A big, black thundercloud with Beethoven's face on it rolls up in the second movement, but with Haydn the sun is never far away, and it certainly shines again in the finale!
She was always very uncertain about her technique... one wonders why if one hears the clarity, depth, grace and ease with which she played Haydn and Mozart...
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
A big, black thundercloud with Beethoven's face on it rolls up in the second movement, but with Haydn the sun is never far away, and it certainly shines again in the finale!
Bravo, Lili Kraus!
She was always very uncertain about her technique... one wonders why if one hears the clarity, depth, grace and ease with which she played Haydn and Mozart...
Fast tempos court superficiality. This is well illustrated here in the first and last movements.
she is supardentist