu ga yobu sugiru toki no nishi he nishi he Shiranu ma ni kakusareta yume no yami no oku* Calling for tomorrow to the worn sun, floating across time, towards west, towards west. An unknown space conceals dreams of deepest darkness. ---- Oita hi he asu wo mi ni sugiru toki no nishi he nishi he Yobitsuzuku ano koe no yume no yami no oku Looking for tomorrow in the worn sun, floating across time, towards west, towards west. A voice goes on calling for dreams of deepest darkness. ---- Oita hi de asu ga yobu sugiru toki no nishi he nishi he Shiranu ma ni kakusareta yume no yami no oku Calling for tomorrow to the worn sun, floating across time, towards west, towards west. An unknown space conceals dreams of deepest darkness. ---- Manjou no hito kassai no koe tsunzaku koe ni utarete Tantan to chiru yuri no you ni kuchiru KIMI wo daremo mizu "Yoake wo shuchuu ni" to yuku MAHHA no fune no gouon ni Wakare no toki to oita "hi" ni mi wo nageta All assembled people with voices of exaltation pierce the suppressed voice. Unconcerned like fallen lilies rotting, you look to no one, "Trust in daybreak" and continue on, MACH ship's thunderous roar. At the time of departure, in the worn sun you cast off your self. ---- Yoru wa machika to hamabe no suna ga tooku shizumu in no kage no rou wo deru Niji no asa nado ezora no chiri to niwaka ikiritate yume no tsunami kiba wo muite Night is near with the distant, sinking sun bringing forth a cage of shadow to the coastal sand. A rainbow paints upon heaven's soil and dreams are suddenly angered as the tsunami bears its fangs. ---- Oita hi de asu ga yobu sugiru toki no nishi he nishi he Shiranu ma ni kakusareta yume no yami no oku Calling for tomorrow to the worn sun, floating across time, towards west, towards west. An unknown space conceals dreams of deepest darkness. X2 ---- Oita hi he asu wo mi ni sugiru toki no nishi he nishi he Yobitsuzuku ano koe no yume no yami no oku Looking for tomorrow in the worn sun, floating across time, towards west, towards west. A voice goes on calling for dreams of deepest darkness. X2
2:59 This finna play in my Dragon Ball fan fiction when Hirudegarn rears her ugly head for the final time. I felt particularly inspired for the Konats storyline and intend to use more than one track from Hirasawa to sell the dark fantasy undertones.
This moment in Berserk was absolutely shocking. Like the man just spawned behind Femto with that menacing sword. Idk tho if Skull Knight was expecting to fail and was aiming for the astral world to emerge with the physical world from the very beginning or he just really f*cked it up and fail miserably. Knowing that Skull Knight can somehow know the future to some extent... I'd say that he knew.
*Jikan No Seihou* - *O Oeste do Tempo* Debaixo da imagem mental que um navio Mach carregando todas as coisas perfura Eu vi um jardim de admoestações que floresceu por gerações Eu não posso voltar, você apenas vai ruidosamente Eu me joguei na hora da despedida e no velho dia. A noite se aproxima e a areia da praia afunda ao longe saindo da prisão da sombra do Sol Ondas que podem quebrar até mil nações. O som estrondoso de romper a parede intermediária Apague as linhas contínuas e o som da chuva arrependida que cai incessantemente Porque eu não consigo ver, você apenas vai silenciosamente Memórias não são permitidas, como um falso condenado sendo perseguido Mesmo agora, morrendo ao longe, o rugido das boas intenções está envelhecendo Abra os portões da poeira do céu e da imponente torre dos sonhos O amanhã chama nos velhos tempos para o oeste do tempo que passa As profundezas da escuridão escondidas nos sonhos O amanhã chama nos velhos tempos para o oeste do tempo que passa As profundezas da escuridão escondidas nos sonhos O amanhã chama nos velhos tempos para o oeste do tempo que passa As profundezas da escuridão escondidas nos sonhos Pessoas lotadas, vozes animadas, baleadas por vozes penetrantes Ninguém te vê decaindo como um lírio que calmamente se espalha Ao som estrondoso de um navio Mach que vai amanhecer na mão Eu me joguei na hora da despedida e no velho dia A noite se aproxima e a areia da praia afunda ao longe saindo da prisão da sombra do Sol Uma foto de uma manhã de arco-íris e a poeira no céu O amanhã chama nos velhos tempos para o oeste do tempo que passa As profundezas da escuridão de um sonho escondido despercebido O amanhã chama nos velhos tempos para o oeste do tempo que passa As profundezas da escuridão de um sonho escondido despercebido O amanhã chama nos velhos tempos para o oeste do tempo que passa As profundezas da escuridão de um sonho escondido despercebido
A quite fine song for an adaptation as shiva from ganishka gets turned into the world tree and the astra world beckons and it's shown how the astral world merging with the physical world pushes humanity to falconia
The 1997 OST is owned by a different record company much like FORCES, which is why we have the 1997 OST on Spotify but without FORCES. And its possible we will never get this one on Spotify because Hirasawa has some issue with music distribution and is not into the idea of putting all of his music on online services.
