The subtitles are finally ready. I hope you enjoy watching. Please note: The English subtitles are an translation of the german subtitles with DeepL. They should therefore at least be better than the Google translation offered by UA-cam. However, they are certainly not infallible either. If you find any nonsensical wording somewhere, please let me know in the comments.
Thank you for this upload. But I have to confess that the terrible conducting brought huge disappointment. This is one of my favorite operas - dynamic, passionate, gloriously beautiful music. This conductor directs in a music box, dull, decidedly un-Russian style. Conducting of Svetlanov, Mansurov, Steinberg are among the greatest recordings of this magnificent work. There is a Soviet film of this opera, conducted by Svetlanov with stunning singing, photography and acting. You can find it on YT.
Yes, I know the filmed Svetlanov recording. I'm not a big Svetlanov fan, I must confess, because his Mlada recording is completely overloaded and far too bombastic, and I generally have the feeling with him that he conducts every Russian composer as if it was Tchaikovsky. Fortunately, "The Tsar's Bride" is a very Tchaikovskian work. If the version had not been so severely shortened - Svetlanov was basically very free with the works he conducted - it would certainly be a reference recording for me as well.
@@derphysiker1774 I can easily tolerate cut performances if the conducting, orchestra and voices are superb. I don't need to feel that I have to get every single note for my money. :) Especially in the case of Wagner, the cut performances from the Met with Melchior and Flagstad are the pinnacle of Wagnerian performance but everything is cut for the broadcast. Nonetheless, please accept my appreciation for uploading this video as part of the infinite library of classical music available today. It's good to compare performance styles and practice.
@@walterbenjamin1386 Of course, tastes differ. I do cry inside when one of my favourite numbers, Lykov's arioso in Act 1, is completely omitted in Svetlanov's version... However, this version here by Sokhiev is not without cuts either, which also makes me a little angry - a conductor or an opera house should never think they are smarter than the composer.... I think the Mansurov recording is great, and I can therefore understand your criticism of Sokhiev's conducting, even if I don't share it.
Согласен с Вами. Я тоже очень люблю этот фильм-оперу, особенно Евгения Кибкало в роли Грязного с его фантастически красивым баритоном. Есть еще запись на грампластинках, там Грязного пел Валайтис, а от песни Любаши в исполнении Ирины Архиповой, честное слово, даже волосы шевелились на голове. Посмотрите старые записи "Пиковой дамы" (Милашкина, Образцова, Атлантов, Мазурок), "Садко((Эйзен, Ворошилло) - поистине, то был золотой век Большого театра.
Великолепно! партия Любаши впечатлила 👏👏👏
Vista a Torino il 28 aprile 2023 in forma di concerto. Bellissima!
It’s near perfection!! Loved it!! Marfa is divine!
CHE OPERA MAGNIFICA !! VIVA L'ARTE RUSSA !
Great🎉 I like it . And my dad like❤. Very good evrebody
Saw this when I was in Russia. What a joy to see it again!
The subtitles are finally ready. I hope you enjoy watching.
Please note: The English subtitles are an translation of the german subtitles with DeepL. They should therefore at least be better than the Google translation offered by UA-cam. However, they are certainly not infallible either. If you find any nonsensical wording somewhere, please let me know in the comments.
1:08:46 - meinetwegen- One German word popped in ))
@@aidazinnurova5512 Whoops, how did that happen? Thanks for the info, I've corrected it.
My next subtitle project will be: Nikolai Rimsky-Korsakow - Christmas Eve. But it will take a while...
Thank you ever so much for posting this!
Wonderful! Thank you!
Общая постановка - так себе... даже не верится, что это тот самый БОЛЬШОЙ1!!!
Could you please let me know what minute the song Zabylasja Ne dumal is on?
Sure, it’s 2:44:14
@@derphysiker1774thanks
@@nathanaugusto886 You‘re welcome!
Da ist ja alles Reklame alle Minuten
"Nikolai Andrejevich Rimsky-Korsakov (1839 - 1881)"
Is this correct?
Oh bloody hell, i took Mussorgsky's life data from the other video. Thank you! How did that happen to me?
@@derphysiker1774 🙂
7:00
Thank you for this upload. But I have to confess that the terrible conducting brought huge disappointment. This is one of my favorite operas - dynamic, passionate, gloriously beautiful music. This conductor directs in a music box, dull, decidedly un-Russian style. Conducting of Svetlanov, Mansurov, Steinberg are among the greatest recordings of this magnificent work. There is a Soviet film of this opera, conducted by Svetlanov with stunning singing, photography and acting. You can find it on YT.
Yes, I know the filmed Svetlanov recording. I'm not a big Svetlanov fan, I must confess, because his Mlada recording is completely overloaded and far too bombastic, and I generally have the feeling with him that he conducts every Russian composer as if it was Tchaikovsky. Fortunately, "The Tsar's Bride" is a very Tchaikovskian work. If the version had not been so severely shortened - Svetlanov was basically very free with the works he conducted - it would certainly be a reference recording for me as well.
@@derphysiker1774 I can easily tolerate cut performances if the conducting, orchestra and voices are superb. I don't need to feel that I have to get every single note for my money. :) Especially in the case of Wagner, the cut performances from the Met with Melchior and Flagstad are the pinnacle of Wagnerian performance but everything is cut for the broadcast. Nonetheless, please accept my appreciation for uploading this video as part of the infinite library of classical music available today. It's good to compare performance styles and practice.
@@walterbenjamin1386 Of course, tastes differ. I do cry inside when one of my favourite numbers, Lykov's arioso in Act 1, is completely omitted in Svetlanov's version... However, this version here by Sokhiev is not without cuts either, which also makes me a little angry - a conductor or an opera house should never think they are smarter than the composer....
I think the Mansurov recording is great, and I can therefore understand your criticism of Sokhiev's conducting, even if I don't share it.
Согласен с Вами. Я тоже очень люблю этот фильм-оперу, особенно Евгения Кибкало в роли Грязного с его фантастически красивым баритоном. Есть еще запись на грампластинках, там Грязного пел Валайтис, а от песни Любаши в исполнении Ирины Архиповой, честное слово, даже волосы шевелились на голове. Посмотрите старые записи "Пиковой дамы" (Милашкина, Образцова, Атлантов, Мазурок), "Садко((Эйзен, Ворошилло) - поистине, то был золотой век Большого театра.
1:01:30
바이올린 1
3:09:44
Russian productions are almost all identical and boring, even the costumes are the same. I will only listen to it, not watch it.