There can never be too much McCullin, Sir Don is truly one of the finest ever. Clive Booth's film is a wonderful insight into the man and his photography, just look at his energy with a camera! So many lessons for us in just 19 minutes...
Absolutely disrespectful and out of touch, there's 0 to like from McCullin or Canon abusing the poor people in Kolkata with commercial purposes. Does he think he's in a safari? Probably the worst photography video I ever seen, and a clear example of what not to do.
I'm 83 now- been in Photography since 1951 using my Mum's Kodak Brownie Hawkeye box camera and ex-RAF WWII film ! I would love to have go at a Canon 5DS Mk III --- been out today on my 'Lockdown Exercise ' with a 1950's Rolleiflex T via Sons of my deceased great Old Friend of over 70 years -- now looking forward to developing the outdated film in Home-made Developer -- NO 'PhotoShop' used !
@@StereoChimps Watch his videos, you can see a lot of his work on most of them. Peter is quite famous and very popular on UA-cam.. and he takes great pictures.
I am from Kolkata and I will have to point out that there is much more to my city than poverty .... poverty and desperation exists in every part of the world and there are many homeless people in the UK as well.... this video focuses too much on the poverty aspect while totally ignoring culture, history, heritage, lifestyles .... we have some industries, many wealthy businessmen, educational institutions, students much like every other city in the world ... stop highlighting my nation as the typical poverty striken one and portray a more realistic version of ourselfs. Otherwise there will come a day when we will run out of patience and hospitality towards foreigners that you were so appreciative about.
I'm from Argentina and I think the same as you. I found it very disrespectful and invasive as a photographer. You can portray the human being by focusing on the dignity of people
With no disrespect to him or Canon. There was a time for this kind of photograph and the place was probably Calcutta(Kolkata, as we call it now), but that era has long been gone. True, poverty still lingers in strong - but where does it not? The main point of photojournalism, to me, is to raise questions and raise awareness. This question of poverty had been raised a long time ago and people are aware of it. Additional photographs only make a mockery out of the people, it doesn't add anything. His niche probably is war-torn places or conflict-ridden countries - so perhaps that is why he cannot steer away from it. He kept bringing up the dignity of the people of Kolkata, but none of his photographs from this session portrayed it, none. He did not see a single child going to morning school? He did not see a single person paying for stuff at a marketplace with his/her hard-earned money, yet he saw people and kids begging for money? He did not see even a single case of anything that resembles 'dignity' or 'hope'? To me, this doesn't look like a Master at work, this looks like an old man running around with a camera, making the streets work for him instead of working the streets himself (he asked multiple people to move so that he can get the perfect frame - now, being an old British person, what he failed to understand is that he is not doing a favor to them by taking their pictures, they are doing him a favor by allowing him - who is he to them? Nobody. What does his work do to alleviate their lives? Nothing... He actually is nothing to them - but he lacks the humility to accept that while taking the photos. I am sorry for sounding crude but he reminds me of the song by Pink Floyd, 'Pig'... He pretty much acted like an old white pig during this session), his words and works are often in conflict, unable to break out of his own comfort zone or niche. He could have revisited Kolkata and compared it to what it was like since his last visit, since the Bangladesh war, that would have been interesting instead of this freak circus show. Such a shame. Such a damn shame...
Oh, stop it. He went there to photograph what was there. If you have to insist how much beauty and technology there is in the city then there isn’t that much of it. Stop pretending
I'm not a photographer and 'Kolkata is all about poverty' is all I got from this documentary, but my friend who is a photographer is a lot inspired by it. Edit : India is not about poverty'.
As a 64 yr old ex pro photographer I have few heroes or people I would love to meet ,Sir Don McCullin is one of them.He truly is a living legend in photography.I could listen to him all day.
I'm stuck in a rut right now. I've become out of touch of photography since the start of pandemic and it feels I wasted so much of those time. So I'm watching documentaries about photography and storytelling to go back and get my drive back. Watching documentaries opens your eyes to stories and perceptions of people.
Since I was a teen he has been my main photographic inspiration. He ‘feels’ his images. Totally connected. Awesome human being and the worlds best photographer. Ever. And a very wise man. Great documentary. I became a pro photographer thanks to the desire to take photos like the great man. Of course my images were pale shadows of his work, but the ethos and style of Don stays with me to this day. Alas I can no longer afford pro cameras but it is a great discipline to make images with a simple camera. The documentary was a blast. Thank you Canon, i stayed loyal to the brand throughout my life, and most of all thank you Sir Don.
This man is the reason I picked up a camera in the first place. Through film into digital and many, oh so many photographs thank you Sir Don you are a true inspiration.