@@marine0924 I guess the armor is empty, only contain the skeleton/soul of what use to be a great warrior (aka King Gaiseric, so it show how strong he use to be before being change in what state he is now. Also psychological effect !
And then you ended up failed the test anyway. But there always tomorrow. a new day for you to be better. Keep struggling, struggler. May we find meaning in this world!
Hello, to you random person reading this comment i just wanna let you know that God loves you and you should also always love yourself no matter the circumstance.
Just want to take the time to remind everyone that this image was just a single panel in a regular issue of berserk, think of how crazy that is.
The artworks for Berserk is the greatest artworks ever presented in manga.
@@frog6054
Well said about this, Mr. Frog... That the late, great Kentarou Miura's artwork for "Berserk" manga is *undoubtedly, being one of the greatest artworks ever presented in the history of Japanese manga* 🇯🇵📔 has ever known for 35 years since *1989 AD/Shōwa year 64 - Heisei year 1* yet...
@@frog6054
Now that *you know what it means* here, Froggy...🐸
@@harisatryo3760 ???
@@user-em8yf6nq1r It's a bot. Pay it no mind
“Westward of time” holy shit susumu knows how to make an mystic atmosphere
I know right!.
i got no idea what that means
@@PopLol same but it's cool
@@PopLol the album name is byakkoya or white tiger field which refers to baihu the white tiger in chinese mythology also known as byakko in japanese which represents the west so im guessing that's it
@@PopLolmaybe the backward travel of time? Since the sun sets on the west and rise on the east. In my culture, we refer to the west as “the rear” and the east as “the front” . I’m just bullshitting here.
Susumu Hirasawas music is so fitting for Berserk i swear
Miura is a fan of susumu, and also susumu likes to work on berserk music, because he can freely create music that sounds outside of this world, even creating a language for it
Agree
fr
@@ags8507 Well it's all in the flow of casuality
@@ags8507 also they worked together :) in the credits of a berserk game susumu is under the direction of miura
Griffith just had some really high ping in this scene
scary when you find people you've seen in other comment sections, but you don't remember where lol
“High ping”?
@@rogueassassin875 I've just had the same experience with you
could you please explain me wtf happened there ? wasnt skull knight aiming at him ? if so how did he miss ?
@@1495Nick Griffith deflected the blow I think, then he hit Ganishka with SK's strike.
Hirasawa’s singing gives off an otherworldly, yet beautiful feeling.
which is perfect with the art of the manga
@@Hierophant_Bean
Well said, Hierophant_Bean 🛐🫔
That both Susumu Hirasawa's singing 🎙🎶 + The late, great Kentarou Miura's manga art 📔🎨 = An *undisputed magnum opus of all-time* 😙👌, it IS...
I need Miyazaki to stop playing around and hire Hirasawa to compose the next Souls game
This played randomly in my car a few days ago driving home. I felt so somber with my thoughts about Miura and Berserk. I will always consider him my teacher in the ways of illustration and story telling.
If you can ever have even 10% of Miura's talents I'd love to read whatever you make!
same man, I'm writing a novel and berserk is a major inspiration and a source I get back to to measure how better I got
@@aboodyabdulqadir5487 I'm writing a short story, and I would like to know something. Do you fear if the readers will understand certain things? Like for instance I said, "the boom of cannons was soon drowned out by the clashing of swords." I fear people won't understand what I meant by that, but at the same time it's good to let them draw their own conclusions right?
