@@tomasantonsson Nel 2021 c'era un senso d'attesa e di inevitabile rispetto alla solita differenza tra giudici musicali e televoto - Bello potente il passaggio del “parla-shot” , anche qui notato da alcuni non italiani - Le movenze d'attacco del riff da parte del David verso la Vic erano più da pallavolista , a mio parere questa è la versione live migliore e non superata dalle altre - Esc del 2022 è stato la tomba di quella manifestazione con quella carnevalata del far vincere l'Ucraina più per propaganda politica che per merito della canzone - Ben diversa dalla trascinante Go_A che in quelle sere ci ha fatto ballare tutti nel salottone di casa - Il segreto di una musica che piace è sempre quello : se a distanza di tempo , le vai a risentire ancora ed ancora , allora sono pezzi riusciti , altrimenti sono dimenticabili -
This is my favorite song from that year and I am so happy that you posted this video I have been waiting for it🤣! Once again, AMAZING! Everything was perfect! I love hearing you and Job talking in the beginning and its nice seeing a little bit of backstage! Also, Since ESC 2023 is coming up, right after the grand final would be the best time to post more of these Behind the Steadicam videos because Eurovision will be trending and more people will get to see your videos!! PS: My cat enjoyed the video too!
What an emotion ... I love Maneskin, I love this song, and reviewing their ESC performance is always a pleasure, then enriched by these technical details it is even more interesting ... All score fast, fast, fast, the effect is crazy !!! ...🌟🌟🌟🌟Thank you for posting this video!!! ... Greetings from Italy. 🤗🫶🤗❤️🩹❤️🩹❤️🩹❤️🩹❤️🩹
Ok now I've watched it. Loved it as always. Was awesome to have Job in the video too and to get to hear some words from him. How funny I was watching some of the other ESC videos just a few short hours ago and then you go and drop this 🙂 Thanks as always for the peek behind the curtain.
Yes, it was close but safe and things we sort out during the rehearsals. The pyro guys rearranged the order of their pyro cues. So, the pyro where I leave the stage, fires off as the last one in the sequence.
Yes, it was but everything according to plan. Talked to the pyro crew and they changed the order in which the pyro were fired off. But yes, I had to have the right timing of course. 🧨💥✨
When did you and Job talk about this? Was nice to hear him tooGreat work as alwaysThe first shot is 27 seconds😮 Is it the longest? A question to Job: How do you find the right place if it's pitch black?
@liliansofia That's the most stressful moment of the show. We usually get a so called ghost light. That's a small light that's just enough to frame the shot. Then hold it as still as possible for the complete black out and hope for the best 🙂In this case I asked to open the video wall a little bit to give me the change to frame the opening just in the middle of my shot. The longest I don't know to be honest. Belgium was also long shots on 2 steadi's.
Hmm.. only had one 360 camera back in 2021 so it's difficult to make something interesting out of that part. 🤔 There will be one more video released really, really soon and then I think it's maybe done with videos from Eurovision 2021.
Hmm.. that depends on what steadicam rig you use and what camera, video transmitter, batteries, monitor, light you have to carry. But, all together I guess I gained about 25kg with all the gear. Job’s rig might have been slightly heavier. How heavy was your rig, Job?
thank you for the "parla" shot, changed my life 🙏
You’re welcome! ✨
Job's first camera shot will forever be iconic 🔥
True that! It’s an amazing shot! 👌🏼✨
Nice commentary feature from Job there! I never realized that the camera would be sooo close to the band like that!
Wowwwww.. thanks from Italy!👏
😎🤟
Camerawork was perfect in this performance!! And the "parla" shot... fantastic❤❤
Thanks a lot! 😇 And credits to Job for the fantastic “parla shot”. ✨
@@tomasantonsson Nel 2021 c'era un senso d'attesa e di inevitabile rispetto alla solita differenza tra giudici musicali e televoto - Bello potente il passaggio del “parla-shot” , anche qui notato da alcuni non italiani - Le movenze d'attacco del riff da parte del David verso la Vic erano più da pallavolista , a mio parere questa è la versione live migliore e non superata dalle altre -
Esc del 2022 è stato la tomba di quella manifestazione con quella carnevalata del far vincere l'Ucraina più per propaganda politica che per merito della canzone -
Ben diversa dalla trascinante Go_A che in quelle sere ci ha fatto ballare tutti nel salottone di casa -
Il segreto di una musica che piace è sempre quello : se a distanza di tempo , le vai a risentire ancora ed ancora , allora sono pezzi riusciti , altrimenti sono dimenticabili -
Wow you created the most iconic video of må. I wish you would do it with their live gig as well. It's worth to be filmed for the history 👏👏👏🤩🤩🤩
This is my favorite song from that year and I am so happy that you posted this video I have been waiting for it🤣! Once again, AMAZING! Everything was perfect! I love hearing you and Job talking in the beginning and its nice seeing a little bit of backstage! Also, Since ESC 2023 is coming up, right after the grand final would be the best time to post more of these Behind the Steadicam videos because Eurovision will be trending and more people will get to see your videos!!