Having traveled to India 3 times, and taken well over 13K images from Delhi to Bangalore to Chennai, I can attest to the magnificence of this wonderful country. The people are the most amazing and friendly you will ever meet. India is indeed a photographer’s dream!
Many years ago I was camera assistant on a documentary about Lord Olivier being filmed at the National Theatre in London. There was a stills photographer there who had a similar Billingham camera bag as me and we got into conversation about the merits of said gadget bags. I was called away by my cameraman, so I parted by saying 'Interesting talking with you. My name's Andy'. 'Likewise,' he replied, 'my name's Don.' How could I not have recognised one of my favourite photographers? other than by being more familiar with his great work than his face.
A mere thanks to you Canon won't be enough for bringing this masterpiece before us, in its all authenticity. Being a resident of Kolkata, I really feel overjoyed how Sir Don McCullin interpreted the latent language of an ever excited city. Clive Booth and Chris Clarke, take my humble NAMASTE!
Thankyou Soumyadeb, I’m so pleased you like the film. It’s very special to all of us involved as well as being a huge privilage to work in collaboration with Don and the wonderful people of Kolkata!
I don’t want to take anything away from McCullin’s legacy but these Kolkata images are little more than thoughtful snaps. Photographs like these are everywhere. Online, in books, on the television, etc. I would have been impressed beyond description if he had taken the man with the enormous tumour on his face and offered to pay to have it removed. It’s India and no one has enough money to fix all the misery seen on the streets. But on this occasion running around taking photographs isn’t going to advantage anyone other than McCullin. I’ve grown tired of hearing McCullin’s angst and guilt he expresses so often. It’s well rehearsed. He is still ambitious and in reality probably doesn’t give a flying f**k if he can get a result.
i agree entirely -- pretty shocked at how many comments are glorifying this video without making any mention of the giant elephant in the room: white british man taking TONS photos of poor indian people on the streets, masquerading it as 'beauty, intrigue, colorfulness'. you'd could confuse his actions with someone on safari. i don't want to fully judge off of one video - but this one didn't look good
Very inspiring documentary. What's more inspiring is Don's enthusiasm at the age of 82. You can see, when he walks around looking for a shot he becomes ageless. The message is clear, do what you love to do.
Spent about a year in Calcutta, over the decades. Every day a gift from God! There's no wasted time in Calcutta. Longing to be back, forty years after my first visit.
I've photographed Kolkata and it is quite simply a banquet for the eyes. You really don't know where to turn next. Wonderful place, wonderful people ad of course Don is wonderful as well.
Thank you so much for this. It’s inspirational. I’m 66 years old and the need to truly live is bitting at my heals. I have no photography experience but I do write a lot. I have a concept of a story I want to tell both with pictures and with words. Your video is fuel to my dream.
At 3 mins the woman with a child is so uncomfortable being filmed. Clearly she doesn't want to be. Why would you put that in a film? It shows just a lack of awareness both bu the cameraperson and the editor and ultimately Canon.
Sat across from him on a train going towards Devin. Had no idea who he was until the lady across read out his emails. “Don, have loved your work.” “Don would be honoured if you could...” Work ? Don ? Now I only know of one Don, looked up on google and theirs the chap that’s sitting across from me. Kindly asked him for a signature and he signed his own paper and handed it to me. Said a courteous goodbye. An enjoyable experience and one of the few times I was familiar of the work but not the man.
Inglés What a nausea. In addition to being poor, they have to endure being photographed point-blank by a rich white man: Can you imagine the same scenes in reverse, a poor Indian photographing the people, the children, the houses ... of the rich in London, Paris or New York?
Oh my God a Bloody advert.I've just been to see his TATE BRITAIN exhibition.Mind blowing.There are statements he has made written on the walls of the exhibition.One of them states that no matter what equipment he could use, the photographs would be the same.
Thank you Don McCullin, for your using your abilities to show the world that we can be in a better place. And for finding dignity in everyone. And for the photographs that show us who we are and what we can be.
I think photography is a social endeavor, a compromise with humanity to portrait how we existed through our own lenses. As photographers we definitely need to be aware of this important fact and I say this because I'm a poor guy from Managua Nicaragua who fell in love into photography and I performed on busses and that experience enriched each frame that I took through this years... social photography saved my life!
I absolutely enjoyed this. I’m a traveling videographer. A new one. I love seeing stories, perspectives like this. I suppose the fact that he’s from the generation before mine,….adds to the nostalgia of it.
This is how you work the streets as a photographer. Getting complicity with your subjects. Be brave. Don't be pushy. Make people feel they have their 15 seconds of fame and they will give you a picture worth sharing.