@@spookzer16 If by that you mean an information u gave or a joke was overlooked then yea a lot of people (me included) try to be as expressive as possible, the "let them draw their conclusion" style is when u deliver the idea or info, but that idea itself is not clear on purpose clear
also: what's not clear in "swords are closer n louder than cannons" : /
would love to read your story m8
@@aboodyabdulqadir5487 The reason, "the boom of cannons was soon drowned out by the clashing of swords," isn't clear is because it's supposed to show how the battle changed. The clashing of swords wasn't louder than the cannons, but instead just how the battle shifted to melee fighting.
I like that in this ludicrous panel there's the 3 strongest beings present in the physical world and there's Zodd beside them staring in awe.
3?
@@MacBOTBoy 3
@@prajawalgurung6121 please explain
@@MacBOTBoy I assume you have read all of or a lot ofberserk if not theres a big spoiler for falcon of the millennium empire arc.
There's Skull Knight, strongest guy outside of God Hand. There's Femto, impossible to kill as of yet.
Then there's Ganishka, that they are all standing on and are surrounded by, he is the strongest apostle.
Then theres Zodd staring in awe.
@@prajawalgurung6121 cool man thx
this is one of the best panels Miura's made
what volume is it on? I do not remember :(
@@dieg729 it's chapter 303 iirc
@@dieg729 volume 34
tbh, any two page panel from Berserk is by default absolutely beautiful.
Yeah it's great. Just like the two following chapters that are full of amazing chapters.
2:54 This bit onwards is utterly phenomenal.
Rest in peace Kentaro miura
Yes and Rest In Piece BERSERK.
@@robertoramirez8303Berserk still goes on.
@@demon_hawkeye5269
*Under the Studio GAGA and Kouji Mori's supervision* to be precisely, Demon Hawkeye 😈🦅
This specific song wasn’t even made for Berserk, and yet it’s so gosh-darn fitting! SUSUMU HIRASAWA IS SO AMAZING!
This man’s voice is heavenly
so epic and grand. when I listened to this while reading the part of the manga with the thumbnail I was getting chills. Imagine an anime with all of these astounding pieces.
No reason it cant be animated still. But if they did it, it should be in 90s style anime
Berserk had the most epic story of all time. Badass characters, wars, tragic, magic, and dark fantasy. Berserk had it all. I genuinely don't think there are story that is epic as Berserk.
@@KC-dg9pu My dream is Madhouse animating the whole manga with the style they used on Vampire Hunter D Bloodlust. Of course, Hirasawa making the soundtrack
@@Javier-il1xi I wouldn't mind the people doing Hell's Paradise right now doing it, what are they, the motorcycle team? Mappa? But yes I agree with keeping Hirasawa on the track lol.
@@ambientTakeover Yes, it's MAPPA. Look at Vinland Saga, if they put the same effort into Berserk, they might just pull it off.
It's not even related to Berserk but it fits so damn well . This song has a very somber , melancholic feel , all while giving grandiose vibes thanks to the choir . I guess mystical/otherwordly could also describe this song , not only because of the aetherial choir but also because of those weird cartoony coil sounds sprinkled throughout (which now that I think about it that must be a mouth harp) . For me , this song gives me a sense of ... nostalgia . Not because I grew up listening to it or anything , but maybe because it reminds me of all the good times I've had throughout my teenage years . Might be sad that they are in the past but I feel forever grateful .
