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Motion in Still Photography
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- Опубліковано 5 тра 2024
- How to capture motion in still photography. Fuji GFX 50s II with Fuji GF45mm f2.8 lens doing RAW photos of motion. Slow shutter speed, low ISA, and small aperture f22+ capturing motion in a still photograph. All photos handheld using IBIS in camera. No filters or tripod.
I one of those that usually capture motion very unintentionally! lol The stills with the train are my favourites! Oh, and the pink wash...very cool!! Although I really don't do pink! LOL
“dragging the shutter” handheld is less than ideal but can make some magic. The doggos can flip a tripod every time! As for keeping it steady handheld, you treat it like a video capture and follow through on your movements until the exposure time is well over. 1/4 to 1/2 second can seem like eternity lol.
I’ve heard a bit about intentional camera movement- I like this better. We can really get the idea of the wind movement from the flag photos and the bushes too. Awesome sequence with the train! 👌 I like that parts of the photos are clear and still!! O yea, super fun sequence with the Insta360 too!! 😎🩷
Yeah, the wind was relentless that day so I opted to just go with it and see what I could pull out. The flowers were tricky because I was trying to capture movement yet keep my main focus still and have movement around it. Didn’t work because the wind wasn’t so selective. lol
Well, I think you successfully achieved the goal Dan and got some nice shots. Just a clever and sensible amount of motion blur IMO, to retain usable images, where people can clearly see what the subject is, and the intent of the photographer, without it falling too far towards the 'artistic/abstract'. Sometimes that's difficult to pull off, but I would mostly lean towards the 'less is more' side of the fence, in situations like this, like you've done here. Also a good lesson for any photography newbies tuning in, on how small increments can help keep it real, without going overboard and achieve great results.....I think my three favourite shots were of the train engine head-on, at 3:48 (definite keeper and shot of the day, imo), 3:40 and again at 3:56...Also liked 2:35, 5:15 and 5:59...
Something about the GFXs body. The grip, the weight, balance, all feel “right” in my hand and it truly feels like an extension. The IBIS is so smooth. And I just did 1 coffee today lol. I basically did two things: 1. Stand still and don’t move while everything else moves. 2. Try and follow the movement and let everything else fall behind. I’ve tried ICM photography a few times on this channel and had a few lucky successes lol. The photographers who regularly practice ICM or crazy long exposures artsy stuff get really good at it with techniques. For motion to work for me I need a focus point I can somewhat identify and a general direction of movement spinning off it. Towards the end I had the ISO clutched down to 50 and I was riding at f32 lol 🌞 Thank you as always ✌ appreciate you!
"a lot of things I COULD do, but I'm not going to do any of those" 😂 I enjoy how you kind of set up your creative challenge, tell us about your settings, and then show us how it turned out 👍
I’m not a very good photographer when it comes to preparing. Too many times I’ve been out and packed along stuff to do this or that and completely overlook the benefit of using what I’m carrying. What I focus more on is topping off batteries, clearing cards, and getting out the door while two dogs are going nuts lol. By the end of this video I DID need an ND if I wanted a slow shutter speed 🌞. The train shots were 1/4 body turn in order to follow the motion in 1/4 to 1/2 second on the shutter. I don’t re-use photo so everything is always day of (or close) typically my best work is almost always towards the end of the video lol (when most viewers are long gone) lol -actually I have a lot that skip ahead lol. If nothing else, I try and keep the photography real. Thank you for noticing my nonsensical ways lol 🙏