I remember Don as a student photographer and I think it influenced my own photography along the way . After being trained as a scientist , then a spell as an academic and then used that to branch in to practicing law . I am semi retired now and can no longer use my old 5D cameras . At 70, I am still shooting and rely on my phone and MFT to capture my world. I too print my work and have growing collection of books that photographers and non photographers enjoy . So, thanks to Don and a few others who inspired me in my youth , I continue to write and take pictures . Thank you Don for being one of those who inspired me in my youth .
I am a pro photographer in Sydney, Australia. I have worked on assignments all over the world and have worked with almost all of the major news-wire services and image libraries - Getty, Corbis, AP, Reuters, Alamy, AFP, etc. I'd really like to know which lenses Don usually has in his kit, although that can obviously change, depending on the type of assignment it is - working in low-light, working at distances where long lenses are needed, interiors/indoors, etc. He's obviously shooting with Canon gear, but which lenses are his favourites, and why?
I like his photographs . But every forginer portrait india as a poor country , 1st Britishers looted our country for 200 years , now they portraits our country like this . I feel bad everyone is portraying our country like this . But i knw living in INDIA and being INDIAN is a very proud thing . 🇮🇳
Not feeling bad, these people should be given a nice hearing when they pull this kind of shit in the streets. They can never do this kind of aggressive street photography in Western countries because the homeless here will spit on their faces.
I like a lot Don photography. But what amaze me even more is the India’s people dignity and kindness regardless of the extreme situation. I’m asking myself, did photography change the lives of people for the better?
Camera is great He is an inspiration Importance of the light Man is an icon Professional at work Imagination of the man Never give up Greatest photographer ever lived
Wow what an amazing film, Sir Don has always been one of my favourite photographers with his unique style of getting in there amongst what is happening. Thank you for a life of inspiration.
what an absolute creep this man is. he says he is aware that he is exploiting this people but doesn't think a moment of giving something back, literally just says "I give you nothing! You hear, nothing!" If you don't have anything to say, your pictures won't tell anything either. If you don't have any social skills, you shouldn't be out bothering people and poking in peoples faces with your camera. Great Masterclass video on how and what you should definitely not do in street photography.
I agree his approach appeared obnoxious at times but he is from an era where that would fly. It doesn't now and it did come across as very ignorant. The best street photographers are the ones that the subjects never see.
Thank you! finally, a comment that is not from drooling men falling over to suck up to him. He is disgusting and so is his approach. Glad they are on their way out, so-called photographers like him have done nothing but years and years of damage that will take a long time to clean up. If I saw him in person doing what he was doing in Kolkata he would actually hear an earful.
I agree. Nothing really special about any of these photos. Did he he get the 'sir' handle because of his photographs? Many other British photographers, like Bill Brandt, who would be more deserving the sir title
As good as the photographs might be, I think it's very disrespectful to just take pictures of people in the street (mostly suffering people) without asking. This isn't a park or a zoo where you can just walk through and enjoy the view, which I think this video suggests. Ask these people, if they want to be photographed, they have their own personal rights. Especially when you aim to make money with those shots!
this is one of the greatest topics of discussion regarding street photography, and even though yours is a very valid point, i must desagree if we talk about keeping the natural feeling of the moment, if you ask for permission you risk loosing the vivid reality which capture your attention, i know sometimes seems rude but if you do it with an ideal of respect i wouldn't get mad. this is a good topic for a long conversation. i think i already know your opinion of bruce gilden haha
@@costa97vm I totally agree that this a big topic that can be discussed for several hours. And I also agree that asking would take away the special "in the moment"-aspect of a photo. But my point is more on the cultural/political side: Imagine travelling from the USA to Afrika (example), so you can do your high-end streetphotography series, just taking pictures of poor people without asking and sell it to companies at home or just publish it online to get a bit of recognition. That's just disrespectful. I mean, while doing thjs you almost certainly have to ask some people at some point, if its okay to take a picture, but you most likely won't do that every time. And I don't think that if you're from Afrika (no matter which country) and try to do the same thing in the USA, people will get offensive and hate on you because your 'disrespectful'. Like don't we (the western world) talk every now and then about privacy and your personal rights regarding pictures/videos that include you? Does this not apply for the rest of the world? I hope you get my point, its about 'the western world vs. the rest' embodied in some parts of photography. And I get that as a street photographer you always try to capture people in a kind, respectful way but you (as the photographer) decide for yourself whats respectful and what not, which is again not fair towards the people being photographed.