Lyrics:
万象を乗せマッハの船が
つんざく心像の下方
代々と連なり咲く
訓戒の花園を見た
｢戻れぬ｣と騒がしく
行くだけのキミよ
別れの時と老いた｢日｣に
身を投げた
In the depths of a mental image pierced by a Mach¹ ship carrying all of creation
I saw a garden of with rows of admonitions blooming for generations
You leave, saying loudly "Can't go back"
At the time of parting, I cast myself into the aged "day"
夜は間近と浜辺の砂が
遠く沈む陽の影の牢を出る
千の国さえ砕ける波と
にわかいきり立て
夢の津波 牙を剥いて
In the evening, the sand on the nearby beach leaves the prison in the shadow of the distant sunset
A wave that could destroy a thousand countries Suddenly enraged, the tsunami of dreams bares its fangs
緩衝の壁 突破の轟音
つんざく良心の嗚咽
連綿と途絶えずに降る
悔恨の雨音を消して
｢見えぬゆえ｣と無言のまま
行くだけのキミに
記憶は許されず追われる
冤罪者のように
The sound of weeping as my conscience is pierced by the thunderous roar of a buffer wall being breached
Erases the sound of regret endlessly raining down in streams
You leave in silence, as if to say "For no discernible reason."
Memories are forbidden to you, as if you were a falsely accused fugitive
今も遠くで息絶え絶えに
良かれと奮える怒号は老い行く
虹の朝など絵空の塵と
にわかに聳え立つ
夢の塔の門よ開け
Gasping somewhere far away now, the voice that bravely bellowed out what it thought was right grows old
Mere rainbow mornings, the dust specks of pipe dreams Open up, oh gates of the suddenly looming tower of dreams
老いた日で明日が呼ぶ
過ぎる時の西へ西へ
知らぬ間に隠された
夢の闇の奥
Tomorrow calls out from the aged day Westward, westward of the passing time³
Hidden before you knew it The dark depths of dreams
老いた日へ明日を見に
過ぎる時の西へ西へ
呼び続くあの声の
夢の闇の奥
Go to the aged day to see tomorrow Westward, westward of the passing time
In the dark depths of the dreams of that continuously calling voice
老いた日で明日が呼ぶ
過ぎる時の西へ西へ
知らぬ間に隠された
夢の闇の奥
Tomorrow calls out from the aged day Westward, westward of the passing time
Hidden before you knew it The dark depths of dreams
満場の人喝采の声
つんざく声に撃たれて
淡々と散るユリのように
朽ちるキミを誰も見ず
｢夜明けを手中に｣と行く
マッハの船の轟音に
別れの時と老いた｢日｣に
身を投げた
The cheers of the entire audience No one sees that you are rotting just like
A lily shot down by a piercing voice, its blossoms falling lightly
"Daybreak will be in my control," thunders the Mach ship as it goes
At the time of parting, I cast myself into the aged "day"
夜は間近と浜辺の砂が
遠く沈む陽の影の牢を出る
虹の朝など絵空の塵と
にわかいきり立て
夢の津波 牙を剥いて
In the evening, the sand on the nearby beach leaves the prison in the shadow of the distant sunset
Mere rainbow mornings, the dust specks of pipe dreams Suddenly enraged, the tsunami of dreams bares its fangs
老いた日で明日が呼ぶ
過ぎる時の西へ西へ
知らぬ間に隠された
夢の闇の奥
Tomorrow calls out from the aged day Westward, westward of the passing time
Hidden before you knew it The dark depths of dreams
老いた日へ明日を見に
過ぎる時の西へ西へ
呼び続くあの声の
夢の闇の奥
Go to the aged day to see tomorrow Westward, westward of the passing time
In the dark depths of the dreams of that continuously calling voice
老いた日で明日が呼ぶ
過ぎる時の西へ西へ
知らぬ間に隠された
夢の闇の奥
Tomorrow calls out from the aged day Westward, westward of the passing time
Hidden before you knew it The dark depths of dreams
老いた日へ明日を見に
過ぎる時の西へ西へ
呼び続くあの声の
夢の闇の奥
Go to the aged day to see tomorrow Westward, westward of the passing time
In the dark depths of the dreams of that continuously calling voice
This song almost seems like the basis for Griffith's character.
Thanks!
can't find lyrics for the chorus part anywhere
2:59 sounds so cool and the background this video has
Any time I have a chance to recommend either Berserk, or Susumu HIrasawa, I do. I have never heard nor read anything better than either respective things.
This sounds so grand and elegant. Absolutely befitting a series like Berserk. Such a divine sounding ost.
2:59 💪💀👑 Even when he don't meant, the music still fits perfectly! Such great composer!
This is so underrated.