PS: My cat enjoyed the video too!
Thanks for your feedback and nice to see your cat watching our videos. 😹
What an emotion ... I love Maneskin, I love this song, and reviewing their ESC performance is always a pleasure, then enriched by these technical details it is even more interesting ... All score fast, fast, fast, the effect is crazy !!! ...🌟🌟🌟🌟Thank you for posting this video!!! ... Greetings from Italy. 🤗🫶🤗❤️🩹❤️🩹❤️🩹❤️🩹❤️🩹
Thank you for your nice feedback. Glad you like the video. 🙏🏼✨
Reddit brought me here. These videos all are absolutely amazing. I love hearing these interesting BTS bits. Amazing job on the content!
Wow! Thank you for your nice feedback and good to hear you like our work and my videos. 🙏🏼✨
How has this channel not blown up yet
Ok now I've watched it. Loved it as always.
Was awesome to have Job in the video too and to get to hear some words from him.
How funny I was watching some of the other ESC videos just a few short hours ago and then you go and drop this 🙂
Thanks as always for the peek behind the curtain.
Yes, so much fun to have Job joining this time. He’s way better to talk than me a true star and legend. ✨
😂
Great Job (&) Tomas! 👏
Thank you Ron! 👌🏼✨
Just wow amazing work!
Thank you! 🙏🏼✨
Wow I hope they are paid well, I couldn't do this at all. Good job!
Thank you for watching. 🙏🏼
Love the work you and Job do, although I would love to see more of the steadicam when setting up a shot.
Thank you! 🙏🏼✨ I will keep that in mind for future videos.
Yessssssssssss finally!! 🎉🎉🎉🎉🎉🎉 will you post the winner's performance?
I will give it a try.. but there is one more video first. 😇
@@tomasantonsson it's Russia isn't?
@@sergio_r.h Nope.
Find it very interesting to see how close you are to pyro on stage after all.
Yes, it was close but safe and things we sort out during the rehearsals. The pyro guys rearranged the order of their pyro cues. So, the pyro where I leave the stage, fires off as the last one in the sequence.
You got so close to the fireworks
Yes, it was but everything according to plan. Talked to the pyro crew and they changed the order in which the pyro were fired off. But yes, I had to have the right timing of course. 🧨💥✨
When did you and Job talk about this? Was nice to hear him tooGreat work as alwaysThe first shot is 27 seconds😮 Is it the longest?
A question to Job: How do you find the right place if it's pitch black?
@liliansofia That's the most stressful moment of the show. We usually get a so called ghost light. That's a small light that's just enough to frame the shot. Then hold it as still as possible for the complete black out and hope for the best 🙂In this case I asked to open the video wall a little bit to give me the change to frame the opening just in the middle of my shot. The longest I don't know to be honest. Belgium was also long shots on 2 steadi's.
Wow
Li amo spudoratamente 😂
Are you going to post the winners walk and performance? If so, will it be similar to the video you did when Cornelia Jakobs won Mello 2022?
Hmm.. only had one 360 camera back in 2021 so it's difficult to make something interesting out of that part. 🤔 There will be one more video released really, really soon and then I think it's maybe done with videos from Eurovision 2021.
Awesome!😁😁🎉🎉 How much is the total weight of your steadicam setup and from Job?
Oeps, i don't know to be honest. It's wasn't a lightweight setup with extra light on it.
Hmm.. that depends on what steadicam rig you use and what camera, video transmitter, batteries, monitor, light you have to carry. But, all together I guess I gained about 25kg with all the gear. Job’s rig might have been slightly heavier.
How heavy was your rig, Job?
@@tomasantonsson If your total was 25, mine had to be in the 27 kilo perhaps?
See you next year🇸🇪
🥳✨
Oh hello there 👀
Hello! 👋🏼
I want Voilà!!!
A little bit of France will be here soon. 😉
@@tomasantonsson Yay! 🥰