Ya I dont necessarily disagree with you and I struggle with this constantly. I feel like if it's part of your narrative or story then obviously its important and I guess you can say warranted. But if it's just for "getting the shot" or to fatten your portfolio or ig page or whatever then ya its morally wrong for me personally. Anyways... my 2 cents
@Rich Clark Productions In several countries you have rights on your image in public, especially if you're explicitly the subject in a photo. Also its not just about having a legal right, its about ethic and moral. This video simply suggests that its ok for a western photographer to walk through these streets as if it was a zoo where you can do whatever you want. And even if it is documentary photography, he's still making money with it and he's still taking pictures of people he does not ask. They're not animals that you can simply photograph without permission (since animals can't talk, but people can), They're people who have their own rights. P.S.: And don't act like you're educated and one can understand the entrie world by education. This is just arrogant thinking. Like Socrates ones said: "I know nothing, so at least I know something, which is more that people who THINK the know." P.P.S.: Since we're talking about education: I don't want to be right and suggest the only way to do things. Its about critical thinking and focusing on/talking about issues.
@Santa Clarita Recording Yeah theoretically that makes sense, but the way he did it was extremely disrespectful. purity of documentary photographs aside, he did treat it like a zoo. It's one thing to observe, but another to interfere, which is what he did. He didn't document the world "as is," he (in some cases) just captured people's reaction to him. Also, he profited off his interruption. He seemed to perpetuate that it was justified to invade people's privacy for a photo. His actions would be a little more defensible if he had a motive behind the photos. Instead he took pictures with the purpose of promoting Canon's new cameras.
See, @3:17 shows what I have to contend with; I need to learn how to navigate that photo denial/frustration of the subject. I also would want to be careful and weigh my own moral/ethical compass, regarding the men with the physical differences.
There can never be too much McCullin, Sir Don is truly one of the finest ever.
Clive Booth's film is a wonderful insight into the man and his photography, just look at his energy with a camera!
So many lessons for us in just 19 minutes...
yeah never enough creep for you??
@@AB.926 You've posted pretty much the same comment ten times on this one video. Are you feeling alright?
Absolutely disrespectful and out of touch, there's 0 to like from McCullin or Canon abusing the poor people in Kolkata with commercial purposes.
Does he think he's in a safari?
Probably the worst photography video I ever seen, and a clear example of what not to do.
He actually loves the city. “I want to disturb people, but I also want to please people” - Don McCullin. Guess he’s succeeded.
The over population of kolkuta will, as Don said be a disaster, but it has been photographed in its struggle for every day struggle to survive
I'm 83 now- been in Photography since 1951 using my Mum's Kodak Brownie Hawkeye box camera and ex-RAF WWII film ! I would love to have go at a Canon 5DS Mk III --- been out today on my 'Lockdown Exercise ' with a 1950's Rolleiflex T via Sons of my deceased great Old Friend of over 70 years -- now looking forward to developing the outdated film in Home-made Developer -- NO 'PhotoShop' used !
It would be nice to see your work.
where can we find ur work it must be amazing!
Nothing wrong with a Rolleiflex T! I hope you’re still out and about making photographs.
Og
@@StereoChimps Watch his videos, you can see a lot of his work on most of them.
Peter is quite famous and very popular on UA-cam.. and he takes great pictures.
I am from Kolkata and I will have to point out that there is much more to my city than poverty .... poverty and desperation exists in every part of the world and there are many homeless people in the UK as well.... this video focuses too much on the poverty aspect while totally ignoring culture, history, heritage, lifestyles .... we have some industries, many wealthy businessmen, educational institutions, students much like every other city in the world ... stop highlighting my nation as the typical poverty striken one and portray a more realistic version of ourselfs. Otherwise there will come a day when we will run out of patience and hospitality towards foreigners that you were so appreciative about.
I'm from Argentina and I think the same as you. I found it very disrespectful and invasive as a photographer. You can portray the human being by focusing on the dignity of people
Best comment.....colonialism
With no disrespect to him or Canon.
There was a time for this kind of photograph and the place was probably Calcutta(Kolkata, as we call it now), but that era has long been gone.
True, poverty still lingers in strong - but where does it not?
The main point of photojournalism, to me, is to raise questions and raise awareness. This question of poverty had been raised a long time ago and people are aware of it. Additional photographs only make a mockery out of the people, it doesn't add anything.
His niche probably is war-torn places or conflict-ridden countries - so perhaps that is why he cannot steer away from it. He kept bringing up the dignity of the people of Kolkata, but none of his photographs from this session portrayed it, none. He did not see a single child going to morning school? He did not see a single person paying for stuff at a marketplace with his/her hard-earned money, yet he saw people and kids begging for money? He did not see even a single case of anything that resembles 'dignity' or 'hope'?