GRIFFIIIIIIIIIIIIIITTTTHHHHHH
how did rickert's slap feel
GRIFFITHHHHHHH 🔫💥🗡
@@shijimuh 🤣
WE GETTING OUT OF THE ECLIPSE RITUAL WITH THIS ONE 🔥🔥🔥🔥🔥🔥
Added this song to my workout playlist 🔥
@Karan The Ubermensch some are, others make me stop everything to sit and have a crisis
@@Chiara-ep5er guitare 1123
Good man
The nicest sounding version in youtube
How have I never heard this one before? This is too good
Probably because it's not from Berserk at all despite the artwork in the video. It's from Susumu Hirasawa's album "Byakkoya - White Tiger Field" which had two tracks that were used for the movie "Paprika" (the tracks "Byakkoya" and "Parade" I think), I'd recommend checking out the rest of his stuff if you're unfamiliar with the work he's done outside of berserk (Niwashi King is a good one to start with if you're only familiar with his music in berserk).
@@tomcole5118 thank you Sir be blessed you and all your beloved ones in JESUS name amen
@@tomcole5118 GRANDE!!!
@@tomcole5118 bro this comes on every time I read the manga what you mean
@@tomcole5118a shame it isn’t on ITunes because his songs are pure quality and he doesn’t add them to iTunes
Amazing. Susume Hirasawa really knows how to convey great music into dark fantasy.
So otherworldly and haunting at times but really feels like storytelling in its own right
I feel like if there was ever an adaptation, this song would be the opening to conviction arc.
I've absolutely mad respect for Legend that is Susumu Hirasawa! I'm Glad Miura sensei& Berserk team chose him to give OST to their Anime!One of the Best Mangas of all time needed his energetic compositions & Voice.
Even Paprika OST that Hirusawa San did is out of this World!
The beat is fire
This can be put as Berserk anime's Millenium arc's Ending song, if we ever get any. Fits so well.
Just started reading Berserk a few days ago, and listening to this while reading chapter "Campfire of Dreams" was fitting perfectly
You bet your behelit im playing this for the new chapters of Berserk returning
so howd that go
@@theinternetwizard4656 pretty good
This is supposedly not made for berserk, But it still sounds like if it was made for berserk
This should skull knight's theme if they ever make a new Berserk anime.
Just finished reading volume 34 with this song in background. Wow
I want this played at my funeral
I loved how this page reassured me that Griffith the tactician still existed inside of Femto. The way he was relying and certain on Skull Knights arrival reminds me of how in the golden age ark he relied and used Guts brashness. Puts a chill down my spine thinking of how he might be using Guts tendancies even now to his own needs. The only way to defeat Griffith is to reject him like guts did in the snow and Rickert did on the bridge. If you let him provoke you you will end up like the kings brother, the queen, advisor Foss, Ganishka, and now the Skull Knight just serving his ultimate ends. Griffith literally has always had fate on his side so to defeat him you must make your own way rejecting your destiny. I order for Guts to win he must again reject Griffith and put aside his quest for revenge and find a way Griffith would never accept.
Edit: Griffith says to guts when he claims him that Guts will die when he says he can die. He literally claims power over Guts fate and he commands the band of the hawk to be sacrificed for him choosing their fated deaths as well. You see what I’m saying? Guts is going to have to die… but not when Griffiths tells him to
Well Put
holy shit
"Susumu Hirasawa faz um tipo de música que desafia os sentidos, uma música que vai além da simples melodia" ⭐⭐⭐⭐⭐
Damned eclipse... Although this version of the audio is pretty good and clean
josiah!?!??!?!!? is that u?
It's not the eclipse
A translation of the Lyrics, would be great if they were subtitled on the video:
All creation rides the MACH ship as it pierces the southward of heart.
You saw the endless generations of warnings bloom like a flowering garden,
But only continued forward, loudly saying, "Don't turn back!"
At the time of departure, in the worn sun you cast off your self.
Night is near with the distant, sinking sun bringing forth a cage of shadow to the coastal sand.
A wave breaks upon the tranquility of one thousand countries and dreams are suddenly angered as the tsunami bears its fangs.
All barriers are broken with a thunderous roar that pierces the weeping conscience.