To me, this doesn't look like a Master at work, this looks like an old man running around with a camera, making the streets work for him instead of working the streets himself (he asked multiple people to move so that he can get the perfect frame - now, being an old British person, what he failed to understand is that he is not doing a favor to them by taking their pictures, they are doing him a favor by allowing him - who is he to them? Nobody. What does his work do to alleviate their lives? Nothing... He actually is nothing to them - but he lacks the humility to accept that while taking the photos. I am sorry for sounding crude but he reminds me of the song by Pink Floyd, 'Pig'... He pretty much acted like an old white pig during this session), his words and works are often in conflict, unable to break out of his own comfort zone or niche. He could have revisited Kolkata and compared it to what it was like since his last visit, since the Bangladesh war, that would have been interesting instead of this freak circus show. Such a shame. Such a damn shame...
He was showing the tolerance and beauty of the poor people. Everyone knows there is much more to your fantastic nation.
Oh, stop it. He went there to photograph what was there. If you have to insist how much beauty and technology there is in the city then there isn’t that much of it. Stop pretending
I'm not a photographer and 'Kolkata is all about poverty' is all I got from this documentary, but my friend who is a photographer is a lot inspired by it.
Edit : India is not about poverty'.
Well said!
As a 64 yr old ex pro photographer I have few heroes or people I would love to meet ,Sir Don McCullin is one of them.He truly is a living legend in photography.I could listen to him all day.
I'm stuck in a rut right now. I've become out of touch of photography since the start of pandemic and it feels I wasted so much of those time. So I'm watching documentaries about photography and storytelling to go back and get my drive back. Watching documentaries opens your eyes to stories and perceptions of people.
It's comforting to know that a great photographer like Sir Don chimps just like us mortals!
I watch this every six months or so purely for inspiration. McCullin's ability to compose and lend context to his frames astounds me.
Since I was a teen he has been my main photographic inspiration. He ‘feels’ his images. Totally connected. Awesome human being and the worlds best photographer. Ever. And a very wise man. Great documentary. I became a pro photographer thanks to the desire to take photos like the great man. Of course my images were pale shadows of his work, but the ethos and style of Don stays with me to this day. Alas I can no longer afford pro cameras but it is a great discipline to make images with a simple camera. The documentary was a blast. Thank you Canon, i stayed loyal to the brand throughout my life, and most of all thank you Sir Don.
Ugh finally something worth watching about photography on UA-cam. Much much appreciated
This man is the reason I picked up a camera in the first place. Through film into digital and many, oh so many photographs thank you Sir Don you are a true inspiration.
Dear Sir Don I am a Doc and Self taught phographer. Thanks for giving a great lesson on the SOUL OF PHOTOGRAPHY.
Having traveled to India 3 times, and taken well over 13K images from Delhi to Bangalore to Chennai, I can attest to the magnificence of this wonderful country. The people are the most amazing and friendly you will ever meet. India is indeed a photographer’s dream!
Many years ago I was camera assistant on a documentary about Lord Olivier being filmed at the National Theatre in London. There was a stills photographer there who had a similar Billingham camera bag as me and we got into conversation about the merits of said gadget bags. I was called away by my cameraman, so I parted by saying 'Interesting talking with you. My name's Andy'. 'Likewise,' he replied, 'my name's Don.' How could I not have recognised one of my favourite photographers? other than by being more familiar with his great work than his face.
A mere thanks to you Canon won't be enough for bringing this masterpiece before us, in its all authenticity. Being a resident of Kolkata, I really feel overjoyed how Sir Don McCullin interpreted the latent language of an ever excited city. Clive Booth and Chris Clarke, take my humble NAMASTE!
Thankyou Soumyadeb, I’m so pleased you like the film. It’s very special to all of us involved as well as being a huge privilage to work in collaboration with Don and the wonderful people of Kolkata!
I don’t want to take anything away from McCullin’s legacy but these Kolkata images are little more than thoughtful snaps. Photographs like these are everywhere. Online, in books, on the television, etc. I would have been impressed beyond description if he had taken the man with the enormous tumour on his face and offered to pay to have it removed. It’s India and no one has enough money to fix all the misery seen on the streets. But on this occasion running around taking photographs isn’t going to advantage anyone other than McCullin. I’ve grown tired of hearing McCullin’s angst and guilt he expresses so often. It’s well rehearsed. He is still ambitious and in reality probably doesn’t give a flying f**k if he can get a result.
Thank you for saying this. This shit has been going on for far too long and I am glad more and more people are calling this type of bullshit out.
i agree entirely -- pretty shocked at how many comments are glorifying this video without making any mention of the giant elephant in the room: white british man taking TONS photos of poor indian people on the streets, masquerading it as 'beauty, intrigue, colorfulness'. you'd could confuse his actions with someone on safari. i don't want to fully judge off of one video - but this one didn't look good
@@ribsy Best comment
Monetizing other people's poverty and despair is a big no-no to me, and this so called "Documentary" screams NO-NO out loud, what a shame.
I enjoyed this immensely since I love india..... He's a photojournalist so he will film things I don't but I loved the energy colour
I lived here for three years, it's an absolutely amazing place. Thank you for the lovely tour !
Very inspiring documentary. What's more inspiring is Don's enthusiasm at the age of 82. You can see, when he walks around looking for a shot he becomes ageless. The message is clear, do what you love to do.
Spent about a year in Calcutta, over the decades. Every day a gift from God! There's no wasted time in Calcutta. Longing to be back, forty years after my first visit.
I've photographed Kolkata and it is quite simply a banquet for the eyes. You really don't know where to turn next.
Wonderful place, wonderful people ad of course Don is wonderful as well.
Thank you so much for this. It’s inspirational. I’m 66 years old and the need to truly live is bitting at my heals. I have no photography experience but I do write a lot. I have a concept of a story I want to tell both with pictures and with words. Your video is fuel to my dream.
Some photographer friends wonder why I carried two bodies with 85/1.2 & 35/1.4, and now I see Sir Don with two bodies.. That’s very good company 😊
7:29 the way he handles this situation is incredible. Interacting and leavingnthe kid with a smile..
well yes, but it would be better if he would gave them money, cause as he said people are struggling there
At 3 mins the woman with a child is so uncomfortable being filmed. Clearly she doesn't want to be. Why would you put that in a film? It shows just a lack of awareness both bu the cameraperson and the editor and ultimately Canon.
Don's body of work, eloquence and incredible eye are priceless.
Sat across from him on a train going towards Devin. Had no idea who he was until the lady across read out his emails.
“Don, have loved your work.” “Don would be honoured if you could...”
Work ? Don ? Now I only know of one Don, looked up on google and theirs the chap that’s sitting across from me. Kindly asked him for a signature and he signed his own paper and handed it to me. Said a courteous goodbye. An enjoyable experience and one of the few times I was familiar of the work but not the man.
Inglés
What a nausea. In addition to being poor, they have to endure being photographed point-blank by a rich white man: Can you imagine the same scenes in reverse, a poor Indian photographing the people, the children, the houses ... of the rich in London, Paris or New York?
found it absolutely out of touch and disrespectful too.
Exactly my thoughts. It almost felt he was clicking pictures of animals in a zoo
I love the confidence he has, the way he moves people to get the shots he wants. This is the cost to photograph the streets. DMC is a legend.
This was epic. I wish there was a new video every week of McCullin shooting in India. Amazing photographer in a breathtaking place.
I love sir McCullin, i believe he's still one of the best photographers ever.
Yeah amazing places
Oh my God a Bloody advert.I've just been to see his TATE BRITAIN exhibition.Mind blowing.There are statements he has made written on the walls of the exhibition.One of them states that no matter what equipment he could use, the photographs would be the same.
Wow! What a gem of a film and insight from the great photojournalist himself, Sir Don McCullin. Bravo everyone.
i am soooooooooooo happy that i found this treasure in the guise of this video
Thank you Don McCullin, for your using your abilities to show the world that we can be in a better place. And for finding dignity in everyone. And for the photographs that show us who we are and what we can be.
I think photography is a social endeavor, a compromise with humanity to portrait how we existed through our own lenses. As photographers we definitely need to be aware of this important fact and I say this because I'm a poor guy from Managua Nicaragua who fell in love into photography and I performed on busses and that experience enriched each frame that I took through this years... social photography saved my life!
I absolutely enjoyed this. I’m a traveling videographer. A new one. I love seeing stories, perspectives like this. I suppose the fact that he’s from the generation before mine,….adds to the nostalgia of it.
This is how you work the streets as a photographer. Getting complicity with your subjects. Be brave. Don't be pushy. Make people feel they have their 15 seconds of fame and they will give you a picture worth sharing.
I can see the appeal of digital but it’s much more rewarding to have a binder full of physical negatives than a hard drive full of pictures files.
I remember Don as a student photographer and I think it influenced my own photography along the way .
After being trained as a scientist , then a spell as an academic and then used that to branch in to practicing law . I am semi retired now and can no longer use my old 5D cameras . At 70, I am still shooting and rely on my phone and MFT to capture my world.
I too print my work and have growing collection of books that photographers and non photographers enjoy .
So, thanks to Don and a few others who inspired me in my youth , I continue to write and take pictures . Thank you Don for being one of those who inspired me in my youth .