You were with the unending pouring anguish as it was wiped out,
But only continued forward, keeping silent, "No cause."
Not pardoning memories as if pursing a guiltless person.
Now a distant, feeble breath gives an invigorated bellow at an old death.
A rainbow paints upon heaven's soil and dreams are suddenly elevated as the tower opens its gates.
Calling for tomorrow to the worn sun, floating across time, towards west, towards west.
An unknown space conceals dreams of deepest darkness.
Looking for tomorrow in the worn sun, floating across time, towards west, towards west.
A voice goes on calling for dreams of deepest darkness.
Calling for tomorrow to the worn sun, floating across time, towards west, towards west.
An unknown space conceals dreams of deepest darkness.
All assembled people with voices of exaltation pierce the suppressed voice.
Unconcerned like fallen lilies rotting, you look to no one,
"Trust in daybreak" and continue on, MACH ship's thunderous roar.
At the time of departure, in the worn sun you cast off your self.
Night is near with the distant, sinking sun bringing forth a cage of shadow to the coastal sand.
A rainbow paints upon heaven's soil and dreams are suddenly angered as the tsunami bears its fangs.
Calling for tomorrow to the worn sun, floating across time, towards west, towards west.
An unknown space conceals dreams of deepest darkness.
Looking for tomorrow in the worn sun, floating across time, towards west, towards west.
A voice goes on calling for dreams of deepest darkness.
Calling for tomorrow to the worn sun, floating across time, towards west, towards west.
An unknown space conceals dreams of deepest darkness.
Looking for tomorrow in the worn sun, floating across time, towards west, towards west.
A voice goes on calling for dreams of deepest darkness.
Zodd watching two of the strongest beings ready to start battling: "Wow. This is gonna be epic boiiiiii."
never even heard of this song until now, i like it
This song is so legendary.
Rare gem I have missed by being a pleb. Better buy all of his albums
If all you do is buy his albums you are missing most of the experience. You need all the live performances too. He changes most of his songs every time he performs them live. Many times the live performance is superior to the studio version.
This track has nothing to do with Berserk, but it wouldn't be out of place if it were in it.
Crude lyrics :
Banshou wo nose MAHHA no fune ga tsunzaku shinzou no kahou
Daidai to tsuranari saku kunkai no hanazono wo mita
"Modorenu" to sawagashiku yuku dake no KIMI yo
Wakare no toki to oita "hi" ni mi wo nageta
All creation rides the MACH ship as it pierces the southward of heart.
You saw the endless generations of warnings bloom like a flowering garden,
But only continued forward, loudly saying, "Don't turn back!"
At the time of departure, in the worn sun you cast off your self.
----
Yoru wa madika to hamabe no suna ga tooku shizumu hi no kage no rou o deru
Sen no kuni sae kudakeru nami to niwaka ikiritate yume no tsunami kiba wo muite
Night is near with the distant, sinking sun bringing forth a cage of shadow to the coastal sand.
A wave breaks upon the tranquility of one thousand countries and dreams are suddenly angered as the tsunami bears its fangs.
----
Kanshou no kabe toppa no gouon tsunzaku ryoushin no oetsu
Renren to todaezu ni furu kaikon no ame oto wo keshite
"Mienu yue" to mugon no mama yuku dake no KIMI ni
Kioku wa yurusarezu owareru enzaisha no youni
All barriers are broken with a thunderous roar that pierces the weeping conscience.
You were with the unending pouring anguish as it was wiped out,
But only continued forward, keeping silent, "No cause."
Not pardoning memories as if pursing a guiltless person.
----
Ima mo tooku de iki taedae ni yokare to furueru dogou wa oiyuku
Niji no asa nado ezora no chiri to niwaka sobietatsu yume no tou no mon yo hirake
Now a distant, feeble breath gives an invigorated bellow at an old death.
A rainbow paints upon heaven's soil and dreams are suddenly elevated as the tower opens its gates.
----
Oita hi de asu ga yobu sugiru toki no nishi he nishi he
Shiranu ma ni kakusareta yume no yami no oku*
Calling for tomorrow to the worn sun, floating across time, towards west, towards west.
An unknown space conceals dreams of deepest darkness.