I am a pro photographer in Sydney, Australia. I have worked on assignments all over the world and have worked with almost all of the major news-wire services and image libraries - Getty, Corbis, AP, Reuters, Alamy, AFP, etc.
I'd really like to know which lenses Don usually has in his kit, although that can obviously change, depending on the type of assignment it is - working in low-light, working at distances where long lenses are needed, interiors/indoors, etc.
He's obviously shooting with Canon gear, but which lenses are his favourites, and why?
Hi! We can't help with Sir Don McCullin's current favourites, but in this video he used the EF 85mm f/1.2L II and the EF 35mm f/1.4L II USM 👍
I like his photographs . But every forginer portrait india as a poor country , 1st Britishers looted our country for 200 years , now they portraits our country like this . I feel bad everyone is portraying our country like this . But i knw living in INDIA and being INDIAN is a very proud thing . 🇮🇳
Not feeling bad, these people should be given a nice hearing when they pull this kind of shit in the streets. They can never do this kind of aggressive street photography in Western countries because the homeless here will spit on their faces.
A true master of the street , fabulous video, good advice "don't wast a day of your life, you should be out there every day "
I like a lot Don photography. But what amaze me even more is the India’s people dignity and kindness regardless of the extreme situation.
I’m asking myself, did photography change the lives of people for the better?
Which building is he in at 14.2 minutes of the video ?
What an incredible place. What such lovely people. Don Mcullin, one of the worlds greats.
Impressive. Inspiring. Unforgettable.
Bloody excellent! Thank you, Canon 🙏
So inspiring! A true professional who always evokes feelings with his images.
Well this took its own sweet time coming to me, but it did. And I was struck by it. Thank you.
I love your photos.
A great man. Thank you.
Greetings from Germany 🇩🇪
I see all this and think: i need a Canon 5d mark IV :D ..no, it's a joke! But Sir Don McCullins work is amazing and very inspirend. Thank you!
This is a master piece.
A rare piece of work on documenting photography. Thanks a lot...
Excellent Video.
I love Sir McCullin's comments on the passion of photography. I just hope if I reach his age I can still do what he does.
Absolutely beautiful presentation!
it's a shame real photojournalism and journalism doesn't exist anymore in the media.
they have enormous tolerance. Love to Hear that 💜
This was such great insight of the mind of Sir Don McCullin Kolkata
Camera is great
He is an inspiration
Importance of the light
Man is an icon
Professional at work
Imagination of the man
Never give up
Greatest photographer ever lived
Amazingly done .... Inspiring, educational and loving
One of the best photographers of our time. Just stunning work and a voice you could listen to all day.
Wow what an amazing film, Sir Don has always been one of my favourite photographers with his unique style of getting in there amongst what is happening. Thank you for a life of inspiration.
fantastic document this is real street photography.
Wow, I didn’t know how much I needed to watch this. Thank you!
Astounding look at my home's inner cities - every one gets a chance to survive and find a way...thank you.. I am inspired
Does anyone know what lens besides a 35 he's using?
This was a fantastic video really enjoyed great photographer at work.
what lens was he using?
Excellent film, such an inspiring and talented legend 👏
We as photographers are blessed to have found something which ignites so much passion.
Just before the covid scam. How is this beautiful place and her people today, 2022? Gorgeous captures. A place I'd love to visit for at least a month.
i love how you handled and played with those kids asking for money
does anyone know what cameras he was using ?
Hi! Great question - he's shooting with the EOS 5D Mark IV.
Thank you so much for this, it was superb and it's awesome seeing him, at 82, move almost like a youth!
/Rasmus
Thank you for the motivation and opportunity to lear from your work
82 years young…God bless him....
Culture is everything…. You better hold on to it!😮 the great video
what an absolute creep this man is. he says he is aware that he is exploiting this people but doesn't think a moment of giving something back, literally just says "I give you nothing! You hear, nothing!" If you don't have anything to say, your pictures won't tell anything either. If you don't have any social skills, you shouldn't be out bothering people and poking in peoples faces with your camera. Great Masterclass video on how and what you should definitely not do in street photography.
I agree his approach appeared obnoxious at times but he is from an era where that would fly. It doesn't now and it did come across as very ignorant. The best street photographers are the ones that the subjects never see.
Thank you! finally, a comment that is not from drooling men falling over to suck up to him. He is disgusting and so is his approach. Glad they are on their way out, so-called photographers like him have done nothing but years and years of damage that will take a long time to clean up. If I saw him in person doing what he was doing in Kolkata he would actually hear an earful.
I agree. Nothing really special about any of these photos. Did he he get the 'sir' handle because of his photographs? Many other British photographers, like Bill Brandt, who would be more deserving the sir title
I've always thought taking pictures of homeless people is a low hanging fruit and rather despicable.
Remarkable, thank you🙏🏼✨
"I came here to photograph the mess the brits made to that part of the world"
what cameras did he used?
Canon EOS 5d mark IV
Recording the last of the jagged edges... that is powerful!
11.34. I’d swear I saw a film advance reflex there!😂 What a man; what a life!
Learned lots of lessons ❤
How does he decide who to tip?
Tripped on this beautiful visual last night
Your never to old for digital Don.
What kind of world we are living in....... extreme poverty, suffering,agony, distress,war.......
I have no idea why this was recommended to me via UA-cam… The first video on my timeline after the New Year 2022… I hear you UNIVERSE 🙏🏾
What a Gent. Absolutely unparalleled in his art Form.
An amazing man , shooting amazing people , in an amazing place !
82 years old....
Inspiring. What an amazing place. Sir Don, you’re a legend.
As good as the photographs might be, I think it's very disrespectful to just take pictures of people in the street (mostly suffering people) without asking. This isn't a park or a zoo where you can just walk through and enjoy the view, which I think this video suggests. Ask these people, if they want to be photographed, they have their own personal rights. Especially when you aim to make money with those shots!
this is one of the greatest topics of discussion regarding street photography, and even though yours is a very valid point, i must desagree if we talk about keeping the natural feeling of the moment, if you ask for permission you risk loosing the vivid reality which capture your attention, i know sometimes seems rude but if you do it with an ideal of respect i wouldn't get mad. this is a good topic for a long conversation. i think i already know your opinion of bruce gilden haha
@@costa97vm I totally agree that this a big topic that can be discussed for several hours. And I also agree that asking would take away the special "in the moment"-aspect of a photo. But my point is more on the cultural/political side: Imagine travelling from the USA to Afrika (example), so you can do your high-end streetphotography series, just taking pictures of poor people without asking and sell it to companies at home or just publish it online to get a bit of recognition. That's just disrespectful. I mean, while doing thjs you almost certainly have to ask some people at some point, if its okay to take a picture, but you most likely won't do that every time. And I don't think that if you're from Afrika (no matter which country) and try to do the same thing in the USA, people will get offensive and hate on you because your 'disrespectful'. Like don't we (the western world) talk every now and then about privacy and your personal rights regarding pictures/videos that include you? Does this not apply for the rest of the world? I hope you get my point, its about 'the western world vs. the rest' embodied in some parts of photography.
And I get that as a street photographer you always try to capture people in a kind, respectful way but you (as the photographer) decide for yourself whats respectful and what not, which is again not fair towards the people being photographed.
Ya I dont necessarily disagree with you and I struggle with this constantly. I feel like if it's part of your narrative or story then obviously its important and I guess you can say warranted. But if it's just for "getting the shot" or to fatten your portfolio or ig page or whatever then ya its morally wrong for me personally. Anyways... my 2 cents
@Rich Clark Productions In several countries you have rights on your image in public, especially if you're explicitly the subject in a photo. Also its not just about having a legal right, its about ethic and moral. This video simply suggests that its ok for a western photographer to walk through these streets as if it was a zoo where you can do whatever you want. And even if it is documentary photography, he's still making money with it and he's still taking pictures of people he does not ask. They're not animals that you can simply photograph without permission (since animals can't talk, but people can), They're people who have their own rights.
P.S.: And don't act like you're educated and one can understand the entrie world by education. This is just arrogant thinking. Like Socrates ones said: "I know nothing, so at least I know something, which is more that people who THINK the know."
P.P.S.: Since we're talking about education: I don't want to be right and suggest the only way to do things. Its about critical thinking and focusing on/talking about issues.
@Santa Clarita Recording Yeah theoretically that makes sense, but
the way he did it was extremely disrespectful. purity of documentary photographs aside, he did treat it like a zoo. It's one thing to observe, but another to interfere, which is what he did. He didn't document the world "as is," he (in some cases) just captured people's reaction to him. Also, he profited off his interruption. He seemed to perpetuate that it was justified to invade people's privacy for a photo.
His actions would be a little more defensible if he had a motive behind the photos. Instead he took pictures with the purpose of promoting Canon's new cameras.
Now this is street photography. No need for L word and 10000+ megapixels.
so inspiring!
Don is an OG the best to ever do it i could watch docos of him all day
I'm just wondering which focal length Sir Mcullin is using. :)
See, @3:17 shows what I have to contend with; I need to learn how to navigate that photo denial/frustration of the subject. I also would want to be careful and weigh my own moral/ethical compass, regarding the men with the physical differences.
I SO love this bloke!! :-)