----
Oita hi he asu wo mi ni sugiru toki no nishi he nishi he
Yobitsuzuku ano koe no yume no yami no oku
Looking for tomorrow in the worn sun, floating across time, towards west, towards west.
A voice goes on calling for dreams of deepest darkness.
----
Oita hi de asu ga yobu sugiru toki no nishi he nishi he
Shiranu ma ni kakusareta yume no yami no oku
Calling for tomorrow to the worn sun, floating across time, towards west, towards west.
An unknown space conceals dreams of deepest darkness.
----
Manjou no hito kassai no koe tsunzaku koe ni utarete
Tantan to chiru yuri no you ni kuchiru KIMI wo daremo mizu
"Yoake wo shuchuu ni" to yuku MAHHA no fune no gouon ni
Wakare no toki to oita "hi" ni mi wo nageta
All assembled people with voices of exaltation pierce the suppressed voice.
Unconcerned like fallen lilies rotting, you look to no one,
"Trust in daybreak" and continue on, MACH ship's thunderous roar.
At the time of departure, in the worn sun you cast off your self.
----
Yoru wa machika to hamabe no suna ga tooku shizumu in no kage no rou wo deru
Niji no asa nado ezora no chiri to niwaka ikiritate yume no tsunami kiba wo muite
Night is near with the distant, sinking sun bringing forth a cage of shadow to the coastal sand.
A rainbow paints upon heaven's soil and dreams are suddenly angered as the tsunami bears its fangs.
----
Oita hi de asu ga yobu sugiru toki no nishi he nishi he
Shiranu ma ni kakusareta yume no yami no oku
Calling for tomorrow to the worn sun, floating across time, towards west, towards west.
An unknown space conceals dreams of deepest darkness. X2
----
Oita hi he asu wo mi ni sugiru toki no nishi he nishi he
Yobitsuzuku ano koe no yume no yami no oku
Looking for tomorrow in the worn sun, floating across time, towards west, towards west.
A voice goes on calling for dreams of deepest darkness. X2
CHAD comment
thank you for this
I was looking for the romanji lyrics. Thanks!
How could i forget this song💗
My boyfriend loves berserk! (Mainly the manga)
good
good boy ☺
Good
Who doesn’t
well if you have stomach to really dark themes like these you should give it a try
Miura might be my favorite artist ever atp
anybody else listen to Susumu Hirasawa when they work out shit hits different
2:59 This finna play in my Dragon Ball fan fiction when Hirudegarn rears her ugly head for the final time. I felt particularly inspired for the Konats storyline and intend to use more than one track from Hirasawa to sell the dark fantasy undertones.
they have to use this song in an eventual adaptation
now where's the Eastward of time!!!
I remember Rickert Slap and This panel Made me Jump out of my Seat 😁
will i ever get to see the lyrics of this masterpiece?
Im going to listen to this while i read that chapter in the image
This moment in Berserk was absolutely shocking.
Like the man just spawned behind Femto with that menacing sword.
Idk tho if Skull Knight was expecting to fail and was aiming for the astral world to emerge with the physical world from the very beginning or he just really f*cked it up and fail miserably.
Knowing that Skull Knight can somehow know the future to some extent... I'd say that he knew.
Tis is amazing masterpiece right here
Berserk is back!
Ready for 1m+ views 🎉🎉
3:57 sounds like the eldenbeast theme from EldenRing its crazy how much inspiration from software took from berserk
1. Sounds like common chords used everywhere
2. The song has nothing to do with 'Berserk'
Here after 369. The struggle continues.
De mis paneles favoritos de todo el manga
gives "majinzoku no onnen" vibes
i can imagine the russian anime charachters fighting the japanese samurai people
*Jikan No Seihou* - *O Oeste do Tempo*
Debaixo da imagem mental que um navio Mach carregando todas as coisas perfura
Eu vi um jardim de admoestações que floresceu por gerações
Eu não posso voltar, você apenas vai ruidosamente
Eu me joguei na hora da despedida e no velho dia.
A noite se aproxima e a areia da praia afunda ao longe saindo da prisão da sombra do Sol
Ondas que podem quebrar até mil nações.
O som estrondoso de romper a parede intermediária
Apague as linhas contínuas e o som da chuva arrependida que cai incessantemente
Porque eu não consigo ver, você apenas vai silenciosamente
Memórias não são permitidas, como um falso condenado sendo perseguido
Mesmo agora, morrendo ao longe, o rugido das boas intenções está envelhecendo
Abra os portões da poeira do céu e da imponente torre dos sonhos
O amanhã chama nos velhos tempos para o oeste do tempo que passa
As profundezas da escuridão escondidas nos sonhos
O amanhã chama nos velhos tempos para o oeste do tempo que passa
As profundezas da escuridão escondidas nos sonhos
O amanhã chama nos velhos tempos para o oeste do tempo que passa
As profundezas da escuridão escondidas nos sonhos
Pessoas lotadas, vozes animadas, baleadas por vozes penetrantes
Ninguém te vê decaindo como um lírio que calmamente se espalha
Ao som estrondoso de um navio Mach que vai amanhecer na mão
Eu me joguei na hora da despedida e no velho dia
A noite se aproxima e a areia da praia afunda ao longe saindo da prisão da sombra do Sol
Uma foto de uma manhã de arco-íris e a poeira no céu
O amanhã chama nos velhos tempos para o oeste do tempo que passa
As profundezas da escuridão de um sonho escondido despercebido
O amanhã chama nos velhos tempos para o oeste do tempo que passa
As profundezas da escuridão de um sonho escondido despercebido
O amanhã chama nos velhos tempos para o oeste do tempo que passa
As profundezas da escuridão de um sonho escondido despercebido
Bom trabalho 🤙
Zodd in the background is like: 🤨
Skull Knight 💀🗿🐐
naruhodo band of the light to the causation
Essa música devia ter sido o encerramento da Golden Age Memorial Edition
My memories my dreams my beloved berserk and susumu hirasawa
Is it just me or does this have an odly similar composition to an EDM track
Definitely Skull Knight's theme.
Jesus makes a cameo on Skull Knight's shin armor.
A quite fine song for an adaptation as shiva from ganishka gets turned into the world tree and the astra world beckons and it's shown how the astral world merging with the physical world pushes humanity to falconia
This back
It has that dark academia vibe into it.
this goes hard
*Brabo Skull Knight* 🐎🗡️💀🔥💯
Susumu finally put the 1997 Berserk ost into Apple Music but where is the rest
Where’s forces
Where’s this
Same for Spotify
The 1997 OST is owned by a different record company much like FORCES, which is why we have the 1997 OST on Spotify but without FORCES. And its possible we will never get this one on Spotify because Hirasawa has some issue with music distribution and is not into the idea of putting all of his music on online services.
@@tgeFallman fuck
But thank you
@@tristanderamos6455 maybe if you have a VPN you can listen to some of his albuns like "kyuusai no gihou" that has FORCES in it as an extra track.
@@tgeFallman really…I’ll try that out
Thanks
When you realise Skull Knight has naked human feet
Yes human person and i always wondered why is he so muscular if hes only a skeleton can someone respond me
@@marine0924 I guess the armor is empty, only contain the skeleton/soul of what use to be a great warrior (aka King Gaiseric, so it show how strong he use to be before being change in what state he is now. Also psychological effect !
@@asianparentsarecoldhearted6510 very naice answer
Skull knight horse: 🤨
i thought i was listening to the devilman soundtrack for a second
damn, skull knight got them dogs out
When you study for test you most likely fail
fighting with ur full power hopelessly
And then you ended up failed the test anyway. But there always tomorrow. a new day for you to be better. Keep struggling, struggler. May we find meaning in this world!
WTF Berserk Drip :O
peak
I love BERSERK😭
I need lyrics
I love the BWUNG BWONG sounds
まさにゴッドハンドのテーマのように聞こえる…
I invite you
Nice!
Goddd
2:59 🥵
I accidently listened it on 1.5 speed, gosh it sounds good!
Hello, to you random person reading this comment i just wanna let you know that God loves you and you should also always love yourself no matter the circumstance.
lyrics for the chorus part? I can't find them
Quien le corto cuerno a Zodd
Femto
2:55 👍
4:44 👍